Fine Arts, see Minerva. […] She was a great benefactress of mankind, and patroness of the fine arts.

In fine, the philological explanation assumes as its starting-point masculine and feminine names for objects of nature. […] Myth, in fine, “is not to be regarded as mere error and folly, but as an interesting product of the human mind. […] In fine, the materials of the poem would persuade us not only of its origin in very ancient popular lays, but of their fusion and improvement by the imaginative effort of at least one, and, probably, of several poets, who lived and wrote between 1120 and 1200 a.d. […] The reed with its fine teeth strikes up the woof into its place, and compacts the web.