PREFACE. This new edition of the Mythology of Greece and Italy
is
properly speaking a new work. Few pages or even p
rewritten. The causes of this change (of which I think an explanation
is
due) are as follows. The work was originally inte
tification ; for as they must have been well aware of its defects, it
is
plain that they thought them to be more than comp
esent Edition I think I may venture to speak with more confidence. It
is
the result of my reading for the last six years,
tors, or occupy other important stations in society. The present work
is
of a different character ; its object is to keep
in society. The present work is of a different character ; its object
is
to keep up and extend the taste for classic liter
the same time to invigorate the intellect, but which I sometimes fear
is
rather on the wane in this country. Its size and
ng regions of mythology, for I know from experience how delightful it
is
to escape at times from the dull realities of the
tions us and on in mythic names instead of the Latin us and um. There
is
no good reason for this last usage, and I think G
raphy or grammar. The following digression will I hope be excused. It
is
on a subject — that of literary property — in whi
from the nature of my works, I feel myself interested. As our silence
is
made an argument against us, it becomes every aut
erley, or the product of toil and patient industry, like the present,
is
I conceive property in the fullest sense of the w
so as lands or houses. To these last the public have a right, but it
is
only on giving the full value of them, and on the
principle does not apply in any way to literature. What, we may ask,
is
to be derived from Waverley and such books ? Simp
t to be amused, to which right those of individuals must give way. It
is
very much as if the public were to insist on admi
not be said of us Hic multum in Fabia valet, ille Velina ; Cui libet
is
fasces dabit eripietque curule Importunus ebur.
ters, book-binders, etc. to petition against us ; the newspaper press
is
, with a few honourable exceptions, arrayed agains
urchased should go to them also, and not to the author. Theirs indeed
is
but too often the lion’s share, as I know by my o
ost of my other works, but simply to let the world see how inadequate
is
the remuneration sometimes received by the author
. The following may seem perhaps to come nearer to the truth. Artemis
is
quasi Althemis or Aldemis or Ardemis, from ἄλθω῎
ine power, and therefore an appropriate name for a river. Altheusa it
is
plain might easily become Arethusa. Possibly too
m to be all expressive of the qualities and powers of the sea. Nereus
is
the Flower (from νάω) ; Tritôn the Wearer-away (f
er (from νάω) ; Tritôn the Wearer-away (from τρύω, tero) ; Amphitrite
is
nearly the same ; Proteus is quasi Ploteus (from
arer-away (from τρύω, tero) ; Amphitrite is nearly the same ; Proteus
is
quasi Ploteus (from πλώω), the sailor or swimmer
rk of mere fiction, the chief Tecumseh says (vol. iii. 234), «The Sun
is
my father and the Earth is my mother, and I repos
ef Tecumseh says (vol. iii. 234), «The Sun is my father and the Earth
is
my mother, and I repose on her bosom.» It would t
e explained the mythes of Attis and Cybele, and of Amphiôn and Niobe,
is
one pretty generally diffused. Page 359. — Though
ctorily prove it, we have a strong notion that Geryoneus (from γηρύω)
is
only another form of Hades. They both, we may obs
des. Page 394. — Butes (Βούτηѕ, i. e. βότηѕ, from BOΩ βόσκω, to feed)
is
the Herdsman, and is the same as Hermes. The name
s (Βούτηѕ, i. e. βότηѕ, from BOΩ βόσκω, to feed) is the Herdsman, and
is
the same as Hermes. The name of his wife, we may
he same as Hermes. The name of his wife, we may observe (see p. 381),
is
Chthonia. He was probably to the Athenians what H
iii. cœlesti patronæ Actius L.» The practice of swearing by the Juno
is
alluded to by Javenal ; when, lashing the unnatur
ays (ii. 98), «Et per Junonem domini jurante ministro.» The name Juno
is
contracted from Jovino, as prudens is from pro vi
urante ministro.» The name Juno is contracted from Jovino, as prudens
is
from pro videns. Page 517. — It appears to us to
. Such were those in us and inus. Libertus and Libertinus were, there
is
no doubt, originally the same. Valerius was Corvu
nsorinus and Marcellinus. If these observations be correct, Matutinus
is
the same as Matutus, and is not Janus, i. e. the
these observations be correct, Matutinus is the same as Matutus, and
is
not Janus, i. e. the Sun, but a male deity answer
n says Saturnus), in a four-horse chariot. L. Saturn. (L. Saturninus)
is
the name of the monetary triumvir. Coin of the Se
a chariot drawn by dragons ; he has in his chlamys the seed which he
is
to scatter abroad ; the goddess holds the roll of
hone and Spring come to Zeus : Hermes explains to him why the goddess
is
to spend but a part of the year in the upper-worl
o spend but a part of the year in the upper-world. Below, Triptolemos
is
in the winged chariot, holding a sceptre and ears
s in the winged chariot, holding a sceptre and ears of corn : Demeter
is
handing him some more : a person, supposed to be
: Demeter is handing him some more : a person, supposed to be Hecate,
is
behind the goddess, and another is feeding the se
: a person, supposed to be Hecate, is behind the goddess, and another
is
feeding the serpents. Painting on a Vase belongin
er I. Introduction. Of Mythology in general. M ythology
is
the science which treats of the mythes 2, or vari
d by their inventors in the historic or narrative form. The wonderful
is
usually a component part of mythology. The deitie
of their history, for the early history of every people, with whom it
is
of domestic origin, is mythic, its first personag
he early history of every people, with whom it is of domestic origin,
is
mythic, its first personages and actions are chie
s mythic, its first personages and actions are chiefly imaginary3. It
is
only gradually that the mist clears away, and rea
milar to those of later times begin to appear ; and the mythic period
is
frequently of long duration, the stream of histor
off the marvellous and the incredible. Origin of Mythology. It
is
an interesting but by no means an easy task to tr
e mythology of a people, such as the Greeks for example, with whom it
is
rich and complicated. We regard the following as
be of benefit or injury to him, seems congenial to the human mind. It
is
always the religion of unenlightened tribes, and
man, in different stages of culture, will probably concede that there
is
a law which impels the human mind to ascribe the
a, particularly those which are of rare occurrence. The less the mind
is
expanded by culture, the more powerful is the ope
currence. The less the mind is expanded by culture, the more powerful
is
the operation of this law ; and while the philoso
r reduced to one, possessed of the combined powers of all ; or, which
is
more probable, rather we may say is the truth, bo
ombined powers of all ; or, which is more probable, rather we may say
is
the truth, both hypotheses are true : man commenc
ing the steps of error, returned to the truth which had been lost. It
is
utterly impossible to fix historically the date o
e, would be attributed to the unseen working of superior beings6. Man
is
incapable of conceiving pure spirit, and he knows
tions of these objects. In truth, a personification of the sea or sun
is
not a very intelligible expression. We mean by th
rom them ; regents of them, in the sense in which the archangel Uriel
is
by Milton called the regent of the sun. Personifi
assertion or conjecture became a marvellous or an agreeable tale. It
is
the opinion of one of the ablest mythologists of
nion of one of the ablest mythologists of the present day, that there
is
a certain stage in the culture of a people in whi
ere is a certain stage in the culture of a people in which the mythic
is
the natural mode of representation, to which men
sent the pestilence on the prayer of his priest9. How far this theory
is
well founded, and whether it will apply with equa
ill apply with equal force to other mythologies as to that of Greece,
is
a question which we will not now discuss. The sou
he various phænomena of the natural world. The Scandinavian mythology
is
full of instances, and the subsequent pages will
and modern legendary explanations of the same natural appearance. It
is
well known that most of the rivers of the Pelopon
of about fifty feet, runs a line, below which the colour of the rocks
is
lighter than it is above. The natural, though pro
, runs a line, below which the colour of the rocks is lighter than it
is
above. The natural, though probably incorrect inf
er than it is above. The natural, though probably incorrect inference
is
, that the waters stood one time at that height. T
bly learned from the Greeks) are to be found ; the origin of the rose
is
ascribed to the Prophet15, and the tulip is said
; the origin of the rose is ascribed to the Prophet15, and the tulip
is
said to have sprung from the blood of the unhappy
n the difference of castes in India, by saying that the Bramins, that
is
the priests, were produced from the mouth of Bram
biguous terms, were another abundant source of legends. In Greek λáaς
is
a stone, and λαòς a people ; hence the legend of
gend noticed by Virgil22. A part of the province of Seistân in Persia
is
named Neem-rôz, i. e. half-day ; and the popular
Persia is named Neem-rôz, i. e. half-day ; and the popular tradition
is
, that it was once covered by a lake, which was dr
writer from whom we have taken this legend justly observes, Neem-rôz
is
also mid-day ; a term which, in several languages
h of Balkh, the first seat of Persian dominion. To return home, there
is
a point of land between Hastings and Pevensey, on
tings and Pevensey, on the coast of Sussex, called Bulverhithe ; that
is
, plainly, Bulver-landing-place, such being the me
indred. The Hebrews termed sparks, sons of the burning coal ; one who
is
to die, a son of death. The Arabs call a travelle
tears, daughters of the eye ; and dreams, daughters of night : an ass
is
with them the father of hanging ears 24. A simila
ve been devised accordingly30. A branch or shoot of Ares (ὄζος Ἄρηος)
is
the Homeric appellation of a warrior, and in Lati
h of Europe ; the Abbé Banier36, who maintains that Grecian mythology
is
Egyptian and Grecian history in a poetic dress. B
al doctrines from some of the Hellenic mythes. Their concealed wisdom
is
Ethics according to Natalis Comes39; Chemistry ac
ver. These men are justly denominated Mystics 43. Their whole science
is
founded on accidental resemblances of names and p
ions, — all calculated to impose on the ignorant and the unwary44. It
is
against this system that we are most anxious to w
hat we are most anxious to warn and guard our readers. In our eyes it
is
disgusting from its indelicacy as well as its abs
istianity becomes a question45. Of these three classes the last alone
is
peculiar to modern times : the two former theorie
to one system than another : the Scandinavian mythology, for example,
is
of a more physical character than the Grecian : t
xample, is of a more physical character than the Grecian : the Indian
is
more metaphysical than either the Grecian or the
ties and religion given in the present work. The Persian cycle, which
is
preserved in the Shâh-nâmeh of Ferdoust, is purel
The Persian cycle, which is preserved in the Shâh-nâmeh of Ferdoust,
is
purely heroic ; and the Celtic tribes of Ireland
are familiar to the readers of the pseudo-Ossian are the heroes46. It
is
chiefly to the explanation of the rich and elegan
es as to leave no doubt of the original identity of the systems48. It
is
to the neglect of this rule that we owe so much o
ieve that they had received their religion from that country ; and it
is
but too well known how, in our own days, Sir Will
ied beyond its legitimate bounds. 4. The same or even greater caution
is
required in the application of etymology to this
owing words of Johnson : «The original of ancient customs,» says he, «
is
commonly unknown, for the practice often continue
er the cause has ceased ; and concerning superstitious ceremonies, it
is
vain to conjecture, for what reason did not dicta
The rule should be, — this mythe most probably has a meaning, but it
is
possible it may not have one. ChapterII. G
we shall bring forward some objections against this hypothesis54. It
is
certainly not improbable that these ancient pries
the ancients, offers no appearance of a regular concerted system. It
is
rather a loose collection of various images and f
which in those remote ages they alone visited ; and these stories, it
is
likely, were detailed with the usual allowance of
ually abounded in a rich and luxuriant system of legendary lore. This
is
proved by the poems of Homer and Hesiod, which, e
ilar verses was acquired55. One of the ablest of our late inquirers56
is
of opinion that the original seat of these school
a portion of their being ; and the knowledge of the origin of the one
is
as far beyond our attainment as that of the other
, but they had not been his lawful wives. And this, if I mistake not,
is
the true origin of the tale of the Titans being d
ge of one only God, the original cause and support of all. Anaxagoras
is
said to have been the first who openly taught thi
k warning, and truth was no longer brought into public view. But such
is
the nature and connection of things, so profuse t
s, so profuse the resemblances which the world presents to view, such
is
the analogy which runs between the operations of
a and Egypt, mysteries came greatly into vogue in Greece. In these it
is
thought62, but perhaps not with sufficient eviden
age often varied so much from that handed down by tradition, that, as
is
more especially the case with Euripides, the poet
ral occupied themselves in the explication of them. At this time what
is
named Pragmatism, or the effort to reduce the myt
ffort to reduce the mythes to history, began greatly to prevail66. It
is
probable that this took its rise from the Egyptia
riptures) the earliest literary compositions now extant. Their origin
is
enveloped in the deepest obscurity, and the quest
All these poems, however, have long since perished. The age of Hesiod
is
equally uncertain with that of Homer. Three only
; but of this also only a few fragments have been preserved. The same
is
the case with the poems named the Melampodia and
hese too have disappeared, excepting a portion of those of Pindar. It
is
much to be lamented, in a mythologic view, that s
Servius on Virgil are also very valuable in this respect, as likewise
is
the Violet-bed86 of the empress Eudocia. It would
particularise all the other sources of information, for in fact there
is
hardly a classic writer in either language who do
e religion against which their literary artillery was directed. There
is
one author of a peculiar character, and whose wor
directed. There is one author of a peculiar character, and whose work
is
of the most interesting nature, we mean Pausanias
wing pages. We have been thus succinct on the present occasion, as it
is
our intention to give a view of the literature of
cosmology, or views of the world, its nature, extent, and divisions,
is
absolutely requisite. Without it we shall be for
be charged88. The earliest view of Grecian cosmology that we possess,
is
that contained in the poems of Homer. Next in ant
e possess, is that contained in the poems of Homer. Next in antiquity
is
that of the poems of Hesiod, who flourished somew
ledge, they write for the people, who still retain old prejudices. It
is
thus that in the poets of the Augustan age we sha
sited Africa, Spain, and possibly the shores of the Atlantic ; and it
is
likely that, after the fashion of travellers and
ons by the flat disk of the Earth91. The external shell of this globe
is
called by the poets brazen 92 and iron,93, probab
nferior one Tartaros. The length of the diameter of the hollow sphere
is
given thus by Hesiod94. It would take, he says, n
, the Æthiopians or sun-burnt men were placed in the south ; but this
is
contrary to the views of Homer, who109 assigns th
bounds Of earth, where dwelleth fair-haired Rhadamanthys : There life
is
easiest unto men ; no snow, Or wintry storm, or r
observed that the Ocean of Homer and Hesiod was a river or stream. It
is
always so called by these poets115, and they desc
above the earth contained Olympos, the abode of the gods ; but there
is
great difficulty in ascertaining its exact nature
reat difficulty in ascertaining its exact nature and situation. As it
is
always represented as a mountain, it must have re
stinct from the earth ; and the language of the Odyssey respecting it
is
still more dubious. Were we to follow analogy, an
greater gods to pass to and fro on their visits to the earth.126 It
is
an utterly unfounded supposition of the learned V
acters of Morning-star (Eosphoros) and Evening-star (Hesperos.) There
is
no reason to suppose the Greeks to have had any k
ted by our own great poet in his Paradise Lost, more especially as it
is
a subject which does not seem to have attracted m
consisted of Heaven, Hell, Chaos, and the World with its contents. It
is
thus that the most imaginative of modern poets, a
. Its agreement in some parts with the cosmology of Homer and Hesiod
is
worthy of attention, as it is probable that in Mi
with the cosmology of Homer and Hesiod is worthy of attention, as it
is
probable that in Milton’s days the latter was not
wed the former, for he terms Oceanos the origin of all138; the latter
is
the theory adopted in the Theogony of Hesiod. Tha
philosophy followed the Homeric cosmogony. In the Timæus of Plato it
is
said that the offspring of Heaven and Earth were
and that from these sprang Kronos, Rhea, and the other deities. This
is
apparently, however, an attempt at bringing Homer
nging Homer and Hesiod into harmony. The venerable Theogony of Hesiod
is
evidently the parent of all the succeeding ones,
of Hesiod is evidently the parent of all the succeeding ones, and it
is
itself but the echo of those of bards of far high
of those of bards of far higher antiquity than the Ascræan to whom it
is
ascribed, and who often was ignorant of the meani
e only female being that could be united with him. The Cyclopes, that
is
the Whirlers,145, whose individual names signify
nded must therefore be the personifications of another, but what kind
is
more difficult to ascertain. It is, however, prob
ications of another, but what kind is more difficult to ascertain. It
is
, however, probable that they refer to winter, as
d that they are the hail, rain and snow of that season : Kottos, that
is
Smiter, being the hail ; Gyes, the Furrower, the
e are the Erinnyes, the Giants, and the Melian nymphs. Productiveness
is
the consequence of that act, for which analogy wo
erated alone are Titans, and the most probable derivation of the name
is
that which makes it equivalent to Earth-born 153.
m, but they are inclosed within the earth, and cannot act till Uranos
is
deprived of his procreative power, and Aphrodite
t act till Uranos is deprived of his procreative power, and Aphrodite
is
produced. Then the Titans Oceanos and Tethys give
,’ and in him the opposition between the Olympian gods and the Titans
is
merely a local one ; the one being the dwellers o
liberate their imprisoned brethren ; but Kronos, to whom the kingdom
is
given, binds them again in Tartaros. Then follows
a revolution and hostility between the two classes of gods. Imitation
is
also everywhere to be traced. Zeus is made to mut
two classes of gods. Imitation is also everywhere to be traced. Zeus
is
made to mutilate Kronos as Kronos did Uranos160.
r hides his children under the earth, the former swallows his. Kronos
is
the youngest child, so is Zeus ; the Titans divid
the earth, the former swallows his. Kronos is the youngest child, so
is
Zeus ; the Titans divide the dominion of the worl
s his children for fear of their dethroning him, so something similar
is
recorded of Zeus161. Earth always gives the couns
counsel162; and in the Ilias an attempt of the Olympians to bind Zeus
is
mentioned, in which Briareôs again comes to his a
gned the place of Uranos and Gæa to Ophiôn and Eurynome. As this last
is
said to be an Oceanis, and the former name is man
Eurynome. As this last is said to be an Oceanis, and the former name
is
manifestly derived from the symbol for the earth1
. We find no traces of it anterior to the Alexandrian period, when it
is
noticed by Lycophrôn165 and Apollonius166. At a m
is noticed by Lycophrôn165 and Apollonius166. At a much later age it
is
alluded to by Nonnus167. Milton, who, like the Al
with an account of her. Νύξ. Nox. Night. In the Theogony Night
is
the daughter of Chaos, and sister of Erebos, to w
f Chaos, and sister of Erebos, to whom she bore Day and Æther168. She
is
then said to have produced without a sire Fate (М
sperides, Nemesis, Deceit, Love (Φιλότης), Old-age, and Strife169. It
is
not difficult to discern the reasons for giving t
difficult to discern the reasons for giving this progeny to Night. It
is
a principle of all cosmogony that darkness preced
uth here expressed by making Night the parent of Day and Æther. Night
is
also naturally regarded as the parent of Death, S
eep, Dreams, and their kindred ideas. Philotes, or the union of love,
is
also for a similar reason the child of Night170.
perides are so because their abode was near hers in the West. Nemesis
is
probably a daughter of Night to indicate the secr
ustice often treads to inflict the punishment due to vice. The reason
is
not so apparent why Night should be the parent of
tals ; Night, ‘wrapt in a sable cloud, carries Sleep in her arms.’ It
is
not quite clear whether the poet places the dwell
and Statius181 makes Sleep her charioteer. As the name of this deity
is
common to most of the languages which are akin to
most of the languages which are akin to the Greek182, its derivation
is
not perhaps to be found in any of them. Ὠκϵαν
d three thousand daughters, named Oceanides, or Ocean-nymphs183. This
is
all the account of Oceanos given in the Theogony.
fty-minded sufferer ; and from the account he gives of his journey it
is
manifest he came from the West. When Hercules was
hero's bending his bow at him he retired188. In the Ilias189 Oceanos
is
said to dread the thunder of Zeus. As in similar
Oceanos is said to dread the thunder of Zeus. As in similar cases, it
is
not always easy to distinguish the god from the s
inguish the god from the stream over which he rules. The name Oceanos
is
apparently connected with a family of words signi
connected with a family of words signifying water 190; that of Tethys
is
probably the Rearer, the Nurse, or Grandmother 19
Theogony193 the parents of the Sun, Moon, and Dawn. In Homer Hyperiôn
is
equivalent to Helios194. Pindar extols Theia as t
ring the day. In the Odyssey, when Helios ends his diurnal career, he
is
said to go under the earth199 : it is not easy to
ios ends his diurnal career, he is said to go under the earth199 : it
is
not easy to determine whether the poet meant that
to inquire how his return to the east was effected. If then, as there
is
reason to suppose, it was the popular belief that
. Mimnermus had the following lines in his poem named Nanno. Helios
is
doomed to labour every day ; And rest there never
d Nanno. Helios is doomed to labour every day ; And rest there never
is
for him Or for his horses, when rose-fingered Eôs
nother car. In these lines of Mimnermus the god, as described above,
is
carried round the earth during the night ; and in
the night ; and in the following passage of the same poet his palace
is
evidently situated in the East. Æetes’ city, whe
golden chamber lie, By Ocean’s marge, whither bold Iasôn went203. It
is
also in the East that ‘the stables’ of Helios are
f his wild poem210 Nonnus places the abode of the Sun in the East. It
is
remarkable that neither he nor the Latin poets ev
ned by Lucifer and Aurora, we may presume that it was in the East. It
is
also in the East that Ovid places the splendid pa
turned to the East. We are to recollect that the cup was winged, that
is
endowed with magic velocity. Neither Homer nor He
hariot ; Pindar214 calls him ‘the ruler of fire-breathing steeds’. It
is
probable that, like the other Homeric gods, Helio
rected by the well-known hand, they run out of the course ; the world
is
set on fire, and a total conflagration would have
at length was changed into a swan (κύκνος)230. The age of this story
is
uncertain231, but it has all the appearance of be
to Greece in the very earliest times. In the opinion of Welcker233 it
is
only the Greek version of a German legend on that
e234, that the amber was produced from the tears of the Sun-god, that
is
Phœbos Apollo according to the Greeks, who added
of resin which drops from the trees that yield it. The tale of Cycnos
is
only one of the numerous legends devised by the G
Greeks to account for the origin of remarkable animals. The Eridanos
is
said to have been a mere poetic name, there being
of the legendary origins of natural productions. The date of the tale
is
unknown, but it is probably not very ancient ; it
igins of natural productions. The date of the tale is unknown, but it
is
probably not very ancient ; it is only to be foun
date of the tale is unknown, but it is probably not very ancient ; it
is
only to be found at present in the Latin poet Ovi
of the Sun-god, and the isle of Rhodes emerged from the deep. Helios
is
represented by artists driving his four-horse cha
ith rays, a whip in his hand, and preceded by Eosphoros. Sometimes he
is
standing with a flambeau in his hand, and two of
2. Mortal-illuminating ; 3. Unwearied ; etc. The name Helios (Ἣλιος)
is
perhaps derived from ἕλα,ἕλη, brightness. It seem
rough the sky while he was reposing after the toils of the day. There
is
, however, no allusion in Homer or Hesiod to the c
mule, and they had a silly legend respecting it. The Latin Festus248
is
the only writer who speaks of the car of the Moon
ned moon251. In the general and natural mode of representation Selene
is
the sister of Helios, but another view of the sub
him of the four Seasons253. In one of the Homeridian Hymns254 Selene
is
called the daughter of Pallas, son of Megamedes.
pring of the king of heaven and the goddess of the moon258. This last
is
a pleasing fiction of the lyric poet Alcman. The
the usual manner of the Greeks. In the Homeridian Hymn to Selene she
is
styled260 : 1. White-armed ; 2. Well-tressed, — t
nd of which we shall treat in its due place. The name Selene (Σϵλήνη)
is
plainly derived from σέλας, brightness, and is on
e name Selene (Σϵλήνη) is plainly derived from σέλας, brightness, and
is
one of the large family of words of which ἕλα or
as named by later poets263 from Pallas, and their reason for so doing
is
not easy to be discerned. Æschylus would seem to
t264, — a very obvious and natural genealogy. In Homer and Hesiod Eôs
is
simply the goddess of the dawn, but in the works
ply the goddess of the dawn, but in the works of succeeding poets she
is
identified with Hemera, or the Day265. Homer, who
eeding poets she is identified with Hemera, or the Day265. Homer, who
is
silent respecting the chariots of Helios and Sele
this poet270 we meet the ‘one-horsed’ Eôs, whether riding or driving
is
not said. Lycophrôn271 gives her the winged horse
rned him into a tree-hopper (τϵττιξ, cicada)278. In Homer the goddess
is
less fastidious, and she is escribed as rising fr
(τϵττιξ, cicada)278. In Homer the goddess is less fastidious, and she
is
escribed as rising from the bed of the ‘illustrio
car. Night, the moon, and the stars retire before her. Sometimes she
is
winged, at other times not. Eôs was styled by the
nification for that of Coios286. κρKpȋος. Crius. This Titan
is
in the Theogony287 said to be the sire of Astræos
Asteria the daughter of Coios and Phœbe, by whom he had Hecate. There
is
some difficulty about these personages, who are h
are hardly ever mentioned by the poets. The origin of the name Krios
is
not apparent289. Pallas (Shaker ?) would seem fro
os (Starry) and Perses (Bright ?), and their children, the difficulty
is
much less, for they are all physical beings. We c
the parents of moral beings by Zeus in the new order of things. This
is
surely not the order one might have anticipated.
f things. This is surely not the order one might have anticipated. It
is
now, however, hardly possible to rectify the erro
hould be such. Έκάτη. Hecate. In the Theogony291 this goddess
is
the daughter of Perses and Asteria. Bacchylides m
r by Demeter294. According to Pherecydes her sire was Aristæos295. It
is
said in the Theogony296 that Hecate was highly ho
child (in contrast to Apollo and Artemis, who have similar power) she
is
honoured with all power among the immortals, and
imilar power) she is honoured with all power among the immortals, and
is
by the appointment of Zeus the rearer of children
children, whom she has brought to see the light of day. This passage
is
, however, plainly an interpolation in the Theogon
is, however, plainly an interpolation in the Theogony, with which it
is
not in harmony. It has all the appearance of bein
armony. It has all the appearance of being an Orphic composition, and
is
perhaps the work of the notorious forger Onomacri
haps the work of the notorious forger Onomacritus297. The name Hecate
is
the feminine of Hecatos, one of the epithets of A
ate is the feminine of Hecatos, one of the epithets of Apollo298, and
is
itself an epithet of his sister Artemis299. It wa
ve separated from her, and have become another moon-goddess, for such
is
the real character of Hecate ; or Hecate may have
and eat, saying Hecate had eaten them304. The reason of this offering
is
said to have been that she might prevent the soul
nnia in the Western Ocean317. The golden age, so celebrated by poets,
is
said to have been in the reign of Kronos, when, a
riety-bestowing’ Erinnyes319. The only adventure recorded of this god
is
his amour with the Ocean-nymph Philyra : dreading
on filled With his shrill neighings as away he fled. This legend, it
is
said, first appeared in the poem of the Gigantoma
d, it is said, first appeared in the poem of the Gigantomachia321. It
is
also noticed by Pindar322. Probably the praise of
ble mother could not be assigned him than the nymph Lyreloving324. It
is
highly probable that the whole history of this go
erely a philosophical mythe. Kronos evidently signifies time 325 : he
is
the son of Heaven, by the motion of whose luminar
325 : he is the son of Heaven, by the motion of whose luminaries time
is
measured ; he is married to Rhea (ῥέα, flowingly)
on of Heaven, by the motion of whose luminaries time is measured ; he
is
married to Rhea (ῥέα, flowingly), and time flows
d326, Zeus, the god of the heaven, was poetically named Kroniôn, that
is
the Son of Time, and this led to the giving a sep
an Saturnalia330. The only epithet given to Kronos by the elder poets
is
Crooked-counselled 331. This probably refers to h
sire. Chapter V. THE HOMERIC GODS IN GENERAL. Familiarity
is
productive of indifference, and the greatest char
eyes of those who are long and intimately acquainted with them. This
is
particularly the case with the beautiful mytholog
ial mountain. Olympos, where they say the ever firm Seat of the gods
is
, by the winds unshaken, Nor ever wet with rain, n
od and valiant chief it bore. When in the battle of the gods335 Ares
is
struck to the earth by Athena, he is described as
n the battle of the gods335 Ares is struck to the earth by Athena, he
is
described as covering seven plethra of ground, an
ure340. Their bodies are also of a finer nature than those of men. It
is
not blood, but a blood-like fluid named ichôr, wh
phrodite and Ares343. They require nourishment as men do ; their food
is
called Ambrosia, their drink Nectar344. Their mod
evening, and converse of the affairs of heaven and earth ; the nectar
is
handed round by Hebe (Youth), Apollo delights the
purtenances were formed of various metals. That of Hera, for example,
is
thus described364 : Then Hebe quickly to the cha
ccasions of taking a long journey, as when Hera367 professes that she
is
going to the end of the earth to make up the quar
Demeter. The earliest writer by whom we find the twelve gods noticed
is
Hellanicus, who says370 that Deucaliôn built alta
ituation along with their children. Ζєύς. Jovis, Jupiter. Zeus
is
in the Ilias the eldest son of Kronos and Rhea. H
ns of man, especially the perversions of law and justice, of which he
is
the fountain378. Zeus is called the ‘father of me
perversions of law and justice, of which he is the fountain378. Zeus
is
called the ‘father of men and gods’379 ; his powe
Zeus is called the ‘father of men and gods’379 ; his power over both
is
represented as supreme380, and his will is fate.
’379 ; his power over both is represented as supreme380, and his will
is
fate. Earthly monarchs obtain their authority fro
treats them with rigour384. In the Odyssey the character of this god
is
, agreeably to the more moral tone of that poem, o
ccur ; both gods and men submit to his power without a murmur, yet he
is
anxious to show the equity of his decrees and to
. All, therefore, that we can collect with safety from these accounts
is
that the worship of the Dictæan Zeus in Crete, an
of Hyrieus was rewarded by the birth of Oriôn. The most pleasing tale
is
that of Philemôn and Baucis, narrated by Ovid in
l of dignity and majesty of mien ; his countenance grave but mild. He
is
seated on a throne, and grasping his sceptre and
ated on a throne, and grasping his sceptre and the thunder. The eagle
is
standing beside the throne. The epithets of this
s to the true signification of the name of this deity. Its Æolic form
is
Δεὑς, which is almost the same as the deus of the
ignification of the name of this deity. Its Æolic form is Δεὑς, which
is
almost the same as the deus of the Latin, the aff
deus of the Latin, the affinity of which language to the Æolic Greek
is
well known413. Zeus (Ζεùς) therefore is God, the
h language to the Æolic Greek is well known413. Zeus (Ζεùς) therefore
is
God, the same as θεòς, deus, and akin to the Pers
ique cases of Zeus come from Δὶς and Ζὴν, or Zàv, the former of which
is
manifestly equivalent to Ζεὑς, and the latter is
the former of which is manifestly equivalent to Ζεὑς, and the latter
is
probably a contraction of the participle ζάων, li
god first presented the horse to mankind430. The winged steed Pegasos
is
also the offspring of Poseidôn431. In the Ilias,
Poseidôn431. In the Ilias, when Zeus returns from Ida to Olympos, it
is
Poseidôn that unyokes his horses432; the same god
a to Olympos, it is Poseidôn that unyokes his horses432; the same god
is
said to have given the Harpy-born steeds of Achil
aid to have given the Harpy-born steeds of Achilles to Peleus433 ; he
is
joined with Zeus as the teacher of the art of dri
connexion between the sea-god and the horse. The usual solution given
is
, that as, according to Herodotus, the worship of
re therefore associated in the popular mind436. This, we may observe,
is
all merely gratuitous hypothesis. The absurd pass
passion of Herodotus for deducing the religion of Greece from abroad
is
so notorious, that few, we should suppose, would
s, and look for an explanation of the phænomenon elsewhere. The horse
is
the principal means of transport by land, as the
e. The horse is the principal means of transport by land, as the ship
is
by sea ; the one name might therefore be metaphor
employed for the other. Thus in Homer438 Penelope says, Why, herald,
is
my son gone ? for no need Had he to mount the swi
'er the great deep ; in Plautus439 one of the characters says, “That
is
to say, you have been carried on a wooden horse a
water441, we may hesitate to give our full assent to this theory. It
is
rather curious to observe the manner in which Pos
that they should hold the dominion in common. In like manner Poseidôn
is
said to have contended with Hera for Argos446, an
tories of Sunion, Tænaron, Geræstos, and other headlands455. Poseidôn
is
represented, like Zeus, of a serene and majestic
is represented, like Zeus, of a serene and majestic aspect ; his form
is
strong and muscular. He usually bears in his hand
, Ποτίδας, shows its true origin to be from the root ΠΟΩ, and that it
is
of the same family with πότος, πόντος, ποταμòς, a
oseidôn, was lord of the subterrane region, the abode of the dead. He
is
described as being inexorable and deaf to supplic
eing inexorable and deaf to supplication, — for from his realms there
is
no return, — and an object of aversion and hatred
rrying off Persephone (which we shall relate at length in the sequel)
is
one of the most celebrated in antiquity. He loved
; but from the ambiguity of the phrase used by the poet (έν πύλῳ) it
is
difficult to determine the scene of the conflict.
pers against the son of Zeus466. The region over which Hades presides
is
represented in the Ilias and in the Theogony467 a
d in the Theogony467 as being within the earth : in the Odyssey468 it
is
placed in the dark region beyond the stream of Oc
it is placed in the dark region beyond the stream of Ocean. Its name
is
Erebos469 ; the poets everywhere describe it as d
the whole aspect of the realm of Hades as pictured in the Odyssey. It
is
in fact surprising, that men who had such a drear
ve well been termed481 ) of the Egyptian priests on this subject, one
is
at a loss which most to admire at, their audacity
e fashion of tracing the religion and institutions of Greece to Egypt
is
not yet extinct. Before we quit Aïdoneus and his
he earth, or in the remote regions of the West. The former notion, it
is
probable, owes its origin to the simple circumsta
drives down (κατάγει) the dead along the hollow way to Erebos491. It
is
also not unworthy of notice, that Macrobius492, w
from the forehead of the victim and burn them on the altar, so Death
is
here represented as coming to cut off a lock of t
k of the hair of Alcestis494. Of this rite, however, no other mention
is
, we believe, to be found in Grecian literature. I
hough he had abundant opportunities of noticing her. By Hesiod496 she
is
said to have been the daughter of Kronos and Rhea
RES, HEPHÆSTOS, HEBE. Ἥρη, Ἥρα. Juno. In Homer this goddess
is
one of the children of Kronos and Rhea, and wife
e Odyssey) Hera, as the queen of Zeus, shares in his honours. The god
is
represented as a little in awe of her tongue, yet
Zeus by mortal mothers. In like manner, as the goddess of Argos, she
is
active in the cause of the Achæans in the war of
ic cycle she was the protecting deity of the adventurous Iasôn. There
is
, in fact, none of the Olympian deities more decid
have already shown, the gods had not as yet any favourite animals. It
is
an Indian bird, and was according to Theophrastus
en cloud and fair, And glittering drops of dew fell all around. This
is
, we think justly, regarded as a sportive adaptati
, as we shall presently show) in spring-time producing vegetation. It
is
in effect the Sacred Marriage (ἱϵρὸς γάμος) of th
was formed of the plant named Kyperos, and of the Helichrysos, which
is
of the same genus with the Asteriôn519. At Argos
away of the betrothed maiden ; the willow bed, for such it apparently
is
, refers perhaps to the chastity of the goddess, t
the willow being regarded as a great promoter of this virtue525; she
is
bound to it probably to prevent her flight from Z
e character of Hera, and she appears as the jealous wife, such as she
is
represented in the Ilias. Hera, the legend said,
e he sat. They then cut down that tree, and made an image from it. It
is
probable that the other cities of Bœotia did the
onfused account of this festival which has been transmitted to us, it
is
a matter of much difficulty to ascertain its real
a bond of union among the Bœotian states. For our present purpose it
is
sufficient to remark the union expressed in it of
ewed virginity of the goddess. The physical union of earth and heaven
is
, we think, plainly discernible in the beautiful p
ainly discernible in the beautiful passage of Homer above noticed. It
is
given without any disguise by Euripides535, in wh
oets Lucretius536 and Virgile537. The consecration of the cow to Hera
is
also to be considered as a proof of her being reg
ity ; in the other a sceptre, with a cuckoo on its summit540. Her air
is
dignified and matronly, her forehead broad, her e
her forehead broad, her eyes large, and her arms finely formed ; she
is
dressed in a tunic and mantle. By Homer and Hesio
rmed ; she is dressed in a tunic and mantle. By Homer and Hesiod Hera
is
styled541, 1. Ox-eyed ;2. White-armed ; 3. Gold-s
te-armed ; 3. Gold-seated ; 4. Gold-shod The origin of the name Hera
is
somewhat difficult to determine. We may venture t
, her name would seem to come very simply from ἔρα, earth ; yet there
is
great plausibility in the theory of Ἥρα being the
man Herr, Herrin, and therefore signified Master and Mistress 544. It
is
possible, however, that the two derivations may i
m to the field when he seeks the battle549. Another of his companions
is
Enyo550 (Ἐνυὼ), the daughter of Phorcys and Keto5
dess answering to the Bellona of the Romans. The name Enyalios, which
is
frequently given to him in the Ilias552, correspo
d a son of Poseidôn, so a valiant warrior was termed a son, or, as it
is
sometimes expressed by Homer, a branch or shoot o
). But the only tale of his amours related at any length by the poets
is
that of his intrigue with Aphrodite. Ares — so sa
odite fled to hide her shame in her beloved isle of Cyprus. This tale
is
an evident interpolation in the part of the Odyss
nt interpolation in the part of the Odyssey where it occurs. Its date
is
uncertain ; but the language, the ideas, and the
us to assign its origin to a comparatively late period. It may be, as
is
generally supposed, an ancient physical mythe, or
ended by later writers a legendary origin of the cock (ἀλϵκτρυών). It
is
said that Alectryôn was a youth whom Ares placed
l mythe, for from Love and Strife (i. e. attraction and repulsion) it
is
clear, arises the order or harmony of the univers
ero-princes of Ætolia561. The Hill of Ares (Ἄρϵιος πάγος), at Athens,
is
said to have derived its appellation from the fol
he Amazons having there offered sacrifices to Ares, their sire563. It
is
quite manifest therefore that the real origin of
ame was unknown. The temples and images of Ares were not numerous. He
is
represented as a warrior, of a severe menacing ai
Greece565. Ἥϕαιστος Vulcanus. Hephæstos, the Olympian artist,
is
in Homer the son of Zeus and Hera566. According t
hæstos ; we shall however notice some of the chief of them. One thing
is
remarkable concerning them, that they were all ma
makes for Heracles577. That framed by him for Achilleus in the Ilias
is
all of metal. In the Ilias578 the wife of Hephæst
s in the Ilias is all of metal. In the Ilias578 the wife of Hephæstos
is
named Charis ; in Hesiod579, Aglaia, the youngest
erpolated tale in the Odyssey, Aphrodite the goddess of beauty580. He
is
said to have asked Pallas-Athene in marriage of Z
ants Hephæstian armour for her son, she seeks Olympos, and the armour
is
fashioned by the artist-god with his own hand. In
o Hiera, and directs his men the Cyclopes to execute the order584. It
is
thus that mythology changes with modes of life. H
omote civilization585. The philosophy of this view of the two deities
is
correct and elegant. The artist-god is usually re
f this view of the two deities is correct and elegant. The artist-god
is
usually represented as of ripe age, with a seriou
hat Hebe was worshiped at Phliûs and Sicyôn under the name of Dia. It
is
not improbable that from the name of Ganymedes (J
his goddess and her name, the most simple hypothesis, in our opinion,
is
that which regards herself as Night, and esteems
ts assigned to her correspond with this hypothesis ; for light, which
is
made to spring from darkness, may, in a reversed
. Apollo. Phœbos-Apollo was the son of Zeus and Leto. In Homer he
is
the god of archery, music, and prophecy609. His a
e future613. As in Homer and Hesiod no birth-place of any of the gods
is
noticed, we must regard the tale of the birth of
st goddess, when informed by her messenger, remits her anger ; Apollo
is
born ; a choir of swans comes from the Mæonian Pa
e Pythian Apollo, the manner of his first getting possession of Pytho
is
thus related. When Apollo resolved to choose the
rb the holy silence demanded by an oracle. Arrived at Crissa, the god
is
charmed by the solitude and sublimity of the scen
lace was to which they were come, he replies by informing them who he
is
, and what his purpose was in bringing them thithe
ve related, and also to one of a huge serpent named Pythôn, which, it
is
said, came out of his den and attacked Leto when
d into the porpoise, and for his title Delphinios. The Homeric Apollo
is
a being of remarkable purity, and the poet seems
ty with him as with the other gods, Zeus himself not excepted. Apollo
is
the friend of man, he protects his worshipers, an
re (ἁγνὸς) god,’ as he was emphatically called, still the same. There
is
a serene cheerfulness always ascribed to him, he
l the same. There is a serene cheerfulness always ascribed to him, he
is
averse from gloom and the promoter of joy and inn
ollo was also provided with his love-adventures by the poets ; yet it
is
observable that he was not remarkably happy in hi
s his favourite tree623. Of this legend we need only observe, that it
is
one of the many tales devised to give marvel to t
give marvel to the origin of natural productions, and that its object
is
to account for the bay-tree being sacred to Apoll
ect is to account for the bay-tree being sacred to Apollo. Apollo, it
is
also said by the same poet, thought himself happy
To punish the raven, he changed his hue from white to black624. This
is
probably a legend of some antiquity, for in a fra
uity, for in a fragment of one of the poems ascribed to Hesiod625, it
is
said that the raven brought tidings to Phœbos of
the son of Eilatos, with Coronis, the daughter of Phlegyas. The tale
is
also told by Pindar626, but he says nothing of th
a son named Aristæos629. The only celestial amour recorded of Apollo
is
that with the muse Calliope, of which the fruit w
Apollo was obliged to become a servant640. This hypothesis he thinks
is
confirmed by the names which occur in the legend
have been an epithet of Hades ; Clymene, the name of Admetos’ mother,
is
one of Persephone ; and Pheræ was a town sacred t
ower-world641. It cannot be said positively whether this mythe (which
is
apparently a temple-legend of Delphi,) was known
Pheretiades are highly praised for their beauty and swiftness, and it
is
added that Apollo had reared them in Pieria643. A
close of the poem644, Eumelos, named Pheretiades and son of Admetos,
is
one of the competitors in the chariotrace. These
we may observe, occur in the parts of the Hias of which the antiquity
is
most dubious. It may also be doubted if the templ
the temple-legend of Delphi could be as old as the age to which Homer
is
usually referred. In another of the latter books
r is usually referred. In another of the latter books of the Ilias it
is
said that Poseidôn and Apollo, by the command of
end the herds of the Trojan king in the valleys of Ida645. Apollo, it
is
said646, was taught divination by Pan, the son of
ia, whence the stream Marsyas issues, was hung, for some reason which
is
not very clear, a leathern bag651, and hence it w
fabled that Apollo flayed his vanquished rival652. The Homeric Apollo
is
a personage totally distinct from Helios, though
wn on the coasts of Asia long before the Dorian migration, the critic
is
forced to have recourse to the not very probable
e people more than another, on the same principle as in India Vishnoo
is
in some places more worshiped than Seeva ; Thor w
honoured by the ancient Norwegians, and Odin by the Swedes ; St. Jago
is
more frequently invoked in Spain, and St. Anthony
this connection with the god of music gave origin to the fable, as it
is
esteemed, of the melody of these birds661. The wo
d to this god, on account of his bright colour, as some think, but it
is
far more likely that it was the similitude of his
sun-god, or as a moral being of great purity, will be that this last
is
the real root of these names, and that, as we sai
f, or the country Lycia, to be regarded as their origin. Thus the god
is
called by Homer λυκγϵυὴς, which may be rendered w
a plague, or after a victory, was thus named. The name Phœbos-Apollo
is
generally regarded as of Grecian origin. The form
Phœbos pure, unstained, making it equivalent to the ἁγνὸς θϵὸς, as he
is
sometimes called667. Apollo is by some derived fr
it equivalent to the ἁγνὸς θϵὸς, as he is sometimes called667. Apollo
is
by some derived from ὄλω, to destroy ; by others
e digamma F between the two first vowels. The strangest etymon of all
is
that of Buttmann, who, taking the Cretan form ᾽Αβ
ed to prefer herself to Leto677 ; and in a fable later than Homer she
is
said to have detained the Grecian fleet at Aulis,
sa offers another remarkable instance of this procedure. Arethusa, it
is
said, was an Arcadian nymph, and a companion of t
till followed by the amorous stream680. The explanation of this mythe
is
as follows681. Artemis was worshiped in Elis unde
owever beauty was not an attribute of the Asiatic goddess, the former
is
more likely to be the true supposition705. No spo
former is more likely to be the true supposition705. No spot on earth
is
assigned as the birth-place of Artemis by Homer,
Syracuse was determined to be the Ortygia of the Odyssey708. Artemis
is
generally represented as a healthy, strong, activ
ack she bears a quiver, and in her hand a bow or a hunting-spear. She
is
usually attended by a dog. At Trœzên there was a
an epithet of the same nature with Opis and Nemesis, and says that it
is
ἄρι-Θέμις 712. Mythologists are divided into two
l, the other as moral beings. Both however are agreed that the latter
is
their character in the Homeric and Hesiodic poetr
In favour of the theory of Apollo and Artemis being sun and moon, it
is
alleged that they were early so considered. Thus
o and Artemis then are brother and sister, the children of Zeus (that
is
the deity) and Leto, whose name, by a perfectly u
and their affinity, could not be more appropriately described. Apollo
is
represented as full of manly vigour, with long un
re a simple representation of the beams of the sun, who in the Psalms
is
described as ‘a bridegroom coming out of his cham
g out of his chamber, and rejoicing to run his race ;’ a golden sword
is
the weapon of Freyr, the sun-god of Scandinavian
asily cause the sun-god to be regarded as the god of music, though it
is
more likely that Apollo owes this character to th
re reasons for viewing him as a god of nature730. Against all this it
is
alleged that these identifications were merely th
concluded from his being a patron and protector of agriculture, as he
is
such as the averter of misfortune in general ; th
averter of misfortune in general ; that in his religious character he
is
no god of nature, not being a deity of generation
age, and having no connexion with his worship. Finally, great stress
is
laid on the fact of Apollo and Artemis being so t
E : — APHRODITE, EROS. Διώνη. Dione. In the Ilias732 Dione
is
a wife of Zeus, and mother of Aphrodite. The name
urs and the worship of Zeus, being regarded as his queen736. Her name
is
apparently the feminine of his, and probably sign
ly goddess 737. Ἀϕροδίτη. Venus. The Aphrodite of the Ilias738
is
the daughter of Zeus and Dione, and by the Alexan
of Zeus and Dione, and by the Alexandrian and the Latin poets739 she
is
sometimes called by the same name as her mother.
daughter of Kronos742. The husband assigned to this charming goddess
is
usually the lame artist Hephæstos. Her amour with
res we have already narrated ; and Hermes, Dionysos, and Poseidôn, it
is
said, could also boast of her favours. Among mort
r are the most famous. The tale of her love-adventure with the former
is
noticed by Homer743, and it is most pleasingly to
of her love-adventure with the former is noticed by Homer743, and it
is
most pleasingly told by a Homerid ; the following
Homer743, and it is most pleasingly told by a Homerid ; the following
is
an analysis of his hymn. Aphrodite had long exerc
y life. But Aphrodite denies her heavenly origin, and feigns that she
is
a mortal maid and daughter to Otreus king of Phry
tain-nymphs to rear, and will bring to him when in his fifth year. He
is
then to feign that the child is the offspring of
ing to him when in his fifth year. He is then to feign that the child
is
the offspring of one of the nymphs ; but the secr
is the offspring of one of the nymphs ; but the secret of the goddess
is
to remain inviolate, under pain of his being stru
anged Adonis himself into this fragrant flower750. The tale of Adonis
is
evidently an Eastern mythe. His own name and thos
a Phœnician personification of the sun, who during a part of the year
is
absent, or as the legend expresses it, with the g
rites were transplanted, the festival was prolonged to eight days. It
is
uncertain when the Adoneia were first celebrated
ng a testimony of grief for the absence of the sun during the winter,
is
not, however, to be too readily acquiesced in. Lo
have been really and not metaphorically put to death. And in truth it
is
not easy to give a satisfactory answer to these q
mes drawn in a conch by Tritons, or riding on some marine animal. She
is
usually naked, or but slightly clad. The Venus de
essed ; 6. Care-dissolving ; 7. Artful ; 8. Gold-bridled ; etc. There
is
none of the Olympians of whom the foreign origin
dled ; etc. There is none of the Olympians of whom the foreign origin
is
so probable as this goddess. She is generally reg
mpians of whom the foreign origin is so probable as this goddess. She
is
generally regarded as being the same with the Ast
en, that Aphrodite was so frequently styled the Heavenly (Urania). It
is
very important to observe that she was so named a
iatic in character. Ἕρος, Ἕρως. Cupido, Amor. Love. This deity
is
unnoticed by Homer ; in the Theogony765 he is one
r. Love. This deity is unnoticed by Homer ; in the Theogony765 he
is
one of the first of beings, and produced without
bore Love to gold-locked Zephyros770.’ The cosmogonic Erôs of Hesiod
is
apparently a personification of the principle of
t the reason for so calling Eileithyia, the president of child-birth,
is
not equally apparent. It may be perhaps that in t
llknown fact, that the spring, the season in which they most prevail,
is
also that of love772. In the bucolic and some of
ed boy, rosy and naked, with light hair floating on his shoulders. He
is
always winged, and armed with a bow and arrows776
himself shrink to his original dimensions. The meaning of this fable
is
so apparent that it needs not explication. At the
the nature of the baths. The philosopher smiled and said, “Though it
is
not strictly right in me to do so, yet I will sho
s adventure with Apollo has been already noticed. The most celebrated
is
that contained in the agreeable tale of his love
ficence ; when suddenly she hears a voice, telling her that all there
is
hers, and all her commands will be obeyed. She ba
commands will be obeyed. She bathes, sits down to a rich repast, and
is
regaled with music by invisible performers. At ni
f Psyche’s happiness, and try to persuade her that her invisible lord
is
a serpent, who will finally devour her. By their
ts her how to proceed. She accomplishes her mission in safety. As she
is
returning, she thinks she may venture to open the
s to the ground in a deep slumber from its effects. In this state she
is
found by Cupid, who had escaped by the window of
r. Jupiter takes pity on her, and endows her with immortality : Venus
is
reconciled, and her marriage with Cupid takes pla
f a child, whom his parents named Pleasure779. This beautiful fiction
is
perhaps a philosophic allegory, intended by its i
er to be perfectly fitted for an enduring union with the divinity. It
is
thus explained by the Christian mythologist Fulge
Christian mythologist Fulgentius780. “The city in which Psyche dwells
is
the world ; the king and queen are God and matter
dwells is the world ; the king and queen are God and matter ; Psyche
is
the soul ; her sisters are the flesh and the free
syche is the soul ; her sisters are the flesh and the free-will : she
is
the youngest, because the body is before the mind
e the flesh and the free-will : she is the youngest, because the body
is
before the mind ; and she is the fairest, because
: she is the youngest, because the body is before the mind ; and she
is
the fairest, because the soul is higher than free
he body is before the mind ; and she is the fairest, because the soul
is
higher than free-will, more noble than the body.
es her, and sends Cupido, i. e. desire, to destroy her ; but as there
is
desire of good as well as of evil, Cupid falls in
d falls in love with her : he persuades her not to see his face, that
is
, not to learn the joys of desire ; just as Adam,
impulsion of her sisters she put the lamp from under the bushel, that
is
, revealed the flame of desire which was hidden in
her bosom, and loved it when she saw how delightful it was ; and she
is
said to have burned it by the dripping of the lam
he dripping of the lamp, because all desire burns in proportion as it
is
loved, and fixes its sinful mark on the flesh. Sh
roportion as it is loved, and fixes its sinful mark on the flesh. She
is
therefore deprived of desire and her splendid for
flesh. She is therefore deprived of desire and her splendid fortune,
is
exposed to perils, and driven out of the palace.”
a modern writer781 may seem to come nearer the truth. “This fable, it
is
said, is a representation of the destiny of the h
writer781 may seem to come nearer the truth. “This fable, it is said,
is
a representation of the destiny of the human soul
is a representation of the destiny of the human soul. The soul, which
is
of divine origin, is here below subjected to erro
f the destiny of the human soul. The soul, which is of divine origin,
is
here below subjected to error in its prison the b
f the soul as his bride.” According to a third expositor782 the mythe
is
a moral one. It is intended to represent the dang
ride.” According to a third expositor782 the mythe is a moral one. It
is
intended to represent the dangers to which nuptia
tions and victorious over them all. The interpretation of an allegory
is
always hazardous : for fancy presided over its bi
ret and real nature. All, therefore, we should ever hope to arrive at
is
a view of the general sense and meaning. In truth
gorical which was never meant to be so by its author, and many a tale
is
allegorical in which the vulgar discern nothing b
θήνη, Ἀθηνâ. Minerva. The Pallas-Athene of both the Homeric poems
is
the daughter of Zeus ; in one place784 it seems t
In the Theogony Zeus swallows Metis, and the ‘blue-eyed Tritogeneia’
is
born from his head785, which Pindar786 says Hephæ
ening the head of Zeus to Prometheus789, or Hermes790 . Pallas-Athene
is
in Homer, and in the general popular system, the
d in the general popular system, the goddess of wisdom and skill. She
is
in war opposed to Ares, the wild war-god, as the
god, as the patroness and teacher of just and scientific warfare. She
is
therefore on the side of the Greeks, and he on th
omplishments ; she wove her own robe and that of Hera, which last she
is
said to have embroidered very richly795. When the
he strong-sired Maiden the ranks of heroes vanquisheth, With whom she
is
wroth. A Mæonian maid named Arachne, proud of he
into a spider (ἀράχνη)801. The invention of the flute or pipe (αὐλὸς)
is
also ascribed to this goddess. When Perseus ; say
ns and Trœzên, and, according to one account, for Argos. This goddess
is
represented with a serious thoughtful countenance
ears the ægis on her breast or on her arm, and the head of the Gorgon
is
on its centre. She often has bracelets and ear-ri
ts centre. She often has bracelets and ear-rings, but her general air
is
that of a young man in female attire. Pallas-Athe
ms a parallel to the ‘Eleusinian Maid’ (Κόρα), Persephone805. As this
is
her constant title in Homer, it is manifest that
id’ (Κόρα), Persephone805. As this is her constant title in Homer, it
is
manifest that she had long been regarded as the t
, was by no means uncommon. The most probable theory, in our opinion,
is
that which views in Pallas-Athene the temperate c
tion, the moon806. This idea was not unknown to the ancients ; Athena
is
by Aristotle expressly called the moon807 ; on th
resent the full-orbed moon ; and finally the epithet Glaucopis, which
is
as it were appropriated to Athena, is also given
ly the epithet Glaucopis, which is as it were appropriated to Athena,
is
also given to Selene816. To these proofs respecti
thenian goddess we may add that at Tegea Athena was called Alea, that
is
probably Warmer. 817. At Sparta she was named Oph
rrency. The one supposes it to signify Head-sprung, as the word τριτὼ
is
said to have signified Head in some of the obscur
. The ancients in general were in favour of the former ; but as there
is
no reason to suppose that the Greeks knew anythin
ercurius. Hermeias (as Homer and Hesiod always name this god827,)
is
in one place of the Ilias called the son of Zeus8
s in one place of the Ilias called the son of Zeus828, but his mother
is
unnoticed. When, in the same poem, Dione is conso
f Zeus828, but his mother is unnoticed. When, in the same poem, Dione
is
consoling her wounded daughter829, she reminds he
Polymela (Sheep-full), the daughter of Phylas (Keeper 831 ). Hermeias
is
opposed in the battle of the gods to Leto, but de
the aged monarch in the form of a Grecian youth, telling him that he
is
the son of a wealthy man named Polyctôr (Much-pos
poet also ascribes to him the only act injurious to man with which he
is
charged, namely, a share in the formation of the
along. He comes to Pylos, where he sees the traces of his cattle, but
is
amazed at the strange footprints of their driver.
t reasons he had for suspecting the baby of being the thief. All this
is
, to the great amusement of the Celestials, manful
two of them ; to his amazement he sees their skins upon the rock, and
is
still more surprised, when, on going to drive the
the giver of wealth and riches. The stealing of the cattle of Apollo
is
somewhat differently related by other writers. Ac
long with those of Admetos. Hermes, who in this version of the legend
is
not a babe, thought the opportunity favourable fo
rock, ‘which the cold or the heat never leaves.’ The following prank
is
also laid to the charge of this sly deity. Watchi
the names of his parents, and whose adventure with the Naïs Salmacis
is
narrated by Ovid in his Metamorphoses847. Hermes
the Naïs Salmacis is narrated by Ovid in his Metamorphoses847. Hermes
is
in some legends said to be the father of the Arca
some legends said to be the father of the Arcadian god Pan848, and he
is
even charged with being the sire of the unseemly
of Phœbos-Apollo called forth the laughter of the Olympians. This god
is
usually represented with a chlamys or cloak neatl
s with a rude head and a pointed beard carved on them. They were what
is
termed ithyphallic, and were set up on the roads
iven origin to the tale of Hermaphroditos. By Homer and Hesiod Hermes
is
called852, 1. Argos-slayer ; 2. Beneficent 853 ;
elasgian system a telluric power. The simplest derivation of his name
is
from ἔρα, the earth ; and he is, we may observe,
. The simplest derivation of his name is from ἔρα, the earth ; and he
is
, we may observe, the son of Zeus and Maia, probab
shepherds was naturally regarded as the inventor of music ; the lyre
is
ascribed to Hermes as the pipes are to his son Pa
malignant step-mother867. In the poems of the Greek Anthology Hermes
is
usually represented as a rural deity. In one plac
lly represented as a rural deity. In one place868 the offering to him
is
milk and honey ; in other parts of it869 fisherme
inally signified the flowers with which the meads are bespread875. It
is
to be observed that, in the version of the story
cient system married to Zeus, the god of the heavens878. In Homer she
is
but slightly mentioned879, and she does not appea
lture in general. The most celebrated event in the history of Demeter
is
the carrying off of her daughter Persephone by Ha
Hades, and the search of the goddess after her through the world. It
is
noticed by Hesiod881 ; but the Homeridian hymn in
laudian has sung it in a peculiar poem, of which unfortunately a part
is
lost. Persephone, sang the Homerid, was in the Ny
of his horses, and Demeter entreats that he will say who the ravisher
is
. The god of the sun gives the required informatio
pe, and had wandered thither. She entreats them to tell her where she
is
; and wishing them young husbands and as many chi
ince he had ‘sat in her lap and slept in her arms.’ She tells who she
is
, and directs that the people of Eleusis should ra
g, the means of life. But I will think of thee and other songs. Such
is
in all probability the oldest account of this cel
ul versions of it given by the above-mentioned Latin poets, the scene
is
transferred to the grove and lake in the neighbou
lligence of the ravisher, and Ascalaphos (who for his mischief-making
is
turned into an owl)887 tells of Persephone having
we have already observed, no traces of this legend in Homer. Demeter
is
only incidentally mentioned by him ; and he does
ed-corn, which when cast into the ground lies there concealed, — that
is
, she is carried off by the god of the under-world
which when cast into the ground lies there concealed, — that is, she
is
carried off by the god of the under-world : it re
e is carried off by the god of the under-world : it reappears, — that
is
, Persephone is restored to her mother, and she ab
f by the god of the under-world : it reappears, — that is, Persephone
is
restored to her mother, and she abides with her t
she abides with her two-thirds of the year. As however the seed-corn
is
not a third part of the year in the ground, it is
wever the seed-corn is not a third part of the year in the ground, it
is
probable that by the space of time which Persepho
wing of the seed and the appearance of the ear, during which the corn
is
away ; and which space of time in some species of
nd which space of time in some species of grain, barley for instance,
is
about four months. The vanity of the people of th
isposition of the gods. The origin of the Stellio, or spotted lizard,
is
referred to her having thrown in the face of a bo
end, we may observe, admits of a very simple explication. Erysichthôn
is
a name akin to ἐρυίβη, mildew ; and Hellanicus892
n (Αἴθων, burning), from his insatiate hunger. The destructive mildew
is
therefore the enemy of Demeter, to whom, under th
f Minôs or Krates, and the nymph Phronia897. The meaning of the mythe
is
apparent. At Onceion near Thelpusa, on the banks
This last legend has nothing perhaps very peculiar in it ; the former
is
regarded as one of the many forms in which the ph
n by Zeus to his daughter on her day of unveiling (ἀνακαλυπρια), that
is
, at her marriage906 ; as also was Thebes accordin
so was Thebes according to the poet Euphoriôn907. The form of Demeter
is
copied from that of Hera. She has the same majest
s compose a garland for her head, sometimes are held in her hand. She
is
frequently represented with a torch in her hand,
one. At times she appears in her chariot drawn by dragons. Persephone
is
represented seated on a throne with Hades. The on
Fair-tressed, the appropriateness of which to the goddess of the corn
is
apparent. Beside these epithets Hesiod gives her
s, as we have seen, no difficulty whatever ; but that of her daughter
is
by no means so easy of explanation ; and here, as
so easy of explanation ; and here, as in similar cases, the question
is
, what was the original conception of this goddess
gion to have been of a very rural character, the view generally taken
is
that they were, like our modern political œconomi
for in the Italian system such was not the case), but the probability
is
that the Achæans derived that principle of their
crifices and ceremonies, which were different in different places. It
is
further to be recollected, that the Greeks believ
of the gods, and the evidence offered in support of this supposition
is
extremely feeble. But the singing of sacred hymns
a supposition. Every act performed in obedience to the will of Heaven
is
believed to draw down its favour on the performer
Mecca, the Catholic to Loretto, Compostella, or elsewhere ; and each
is
persuaded that by having done so he has secured t
s much minuteness as if he had been actually himself initiated924. It
is
to be observed, in conclusion, with respect to th
ers of Zeus, to prompt his memory929. No definite number of the Muses
is
given by Homer, for we cannot regard as his the v
cing (ὄρχησις), played on the stringed instrument named phorminx. She
is
said to have invented hymns to the gods. Terpsich
f her right hand on her mouth, or carried a roll. Pieria in Macedonia
is
said by Hesiod937 to have been the birth-place of
f music. Shortly after the birth of the Muses, the nine daughters, it
is
said, of Pierios king of Æmathia challenged them
id to be the offspring of the divine Urania, but the name of his sire
is
unknown946. Those who took a less sublime view of
ts947. He was invoked at marriage festivals948. By the Latin poets he
is
presented to us arrayed in a yellow robe, his tem
notion still remains part of the popular creed in northern Europe, as
is
proved by the many legends of the songs of Mermai
very other article of popular belief, has its origin in nature. There
is
music in the sound of water as it purls or murmur
heard in the distance, makes melody to the attentive ear. The rivulet
is
also the favourite haunt of the poet ; its quiet
he Trojans, the gates of heaven, which the Seasons keep, whose charge
is
to open and close the dense cloud, creak spontane
ουσι) the works of mortal men. In another place960 he says, that Dike
is
a virgin revered by the gods of Olympos ; and tha
ce, and peace, the great producers of order and harmony among men. It
is
possible however, but not agreeable to analogy, t
e bestowers of wealth, a poetic clothing of the homely maxim ‘honesty
is
the best policy.’ The Athenians worshiped two Hor
ter-goddesses, are spoken of by Homer in the plural, and their number
is
indefinite. They are graceful and beautiful thems
Sleep, in return for his aid in deceiving Zeus. By later writers she
is
even said to be their mother978. The Homeridian h
he daughters of Hera. In the Odyssey988 and in Hesiod989 their number
is
reduced to one. We also meet with but one Eileith
thyia was called993, 1. Labour-aiding ; 2. Gentle-minded 994, etc. It
is
not by any means an improbable supposition, that
es. In the Ilias, with the exception of one passage997, the Moira
is
spoken of in the singular number and as a person,
almost exactly as we use the word Fate. But in the Odyssey this word
is
used as a common substantive, followed by a genit
t speak of their spinning the destinies of men. This office of theirs
is
however noticed both in the Ilias and the Odyssey
s however noticed both in the Ilias and the Odyssey. In the former it
is
said1002 by Hera of Achilleus, that the gods will
s span with the thread for him when his mother brought him forth.’ It
is
probable that Homer, in accordance with the subli
y comes from μϵίρω, and Aisa from δαίω, both signifying to divide. It
is
a very extraordinary coincidence, that the Noms,
The Keres are personifications of violent deaths1008. The word Ker
is
used by Homer in the singular and in the plural n
e maintainers of order both in the moral and the natural world. There
is
however another view taken of these goddesses, in
omes at times grim, as it were, and displeased with mankind, and this
is
Demeter-Erinnys. In the Arcadian legends of this
lias1031 among the inhabitants of Olympos, and in the Odyssey1032 she
is
named as presiding over the assemblies of men, bu
032 she is named as presiding over the assemblies of men, but nothing
is
said respecting her rank or her origin. By Hesiod
nothing is said respecting her rank or her origin. By Hesiod1033 she
is
said to be a Titaness, one of the daughters of He
mns Themis sits by Zeus on his throne to give him counsel1034. Themis
is
said1035 to have succeeded her mother Earth in th
o Phœbos-Apollo. Ἴρις. Iris. The office of Iris, in the Ilias,
is
to act as the messenger of the king and queen of
o act as the messenger of the king and queen of Olympos, a duty which
is
performed by Hermes in the Odyssey, in which poem
duty which is performed by Hermes in the Odyssey, in which poem there
is
not any mention made of Iris. Homer gives not the
ht lead to the supposition of Zeus being her sire, by some mother who
is
unknown. Hesiod1038 says that swift Iris and the
Thaumas (Wonder) by Electra (Brightness) the daughter of Oceanos. It
is
evidently the Rainbow (ἴρις) that is meant, which
ess) the daughter of Oceanos. It is evidently the Rainbow (ἴρις) that
is
meant, which is thus personified in the usual the
r of Oceanos. It is evidently the Rainbow (ἴρις) that is meant, which
is
thus personified in the usual theogonic manner. T
meant, which is thus personified in the usual theogonic manner. There
is
little mention of Iris in the subsequent Greek po
tle mention of Iris in the subsequent Greek poets ; but, whenever she
is
spoken of, she appears quite distinct from the ce
non of the same name. In Callimachus1039 and the Latin poets1040 Iris
is
appropriated to the service of Hera ; and by thes
0 Iris is appropriated to the service of Hera ; and by these last she
is
invariably, and even we may say clumsily, confoun
confounded with the rainbow. According to the lyric poet Alcæus, who
is
followed by Nonnus, Iris was by Zephyros the moth
about ? To which Peisthetæros replies, Nonsense ! Egad, Hermes, who
is
a god, Wears wings and flies, and many other gods
es Love : And like a trembling dove, old Homer saith, Was Iris. Iris
is
called1044, 1. Storm-footed ; 2. Wind-footed ; 3.
ted ; 3. Swift-footed ; 4. Swift ; 5. Gold-winged, etc. The name Iris
is
usually derived from ἐρῶ, ἐἴρω, to say, which sui
ite heaven and earth. Παιήων, Παιὼν, Παιάν. Pœeon, Pœon. Pæeon
is
in Homer the family surgeon of Olympos. Nothing i
n, Pœon. Pæeon is in Homer the family surgeon of Olympos. Nothing
is
said about his origin. All we are told is, that h
surgeon of Olympos. Nothing is said about his origin. All we are told
is
, that he cured Ares when wounded by Diomedes1045,
ught on the stage by Euripides in his beautiful drama of Alcestis. He
is
deaf to the entreaties of Apollo to spare the The
of Apollo to spare the Thessalian queen, but, vanquished by Heracles,
is
forced to resign his victim. Μωμος. Momus.
idicule does not appear to have been known to Homer. By Hesiod1053 he
is
classed among the children of Night. He is allude
to Homer. By Hesiod1053 he is classed among the children of Night. He
is
alluded to by Plato and Aristotle ; and Lucian105
xpected, makes some use of him. Νέμεσις. Nemesis. This goddess
is
in the Theogony a daughter of Night1055. The trad
iefly viewed as the punisher of pride, insolence, and arrogance. This
is
her usual character in the dramatists. At Smyrna
eia, said by the poet of the Phoronis to be the same with Cybele1059,
is
named Nemesis by Antimachus1060. This Asiatic Nem
Cybele1059, is named Nemesis by Antimachus1060. This Asiatic Nemesis
is
probably the goddess of nature1061. Τύχη. Fort
es and altars in Greece. By Hesiod and by one of the Homerids1062 she
is
classed among the Ocean-nymphs. Pindar in one pla
her ‘the child of Zeus Eleutherios ;’ elsewhere1064 he says that she
is
one of the Destinies. Alcman called her the siste
d Strife his sister, rouse with him the Trojans to battle1069. Strife
is
said to be small at first, but at last to raise h
o be small at first, but at last to raise her head to the heaven. She
is
sent forth1070 amidst the Achæans by Zeus, bearin
follow Mischief (Ἂτη), and tend those whom she has injured : but Ate
is
strong and firm-footed, and gets far before them,
ting men whom they afterwards heal. Elsewhere1073 he relates that Ate
is
the daughter of Zeus, who injures (ἀâται) all ; t
tempt, chiefly under his guidance, to illustrate the changes which it
is
probable the mythology of this god gradually unde
d by Lobeck1082, that almost all the passages in Homer in which there
is
any mention of or allusion to this god have been
cur in places justly liable to suspicion. The first of these passages
is
that in the sixth book of the Ilias1083, where Di
who had just wounded no less than two deities, asks the latter if he
is
a god, adding, “ I would not fight with the celes
not be put into the mouth of Diomedes ; and we may observe that there
is
a kind of instinct of propriety, as we may term i
4, in which Zeus so indecorously recounts his various amours to Hera,
is
liable to the same objection, and was rejected by
e bore him Dionysos, a joy to mortals.’ The place in which Andromache
is
compared to a Mænas1085, besides that it occurs i
ed to a Mænas1085, besides that it occurs in one of the latter books,
is
regarded as an interpolation. These are the only
nterpolation. These are the only passages in the Ilias in which there
is
any allusion to Dionysos. In the Odyssey1086 it i
ias in which there is any allusion to Dionysos. In the Odyssey1086 it
is
said that Artemis slew Ariadne in the isle of Dia
ian Herodian, and ought to satisfy any one, that the line in question
is
spurious. In the last book of this poem1087 Theti
ine in question is spurious. In the last book of this poem1087 Thetis
is
said to have brought an urn (ἀμϕιϕορῆα), the gift
he ashes of Achilleus ; but the spuriousness of that part of the poem
is
well known. It was further observed by the ancien
s and immortal.’ Far perhaps inferior in point of antiquity to Hesiod
is
the Homeridian hymn to Dionysos, which contains t
the gods to be the cup-bearer of Zeus1091, the latter by Eôs ; and it
is
to be presumed, though Homer does not expressly s
banquets among the immortal gods, and possesses fair-ankled Hebe.’ It
is
not however said that he had obtained the power o
ight appear to indicate, one of the original Grecian deities, (and it
is
difficult to think that the vine and its produce,
e consequently become the son of Zeus by a mortal mother. The vintage
is
in wine-countries at the present day, like haymak
manner in which Demeter, undoubtedly one of the most ancient deities,
is
noticed in the Ilias, it should not excite any gr
sibly reached the ears of Homer. The Thracian worship of Dionysos, it
is
not improbable, was not introduced into Greece ti
the form of an ox, as being the patron of agriculture. As polytheism
is
not jealous, and readily permits the introduction
ng orgies and wild licentiousness of this Dionysiac religion, that it
is
quite evident the latter could not have been know
ks at the time when the Ionians were permitted to settle in Egypt. It
is
in no small degree surprising with what facility
the time of the Græco-Bactric kingdom, some Greek writers, on whom it
is
not impossible the Bramins imposed, as they have
Greece, from a land which does not produce that plant1107. This last
is
the absurd hypothesis which we have seen renewed
the efforts of ingenious etymology. The story of the Grecian Dionysos
is
as follows1108. Zeus, enamoured of the beauty of
with a single entrance through a narrow glen thickly shaded by trees,
is
described in a similar manner with Panchaia, and
e found in ancient or modern occidental literature. Its chief subject
is
the war of Dionysos against Deriades king of the
e called Mænades, Bacchæ, Thyiades, Euades, names of which the origin
is
apparent. Dionysos was represented in a variety o
g man ; his whole air and gait are effeminate ; his long flowing hair
is
, like that of Apollo1118, collected behind his he
lo1118, collected behind his head, wreathed with ivy or a fillet ; he
is
either naked, or wrapped in a large cloak, and th
let ; he is either naked, or wrapped in a large cloak, and the nebris
is
sometimes flung over his shoulders ; he carries a
mysteries he was identified with Osiris, and regarded as the Sun. He
is
sometimes alone, at other times in company with A
mpany with Ariadne or the youth Ampelos. His triumph over the Indians
is
represented in great pomp. The captives are chain
aptives are chained and placed on wagons or elephants, and among them
is
carried a large cratêr full of wine ; Dionysos is
nts, and among them is carried a large cratêr full of wine ; Dionysos
is
in a chariot drawn by elephants or panthers, lean
th their cries and the clash of their instruments. The Indian Bacchos
is
always bearded. It is with reason that Sophocles1
clash of their instruments. The Indian Bacchos is always bearded. It
is
with reason that Sophocles1119 styles Dionysos ma
ven, the earth, and other parts of nature. Dionysos was therefore, it
is
likely, regarded as a deity presiding over growth
closely connected with both these elements. Thus the infant Dionysos
is
committed to the water-goddess Ino, and to the Hy
amed the Flowery 1126. The relation of Dionysos to the celestial heat
is
expressed in the story of his birth, and also in
pithet, Μηρογϵνὴς, usually rendered Thigh-born, lies in this word. It
is
not impossible that the real root of his mother’s
ame may be ϭέλɑς. 1129. In favour of this god’s presiding over cattle
is
alleged the well-known circumstance of the goat b
ted with the fabulous origin of the festival of the Apaturia. Welcker
is
of opinion that Dionysos was originally the objec
ings and nobles, and the gods whom they adored1130. The name Dionysos
is
one of the most difficult to explain in Grecian m
probable (though by no means quite satisfactory) interpretation of it
is
God-of-Nysa, which last place occurs frequently i
efinite one whence Persephone was carried away by Hades. It therefore
is
a matter of uncertainty which was the original Ny
S OF EPHESUS, ISIS. Our object in introducing the present chapter
is
to give a slight view of the manner in which the
there was a great agitation of the human mind, and some new efforts,
is
proved by the perfection of lyric poetry, which c
far and wide, and occupied the whole of life with new superstitions,
is
manifest from the number of jugglers who then rov
insinuated itself into Greece before the time of Pythagoras ? But it
is
not without reason believed, that during the same
ds, and equal punishments threatened to the despisers of them. What !
is
not the religion of the subterrane deities sancti
by the judgement should be solemnly purified, — of which laws Dracôn
is
said to have been the author ? This religion was
nd all the avenues of pious frauds thrown open. Whence the conclusion
is
easy, that the web of the Orphic fable, which is
hence the conclusion is easy, that the web of the Orphic fable, which
is
all composed of the same kind of threads with tho
Homer, and completed a little before the time of Onomacritus1135.” It
is
needless to remind our readers, that we have no a
ir harbours. The revolution named the Return of the Heracleids, which
is
said to have occurred somewhat less than a centur
ortion of the Pelasgic race, this need not surprise us ; but the poet
is
equally silent with respect to anything of thé ki
le of Cyzicos, of Berecynthos, Sipylos, Cybelos ; from which last she
is
said to have derived her name, though the reverse
m which last she is said to have derived her name, though the reverse
is
more likely to be the truth. At Pessinos was pres
be her heaven-sent image. The following pragmatised account of Cybele
is
given by Diodorus. Cybele was daughter to king Mæ
mple was accordingly erected to her at Pessinos by king Midas1139. It
is
apparent from this account that Cybele, Marsyas,
nstance in Amphiôn and Niobe. The Lydian legend of the birth of Attis
is
curious and significant1140. Like Asiatic worship
nd composed dignity which distinguish Hera and Demeter. Sometimes she
is
veiled, and seated on a throne with lions at her
er side ; at other times riding in a chariot drawn by lions. Her head
is
always crowned with towers. She frequently beats
tly beats on a drum, and bears a sceptre in her hand. The name Cybele
is
probably derived from the cymbals (Κύμβος, Κύμβɑλ
t ones were a sort of Pantheôn, a compound of various attributes. She
is
covered with breasts and with the heads of animal
tion, vile juggling, and scandalous indecency. As the goddess herself
is
by Herodotus1153 identified with the Grecian Deme
e power of the earth, which we find among most ancient nations. Egypt
is
once mentioned in the Ilias1154. In the Odyssey11
r increases in extent a whole day’s journey toward the north, Memphis
is
no longer founded after the destruction of Troy.
, to be the emporium of the trade of Greece and Egypt, just as Canton
is
that of the trade between China and Europe. Vesse
— PAN, SATYRS, SILENOS, PRIAPOS, NYMPHS. Πάν. Pan. This god
is
unnoticed by Homer and Hesiod, but according to o
ood or primitive matter, this was another ground for exalting him. It
is
amusing to read how all the attributes of the Arc
n god were made to accord with this notion. “Pan,” says Servius1173, “
is
a rustic god, formed in similitude of nature ; wh
ius1173, “is a rustic god, formed in similitude of nature ; whence he
is
called Pan, i. e. All : for he has horns in simil
imilitude of the rays of the sun and the horns of the moon : his face
is
ruddy, in imitation of the æther : he has a spott
of the heaven, in which there are seven sounds : he has a crook, that
is
a curved staff, on account of the year, which run
staff, on account of the year, which runs back on itself, because he
is
the god of all nature. It is feigned by the poets
r, which runs back on itself, because he is the god of all nature. It
is
feigned by the poets, that he struggled with Love
thy shoulders and thy sides Pelt with their squills when little meat
is
had ; But if thou otherwise incline, may pain Sei
But if thou otherwise incline, may pain Seize thee when all thy skin
is
torn with nails, And in hot nettles may thou lie
hey were unsuccessful in hunting1175. The Homerid already quoted, who
is
older than Pindar1176, describes in a very pleasi
r1176, describes in a very pleasing manner the occupations of Pan. He
is
lord of all the hills and dales : sometimes he ra
and fowling1178. The god of herdsmen was not without his amours ; he
is
said to have captivated the goddess of the night,
ror, and dispose it to superstitious apprehensions : hence perhaps it
is
, that madness was believed to be the consequence
ead, to characterize him ; he bears his crook and his syrinx ; and he
is
either naked, or clad in the light cloak called c
right-locked ; 5. Cave-dwelling ; 6. Sea-roaming. The name Pan (Πὰν)
is
probably nothing more than the contraction of πάω
arding him as the sun1189. Σάτυροι. Satyri. Satyrs. Hesiod1190
is
the first who mentions the Satyrs ; he says that
nd they formed the chorus of the species of drama named from them. It
is
not unlikely that they are indebted for their dei
son of Earth, and sprung from the blood-drops of Uranos1199. Marsyas
is
called a Silen1200. Like the seagods, Silenos was
the origin of things, and the events of past times1206. One was, What
is
best for men ? Silenos was long silent ; at lengt
o ye oblige me to tell what it were better for you not to know ? Life
is
most free from pain when one is ignorant of futur
ere better for you not to know ? Life is most free from pain when one
is
ignorant of future evils. It is best of all for m
Life is most free from pain when one is ignorant of future evils. It
is
best of all for man not to be born…… the second i
f future evils. It is best of all for man not to be born…… the second
is
, for those who are born to die as soon as possibl
, for those who are born to die as soon as possible1207.” He also, it
is
said1208, gave the king a long account of an imme
city on the Hellespont famous for its vineyards. Priapos was not — as
is
supposed, from the employment usually assigned hi
ens, but of fruitfulness in general. “This god,” says Pausanias1213, “
is
honoured elsewhere by those who keep sheep and go
eries1216 ; and in the Anthology1217 Priapos Of-the-Haven (Λιμϵνίτας)
is
introduced, giving a pleasing description of the
even Zeus himself for a sire1226. Priapos, like the other rural gods,
is
of a ruddy complexion. His cloak is filled with a
iapos, like the other rural gods, is of a ruddy complexion. His cloak
is
filled with all kinds of fruits : he has a sithe
fruits : he has a sithe in his hand, and usually a horn of plenty. He
is
rarely without his indecent symbol of productiven
tent daughter of Helios, also designated as a goddess and a nymph, it
is
said, They spring from fountains and from sacred
ad offered to them. In another part of the poem1233 their sacred cave
is
thus described : But at the harbour’s head a lon
e-flowing Waters are there. Two entrances it hath ; That to the north
is
pervious unto men ; That to the south more sacred
hat to the north is pervious unto men ; That to the south more sacred
is
, and there Men enter not, but ‘tis the Immortals’
te description of them. Aphrodite, when she informs Anchises that she
is
pregnant, and of her shame to have it known among
t And holy dwell, who neither goddesses Nor women are1236. Their life
is
long ; they eat Ambrosial food, and with the Deat
ve Men call them, and with iron never cut. But when the Fate of death
is
drawing near, First wither on the earth the beaut
in of the echo and the narcissus. The Scandinavians say that the echo
is
the voice of the Trolls ; the original natives of
Helicôn, the scene of Narcissos’ transformation. Its name in Persian
is
Nirgis, which proves the derivation from ναρкέω t
he nymphs ; and to this day, says Nicander, a voice as of lamentation
is
heard at night to issue from the grove. The place
s of lamentation is heard at night to issue from the grove. The place
is
called that of the Nymphs and the Youths1242. Dry
and cutting off the head carry it about ; and the head with the horns
is
like the lyre made from the tortoise1244 ’ The wo
rriageable young women, for the idea of youth was always included. It
is
in this last sense that the goddesses of whom we
Νηρϵύς. Nereus. Nereus, though not mentioned by name in Homer,
is
frequently alluded to under the title of the Sea-
elicate whiteness and long flowing hair. A constant epithet of Thetis
is
silver-footed (ἀργυροπέξα) ; and it was for ventu
ies and phænomena of the sea. Φόρкυς, Φόρкος. Phorcus. Phorcys
is
called by Homer a Ruler (μέδων) of the Sea and a
r a Ruler (μέδων) of the Sea and a Sea-elder. A harbour in Ithaca1252
is
said to belong to him. Hesiod1253 makes him a son
have seen another Tritôn among the curiosities of the Romans, but it
is
not so large as this of the Tanagrians. The form
it is not so large as this of the Tanagrians. The form of the Tritons
is
this : — the hair of their head resembles the par
at no difference can be perceived among them : the rest of their body
is
rough with small scales, and is of about the same
d among them : the rest of their body is rough with small scales, and
is
of about the same hardness as the skin of a fish
s of his bees seeks in a similar way a remedy from Proteus. The scene
is
here transferred to the peninsula of Pallene, and
he scene is here transferred to the peninsula of Pallene, and the god
is
described as of a blue colour, the hue which pain
rses. Homer does not name the parents of this marine deity, and there
is
no mention of him in the Theogony. Apollodorus ma
e air, and the water itself1264. Γλαῦκος. Glaucus. Glaucos, as
is
evident from his name, was an original god of the
god of the sea, probably only another form of Poseidôn, whose son he
is
in some accounts1265. Like the marine gods in gen
as Leucothea, who gives her veil to Odysseus when tossed in a storm,
is
called ‘fair-ankled Ino, daughter of Cadmos,’ and
called ‘fair-ankled Ino, daughter of Cadmos,’ and her transformation
is
mentioned1275. Palæmôn was usually represented ri
Phœbos-Apollo, Pallas-Athene) were original water-deities. Leucothea
is
supposed to be derived from the white waves, and
læmôn (Champion) seems to refer to the Isthmian games1278. Melicertes
is
said to be a name of Poseidôn ; it may however be
unperceived. The name of the third sister given by the later writers
is
Deino (Terrifier)1294. Гοργόνες.Gorgones. Gorg
theino, Euryale and Medusa, which last alone was mortal. Poseidôn, it
is
added, lay with her in a ‘soft mead amid the spri
h like those of swine, brazen hands and golden wings. Their looks, it
is
added, turned all who beheld them to stone1304. T
were it not that, as we shall show, the Gorgon in that mythe, Medusa,
is
merely another form of Pallas-Athene. It is there
on in that mythe, Medusa, is merely another form of Pallas-Athene. It
is
therefore not improbable that the theory of some
the mythe of Perseus. As in this mythe Medusa (Mistress) — whose name
is
of a nature totally different from theirs — was a
very writer of antiquity places them somewhere in Libya. This however
is
not to be wondered at, for it is only a part of t
hem somewhere in Libya. This however is not to be wondered at, for it
is
only a part of the system of localisation, which
. In Greece, as over the rest of Europe, we may observe the east-wind
is
pernicious. Boreas (Βορέας) was called Clear weat
of Oreithyia, and built a temple to him after that event1320. Boreas
is
also said by Homer1321 to have turned himself int
thonios, and to have begotten on them twelve foals. Zephyros (Ζέϕυρς)
is
described by Homer as a strong-blowing wind, but
come from ἠὼς and ζόϕος, which denoted the East and West1324. Boreas
is
thought to be Oreas (from ὄρος), as rushing from
ρος), as rushing from the mountains. Notos perhaps signified wet, and
is
akin to the German nass. Chapter XIX. INH
c geography of the most romantic poem of Greece, the Homeric Odyssey,
is
now to occupy our attention. Its poet is in our e
Greece, the Homeric Odyssey, is now to occupy our attention. Its poet
is
in our eyes a Grecian Ariosto, and we should as s
to the West-sea, which he made the scene of his hero's adventures. It
is
a question among critics whether the Odyssey is o
hero's adventures. It is a question among critics whether the Odyssey
is
or is not the work of one mind, whether the domes
adventures. It is a question among critics whether the Odyssey is or
is
not the work of one mind, whether the domestic sc
re not required at present to enter, for the geography of these parts
is
distinct, the one lying in the domains of romance
Temesa, whither the Taphians used to sail to barter iron for copper,
is
mentioned1326 ; and in Italy, in ancient times a
which case nothing definite results from the mention of them. Sicania
is
also spoken of1333, but it is in the part of the
sults from the mention of them. Sicania is also spoken of1333, but it
is
in the part of the poem which ancient critics pro
f his ship. As the coast of Cyrene lies opposite the Peloponnese, and
is
much nearer to it than Egypt is to Crete, we must
ne lies opposite the Peloponnese, and is much nearer to it than Egypt
is
to Crete, we must suppose the country of the Lotu
the verge of the land of fable. The Lotus, under the name of Jujuba,
is
, we may observe, a part of the food of the people
urled immense rocks at him, which were near sinking his ship. Nothing
is
said by the poet respecting the size of the Cyclo
poet respecting the size of the Cyclopes in general, but every effort
is
made to give an exaggerated idea of that of Polyp
sh of the bundle of wood which he brings home in the evening, when it
is
cast on the ground, terrifies the Greeks who were
ordinary Cyclôps-race, being the son of Poseidôn and a sea-nymph : he
is
also said1337 to have been the strongest of the C
: he is also said1337 to have been the strongest of the Cyclopes. It
is
not a little remarkable, that neither in the desc
cription of the Cyclopes in general, nor of Polyphemos in particular,
is
there any notice taken of their being one-eyed ;
iled to it, if it had been at anything like the distance which Sicily
is
from Libya : and further, though the fertility of
ply, that it in no point accords with the description in the poem. It
is
thus that the Thunder, Lightning, and Flame of th
ht by Prœtos from Lycia1341. Polyphemos’ love for the Nereïs Galateia
is
well known from the bucolic poets1342. The river
gave occasion to the fiction of a Giant-war. The peninsula of Pallene
is
said to have been the place of conflict, and with
isle of Sicily, where his motions cause the eruptions of Ætna1349. It
is
said1350 that Earth, enraged at the destruction o
Mount Casius old, Where armies whole have sunk. Typhon, or Typhaôn,
is
apparently the same with Typhoeus, though Hesiod
evident personifications of storms and of volcanic eruptions. Typhôn
is
made the sire of the Chimæra, Echidna, and other
dæmon Baby, the opponent of Osiris. The flight of the gods into Egypt
is
a bungling attempt at connecting the Greek mythol
them with reproaches from his isle. As Æolia was a floating isle, it
is
evidently as needless to look for its exact posit
n considerable, as the length of time consumed in the passage thither
is
not specified. The Læstrygonians are another of t
ir king was named Antiphates, their town Læstrygonia or Telepylos (it
is
uncertain which), and the fountain near it Artaki
e as to induce the poet to place it among the wonders of the West. It
is
much more probable that the solution of the diffi
g companions had escaped from the Læstrygonians, they sailed on, that
is
still westwards, till they came to the isle of Ææ
ygia the isle of Calypso, lie manifestly between it and Greece. Circe
is
one of those deities whom Homer calls human-speak
h the air or along the water, but dwelt continually in one place. She
is
said by him1362 to be the daughter of Helios by t
that the course of the Ocean was northwards ; the north-wind (βορέας)
is
required to carry them over (the House of Aïdes l
as the ship left the Ocean and entered the Sea, it was at Ææa. Circe
is
said to have had by Odysseus a son named Telegono
ought Circe in his chariot to her isle off the coast of Tyrrhenia. It
is
curious to observe the liberties which the later
her the mother of Faunus by the god of the sea1369. The Moly (μῶλν),
is
said by these late writers to have sprung from th
and. Its name, we are told, comes from the fight (μῶλος) ; its flower
is
white, as the warrior was the Sun1370. In Ææa, th
house and dance-place of Eôs, and the rising of the Sun.’ By this he
is
usually understood to mean that Ææa, in oppositio
uit the West. On surveying the ‘beautiful wonders’ of the Odyssey, it
is
impossible not to be struck with the resemblance
on each of the eight celestial spheres, where their voices form what
is
called the music of the spheres ; and when (Ol. 9
(Ol. 94, l.) the Lacedæmonians had laid siege to Athens, Dionysos, it
is
said, appeared in a dream to their general, Lysan
wings, and tails of birds. The ordinary derivation of the word Siren
is
from σϵίρα, a chain, to signify their attractive
ust pass. One of these cliffs towers to such a height that its summit
is
for ever enveloped in clouds, and no man even if
as many feet could ascend it. In the middle of this cliff, she says,
is
a cave facing the west, but so high that a man in
s each mouth takes a man. The opposite rock, the goddess informs him,
is
much lower, for a man could shoot over it. A wild
arybdis’ three times each day absorbs and regorges the dark water. It
is
much more dangerous, she adds, to pass Charybdis
e fig-tree till it was thrown out again, and resumed his voyage. Such
is
the earliest account we have of these monsters, i
ave of these monsters, in which indeed it may be doubted if Charybdis
is
to be regarded as an animate being. The whole fab
d if Charybdis is to be regarded as an animate being. The whole fable
is
evidently founded on the wonderful tales of sailo
e straits of Messina the abode of Scylla and Charybdis ; but as there
is
no whirlpool there at all resembling Charybdis, t
hirlpool there at all resembling Charybdis, the most that can be said
is
, that that strait may have given occasion to the
n the Wandering Rocks and Thrinakia (if this last be Sicily) ; for it
is
after passing those rocks that Odysseus comes to
d, on which the oxen of the Sun grazed. In Homer the mother of Scylla
is
named Cratæis1393 ; but her sire is not spoken of
ed. In Homer the mother of Scylla is named Cratæis1393 ; but her sire
is
not spoken of. Stesichorus called her mother Lami
ll observe, that Thrinakia was a desert isle (νῆσος ἐρήμηη)1405, that
is
, an uninhabited isle ; and that during the whole
with any one, and could procure no food but birds and fish ; that it
is
called the excellent isle of the god 1406, whose
provisions, and reluctantly took a final leave of him. Calypso, that
is
The Concealer (the poet after his usual manner gi
aler (the poet after his usual manner giving her a significant name),
is
called by Homer1408 the daughter of Atlas : Hesio
cted by Calypso, with the constellation of the Bear on his left, that
is
in an easterly or southeasterly direction, he cam
se alarm of her maids at the sight of him, says1423, “Do you think he
is
an enemy ? There is not a living mortal, nor will
s at the sight of him, says1423, “Do you think he is an enemy ? There
is
not a living mortal, nor will there be, who will
l sea, the last ; nor does any other mortal mingle with us : but this
is
some unfortunate wanderer who has come hither.” I
most probably lay in the sea somewhere to the north of it. The truth
is
, the Phæacians and their island are altogether as
1427. The place determined by both ancients and moderns to be Scheria
is
the island of Corcyra1428, the modern Corfu, whic
ot what the Ionian Singer’s idea of it may have been. All we will say
is
, that his language respecting it accords much bet
of the poem, the one in which Eurymedusa, the attendant of Nausicaa,
is
said to have been brought from Apeiros, which is
tendant of Nausicaa, is said to have been brought from Apeiros, which
is
taken to be Epeiros1429 ; the other the fictitiou
tygia, where are the turnings (τρπαὶ) of the sun. Syria, he proceeds,
is
not large, but it is fruitful, abounding in sheep
turnings (τρπαὶ) of the sun. Syria, he proceeds, is not large, but it
is
fruitful, abounding in sheep, in pasturage, in vi
ruitful, abounding in sheep, in pasturage, in vines, and in corn : it
is
never visited by famine or by any disease ; but w
ded. The Phœnicians and Taphians visited it for the sake of trade. It
is
almost impossible, we should think, not to recogn
f Man. The origin of mankind, like that of the earth their abode,
is
a subject which will be found to have engaged the
reviviscence ; mankind are born, flourish, and die ; a new generation
is
ever filling up the vacancies caused by death ; r
ed by death ; races migrate ; where population once flourished, there
is
desolation ; where once the wilderness spread, is
e flourished, there is desolation ; where once the wilderness spread,
is
heard the busy hum of men, and commerce and agric
ommerce and agriculture display their stores. Has it always been so ?
is
the question man naturally asks himself. Has the
his thoughts through ages and generations, till for very weariness he
is
obliged to stop somewhere and suppose a beginning
nowhere speaks of cosmogony or of the ages of the world. Hesiod, who
is
the first that treats of them, gives in his didac
the earth shrouded in darkness, and are the bestowers of wealth. Such
is
their regal honour1440. The gods made a second fa
redrawn by moralists and poets in every region of the earth, for this
is
the race who still possess it. This race, says He
misery to man ; and there will be no defence against evil. Aratus1441
is
the next in order of time who mentions the ages o
nd Zeus destroyed them by a deluge of water. In all these accounts it
is
to be observed that it is races of men, not ages
a deluge of water. In all these accounts it is to be observed that it
is
races of men, not ages of the world, which are sp
he second or silver race. Earth covers each race before its successor
is
made. Aratus expressly says that the golden were
ring and ending with a gloomy iron winter, form the solar year, which
is
continually renewed ; so the four ages of the wor
gives the following view of the mythe of the races of man. This mythe
is
an oriental one, derived from the same source wit
y be regarded as the Plato of his age. It contained originally, as it
is
given by Aratus, but the three first ages. Its ob
after it, — effeminacy and violence, the two vices into which virtue
is
most apt to degenerate, being their respective ch
regarded as a later invention than that of brass or copper, and as it
is
a harder metal, it was naturally selected to expr
t was necessary to distinguish it from the iron one : hence the cycle
is
, as it were, repeated ; but the latter one, being
iron are menaced with utter destruction like the brazen. This critic
is
further of opinion that in the original narrative
y joined with Kronos, apart as it were from the other Titans ; and it
is
worthy of notice, that in the Theogony (where the
itans ; and it is worthy of notice, that in the Theogony (where there
is
more of order and method than is usually supposed
e, that in the Theogony (where there is more of order and method than
is
usually supposed) the account of Iapetos and his
e gods are the offspring of Time, and man, say the sacred Scriptures,
is
‘born unto misery’. It is not unreasonable theref
f Time, and man, say the sacred Scriptures, is ‘born unto misery’. It
is
not unreasonable therefore to find in the name of
the imprudent1450. These we shall now proceed to illustrate. Menœtios
is
called by Hesiod1451 the insolent and the haughty
s is called by Hesiod1451 the insolent and the haughty ; and Zeus, it
is
added, struck him with his thunder and precipitat
haughtiness and extreme reliance on his powers hurry man to death. It
is
said by later writers that for his share in the T
pillars which hold heaven and earth asunder.’ In the Theogony1454 he
is
said to support the heaven on his head and hands
uest of the sea by human skill, trade, and mercantile profit1459.” It
is
perhaps hardly necessary now to remind the reader
necessary now to remind the reader that the Atlas of Homer and Hesiod
is
not the personification of a mountain. In the day
on who discharged that office himself, became a mountain of Libya. It
is
however remarkable that in all the legends of thi
bya. It is however remarkable that in all the legends of this kind it
is
the god or man Atlas who is turned into or gives
e that in all the legends of this kind it is the god or man Atlas who
is
turned into or gives name to the mountain. Thus a
intellectual vigour and weakness of man. In this mythe however there
is
great confusion, for its original sense seems to
iewed as a Titan and the creator or instructor of man. In Homer there
is
no allusion whatever to Prometheus. Hesiod says14
’ slaying the eagle and freeing the sufferer. In this narrative there
is
a combination of a local mythe of Sicyôn (ancient
it as a punishment for his art he got the thirst of the ass. Hence it
is
that the snake by casting his skin annually renew
at the snake by casting his skin annually renews his youth, while man
is
borne down by the weight of the evils of old-age.
mythe of the introduction of evil into the world by means of a woman
is
related at large by Hesiod in his didactic poem,
ns of a woman is related at large by Hesiod in his didactic poem, and
is
touched on in the Theogony1481. The following is
s didactic poem, and is touched on in the Theogony1481. The following
is
the ingenious, and in general correct, view of it
e first of mankind were two brothers, Prometheus and Epimetheus, that
is
, Forethought and After-thought. These first men l
nants of griping landlords, were obliged to be very circumspect, that
is
, to use a good deal of forethought in their actio
get every advantage they could in their dealings with the gods. This
is
intimated in the transaction respecting the fire
his is intimated in the transaction respecting the fire of which Zeus
is
said to have deprived men, and which Prometheus s
ing it. But the case was now altered : a woman, whose chief attribute
is
curiosity, was come into the house : dying to kno
mained with man, his chief support and comfort. This fable of Pandora
is
certainly not capable of being reconciled with ot
metheus with Dædalos and Heracles, and speaks of him as a man1483. It
is
remarkable however that Æschylus represents him o
se of the men, into a box brought with her from heaven by Pandora. It
is
rather strange how this notion could have prevail
rd with such a box as Pandora could have carried with her. Further it
is
said that ‘Hope alone remained in the infrangible
one remained, as he let down the lid before she had escaped1486. Such
is
what may be regarded as the best explanation that
this mythe and the Scripture narrative of Eve and the forbidden fruit
is
so very striking, that one might be induced to re
gard it as a rivulet derived from the original fount of tradition. It
is
however more probably an ebullition of that splee
the ancients should have taken so little notice of this mythe. There
is
no allusion to it in Pindar or the tragedians, ex
, with the exception of a dubious passage in Theognis1489, where Hope
is
said to be the only good deity that remained amon
sion to it in Grecian literature, except in the fable of Babrius, who
is
said to have been anterior to Phædrus, in Nonnus1
imetheus, and became the mother of Pyrrha, the first mortal woman. It
is
also deserving of notice, that Hesiod and all the
h circumstances borrowed from the narrative in the Mosaic history. It
is
to the following effect. Deucaliôn, the son of Pr
he Greek name for people 1494. This narrative, it may easily be seen,
is
of a very narrow and even unpoetic character ; it
hat he and his wife alone had been preserved in the catastrophe. What
is
said of the Brazen Age is quite at variance with
had been preserved in the catastrophe. What is said of the Brazen Age
is
quite at variance with the narrative in Hesiod, a
the Brazen Age is quite at variance with the narrative in Hesiod, and
is
a very clumsy attempt at connecting two perfectly
eios carries off the waters that run into the vale of Thessaly, which
is
on all sides shut in by lofty mountains, had been
habitants of Greece. Where there are not letters to fix it, tradition
is
, as abundant instances prove, remarkably fleeting
ence in effect of sacerdotal dominion having ever prevailed in Greece
is
so slight that it hardly needs an examination1508
ecord, were this Pelasgian race1514, or one which had conquered them,
is
what we have no means of determining. The poems g
not a hint on the subject, and conjecture will yield but little that
is
satisfactory. No traces occur in them of previous
. No traces occur in them of previous invasions and conquests, and it
is
not at all improbable that the martial character
been developed by peculiar circumstances from the peaceful one which
is
usually supposed to have distinguished the Pelasg
inguished the Pelasgians1515. Previous to the Dorian migration, which
is
an undoubted historic event, there is supposed to
to the Dorian migration, which is an undoubted historic event, there
is
supposed to have been some commotion in Thessaly,
modern Italy. Religion will always vary with modes of life, and there
is
therefore no improbability in the supposition of
e no improbability in the supposition of that of the Pelasgians, that
is
of the people of Greece before the Achæan period,
epithets of the divinity in whose mythology they became actors. There
is
, further, much probability in the hypothesis that
three periods, the Pelasgian, the Achæan, and the Hellenic. The first
is
ante-historic and even ante-mythic, and its exist
c. The first is ante-historic and even ante-mythic, and its existence
is
only to be inferred from a few feeble traces : th
xistence is only to be inferred from a few feeble traces : the second
is
the mythic, which is rich in events, though the f
e inferred from a few feeble traces : the second is the mythic, which
is
rich in events, though the far greater part, if n
e time of Solôn the lineaments of truth, and becomes real history. It
is
this last period alone which presents materials f
he mythic history of Greece, to which the present portion of our work
is
devoted, will present numerous instances of the p
nce more in the eyes of posterity. The whole mythic history of Greece
is
genealogical ; all the personifications which we
therefore at introducing the accuracy of chronology into such a chaos
is
absurd in the extreme1527 ; and it is only with t
of chronology into such a chaos is absurd in the extreme1527 ; and it
is
only with the glimmer of the dawn of real Grecian
n the distance, but fade into mist when he attempts to grasp them. It
is
a region of sunshine and fragrance, in which the
leasant to view and curious to explore ; where the search after truth
is
rewarded by insight into the powers and operation
sight into the powers and operations of the human mind, and the fancy
is
continually nourished and inspired by gay and mag
s of Heracles and Theseus and the Argonautic Expedition ; this period
is
succeeded by that of the Theban Wars, after which
e assigned as the scenes of them. Without venturing to assert that it
is
the best, we have given the preference to the lat
Chapter II. MYTHES OF THESSALY. The legends of which Thessaly
is
the scene are few in number, and are nearly all c
ing Iasôn to the expedition of the Golden Fleece1537. Another account
is
that Pelias, being about to offer a sacrifice on
hat stream to come to it, and in so doing lost one of his sandals. It
is
said that Hera, out of enmity to Pelias, who had
give the more trustworthy accounts of others. In the Theogony Medeia
is
classed with the goddesses1543 who honoured morta
the mountains, and ‘the will of great Zeus was accomplished1544.’ It
is
evident therefore that this poet supposed Iasôn t
wed the Hyades, the nurses of Dionysos, and their husbands1547. There
is
also a difference in the accounts of the manner i
ounts of the manner in which she contrived to destroy Pelias ; for it
is
said that before the Argo came to Iolcos Medeia l
nied him on his voyage, and retired with Medeia to Corinth1549. Iasôn
is
said to have put an end to his life after the tra
garded as a real historical personage. Whether the former, whose name
is
nearly identical with Iasiôn, Iasios, Iasos, is m
he former, whose name is nearly identical with Iasiôn, Iasios, Iasos,
is
merely a personification of the Ionian race (Ἰάον
from her in the manner of which we have already given instances. She
is
the counselling (μῆδος) goddess ; and in the hist
ess1556, whose priestess, like Io, she probably was in this mythe. It
is
also remarkable that the only place, besides Cori
olchis. It would thus appear that the whole mythe of Æetes and Medeia
is
derived from the worship of the Sun and Hera at C
as dwelling together all the lifetime of their son1576. Of Peleus it
is
further related, that he survived his son and eve
im with brazen bands to an ever-revolving fiery wheel1579. This mythe
is
probably of great antiquity, as the customs on wh
This mythe is probably of great antiquity, as the customs on which it
is
founded only prevailed in the heroic age. Its chi
ilt of the offender was supposed to be removed. The most extreme case
is
given by making Ixiôn, that is the Suppliant 1580
d to be removed. The most extreme case is given by making Ixiôn, that
is
the Suppliant 1580, and the first shedder of kind
t is the Suppliant 1580, and the first shedder of kindred blood as he
is
expressly called1581 (the Cain of Greece), act wi
himself, who, according to the simple earnestness of early mythology,
is
represented like an earthly prince receiving his
been a rude mountaintribe, dwelling on and about Mount Pelion. There
is
no ground for supposing that Homer and Hesiod con
y fighting with spears, while the former wield pine-clubs1585. Pindar
is
the earliest poet extant who describes them as se
ion of ‘strife between the Centaurs and men’1588. In the Catalogue it
is
said that Hippodameia bore Polypœtes to Peirithoö
‘green pines,’ and the earth finally opened and swallowed him1593. It
is
also said that Cæneus, filled with confidence in
Centaurs was Cheirôn, the son of Kronos by the nymph Philyra1595. He
is
called by Homer1596 ‘the most upright of the Cent
as raised to the sky and made the constellation of the Bowman1598. It
is
the opinion of Buttmann1599 that the Centaurs and
ers (from κντϵῐν τὴν αὔραν) not an improbable one, for that very idea
is
suggested by the figure of a Cossack leaning forw
married Halcyone a daughter of Æolos the son of Deucaliôn. Pride, it
is
said, caused the ruin of both. He called his wife
seven more she feeds her young on the surface of the sea, which then
is
calm and free from storm, and these are called th
one) relating to him, Ceÿx bears a gentle and amiable character. Ceÿx
is
introduced into the mythe of Heracles, whose frie
acter. Ceÿx is introduced into the mythe of Heracles, whose friend he
is
said to have been. The Marriage of Ceÿx (Τάμος Κή
ath of the hero, was the gift of Ceÿx. The fable of Ceÿx and Halcyone
is
apparently one of those legends, of which we have
imals. Yet as Ceÿx seems to belong to a very ancient mythic cycle, it
is
not unlikely that it was the resemblance of his n
ith Althæa, by which he became the father of Deïaneira1611. Œneus, it
is
also said, killed with his own hand his son Toxeu
ilt1616. Μϵλέαγρος. Meleager. The tale of the Calydonian Hunt
is
probably a legend of great antiquity. In the Ilia
to them, the Ætolians did not give him the proffered recompense. Such
is
the more ancient form of the legend, in which it
of the mythic ages, it underwent various modifications. Meleagros, it
is
said1619, invited all the heroes of Greece to the
to the northern part, and Orchomenos and the Minyans. This last cycle
is
closely connected with that of the Argonautics. W
who slew each other, either quarrelling or through ignorance : for it
is
said that when Cadmos saw them rising he flung st
cent robe, and with a collar, the work of Hephæstos, given to him, it
is
said, by the divine artist himself. Harmonia beca
veyed thither in a chariot drawn by serpents1627. The mythe of Cadmos
is
, by its relation to history, one of considerable
os is, by its relation to history, one of considerable importance. It
is
usually regarded as offering a convincing proof o
he Cadmeians are spoken of more than once1628, the slightest allusion
is
not made to Cadmos ; in the Odyssey1629 the sea-g
not made to Cadmos ; in the Odyssey1629 the sea-goddess Ino-Leucothea
is
said to have been a mortal, and daughter to Cadmo
n heroes Peleus and Achilleus in the Island of the Blest1631 ; but it
is
very remarkable that this Theban poet never even
was however an article of general belief in Pindar's time1632. There
is
a curious coincidence between the name Cadmos and
ian influence in the language, manners, or institutions of Bœotia. It
is
further a thing most incredible, that a seafaring
ose objects of trade which might tempt a people of that character. It
is
also strange that the descendents of these coloni
ian land1635 ; the citadel was at all times named the Cadmeia. Cadmos
is
therefore apparently (like Pelasgos, Doros, Iôn,
ns to rank with the Ionians, Thessalians and others, of whose name it
is
difficult to assign a probable origin. It is howe
others, of whose name it is difficult to assign a probable origin. It
is
however said that Cadmos signifies Prince or Gene
is however said that Cadmos signifies Prince or General, that Cadmeia
is
therefore Palace, and that the people thence deri
nd that the Cabeiræan deities were also worshiped at Thebes. Hence it
is
inferred that Cadmos-Hermes, i. e. Hermes Regulat
signify the Regulator, that gave rise to all this mystery in which he
is
enveloped. It was certainly his name that led to
the idea of giving him Harmonia for his bride. The influence of names
is
also we think perceptible in the oracle given to
nchelians, namely to take Cadmos and Harmonia for their leaders, that
is
, to adopt regular discipline, and they would be v
nquest of the country and the origin of the Theban patricians1639. It
is
rather remarkable that the names of the children
the children of Cadmos seem all to refer to the element of water. Ino
is
a goddess of the sea, Agaue and Autonoe occur in
ea, Agaue and Autonoe occur in the list of the Nereïdes, and Polydora
is
the name of an Ocean-nymph1640. Semele herself ma
jealousy of Zeus, who feared he would marry Semele1649. Aristæos, it
is
quite evident from the names given him by Pindar,
married to Athamas, son of Æolos, and king of Orchomenos. Athamas, it
is
said, had been already married to Nephele (Cloud)
d by her four children, Leucôn, Erythroe, Schœneus, and Ptoös1660. It
is
thus that we find this important mythe related by
y Apollodorus. There are however many variations in the tale. Thus it
is
said that Ino was Athamas’ first wife, and that h
elves great liberties in their treatment of the ancient mythes. There
is
none which has suffered more at their hands than
vour to point out the meaning of this very obscure legend. Athamas it
is
plain belonged to the Minyans, who dwelt in Bœoti
s act Kytissoros had drawn the anger of the gods on his posterity. It
is
not unlikely then that this mythe of Athamas took
east, and he was torn to pieces by them1667. The name of Pentheus, it
is
plain, is derived from the grief (πένθος) occasio
he was torn to pieces by them1667. The name of Pentheus, it is plain,
is
derived from the grief (πένθος) occasioned by his
d from the grief (πένθος) occasioned by his fate. Agaue (Illustrious)
is
an epithet of Persephone, who may have been made
upied by Lycos the brother of Nycteus. Both Lycos and his brother, it
is
said, had fled from Eubœa for killing Phlegyas th
of the world, and she was changed into a nightingale (ύηδών). Zethos
is
also said to have fallen by the arrows of Apollo.
thos is also said to have fallen by the arrows of Apollo. This legend
is
thus noticed in the Odyssey1672 : As when Pandar
. In this history also there are great variations, caused chiefly, it
is
probable, by the tragedians. By Homer1673 Antiope
used chiefly, it is probable, by the tragedians. By Homer1673 Antiope
is
called the daughter of Asopos, and Asios made her
os made her the wife of Epopeus at the time of her conception1674. It
is
indeed not improbable that this poet represented
cteus are plainly Light and Night. Antiope the daughter of the latter
is
the Beholder (ἀντὶ ὄψ), and may remind us of the
sits so calmly looking down on the earth ; her husband’s name Epopeus
is
of similar import ; her mother is Polyxo (Polylyx
earth ; her husband’s name Epopeus is of similar import ; her mother
is
Polyxo (Polylyxo), Light-full. Amphiôn is the Cir
similar import ; her mother is Polyxo (Polylyxo), Light-full. Amphiôn
is
the Circler (hence he walls-in Thebes), and Zetho
t-full. Amphiôn is the Circler (hence he walls-in Thebes), and Zethos
is
perhaps the Searcher. The Twins, the offspring of
d, and whose eye searches out all things1675. The mythe of Niobe also
is
capable of a physical sense. This goddess 1676, w
l sense. This goddess 1676, whose name denotes Youth or Newness 1677,
is
the daughter of the Flourishing-one (Tantalos), a
opids glimpses are given of the ancient political state of Thebes. It
is
observed that there is no connexion between them
n of the ancient political state of Thebes. It is observed that there
is
no connexion between them and the Cadmic line ; t
allant warriors who walled and fortified the city for the defence, it
is
said1682, of Cadmos the priest-king, against the
it to have been established by one of the ancient houses, as Nycteus
is
called the son of Chthonios. He also discovers th
e Phicean Hill and propounded one to the Thebans. It was this : “What
is
that which has one voice, is four-footed, two-foo
one to the Thebans. It was this : “What is that which has one voice,
is
four-footed, two-footed, and at last three-footed
thens, and there found the termination of his wretched life1688. Such
is
the form in which the story of Œdipûs has been tr
ver, he drinks previous to revealing to him the future1696. Teiresias
is
said to have been the son of Eueres and the nymph
a son named Mopsos, a celebrated prophet1701. The name Teiresias1702
is
apparently derived from τέρας, prodigy, and that
ed it from himself Andreïs. He was succeeded by his son Eteocles, who
is
said to have been the first who sacrificed to the
length by Müller1708 and Buttmann1709. The result of their inquiries
is
as follows. The Minyans was the mythic name of on
ed and acquired considerable wealth by commerce and navigation ; this
is
denoted by the names derived from gold which occu
he name Minyans given to the heroes, which we have just mentioned. It
is
a remarkable fact, that Orchomenos was one of the
to discover his accomplice, cut off his head1713. Trophonios himself
is
said to have been shortly afterwards swallowed up
the place sought1716. Trophonios was named1717 Zeus-Trophonios, that
is
, the Nourishing or Sustaining Zeus (from τρέϕω).
ophonios, that is, the Nourishing or Sustaining Zeus (from τρέϕω). He
is
probably a deity from the Pelasgian times, a give
d hence worshiped in a cavern. Agamedes (the Thoughtful or Provident)
is
perhaps only another title of the same being ; an
er defends himself against any one who makes an unjust assault on him
is
guiltless,” and he was acquitted1730. Amphitryôn
e the queen of the country1770. The purchase-money (three talents, it
is
said,) was offered to Eurytos, but he refused to
ll his sons, except Nestôr, who was living with the Gereneans1774. He
is
also said to have wounded. Hades and Hera as they
s to us, fanciful view of it taken by a modern critic1784. This mythe
is
, according to him, one of extreme antiquity and g
h the advantages of mind and soul recognised by that age. Such a hero
is
, therefore, a man : but these noble qualities in
man : but these noble qualities in him are of divine origin ; and he
is
made to be the son of the king of the gods, by a
poet gives him a twin-brother, the child of a mortal sire. As virtue
is
not to be learned, Heracles exhibits his strength
of Prodicus, on the choice of Heracles between virtue and effeminacy,
is
a component part of the original mythe, to which
d most rare of all in the heroic age, — the conquest over death. This
is
represented by his descent into the under-world,
ndons him to the power of his persevering enemy1786 ; his mortal part
is
consumed by fire, the purest of elements ; his sh
r of his reconciled foe. Our chief objection to this beautiful theory
is
its making the mythe of Heracles, from the very c
ries of adventures like those of Heracles. The mythology of this hero
is
of a very mixed character in the form in which it
ry mixed character in the form in which it has come down to us. There
is
in it the identification of one or more Grecian h
n Heracles the conquest of Œchalia, the marriage with Deïaneira (that
is
, the league between the Dorians and Ætolians for
e Doric Heracleids. That he did not belong to the Cadmeian mythology,
is
proved by the legend of the coming of Alcmena to
the fact of his temples there being without the walls, — a fact which
is
quite conclusive, as the ancient deities of a cit
is, and the establishment of the Olympic games, in all of which there
is
a historic reference. The latter are perhaps of a
given a sketch of the theory of this most able mythologist, and there
is
much in it to which it is difficult to refuse ass
ry of this most able mythologist, and there is much in it to which it
is
difficult to refuse assent. But we think that, li
lt to refuse assent. But we think that, like his theory of Apollo, it
is
too much affected by what appear to us his exagge
of the legends, such as that of Geryoneus. In the Homeric poems there
is
, as we have seen, frequent mention of Heracles ;
the age of these poems however we can only make a conjecture ; for it
is
well known that some of the Hesiodic poems, as th
A. Κέκροψ. Cecrops. Ogyges, in whose time the Bœotic flood
is
placed, is said by some to have been the first wh
κροψ. Cecrops. Ogyges, in whose time the Bœotic flood is placed,
is
said by some to have been the first who reigned o
his son Eleusinos was the founder of Eleusis. But in general Cecrops
is
held to have been the first who ruled over the co
try called Cecropia from him, and Attica from its peninsular form. He
is
said by mythologists to have been an autochthôn,
93. One of the earliest events recorded in modern histories of Greece
is
the coming of Cecrops, at the head of a colony, f
t them to cultivate corn for their subsistence. This remarkable event
is
placed, on the authority of the Parian Chronicle,
ithout giving the slightest hint of any connexion between them. Plato
is
, in fact, the first who intimates it ; the priest
that the whole story of the Atlantis, and everything relating to it,
is
as pure a fiction as the Utopia or any other poli
no mixed people, and thence the hatred of foreign manners and customs
is
especially implanted in our city1795.” The first
to regard the Egyptians as the colonisers of half the world. Still it
is
only in an imperfect fragment of Diodorus and in
t from the following judgement : “The derivation of Cecrops from Saïs
is
a historic sophism and no mythe1796.” Cecrops the
crops from Saïs is a historic sophism and no mythe1796.” Cecrops then
is
purely an ideal being, and the names of his famil
griculture and to the worship of the tutelar deity of Athens. Thus he
is
married to Field-dwelling (Agraulos), the daughte
er epithets. As Herse and Pandrosos are the same in signification, it
is
probable that, like the Athenian Graces and Seaso
by Cranaos, another autochthon, in whose time the flood of Deucaliôn
is
said to have happened. He married Pedias the daug
a on the Acropolis, and instituted the festival of the Panathenæa. He
is
said to have been the first who used the four-hor
s daughter to stand on her defence1802. — The remainder of the legend
is
nearly the same as the former one. Πανδίων. P
nged, and became a Hoopoo (ἔποψ)1805. Like so many others, this story
is
told with considerable variations. According to s
d her in marriage by pretending that Procne was dead1806. Again there
is
great discrepancy respecting the transformations,
ls the swallow Pandionis, evidently alluding to it ; and elsewhere he
is
said1813 to have related that the nightingale had
of hers, in consequence of that unhallowed meal in Thrace. The legend
is
one of those invented to account mythically for t
it be true that the swallows did not build in Daulis1815, the reason
is
plain why that country was made the scene of the
ent and confusion threw his dart and killed her1817. This legend also
is
told with great variations. It was said that Ceph
quest he settled in the island named from him Cephalonia1821. Procris
is
noticed in the Odyssey1822, and the story is prob
Cephalonia1821. Procris is noticed in the Odyssey1822, and the story
is
probably one of some antiquity. Though, as we hav
an attempt was made to convert Cephalos into a historic personage, he
is
probably the son of Hermes and Herse, and his nam
erse, and his name appears to signify the twilight (diluculum), which
is
taken away by the Dawn1823. The name of Procris s
name shows that she could not have belonged to the original mythe. It
is
, we should think, quite evident that Oreithyia wa
recourse to arms, but Theseus defeated and slew them1841. Medeia, it
is
also said, who was married to Ægeus, fearing the
ation of the legendary history of Attica from the time of Cecrops. It
is
not necessary for us, we presume, to set about pr
s) and his daughter Attica (Atthis) are not historical personages. It
is
equally needless to show that Amphictyôn, or rath
re than the name by which Poseidôn was worshiped on the Acropolis. It
is
well known that none but the ancient deities of t
ll of the latter what others relate of the former. In fact Erechtheus
is
only the abbreviated form of the name which signi
this deity, when made a hero, assigned the origins above related. It
is
probable that in the more ancient legend there wa
rrestrial heat, of which the offspring was a serpent-formed son, that
is
, the tender twining plant which proceeds from the
he ascribing to Erichthonios the invention of the four-horse chariot,
is
a confirmation of his identity with Poseidôn ; an
Trojan namesake was renowned for his stud1852. It may be that Pandiôn
is
indebted for his Attic royalty to his part in the
their settlement was probably effected by conquest. Whence they came
is
uncertain ; but the name of the Ionian sea would
heir original abode on the north coast of the Peloponnese1853. As Iôn
is
the son of Apollo (for Xuthos is apparently nothi
coast of the Peloponnese1853. As Iôn is the son of Apollo (for Xuthos
is
apparently nothing more than an epithet of that g
med from Lycos, and there was on it a temple of Apollo Lycios1855, it
is
not unlikely that the god and the prince were the
the name of the king Nisos. The story of him and his daughter Scylla
is
one of the many tales of maidens betraying their
and Comætho, and every one has heard of the Roman Tarpeia1858. Ægeus
is
plainly only another name for Poseidôn, who was a
nted Athena's being viewed as hostile to him, we may perceive that he
is
almost the only hero whom she does not assist. In
e patron-hero of the people among whom literature flourished most, he
is
presented to us under a more historic aspect than
gh his adventures are manifestly formed on those of Heracles, whom he
is
said to have emulated, we are struck by the absen
down to the plain1867. The craft of Sisyphos, of which the following
is
an instance, was proverbial. Autolycos the son of
f one who had thus proved himself too able for him ; and Sisyphos, it
is
said, seduced or violated his daughter Anticleia
ity of his legend there can therefore be little doubt. Sisyphos, that
is
the Very-wise, or perhaps the Over-wise 1873, see
ty and religion were sensibly impressed on the minds of men. Sisyphos
is
then the representative of the restless desire of
the restless desire of knowledge, which aspires to attain a height it
is
denied to man to reach, and exhausted in the effo
effort falls suddenly back into the depths of earthly weakness. This
is
expressed in the fine picture of the Odyssey, whe
his is expressed in the fine picture of the Odyssey, where every word
is
significant, and where we may observe Sisyphos is
y, where every word is significant, and where we may observe Sisyphos
is
spoken of in indefinite terms, and not assigned a
apparently the representative of the trading spirit of that city. He
is
a son of Æolos, probably on account of his name18
ry usual practice in antiquity) ; or it may be that the crafty trader
is
the son of the Windman 1876, as the wind enables
876, as the wind enables him to import and export his merchandise. He
is
married to a daughter of the symbol of navigation
bol of navigation, Atlas, and her name would seem to indicate that he
is
engaged with men in the active business of life18
s second name. He was purified of the bloodshed by Prœtos, whose wife
is
also called Sthenobœa, and the king of Lycia is n
by Prœtos, whose wife is also called Sthenobœa, and the king of Lycia
is
named Iobates. By the aid of the winged steed Peg
an essential part of the mythe of Bellerophontes. In the Theogony it
is
said of the Chimæra that she was killed by Pegaso
remarkable legend, which connects Bellerophontes with Corinth (and it
is
the only account that really does so), and furnis
with the Homeric tale, which was however known to Pindar ; for there
is
not the slightest allusion in it to Prœtos and An
e have only one of the forms of Poseidôn, namely as Hippios. This god
is
his father1884 ; and he is also the sire of Pegas
s of Poseidôn, namely as Hippios. This god is his father1884 ; and he
is
also the sire of Pegasos1885 ; and in the two com
are the parents of Pegasos (for Athena and Medusa are the same), that
is
, probably of the ship1887 ; and he is worshiped a
and Medusa are the same), that is, probably of the ship1887 ; and he
is
worshiped as the Breaker (Δαμαȋος), she as the Br
gend viewed the goddess in her physical or in her moral character, it
is
difficult to determine. Bellerophontes is a name,
in her moral character, it is difficult to determine. Bellerophontes
is
a name, if possible, more enigmatic than Argeipho
ame, if possible, more enigmatic than Argeiphontes and Persephone. It
is
probably derived from some word of which no trace
ic history commences with the river Inachos and his son Phoroneus. It
is
, moreover, in this cycle alone that we find an at
for, as we have shown above, the Egyptian origin of the Attic Cecrops
is
a historic sophism, and not a mythic tradition.
be more simple than this genealogy. The principal river of the place
is
the parent or origin of the first man Phoroneus,
of the place is the parent or origin of the first man Phoroneus, that
is
, the Rearer or Feeder 1893, the introducer of the
era], and of agriculture and social institutions. One of his children
is
an ancient or poetic name of the peninsula ; the
is children is an ancient or poetic name of the peninsula ; the other
is
the young land blooming with verdure1894, to whom
r never alludes to it, unless his employment of the term Argeiphontes
is
to be regarded as intimating a knowledge of Io. I
rm Argeiphontes is to be regarded as intimating a knowledge of Io. It
is
also doubtful if she was one of the heroines of t
‘Suppliants.’ The general opinion respecting Io seems to be that she
is
the moon, and Argos the starry heaven, which, as
04 ; and in proof of the Egyptian theory, presently to be noticed, it
is
added, that Io has the same signification in Copt
ead us to view in Io a form of the Argive goddess Hera, with whom she
is
so closely connected ; and as Hera is the earth,
ive goddess Hera, with whom she is so closely connected ; and as Hera
is
the earth, Io cannot well be the moon1906. Io and
llisto and Artemis in one hereafter to be related : in both the nymph
is
an epithet of the goddess1907, in both the love o
the nymph is an epithet of the goddess1907, in both the love of Zeus
is
the cause of offence, in both the nymph is change
, in both the love of Zeus is the cause of offence, in both the nymph
is
changed by the goddess into her sacred animal1908
the nymph is changed by the goddess into her sacred animal1908. Argos
is
probably merely the dog 1909 set to watch the cow
Δάναος кαὶ Αἴγυπτος. Danaüs et Ægyptus. Epaphos, the son of Io,
is
the instrument by which Grecian vanity derived th
very heterogeneous mixture of peoples and countries. The city Memphis
is
very naturally called the daughter of the Nile, o
called the daughter of the Nile, on whose banks it stood ; but Libya
is
preposterously made the daughter and Egypt the gr
ed to the physical character of the land. In Homer and Hesiod Danaans
is
a common name of the Greeks, who are also called
of Argos ; and in the usual manner the personification of their name
is
a hero, Danaos1920. Again, springs are daughters
s ; the nymphs of the springs are therefore daughters of Danaos, that
is
of the thirsty land1921. Further, a head (кρήνη)
s of Danaos, that is of the thirsty land1921. Further, a head (кρήνη)
is
a usual name for a spring in many languages, and
anguages, and a legendary mode of accounting for the origin of founts
is
to ascribe them to the welling forth of the blood
on the spot where the spring emitted its waters1922. The number fifty
is
probably an arbitrary one, for we cannot discern
r we cannot discern in it a relation to the weeks of the year1923. It
is
to be observed that the founts of the Inachos wer
n one form of the legend fights with and vanquishes Danaos1925 ; that
is
, the stream from Mount Lynceion overcomes the dry
king the gold off her robe and converting it to their own use1933. It
is
remarkable that the characteristic trait of their
e characteristic trait of their fancying themselves changed into cows
is
only to be found in the Latin poet Virgil. Nothin
ans, where he was hospitably entertained by that happy people1942. He
is
also said to have turned Atlas into a mountain on
ts by which they have ever been infested1944. The origin of the coral
is
also deduced from the sea-weed which Perseus plac
the royal line at Argos were named the Perseids. The mythe of Perseus
is
probably one of great antiquity. It is alluded to
Perseids. The mythe of Perseus is probably one of great antiquity. It
is
alluded to in the Ilias1949, and in the Theogony1
e Ilias1949, and in the Theogony1950 the cutting off of Medusa's head
is
spoken of as a well-known event. There does not h
ver been a poem solely dedicated to the adventures of Perseus, but it
is
likely they were related at length in the Eoiæ. A
to be was probably a physical one in its origin, and this supposition
is
confirmed by many circumstances in the beautiful
iry tale under whose form it has been transmitted to us. But still it
is
extremely obscure, and we can only arrive at glim
ay perhaps approach to probability. The cutting off the Gorgon’s head
is
the main action of the mythe, and Pallas-Athene a
he was named, like Hera, Of-the-Height (Ἀкρία or Aкρίς)1952. Hence it
is
probable that, as at Athens, she was regarded as
gon (not the Gorgons) connected with this goddess, and moreover Gorgo
is
one of her own appellations1953. The Grecian deit
imical Pallas. With respect to the other names in the mythe, Acrisios
is
apparently connected with the Larissa, the height
a family of words denoting light or feeding 1955. Further, Polydectes
is
an epithet of Hades1956, of which Dictys (Netter)
rain1959 ; Zeus descends in a golden fructifying shower, and Perseus
is
born. But the god of the under-world will take Da
Perseus is born. But the god of the under-world will take Danae, that
is
cover the land with gloom. This is prevented by P
under-world will take Danae, that is cover the land with gloom. This
is
prevented by Perseus’ freeing the goddess from he
moonbeams poisonous and petrifies the land. The efficacy of her look
is
then directed against the under-world itself, and
uctifying springs represented by Pegasos gush forth. This explanation
is
ingenious but deficient in simplicity. There seem
mple in their origin, and gained, like streams, in their progress. It
is
probable that this of Perseus at first consisted
as been already related1966. Ὰσκληπιός. Æsculapius. Asclepios
is
called by Homer an excellent physician (Tάνταλος)
ived at such perfection as to be able to restore life to the dead. He
is
said to have thus recalled from the nether-world
n, while with that of the right side he cured them1977. From all that
is
related of Asclepios it is plain that he was an o
ight side he cured them1977. From all that is related of Asclepios it
is
plain that he was an original deity, probably of
he was an original deity, probably of the Phlegyans or Lapiths. There
is
much resemblance between him and Trophonios. His
is much resemblance between him and Trophonios. His union with Apollo
is
merely mythologie, as they were never worshiped t
pollo is merely mythologie, as they were never worshiped together. It
is
probably founded on the epithet Paan of this god1
nto a wolf. The deluge of Deucaliôn which shortly afterwards occurred
is
ascribed to the impiety of the sons of Lycaôn1980
hat Zeus derived his appellation from the mountain ; but against this
is
to be observed, that there was an eminence in the
r hands, and placed her as a constellation in the sky1985. This fable
is
narrated with great difference in the circumstanc
ome say it was the form of Apollo that Zeus took. In some versions it
is
Zeus who turns Callisto into a bear to conceal he
rtemis to kill her with her arrows as a noxious beast ; Zeus then, it
is
said, took the unborn infant and gave it to Maia
n, it is said, took the unborn infant and gave it to Maia to rear. It
is
also said that Areas, having been separated from
e wooden statues of Ariste and Calliste. These Pausanias (who says he
is
borne out by some verses of Sappho) regarded mere
learned it from the Arcadians. When we add that the Fair-one (ἁ κλὰ)
is
a frequent epithet of Artemis in the Attic drama,
allisto, it seems to follow that the bear was sacred to Artemis. This
is
strongly confirmed by the fact that at Braurôn in
. Atalanta became his wife, and they had a son named Parthenopæos. It
is
added that they afterwards profaned the temenos o
ter of of Schœneus the son of Athamas, and therefore a Bœotian. There
is
no necessity for supposing two of the same name,
nly examples of different appropriations of the same legend. Atalanta
is
apparently Artemis again as a nymph. She is reare
the same legend. Atalanta is apparently Artemis again as a nymph. She
is
reared by a bear, she is devoted to a single life
is apparently Artemis again as a nymph. She is reared by a bear, she
is
devoted to a single life and the chase, and she k
f the celebrated Helena. The common and probably the most ancient one
is
that given above, that she was the daughter of Le
ed Helena the daughter of Oceanos and Tethys2002. In the Ilias Helena
is
termed ‘begotten of Zeus2003,’ and she calls Cast
that she was always viewed as the child of Zeus. The beauty of Helena
is
proverbial. Theseus carried her off while yet a c
n of their being personifications of natural powers and objects. This
is
confirmed by the names in the mythe, all of which
ers little from Leto, and may therefore be regarded as darkness ; she
is
married to Tyndareos, a name which seems to be of
ting to light, flame or heat 2010 ; her children by him or Zeus, that
is
by Zeus-Tyndareos, the bright god, are Helena, Br
In Helena therefore we have only another form of Selene ; the Adorner
is
a very appropriate term for the day, whose light
can be more apparent than the suitableness of Dewful to the night. It
is
rather curious that in the legend Helena is conne
f Dewful to the night. It is rather curious that in the legend Helena
is
connected by birth with Polydeukes rather than wi
. To proceed to the other names of the legend, Idas and Lynceus, that
is
Sight and Light, are the children of Aphareus or
hat is Sight and Light, are the children of Aphareus or Phareus, that
is
Shiner (ϕάω) ; and the two daughters of Leucippos
12), are Phœbe, Brightness, and Hilaeira, Joyful (ἱλαρὸς), which last
is
an epithet given to the moon by Empedocles2013. I
lled the daughters of Apollo2014. That these were original divinities
is
demonstrated by their being objects of worship. T
ir wives2017. Helena, in like manner, had her temples2018 ; and there
is
some reason to suppose that she was identified wi
Chapter X. MYTHES OF ELIS. The mythic tales of which Elis
is
the scene are confined to the district between th
seem all to relate to the sea and water. At the head of the genealogy
is
Æolos (Windman), whose son is Salmoneus, i. e. Ha
and water. At the head of the genealogy is Æolos (Windman), whose son
is
Salmoneus, i. e. Halmoneus (Sea-man), by whose da
n is Salmoneus, i. e. Halmoneus (Sea-man), by whose daughter Poseidôn
is
the father of Neleus, i. e. Nereus, whose sons ar
een already related2031. The Melampods, of whose Eponymus the history
is
here related, were a soothsaying family of the my
eer), are appropriate names for the parents of a soothsayer. Melampûs
is
(like Œdipûs) an ambiguous name ; and Black-foot
thsayer. Melampûs is (like Œdipûs) an ambiguous name ; and Black-foot
is
as dubious an interpretation as Swollen-foot.
s to have been that they came from Arcadia. Poseidôn, we may observe,
is
placed at the head of the genealogies of both the
the country there derived from him its name, Pæonia2034. Endymiôn, it
is
also said, gained the love of the goddess Selene,
that Endymiôn was a deity whom they worshiped. The sire assigned him
is
nothing more than a personification of the Olympi
s. In such case Endymiôn would probably be the sun, who with the moon
is
the author of the months ; or supposing this to h
the parents. The conjunction of these bodies at the time of new-moon
is
a matter of common observation. Milton uses a ver
n as being at this time ‘hid in her vacant interlunar cave.’ Endymiôn
is
perhaps the setting sun who goes into (ἐνδύϵι) th
mphimachos and Thalpios led the Epeians to Ilion2046. That this mythe
is
not without a meaning is a point of which few wil
ed the Epeians to Ilion2046. That this mythe is not without a meaning
is
a point of which few will doubt ; but it is one n
is not without a meaning is a point of which few will doubt ; but it
is
one not very easy to discover. A modem mythologis
es. Hence, he says, they are joined in the body ; their mother's name
is
Mill (μύλη mola), their father is the Breaker (ἄγ
d in the body ; their mother's name is Mill (μύλη mola), their father
is
the Breaker (ἄγω, ἄγνυμι), the son of Feeder (Pho
Tantalos, according to him, was his not restraining his tongue, that
is
, probably his divulging the secrets of the gods.
lsehood the mountain was thrown on him2055. This last trifling legend
is
, as we may easily see, one of the many attempts a
of the many attempts at localising the ancient mythes, for Sipylos it
is
plain was designed to take the place of the mythi
was designed to take the place of the mythic rock. The name Tantalos
is
, like Sisyphos, a reduplication2056, and his myth
e name Tantalos is, like Sisyphos, a reduplication2056, and his mythe
is
evidently one of those handed down from the ancie
ed down from the ancient serious Pelasgic times. The root of Tantalos
is
probably θάλλω, and he represents the man who is
The root of Tantalos is probably θάλλω, and he represents the man who
is
flourishing and abounding in wealth, but whose de
omeric picture livelily exhibits the misery of such a state, and this
is
probably the more ancient form of the legend. The
οψ. Pelops. At an entertainment given to the gods by Tantalos, he
is
said to have killed and dressed his son Pelops, a
waves, which arched in bright curves over the marriagebed2064. Pelops
is
said2065 to have promised Myrtilos for his aid on
ed Sthenelos and Mestôr the sons of Perseus. In this mythe also there
is
much obscurity. We will commence our examination
looked over the ‘whole isle of Pelops Tantalides’2072 ; which passage
is
the earliest intimation that we have of any conne
tion that we have of any connexion between Pelops and Tantalos, as it
is
the first mention of the Peloponnese. Pindar2073
indar2073 calls Pelops a Lydian. The name Pelops’-isle or Peloponnese
is
, we think, decisive of the whole question. There
ng to water and the land by marshes and streams2075. This last theory
is
supported by the horsemanship of Pelops and the c
many names at the Isthmus. The origin of the name Peloponnese, which
is
certainly post-Homeric, still however is envelope
the name Peloponnese, which is certainly post-Homeric, still however
is
enveloped in obscurity ; for in those times lands
ot called after gods any more than after men. Pelops, the water-land,
is
made the son of Tantalos the flourishing, and the
Pelops to life, and the same Hermes, under the name of Myrtilos, that
is
Myrtos, or the protector of the myrtles that love
ables him to win the prize. The connexion between this god and Pelops
is
also intimated in the tradition that the first te
r Chrysippos, were banished by their father, and at the same time, it
is
added, he pronounced a curse on them that they an
h an army to Elis and took possession of the throne2078. Thyestes, it
is
said, afterwards seduced Aërope the wife of Atreu
end continues the tale in a more tragic and horrible form. Atreus, it
is
said, invited his brother to return, promising to
hands of his children to be brought in and shown to him. The Sun, it
is
said, at the sight of this horrible deed checked
in it, he was fallen on and slain by Thyestes and Ægisthos2082. This
is
the most horrible legend in the Grecian mythology
os2082. This is the most horrible legend in the Grecian mythology. It
is
evidently post-Homeric, for exclusive of the fact
o the spirit of the heroic ages as portrayed in the Homeric poems, it
is
utterly irreconcilable with the account of the Pe
the account of the Pelopids given in them. Of Agamemnôn’s sceptre it
is
said that Hephæstos made it and gave it to Zeus,
ps’ line' were invented. The author of the Alcmæonis, whoever he was,
is
said to have related the story of the gold-fleece
bly their contents in the legends transmitted to us by Hyginus. There
is
a difficulty in the Homeric account of Agamemnôn’
calls him more than once the son of Atreus2086, and in the Odyssey he
is
murdered by Ægisthos the son of Thyestes2087. The
his kingdom to his brother in charge for his son, who was not of age,
is
not, we believe, agreeable to the Homeric usage.
OF THE ISLES. The principal mythic cycle which the isles present
is
that of Crete, an island remarkable for its estra
e art of historic criticism was unknown in his time. The Cretan cycle
is
confined to the Minoïc family, at the head of whi
e of that country, and obtained the sovereignty of a part of it. Zeus
is
said to have bestowed on him a life of treble dur
place him with Minôs and Æacos in the under-world, where their office
is
to judge the dead. Minôs married Pasiphae, the da
0 . The principal actions of Minôs have been already related2101 . He
is
said to have fallen in a war against Cocalos king
step-son Hippolytos has been already related. In the Theogony2105 it
is
said that The gold-haired Dionysos made the blon
passages relating to them. The passage of the Ilias in which Ariadne
is
mentioned is, we think, justly regarded as a late
ating to them. The passage of the Ilias in which Ariadne is mentioned
is
, we think, justly regarded as a late addition2106
se Cretan legends, and the names of the persons who occur in them, it
is
difficult to avoid recognising a worship of the c
mily would appear to have been appellations. Thus Europa (Broad-face)
is
the daughter of Phœnix (Red) and Telephassa (Far-
09 (Μὴν, Moon) ; and she marries Asteriôn (Starry). The wife of Minôs
is
Pasiphae (All-bright), the daughter of the Sun an
All-bright), the daughter of the Sun and Perseïs ; and their daughter
is
Phædra (Bright). Though we do not believe that th
ers ; and perhaps the legend of Europa passing over the sea on a bull
is
an ancient expression of this idea. The same may
the walls of Troy, they made him the associate of their toil2114. It
is
said, that Greece being afflicted with sterility
a reference to light and fire, so perhaps in that of the Æacids there
is
one to water. Thus we have in it Asopos, Ægina, P
n (ἕλος ?), Hesione, Aias (the name of a river2118), and Æacos, which
is
perhaps of the same origin2119. The following are
ere for the sake of convenience. Ὠρίων. Orion. The hero Oriôn
is
not mentioned in the Ilias ; but in the Odyssey21
whom Hera cast into Erebos for contending with her in beauty2124. It
is
also said that Oriôn was earth-born2125. Hyria, a
rn2125. Hyria, a town of the Tanagraïc or Theban territory in Bœotia,
is
said to have been the birth-place of Oriôn. As Ze
and Oriôn unable to find him retired to Crete2128. The death of Oriôn
is
differently related. As all the legends respectin
h their number was seven, only six stars are visible, for Electra, it
is
said, left her place that she might not behold th
trace in natural objects resemblances to other objects with which he
is
familiar. Hence many legends of rocks, mountains,
mountains, and such like. The sky too offers its similitudes ; there
is
, for example, the Crown, with its legend of Ariad
there is, for example, the Crown, with its legend of Ariadne ; there
is
the ‘Man in the Moon,’ which some said was Cain,
the Sabbath. The resemblance of the ‘Wain’ (ἃμαξα) to a rude carriage
is
obvious enough, and the similitude seems to have
mbles a Plough, its name in some countries. Its likeness to an animal
is
not so obvious, yet the Greeks and the North Amer
he Pleiades the ‘Seven She-goats’2141 ; our own popular name for them
is
the ‘Hen and Chickens’ ; and the Germans term the
a) ; then again, as the dawn, as it were, takes away the stars, Oriôn
is
carried off by Eôs ; and as the mild effulgence o
ulgence of the moon dims and effaces the light of the stars, so Oriôn
is
slain by the gentle darts of ‘holy’ Artemis. The
tion of the mode of the hero' s death. The story of Oriôn and Œnopiôn
is
perhaps explicable on the same principle. The con
ered and pressed, they are, as it were, taken out of his sight, or he
is
made drunk with new wine and blinded. His journey
tes the heliacal rising of the star ; and when he comes back the vine
is
hidden from his power within the ground2148. It i
omes back the vine is hidden from his power within the ground2148. It
is
probable that many of the individual names of the
se of nymphs who were previously placed in other relations. Thus Maia
is
in the Hymn to Hermes merely an Arcadian nymph. T
Arcadian nymph. Taÿgete refers to Mount Taÿgeton, and Merope (Mortal)
is
simply the nymph united to the mortal. Electra an
at Iolcos after an absence of four months. When Pelias in Pindar2164
is
urging Iasôn to this celebrated adventure, he say
eir produce may have given its golden hue to the fleece. This however
is
no essential part of the mythe, as it is also sai
to the fleece. This however is no essential part of the mythe, as it
is
also said to be white or purple 2166. There can b
coast, and finally reaching the Phasis and Colchis, which last place
is
first named by the Corinthian poet Eumelos, who d
tants of the colonies2167. In the ancient ante-Homeric Argonautics it
is
probable that the adventurers returned by the roa
of Europe to the Mediterranean ; the only poet who adopted this view
is
the pseudo-Orpheus, who assigns them the followin
ghted Lynceus descried on the verge of Ocean ‘the piny isle, in which
is
the extensive abode of queen Demeter,’ as it lay
f Heracles arrived in the Mediterranean. The literature of this cycle
is
as follows. Iasôn and the Argo are noticed by Hom
by Homer2171 ; Hesiod briefly narrates the principal events2172 ; it
is
the subject of one of Pindar's finest odes2173, a
r's finest odes2173, and of the epic of Apollonius named from it ; it
is
narrated in detail by Apollodorus and by Diodorus
rus and by Diodorus. Ovid also relates a a good part of it, and there
is
an unfinished poem on it by the Latin poet Valeri
n poet Valerius Flaccus, which displays genius and originality. There
is
also the Argonautics of the pseudo-Orpheus, a poe
l or religious object ; to show how in the order of nature punishment
is
provided for the most secret and even unconscious
ure. As usual, the names of the chief persons are significant ; Laïos
is
the Unlucky, Œdipodes the Swollen or Inflated, Et
neices Strife-full, Antigone Contrary-birth 2189, and so forth. There
is
also a moral intended to be conveyed in the failu
s, who acted in obedience to the will of heaven. The story of Alcmæôn
is
a parallel to that of Orestes, perhaps framed in
f Orestes, perhaps framed in imitation of it ; and, as we may see, it
is
connected with the topography of western Greece.
the vessel puts to sea, and Alexandros arrives at Lacedæmôn, where he
is
entertained by the Tyndarids. At Sparta he shares
tion of an oracle come to Argos in search of a cure for his wound, he
is
healed by Achilleus, and undertakes to conduct th
between him and Achilleus arises ; the assembly breaks up ; Chryseïs
is
sent back to her father, and the heralds of the k
grief at the death of his friend overcome the wrath of Achilleus. He
is
reconciled to Agamemnôn ; his mother brings him a
rsites railing at the hero, as if he had been in love with the slain,
is
killed by him ; this causes a dissension, and Ach
ls to Lesbos, where having sacrificed to Leto, Apollo and Artemis, he
is
purified of the bloodshed by Odysseus. Memnôn the
stean armour, and Antilochos the son of Nestôr falls by his hand ; he
is
himself slain by Achilleus, but his mother obtain
or him from Zeus. Achilleus chases the Trojans to the city, and as he
is
forcing his way in he is slain by Paris and Apoll
us chases the Trojans to the city, and as he is forcing his way in he
is
slain by Paris and Apollo. A furious fight arises
gem, and having learned from him how Troy might be captured, Diomedes
is
sent to Lemnos to fetch Philoctetes, who being cu
ays Eurypylos the son of Telephos, an ally of the Trojans, whose town
is
now closely beleaguered. By the directions of Ath
wood. Odysseus meantime disfiguring himself enters Troy as a spy ; he
is
recognised by Helena, and concerts with her the m
nedos. They return, the warriors descend from the horse, and the town
is
taken. Neoptolemos slays Priamos at the altar of
f Neoptolemos. Polyxene was sacrificed on the tomb of Achilleus. Such
is
the narrative of the Trojan war as it appeared in
nion of their merit. The brief abstract of their contents given above
is
derived from two fragments of the Chrestomathy of
ning the remainder, by Siebenkees in a manuscript Homer at Venice. It
is
by these fragments that critics have been able to
ive from the end of the Ilias to the taking of Troy, which last event
is
the subject of the poem of Tryphiodorus, while Co
steia, consisting of the Agamemnôn, the Choëphoræ, and the Eumenides,
is
the only portion of his works on this subject whi
arians when fighting for her existence2240 at Marathôn ? The question
is
, did a confederated Hellenic army actually invade
f the Dorian Migration ; for we must not give implicit credit to what
is
called the early Grecian history, which is nothin
ve implicit credit to what is called the early Grecian history, which
is
nothing but a scientific product from epic poems
of a Grecian princess2243. But we have shown that the person selected
is
a purely imaginary being, a mere personification
aos appear to denote the long stay of the army before Troy ; Odysseus
is
apparently the Wanderer ; while Achilleus, Nestôr
f the people of the far-off Alybe are named Odios and Epistrophos. It
is
thus that significant names are given to the Cent
s. The union for a common object ascribed to the Greeks in this mythe
is
totally repugnant to their natural character ; ev
he invasion of Xerxes failed to unite them. The length of the war too
is
incredible ; no volunteer army would ever have re
no vestige of such a custom was to be found in the historic times. It
is
not unlikely that this Asiatic usage was transfer
ould make many more objections than these, but we will abstain, as it
is
probable that our scepticism may only serve to al
ay only serve to alienate some of our readers. Our conviction however
is
, that the siege of Troy is little more real than
ome of our readers. Our conviction however is, that the siege of Troy
is
little more real than that of Albracca, of which
tion, or Return of the Heracleids, though greatly mingled with fable,
is
a real event. For some centuries the history of G
with fable, is a real event. For some centuries the history of Greece
is
semi-mythic ; such is the form of even the Persia
event. For some centuries the history of Greece is semi-mythic ; such
is
the form of even the Persian war. After that it i
semi-mythic ; such is the form of even the Persian war. After that it
is
related by contemporary writers, and becomes as t
recian history appears to us emerging from a kind of fairy-land. This
is
in our eyes a beautiful prospect. No one can beli
imes, if such did ever exist, are lost never to be recovered ; and it
is
only from the remains of their operations on the
scans, the Latins, and the Sabellians. The city of Rome, whose origin
is
involved in such obscurity, rose on the confines
part in the combined whole which Roman story displays. Popular poetry
is
, as the example of ancient Greece shows, the grea
ws, the great preserver of the popular religion in a society where it
is
of a complex and varied nature. That of Greece te
on its pages. The cause of this character of the Italian religion it
is
scarcely possible to assign ; even at the present
her, to appropriate the gods of Greece. Her knowledge of them was, it
is
probable, chiefly derived from the Grecian coloni
ntire literature of Rome became Grecian ; and the extant Roman poetry
is
little more than a transcript of that of Greece.
e Lars, which form so conspicuous a portion of the Roman religion, it
is
probable belonged originally to the Etruscan syst
piter, Juno, Minerva, Vejovis, Summanus, Vulcanus, Saturnus, Mars. It
is
uncertain who was the ninth. As soon as an interc
Greece became so closely interwoven in the system of Etruria, that it
is
with difficulty any vestiges of the original dome
which originally possessed Greece and a portion of Lesser Asia. This
is
perhaps the best principle on which the great sim
gods are to be regarded as those of their Latin forefathers ; but it
is
probable that Saturnus, Ops, Janus, Jana, Pales,
s may be comprised all the tribes of the Apennines east of Latium. It
is
therefore inclusive of the Sabines, Samnites, Mar
of the Sabines, Samnites, Marsians, and their kindred clans ; and it
is
by no means improbable, that the Umbrians to the
Etruscans for discerning it in the electric phænomena of the sky. It
is
a very remarkable feature in the ancient religion
and Neriene, Quirinus and Hora. In some cases the name of the goddess
is
only the feminine form of that of the god, as Jan
religion, and which testifies for its purity, warmth and simplicity,
is
that of calling the gods Fathers (Patres), and th
on given by the Greeks to none but Zeus and Demeter or Earth. As this
is
a circumstance that seems to have almost totally
lubra esse in urbibus censeo ;” and that by patres he means the gods,
is
evident from what follows ; for he proceeds, “I d
roceeds, “I do not follow the Persian Magi, at whose impulsion Xerxes
is
said to have burnt the temples in Greece, because
dicatur ad unum ; on which Lactantius observes, that “every god who
is
worshiped by man must in solemn rites and prayers
s, Juppiter, Jupiter. Like the Greek Zeus, the Latin Jovis, which
is
evidently a kindred term2274, signified originall
slaves for example swearing by the Junones of their mistresses, that
is
their protecting deities2281. Juno Romana or Capi
the word money oddly enough comes from her name, of which the origin
is
quite uncertain2283. Juno Regina, the Kupra of Et
he political history of the state2291. Juno Sospita, or Sispita, that
is
the Protectress, was worshiped from the earliest
Cælian hill stood a temple of Minerva Capta, the origin of which name
is
uncertain2298. The festivals of Minerva were name
this goddess as the corresponding Hestia of the Greeks, with whom she
is
identical in name and office. There is every reas
a of the Greeks, with whom she is identical in name and office. There
is
every reason to believe her worship to have been
the religion of the ancient Pelasgic population of Latium2303, as it
is
by all testimony carried back to the earliest day
and set up similar statues in several of the streets2307. Stata Mater
is
generally supposed to have been Vesta. We find th
ead ; but it may have done so only figuratively. Venus. Venus
is
a deity about whom it is difficult to learn anyth
e so only figuratively. Venus. Venus is a deity about whom it
is
difficult to learn anything satisfactory. She has
character. In the Circus stood a chapel of Venus Murtia, so named it
is
said from the myrtles which had grown there2321.
of the original rural character of Venus, that, like Pales, her name
is
of both genders. Thus we meet with Deus and Dea V
rather Veneris, may, as was supposed, come from venio, but its origin
is
very doubtful. 1. This explanation of Milli
ct. Welcker (Nach. zur Tril. 299.) says that the figure at the window
is
Althæa the wife of Œneus (see p. 320.), and the s
p. 320.), and the sitting figure a servant. 2. Μûθοι. The word μûθοѕ
is
in Homer equivalent to λόγοѕ. In the time of Pind
. In the time of Pindar it had acquired the signification in which it
is
here employed. 3. See the author’s History of Gr
sewhere. 10. The earliest allusion to this practice we have met with
is
in Eurip. Bac. 26. 11. Paus. viii. 14. 2. Plut.
Numinis Vindicta, 12. Catull. lxviii. 109. 12. Conon. Narrat. 15. It
is
not quite certain, however, that it is of these c
09. 12. Conon. Narrat. 15. It is not quite certain, however, that it
is
of these chasms he speaks. 13. Leake's Travels i
. Malcolm’s History of Persia, i. 41. 8vo edit. 24. This phraseology
is
still employed in the south of Europe. Sancho Pan
is phraseology is still employed in the south of Europe. Sancho Panza
is
in Don Quixote called the father of proverbs (pad
v. on Æn. vii. 691. See Paus. iv. 2, 2. 31. Hor. Serm. ii. 6. 49. It
is
in a somewhat different sense that the Œdipus of
ngs of the primogenial doctrine.» — Aglaoph. p. 1268. 43. «Mystieism
is
an irregular mixing and confounding of feelings a
ngs and ideas,» says Hermann, Ueber das Wesen, &c. p. 26. 44. It
is
remarkable enough that the German mystic mytholog
er, Proleg. 232. 52. Völcker, however, asserts positively that there
is
no mythe without a meaning. Myth. der Jap. 50. Th
thout a meaning. Myth. der Jap. 50. This may be true, but the meaning
is
often a very trifling one. 53. Rasselas, chap. 4
il. 249. 54. See Müller, Proleg. 249-253. Min. Pol. 9. 55. Wolf, it
is
well known, held this opinion. The Schools of the
ld notions. 61. Müller, Proleg. 66, 99. Welcker, Tril. 89. 62. This
is
the theory of Voss. We share the doubts of Lobeck
fragments remaining of the Latin translation of Ennius ; and the work
is
frequently referred to by Sextus Empiricus and th
to by Sextus Empiricus and the Fathers of the Church. 71. This name
is
borrowed from the Fount of the Sun (κρήνη Ἡλίον)
Τηθύν. — II. xiv. 201. 79. The earliest modern work on this subject
is
Boccaccio's Genealogia Deorum, written in the fou
we entered at some length into this subject. We are now aware that it
is
impossible to say anything satisfactory on it in
occurs in the Homeridian hymn to the Delian Apollo (v. 251), where it
is
opposed to the Peloponnese and the islands, and a
land on the banks of the Caÿster. (Il. ii. 461. Heyne in loco.) Libya
is
in Homer merely a district west of Egypt. 100. H
ed before β, as was done so frequently ; ex. gr. ϋμβροτοѕ. 105. That
is
, black or sun-burnt men, from αἴθω, to burn. 10
passage. Payne Knight would be content with rejecting vv. 6 and 7. It
is
to be observed that it is not Homer's custom to u
d be content with rejecting vv. 6 and 7. It is to be observed that it
is
not Homer's custom to use two particles of compar
ces races superior to ordinary men on the shores of Ocean. 110. That
is
, men only as tall as the fist, from πυγμή, fist,
2. Od. xix. 403. An epithet of Oceanos in Hesiod (Th. 274. 288. 294.)
is
κλυτὸѕ, illustrious, or perhaps bright. See Appen
Fr. incert. 100. Apoll. Rh. iii. 159. and Q. Smyrnæus, xiv. 223.), as
is
too often the case with him, by no means bear him
en the case with him, by no means bear him out in his theory. Statius
is
the earliest poet who speaks of these gates. (See
36. 45. 134. In Hesiod’s Shield of Hercules, vv. 254. 255., Tartaros
is
placed in the realm of Aides, — a proof among man
age to that part of the poem. 135. In reading the Paradise Lost one
is
apt to be struck with the definite material natur
ce to his genuine conception of what heaven might really be. The fact
is
, that our great poet was, as any one who reads wi
proved compatible with piety and purity of heart. 136. What an idea
is
given of the immense extent of Heaven by making t
. xiv. 201. 139. From χάω, to gape. Ginnunga Gap (Swallowing Throat)
is
the Chaos of Scandinavian mythology. 140. Göttl
serts that the Cyclopes were the progeny of Earth alone. He says this
is
proved by a comparison of v. 139. Γϵίνατο δ̓ αὖ
pp. 371-379. 145. Κύκλωψ, rendered by Hermann Volvulus, from κύκλος,
is
a simple, not a compound substantive, of the same
re an interpolation. 146. Κόττος, from κόπτω, to smite ; Γύηѕ (Γύγηѕ
is
wrong, see Göttling in loc.) is the part of the p
ς, from κόπτω, to smite ; Γύηѕ (Γύγηѕ is wrong, see Göttling in loc.)
is
the part of the plough to which the share is fixe
g, see Göttling in loc.) is the part of the plough to which the share
is
fixed ; Βριάρϵωѕ is akin to βριάω βριαρὸѕ, βρίθω,
oc.) is the part of the plough to which the share is fixed ; Βριάρϵωѕ
is
akin to βριάω βριαρὸѕ, βρίθω, βριθὺѕ, all denotin
βριθὺѕ, all denoting weight and strength. 147. The above explanation
is
that given by Hermann (Ueber das Wesen, &c. p
c. 152.), referring to Demeter Erinnys. According to Hermann ἐριυυύϵѕ
is
quasi ἐλιυυύϵѕ, Maturinæ, from ἐλιυυϵύω. 152. My
οντϵѕ Τάρταρον ἀμϕὶ μέγαν, τῶν ἔξ ἄνδ ρϵѕ τϵ θϵοὶ τϵ. A similar view
is
given in the 37th Orphic hymn. 155. Il. xiv. 20
hymn. 155. Il. xiv. 202-204. 156. Il. xv. 224 et seq. 157. That
is
, supposing (as there is every reason to do) that
02-204. 156. Il. xv. 224 et seq. 157. That is, supposing (as there
is
every reason to do) that Apollodorus followed him
rated mythe. Hera, Poseidôn, and Athena set about binding Zeus ; that
is
, mankind would wish to keep summer always for the
Cassandra, 1192. with the note of Tzetzes. 166. Argonaut, i. 503. It
is
remarkable that there is no scholion on the place
note of Tzetzes. 166. Argonaut, i. 503. It is remarkable that there
is
no scholion on the place. 167. Dionys. ii. 573 ;
dinav. 183. Theog. 337. seq. 184. Il. xiv. 201. 302. In v. 246. he
is
called the origin of all (πάντϵσσι) — whether god
6. he is called the origin of all (πάντϵσσι) — whether gods or things
is
uncertain. 185. Il. 202. 303. 186. Il. 200. 301
έλιοѕ occurs in Il. viii. 480. Od. i. 8 ; xii. 133. 263. 346. 374. It
is
very probable that ϓπϵρίων is the contraction of
Od. i. 8 ; xii. 133. 263. 346. 374. It is very probable that ϓπϵρίων
is
the contraction of ϓπϵριονίων. See Passow s. v. V
See Passow s. v. Völcker, Hom. Geog. 26. 195. Isth. v. 1. 196. This
is
adopted by Völcker, ut sup., and Müller, Proleg.
. 191. Compare Apoll. Rh. iii. 1191. 200. The most learned of poets
is
the only one that has alluded to this fiction in
es Selene a chariot (Phœn. 178. seq.), whereas the poet in that place
is
evidently speaking of the chariot of Amphiaraos.
nnus (vii. 244.) she drives in a silver car with unbridled mules.» It
is
the chariot of Semele, not of Selene, that is des
th unbridled mules.» It is the chariot of Semele, not of Selene, that
is
described by that poet. 250. Nonnus, i. 331. 455
05 ; vii. 247 ; xi. 187 ; xii. 5 ; xlviii. 320. (βοῶν ἐλάτϵιρα Σϵλήνη
is
his usual expression). Claudian, R. P. iii. 403.
on Euripides (l. c.) says that «Æschylus and the ϕνσικώτϵροι say she
is
his daughter, because she partakes of the solar l
icander. 257. Hom. Hymn xxxii. 15. Πανδῖα, all-divine or all-bright,
is
plainly the Moon. 258. Διὸѕ θύγατϵρ ἔρσα τρέϕϵι
. 191. 700. Fasti, iv. 373. The title Pallantias given here to Aurora
is
, we believe, only to be found in this poet, but w
e (Fasti, iv. 943.) he calls her Titania, unless the reading Tithonia
is
to be preferred. 264. Agam. 275. 265. Æschylus,
49. 269. Troad. 843. For χρύσϵος Barnes reads κρόκϵος, which reading
is
followed by Voss, M. B. ii. 79. 270. Orest. 1001
ix (E). 283. Hermann, Ueber das Wesen, &c., 98. The Latin Aurora
is
similarly related to aura. 284. IIes. Th. 404.
IIes. Th. 404. 285. From ϕἀω, to shine. Phœbe, according to Hermann,
is
Februa, Purger, and Coios, Turbulus. 286. From
heir work. They get up and go to the shore, not knowing what the need
is
; they see boats there, but not their own, with n
ir boats much lighter, and in one pull they reach their homes.» There
is
a curious legend somewhat similar to this in the
similar to this in the Fairy Mythology (i. 202.), the scene of which
is
in nearly the same spot. 318. Works and Days, 1
Οἱ μὲν ἐπὶ Κρόνου ἧσαν ὁτ᾿ οὐρανῷ ἐμβασίλϵυϵν, as not Hesiodic. It
is
certainly utterly at variance with the Theogony a
α, quasi ϕιλίλυρα. Welcker, Nachtrag zur Tril. 53. note. 325. There
is
scarcely any difference between κρόνος and χρόνος
lcker, Tril. 96. We cannot, however, agree with this critic that Rhea
is
equivalent to Gæa, Earth. 327. See below, Mytho
er notion of his, that the horses of the gods were shod by Hephæstos,
is
certainly erroneous, for the Greeks did not shoe
ans. 367. Il. xiv. 300. 368. Il. viii. 41. seq. ; xiii. 23. seq. It
is
worthy of notice that while the chariots of men h
3. Theog. 886. seq. 394. Il. v. 370, 371. 395. Theog. 938 396. It
is
curious to mark the apparent progress of this tal
God. See Heyne on Apollod. i. 7. 5. 398. In the Ilias, when Hector
is
routing the Greeks, Poseidôn says of him (xiii. 5
54. 404. Il. viii. 247 ; xii. 200. seq. Od. ii. 146. 405. This word
is
derived from ἀΐσσω to excite ; but as it greatly
ύοπα. 411. Thus. i. 126. 412. Paus. ii. 24. 3. 4. 413. The Greek ζ
is
frequently d in the corresponding Latin term ; th
Pyth. iv. 246. Probus on Geor. i. 13. Lucan, Phars. vi. 396. Scyphios
is
evidently related to σκάϕος, a skiff or boat. 4
ος, wealth. 461. Myth. Briefe, ii. 175. Heyne (on Apollod. p. 780.)
is
of opinion that it was first given in the Mysteri
. p. 780.) is of opinion that it was first given in the Mysteries. It
is
employed occasionally by the Attic dramatists (So
. 468. Od. x. 508. seq. ; xi. l. seq., 635. seq. ; xii. 81. 469. It
is
well known that Hades became afterwards synonymou
tion, and adds that Erebos was but a passage to Ilades, from which it
is
expressly distinguished in Il. viii. 368. (as per
y distinguished in Il. viii. 368. (as person and place certainly). It
is
plain that neither of these writers had correct i
Germanic tribes the contrary. 473. The river which was to be passed
is
mentioned in the Ilias (xxiii. 73.), but that may
hers gave him one hundred heads. Horace, Carm. ii. 13, 34. 476. This
is
probably founded on the passage in the Odyssey (x
latter those from Asia. If any case proves too difficult for them, it
is
reserved for the decision of Minôs. 477. Fluviu
hlegethôn, and Cocytos. Od. x. 513, 514. 479. Virg. Æn. ut supra. It
is
not known how or when the doctrine of the Metemps
the Odyssey ; the only allusion to it that we have met with elsewhere
is
in Sophocles (Œd. Tyr. 176.), where Hades is call
have met with elsewhere is in Sophocles (Œd. Tyr. 176.), where Hades
is
called ‘the western god’ (ἀκτὰν πρὸς ἑσπέρου θεοῦ
ine of the Ilias (ix. 457.) where this epithet occurs as spurious. It
is
contrary to the analogy of the whole poem. We how
722. 511. Dionys. xii. 72. 512. Its Persian name at the present day
is
Taous. 513. Athen. xiv. 655. 514. Ovid, Met. i
: 4. χρυσοπέῦιλοѕ. 542. Plato, Cratyl. 404. 543. The Epos of Hesiod
is
″Ερωѕ in the subsequent writers. 544. Müller, Pr
hter. 545. For further information on the subject of Hera the reader
is
referred to Welcker, ut supra, and to Böttiger’s
ς. 6. πολύμητις, πολύϕρων. 587. II. xx. 73 ; xxi. 330. seq. His name
is
also synonymous with fire, ix. 468 ; xvii. 88 ; x
8. Plato, Cratyl. 407. 589. Od. xi. 604. Hes. Th. 922. Her parentage
is
not mentioned in the Ilias. Ovid, we know not on
Anton. Lib. 35. Virgil also seems to allude to it, Geor. i. 378. This
is
surely one of those legends which are mere sports
ngs.” Milton, P. L. ii. 962. 608. In Plato (Cratyl. 406.) her name
is
deduced ἀπὸ τῆς πραότητος τῆς θεοῦ, apparently fr
. Pyth. iii. 14. seq. 627. Apollod. i. l. 7. Sch. Il. ix. 557. This
is
alluded to, we may perceive, in the Ilias, and it
l. ix. 557. This is alluded to, we may perceive, in the Ilias, and it
is
the only love-tale of Apollo in Homer. In the Hin
have not met any Greek authority for this legend, and the same story
is
told of the Italian god Silvanus. Serv. Geor. i.
llo, 49.), say that it was out of love he served Admetos. 636. That
is
if critics be right in referring the following li
f. Orac. 15. 21. Q. G. 12. Ælian. V. H. iii. l. 640. The same notion
is
expressed in Plutarch (De Def. Or. 21.) if the re
iven by Wyttembach from Eusebius be the true one, as it most probably
is
. 641. Proleg. 300. seq. Dorians, i. 338. Eumenid
Eumenides, 152. 159. 642. Il. ii. 763. 643. The Venetian MS. (which
is
followed by Wolf) reads Πηϵρίע for Πιϵρίע. See He
em, must have some suspicion of this legend. The building of the wall
is
spoken of elsewhere (vii. 452.), and it is said t
. The building of the wall is spoken of elsewhere (vii. 452.), and it
is
said to have been the work of both the gods. 646
eems justly disposed to read µαθὼνπαρὰ τοῦ πατρòς, in favour of which
is
all mythic analogy. According to Nicander (Athen.
, the sea-god Glaucos was the instructor of Apollo. 647. This legend
is
only to be found in Ovid (Met. xi. 153. seq.). 6
οχαίτης : 7. ἀκϵρσϵκόμης : 8. λαοσσόος. 663. Müller, Dor. i. 328. It
is
usually derived from the crooked ambiguous nature
but Artemis, who never gave oracles, was named Loxo. 664. This word
is
connected with λϵυκςὸ, white, and with the Latin
. Telesilla ap. Ursinus. Pind. ut sup. 689. Paus. ut sup. 690. It
is
uncertain when this change took place ; it is the
Paus. ut sup. 690. It is uncertain when this change took place ; it
is
the goddess who is pursued in Telesilla, ut sup.
. It is uncertain when this change took place ; it is the goddess who
is
pursued in Telesilla, ut sup. (O1. 64.). The orac
illa, ut sup. (O1. 64.). The oracle given to Archias (Paus. v. 7, 3.)
is
probably a late fiction ; it speaks of the fount
ve, p. 60.). By some (among whom Euripides may perhaps be classed) it
is
held to relate to the worship of the goddess by t
fever. The moon, both here (coast of Africa) and in the West Indies,
is
more powerful than the sun ; meat hung in the ray
. iii. 14.) said that Adonis was the son of Phœnix and Alphesibœa. It
is
uncertain whether he made the latter daughter of
ria, by his own daughter Smyrna. 746. Ares, out of jealousy, took it
is
said the form of a boar for the purpose of killin
edan legend of the origin of the rose, see above, p. 8. 751. Adonis
is
the Semitic ןױא (Adôn) Lord. Cinyras comes from נ
k κινύρα, whence κινυρίζω, to lament, as in the Irish keening. Myrrha
is
רױנ (Môr) Myrrh. 752. Phædrus. Spenser, who trea
784. Il. v. 875-80. 785. Th. 886. seq.924. The scholion on v. 890,
is
as follows :Λέϒεται ὄτι ἡ Μῆτις τοιαύτην εἶχε δύν
g. 244. See also Eudocia, 4. Schwenk, 230. Welcker, Tril. 282. Пαλλὰς
is
the same as πάλλαξ, originally maid. There was a
33. 834. Od. x. 277. et seq. 835. Od. xiv. 435. This verse however
is
manifestly spurious. 836. Theog. 938. 837. Theo
respective Metamorphoses, and Apollonius Rhodius in his Epigrams. It
is
uncertain which of these authorities Ovid followe
0. 850. Pausan. ix. 22. These are both silly expositions ; the first
is
confuted by the fact that in the Carnasian grove
οκϵῑ θϵῶν ἐϕορᾱν και αὔξϵιν ποίμναϛ(Id. ii. 3, 4.) 851. Caduceus-um
is
a Latin corruption of κηρύκϵιον, the herald’s sta
t Coroneia under the title of ἐπιμήλιο (Paus. ix. 31, 3.). 858. This
is
the only point of similarity between the Grecian
may observe the allusion to the rural character of the god. 861. He
is
said to have been called στρϕαȋος (Et. Mag. s. v.
wife of their Zeus. Herod. iv. 59. 879. II. v. 500. ‘blond Demeter’
is
represented as presiding over the winnowing of co
ding over the winnowing of corn. In Od. v. 125. her amour with Iasiôn
is
related. 880. Gæa is joined with Zeus and Helio
of corn. In Od. v. 125. her amour with Iasiôn is related. 880. Gæa
is
joined with Zeus and Helios as a person. Il. iii.
r ap. Anton. Lib. 17. Ovid, Met. viii. 738. seq. Tzetz. Lyc. 1393. It
is
related somewhat differently by Callimachus, Hymn
ature’s visage hoar. — Burns’ Vision. 903. Like κρείων, κρέων, the a
is
merely euphonic. The cyclic Thebaïs named Areiôn
m the grief (ἄχος) of the goddess. Welcker (Schwenk, p. 293.) says it
is
the same as γαία ; and Müller (Proleg. 291.) rend
πȗρ, and to the Pers in Perse, Perseus. See below, Perseus. 913. It
is
commonly rendered Death-bearer, from ϕέρω ϕόνον.
egend (Met. v. 300. seq.), says they were turned into magpies, and he
is
followed by Statius (Silv. ii. 4. 19.). The tale
ribed to Orpheus. See also Müller, Proleg. 379. seq. The name Orpheus
is
perhaps connected with ὄρϕνος, ὄρϕανος, ἔρεβος, o
ed by Homer, II. xii. 20. and Hesiod, Th. 341.) the seventh, Tiriplo,
is
evidently corrupt ; Hermann proposes Pactolo. 95
are plainly the same word, and used alike in composition. The former
is
placed at the beginning, the latter at the end of
il. ap. Gell. xx. 8. Hor. Serm. ii. 4, 30. Fulgent. ii. 19. “The moon
is
believed by the Hindoo naturalists to have a powe
1260. Ovid, Met. i. 321. 1036. Welcker (Tril. 39.) says that Themis
is
merely an epithet of Earth. Hermann also makes Th
Böttiger (Kunst-Myth. ii. 110.) more justly, we apprehend, says, “she
is
the oldest purely allegorical personification of
. 186. 1041. See above, p. 146. 1042. Il. viii. 398 ; xi. 185. This
is
the only line in Homer which makes against Voss’’
makes against Voss’’ theory, of none of Homer’s gods being winged. It
is
remarkable that P. Knight, who seems to have know
Il. xx. 234. 1092. Od. v. 333 ; xi. 601. The last of these passages
is
undoubtedly spurious, and the first is perhaps no
01. The last of these passages is undoubtedly spurious, and the first
is
perhaps not altogether free from suspicion. 1093
n vines are mentioned in Genesis, xl. 9. Num. xx. 5 ; and the vintage
is
the subject of one of the ancient Egyptian painti
, in which Dionysos was the subject of strange mystery. As our object
is
alone the genuine mythology of Hellas, we do not
5. 1120. The maintainers of the Indian hypothesis observe that Bagis
is
one of the names of Seeva. According to Müller (O
cted with ἰκμὰς, ἰχὼρ, and therefore to denote moisture. His daughter
is
Erigone (Spring-born). 1128. Μάρων Εὺάνθϵος υἰός
. vii. 72. Eustath. Il. xviii. p. 1214. Ælian, V. H. iii. 40. Ͳίτυρος
is
merely the Doric form of Σάτυρος. 1192. Sch. The
lood-drops of Uranos would then be the rains. 1202. In Latin silanus
is
a tube or pipe for conveying water. Festus v. Tul
: 5. λιμνιάδϵς : 6. ἁμαδρυάδϵς : 7. δρυάδϵς : 8. μηλιάδϵς. 1228. It
is
plain that δρῠς and the Germanic tree are the sam
126. Od. xix. 163. Herod. vii. 218. Soph. Trach. 768. In Nonnus δρῠς
is
constantly tree, and δρυόϵις wooden. See ‘Tales a
ις wooden. See ‘Tales and Popular Fictions.’ 1229. Μ[ATTcaractre]λον
is
an apple or a sheep. 1230. ii. 224. seq. 1231
ii. 224. seq. 1231. Od. x. 350. 1232. Il. xx. 7. We believe there
is
no word in the English language which so nearly e
e Greek πίσϵα as this old, now provincial, term. The Anglo-Saxon ץӀæδ
is
certainly a valley ; all the spots denominated sl
aed. Certainly not in the copy which we consulted. Slett, by the way,
is
the Icelandic word, and it signifies a plain. Sla
t, by the way, is the Icelandic word, and it signifies a plain. Slade
is
frequently employed in the Poly-Olbion of Drayton
ῥ’ οὔτϵ ϴνητ[ATTcararactere]ς οὔτ’ ᾀϴανάτοιοιν ἓπονται. This passage
is
very obscure, but we think the above is the sense
άτοιοιν ἓπονται. This passage is very obscure, but we think the above
is
the sense of it. Hermann, we observe, has rendere
o and nubes. 1246. Il. iii. 130. Od. iv. 743. In this last place it
is
used of Penelope, who was not very young ; but it
is last place it is used of Penelope, who was not very young ; but it
is
the old nurse who speaks. 1247. See Hes. Th. 346
nd makes him to signify the rocks and cliffs. Keto (кϵȋμαι), he says,
is
the sunken rocks. It rather seems akin to к[ATTca
1290. Hesiod, Th. 270. seq. In Ovid also (Met. iv. 773.) their number
is
only two. 1291. Eratosth. Cat. 22. Hygin. P. A.
er was acquainted with the story of Perseus : the passage in which he
is
mentioned (Il. xiv. 519.) is, we think, justly re
ory of Perseus : the passage in which he is mentioned (Il. xiv. 519.)
is
, we think, justly regarded as an interpolation. V
125 ; but that passage, besides its being in one of the later books,
is
liable to objection. See Heyne and Payne Knight i
Lexil. υ. ἀήρ. 1325. On the Homeric geography the best work by far
is
that of Völcker, so frequently alluded to in thes
s two great defects ; he will localise every place and people, and he
is
resolute in maintaining the two poems to be the p
majority of the critics (Nitzsch, ut supra) are of opinion that this
is
the place meant. 1330. Od. xv. 425. seq. 1331.
1336. Ἔνθϵν δὲ προτέρω πλέομϵν. The wind had been north-east, and it
is
not said that it had changed. We apprehend that b
Thrinakia, and Ogygia, they are all adjectives, as ν[ATTcaratere]σος
is
always joined with them. 1362. Od. x. 135. 1363
ways joined with them. 1362. Od. x. 135. 1363. Od. i. 52. This term
is
applied in the Ilias to the serpent, the boar, an
erpent, the boar, and the lion, and signifies grim. In the Odyssey it
is
an epithet of Atlas, Minôs and Æætes, and its mos
an epithet of Atlas, Minôs and Æætes, and its most appropriate sense
is
wise. Passow, s. v. Nitzsch. 1364. Theog. 1011.
d by the ancient grammarians. We may observe that the cosmology in it
is
at variance with that of the Odyssey, for Helios
μαι ϵἰς ̓Αῒδαο, καὶ ἐν νϵκύϵσσι ϕαϵίνω. 1404. Thucydides (vii. 1.)
is
we believe the first writer who uses the name Tri
archus suspected the first six lines. 1426. Od. iv. 564. 1427. This
is
also the opinion of Nitzsch. Erklär. Anmerk. zur
seq. cum Schol. Tzetz. Lyc. 818. 1429. The first syllable of ἄπϵιρος
is
short, that of ἤπϵιρος is long. On this however w
. 818. 1429. The first syllable of ἄπϵιρος is short, that of ἤπϵιρος
is
long. On this however we should lay no stress. 1
ier. i. 377.) maintains that the Ortygia of this place in the Odyssey
is
Delos. As this passage does not appear in the Eng
nglish translation of bis work, we may perhaps infer that his opinion
is
changed. 1434. Strabe, x. 5. Müller asserts posi
x. 5. Müller asserts positively in the Orchomenos (p. 126.) that this
is
the island meant in the Odyssey. Perhaps (see pre
heog. 510. 514. 1452. Apollod. i. 2. 3. The accuracy of the Theogony
is
deserving of notice ; as Menœtios belonged to the
eus. Still we think with Völcker that the sense of the original mythe
is
the one given above. 1470. See Apoll. Rh. ii. 12
for thinking that this legend should be assigned to that poetess. It
is
remarkable that there is no mention of Pandora in
egend should be assigned to that poetess. It is remarkable that there
is
no mention of Pandora in it. See in Horace (Carm.
roves this to be a Latin fiction. Parnell’s beautiful imitation of it
is
well known. 1476. Ælian, de Nat. An. vi. 51. and
t what Greek authority Ovid followed in this narrative. 1502. Pyrrha
is
evidently derived πῦρ from. Deucaliôn probably co
ed Danaans and Argeians. Ἀχαιὸs, according to Völcker (ut sup. 365.),
is
of the same family with aqua, and relates to agri
o agriculture also. Müller (Proleg. 291.) says it signifies good, and
is
equivalent to ἀριστϵύs. 1514. Herod. vii. 94. 9
ans, who conquered and expelled the Cadmeians from Thebes. This event
is
a mere conjecture, and it would rather seem to ha
in the Catalogue, and in Il. v. 710 ; xiii. 687 ; which last however
is
considered spurious. See also Il. xiv. 476 ; xvii
r das Wesen, etc. 104. Welcker, Tril. 356. 387. 1524. The Greek ἥρωs
is
plainly the Latin herus, German herr, i. e. maste
be related below. 1541. Apollod. i. 9. 1542. Ibid. 1543. Medeia
is
said to be immortal by Pindar (Pyth. iv. 18.) and
and Musæus (ap. Sch. Eurip. Med. 9.). 1544. Theog. 992. seq. Pelias
is
here to Iasôn what Eurystheus is to Heracles. 15
9.). 1544. Theog. 992. seq. Pelias is here to Iasôn what Eurystheus
is
to Heracles. 1545. Argum. Eurip. Medeia. Ovid, M
Ap. Sch. Pind. Ol. xiii. 74. 1558. This Welcker (Tril. 546.) thinks
is
merely a genealogical fiction. 1559. Pind. Nem.
seq. It was probably from this circumstance that the father of Cæneus
is
named Elatos ; his own name (from καινὸϛ new) ref
. Plin. H. N. ii. 47. 1607. See Müller, Dor. i. 542. 1608. Aëthlios
is
the personification of the Olympic games. 1609.
. i. 9. 1611. Hygin. ut sup. 1612. Apollod. ut sup. 1613. Tydeus
is
called an Ætolian by Homer, — Il. iv. 399. 1614.
y into a period removed still further in gray antiquity. The pleasure
is
, to our apprehension, something akin to that insp
e, however, Appendix (H). 1618. πϵντ ηκοντόγυον. The size of the γύα
is
not known. 1619. Nicander, ap. Anton. Lib. 2. Ap
to it, Choëph. 600. seq. 1623. Apollod. iii. 1, 1. This genealogy
is
given somewhat differently by Pherecydes (Sch. Ap
29. Od. v. 333. 1630. Theog. 937. 975. 1631. Ol. ii. 142. 1632. It
is
mentioned, as we have seen, by Pherecydes and Hel
nds one of Petit Poucet and the Ogre. 1664. Flight-giving ; λαϕύσσω
is
the same as σπϵύδω, ϕϵύγω. 1665. Herod. vii. 12
od. iii. 5. 2. Ovid, Met. iii. 511. seq. 1668. Il. xxiv. 602-17. It
is
here said that Niobe had six sons and six daughte
preceding day, the Moon might be the mother of the Sun. Zeus-Epopeus
is
like Zeus-Tyndareos. 1676. Soph. Antig. 834. El
areos. 1676. Soph. Antig. 834. Elec. 150. Dione, one of the Hyades,
is
her mother (Ovid, Met. vi. 174. Hygin. 9.). Sapph
Apollod. iii. 5. 7. Diodor. iv. 64. Eudocia, 312. 1687. The Sphinx
is
not mentioned by Homer ; but the legend is notice
a, 312. 1687. The Sphinx is not mentioned by Homer ; but the legend
is
noticed in the Theogony (v. 326.), where she is c
omer ; but the legend is noticed in the Theogony (v. 326.), where she
is
called Фῖξ. Though this legend is probably older
n the Theogony (v. 326.), where she is called Фῖξ. Though this legend
is
probably older than the time of the first interco
or. ut sup. Soph. Œd. Col. 1689. Il. xxiii. 679. The word δϵδουπότοѕ
is
rather ambiguous, but it is probably merely dead.
1689. Il. xxiii. 679. The word δϵδουπότοѕ is rather ambiguous, but it
is
probably merely dead. See Il. i. 191. 1690. Work
nson, read Greek by accent ? Nothing can be more inharmonious than it
is
if Teiresias be pronounced in the Latin manner, w
ed to read, And Phineus and Tiresias prophets old. Another instance
is
(i. 720.), Belus or Serapis their gods. 1703.
x. 37, 3. 1712. Hom. Hymn to Pyth. Apoll. 118. 1713. The same trick
is
also said to have been played on Augeas, king of
ation. But these ingenious writers should have known that no practice
is
more common, and that abundant instances of it ar
mpliance with established usage we place this hero here, though there
is
little reason for regarding him as an original Th
orses, relating to which Laomedôn had broken his word. 1750. Hesione
is
the same as Eïone (name of a Nereïs, Hes. Th. 255
m ἠїὼν strand. 1751. Apollodorus, following Pherecydes, says “which
is
now called Gadeira,” but that island has surely n
Hesiod (Th. 290, seq.) clearly places Erytheia beyond the Ocean, that
is
toward its further coast. It was probably the tem
los (Vitulus) being an ox in the language of the country. 1757. This
is
a mythic origin of the shallows in the Strymôn.
Dor. i. 458. 1761. The conjecture of Müller (ut sup.), that Busiris
is
Osiris with the Egyptian article pe prefixed, is
sup.), that Busiris is Osiris with the Egyptian article pe prefixed,
is
highly probable. The legend was framed, he thinks
m as if the rock of Prometheus was on the opposite coast of Ocean. It
is
however more consistent with analogy to conceive
viii. 867. Perseus was similarly aided by these deities. 1766. This
is
founded on Od. xi. 633. 1767. For an effect of t
Each of these claimed Eurytos. Homer (Od. viii. 226 ; xxi. 22. seq.)
is
in favour of the last : he says that Eurytos havi
f hospitality. In the Catalogue (II. ii. 730.) the Thessalian Œchalia
is
the city of Eurytos ; while the ‘Taking of Œchali
i. 15, 4. 1777. Τήλϵϕοѕ, from ἔλαϕοs a hind. Its true signification
is
Far-shining (τηλέϕαοs) ; Auge (Αὐγὴ) is Bright. T
hind. Its true signification is Far-shining (τηλέϕαοs) ; Auge (Αὐγὴ)
is
Bright. The legend is connected with the worship
ication is Far-shining (τηλέϕαοs) ; Auge (Αὐγὴ) is Bright. The legend
is
connected with the worship of Athena Alea (above,
(above, p. 79.) was the goat that suckled the infant Zeus ; the name
is
probably derived from ἀμαλὸς, tender, or from ἀμέ
the Hyperboreans, the task of going for the apples of the Hesperides
is
probably a fiction as late as the time of Hesiod,
σσϵ καὶ ἀργαλέος χόλος Ἣρης. — Il. xviii. 119. 1787. Od. xi. 602. It
is
not unworthy of notice, that in the Ilias (i. 3.)
. xi. 602. It is not unworthy of notice, that in the Ilias (i. 3.) it
is
said that the souls (ψυχὰѕ) of the heroes were se
v. Buc. vi. 79. 1806. Apollod. ut sup. Hygin. ut sup. 1807. Procne
is
the nightingale in Æsch. Sup. 51. seq. Apollod. u
Virgil, Geor. iv. 14. 513. Statius, Silv. v. 3. 84. 1808. Philomela
is
Song-loving. See Welcker, Der Ep. Cyc. 274, note.
is event was celebrated in the Thebaïs of the Epic Cycle. 1821. This
is
a mere coincidence of name. 1822. Od. xi. 321.
ias when she was carried off. 1825. Apollod. ut supra. 1826. Zetes
is
easily deduced from ζάω, to blow. Calaïs is proba
. ut supra. 1826. Zetes is easily deduced from ζάω, to blow. Calaïs
is
probably derived from καіω to burn, like κᾱλον fi
ong the sophists respecting its identity. Plut. Thes. 23. 1846. This
is
evidently founded on the lines of Homer, Il. xvii
e circumstance of women accusing those who have refused their favours
is
common to the history and the fable of most count
tory and the fable of most countries. The earliest instance on record
is
that of Joseph and Potiphar's wife ; and, under t
wife ; and, under the names of Yoosuf and Zooleikha, their adventure
is
the theme of romance over the Mohammedan East. Th
rsian Shâh-Nâmeh, where Siyawush the son of Ky Kaoos, king of Persia,
is
, on rejecting the amorous advances of his step-mo
t between the flaming piles, kindled by two hundred men. Another case
is
that of the sons of Camarez-Zemân, in the Thousan
αις. 1852. Il. xx. 221. 1853. Mr. Kenrick's derivation of this name
is
very plausible ; — ̓Ηιονἰα, ̓Ιηονία, ̓Ιαονία, the
ονἰα, ̓Ιηονία, ̓Ιαονία, the sea-coast. 1854. Ξοȗθοѕ, yellow-haired,
is
the same as ξανθὀѕ 1855. Paus. i. 19, 3. 1856
ò πρòs νὀτον ̔Ο σκληρòѕ οὖτοѕ καὶ γἰγανταѕ ἐκτρέϕων Εἴληχε Πάλλαs,
is
said of this son of Pandiôn. 1857. Νισαία is pl
ρέϕων Εἴληχε Πάλλαs, is said of this son of Pandiôn. 1857. Νισαία
is
plainly the same as νησαία. 1858. The daughter o
. Paus. ii. 1, 6. As Briareôs was also called Ægæôn (Il. i. 403.), he
is
here probably Poseidôn himself. 1866. Paus. ii.
7. Theognis, 702. seq. 1868. The ancient form of the Σ was C, which
is
of the shape of a horse's hoof. 1869. Pherecydes
ολόμητιs. 1876. See Od. x. 1. seq. The primary meaning of αἰολόμητιs
is
swift. 1877. Μέροπεs, mortals, from μόροs death
αἰολόμητιs is swift. 1877. Μέροπεs, mortals, from μόροs death ; οψ
is
a mere adjectival ending. 1878. For all the subj
. 118. seq. 1879. Il. vi. 144. seq. The genuineness of this episode
is
doubted of by Böttiger. See Völcker, Myth. der Ja
ted of by Böttiger. See Völcker, Myth. der Jap. 118. note. 1880. It
is
a disputed point whether these characters were le
xactly to the good of the romances of chivalry, where the good knight
is
the brave knight. 1883. Ol. xiii. 85. seq. 188
ii. 85. seq. 1884. Pind. ut sup. ver. 99. Sch. II. vi. 155. Glaucos
is
, like Ægeus, an epithet of the sea-god. 1885. Se
886. Or Entreater, from ἀντιάω. 1887. In the Theogony, ver. 282, it
is
said, Τῳ μὲν ἐπώνυμον ἦν ὅτ᾿ ἄῤ Ὠкϵανοȗ πϵρὶ πηγ
, v. Ἰώ. 1905. Jablonski, Panth. Ægypt. ii. 4. seq. 1906. Neither
is
Isis the moon. See above, p. 227. 1907. Io is pe
. seq. 1906. Neither is Isis the moon. See above, p. 227. 1907. Io
is
perhaps derived from ΙΕΩ, ἵημι, to send, an epith
race. 1908. Io was transformed by Hera. Æsch. Sup. 312. 1909. Argos
is
the name of Odysseus’ dog (Od. xvii. 292.), and o
83. 184. Apis, he observes, with the Coptic article Pe prefixed (that
is
, Pe-Apis), was easily changed into Epaphos, which
is), was easily changed into Epaphos, which signified the Touched. It
is
well known how fond people are of turning foreign
p. ut sup. Hygin. 168. Serv. Æn. x. 497. 1918. Apollod. ut sup. This
is
a very obscure legend. 1919. In Plato's Laws (iv
. This is a very obscure legend. 1919. In Plato's Laws (iv. 704.) it
is
said, respecting the name of the city to be found
τῶν ἐν τῷ τόπῳ, προσθϵίη τὴν αὐτῶν ϕήμην кαινῆ γϵνομένῃ τῆ πόλϵι. It
is
, we may see, not supposed that it would be named
d of St. Winifred’s well in Drayton’s Polyolbion, Song x. “A fountain
is
said to have broke out in the place where St. Osi
d to have broke out in the place where St. Osithe was beheaded, which
is
seen to this day near the town of Chich.” Britann
s probably caused by the resemblance between Danae and Daunia. Daunus
is
the father of Turnus. 1937. See p. 253. 1938. H
nus. 1937. See p. 253. 1938. Hesiod, Shield, 230. seq. 1939. This
is
probably the Æthiopia mentioned by Menelaos (Od.
he whole preceding narrative, excepting the deliverance of Andromeda,
is
contained in the Fragments of Pherecydes (Ap. Sch
Heracles and Menelaos with the sea-deities, ete. The same appearance
is
presented in the chivalric romanees of the middle
2051. Welcker regards the θηρ in these names as ἀθήρ ; and as ἀθήρα
is
furmety according to Hesychius, he thinks that it
. 114. seq. 2063. Apoll. Rh. i. 752. seq. cum Sch. where Phereeydes
is
quoted. Tzetz. Lye. 156. Hygin. 84. 2064. Himeri
ave, the Franks the Free, &c. It must not be concealed that there
is
no traditiov whatever of a people named Pelopians
to account for the name of the spring. As the reader may perceive, it
is
the foundation of Guarini's pastoral drama, Il Pa
q. Nonnus, i. 45. seq. 2093. Il. xiv. 321. 2094. Herodotus (i. 2.)
is
the earliest extant author who calls Europa a Sid
Europa a Sidonian. 2095. Apollod. ut sup. Sarpedôn, i. e. Harpedôn,
is
evidently derived from the carrying-off (ἀρπάγη)
his process. Homer does not name him among the children of Europa. It
is
not unlikely that it was the resemblance of sound
iv. 1638. seq. Sch. Od. xx. 302. Plat. Min. 320. 2100. The Labyrinth
is
a pure poetic fiction ; no such edifice ever did
, p. 423. 2108. Apollod. iii. 3.1.2. Hygin. 136. Tzetz. Lyc. 811. It
is
evidently a late fiction. 2109. Menoo is the nam
n. 136. Tzetz. Lyc. 811. It is evidently a late fiction. 2109. Menoo
is
the name of the Hindoo legislator : Menes was the
d. iii. 12, 6. 2111. Hesiod ap. Sch. Pind. Nem. iii. 21. This legend
is
very pleasingly told by Ovid (Met. vii. 517. seq.
), who says that the isle was thus replenished after a pestilence. It
is
indebted for its origin to the resemblance in sou
125. Id. ib. Nonnus, xlviii. 400. 419. 2126. So Ovid calls him ; he
is
usually styled a prince. 2127. ᾽Απὸ τοῦ οὐρϵῖν.
invention of the Athenians (Müller, Orchom. 99.). In Hyginus Hyrieus
is
Byrseus (from the hide, βύρσα). 2128. Hesiod ut
. Müller, Proleg. 191. seq., where the subject of astronomical mythes
is
treated with this writer's usual ability. 2138.
ith this writer's usual ability. 2138. Its ancient name in the North
is
Karlsvagn, the ‘Carle' s or Oldman’s Wain.’ The C
Karlsvagn, the ‘Carle' s or Oldman’s Wain.’ The Carle, Magnusen says,
is
Odin or Thor. Hence our ‘Charles’ Wain.’ The Icel
on foot to Colchis. In the poem named ‘The Wedding of Ceÿx,’ Heracles
is
said to have been left behind at Aphetæ, where he
Müller, Orchom. 293. Dor. i. 367. 457. Proleg. 108. 2156. The combat
is
described at length by Theocritus, Idyll. xxii.
Phrixos the way to Scythia (Hesiod ap. Sch. on ver. 181.). 2158. It
is
plain that the Harpies in this legend, as in the
. Sch. Apoll. Rh. iv. 177. 1147. Sch. Eur. Med. 5. Purple (πορϕύριοѕ)
is
simply bright (from πῦρ). 2167. There is nowhere
Med. 5. Purple (πορϕύριοѕ) is simply bright (from πῦρ). 2167. There
is
nowhere so much information on the Argonautics to
x. 57. seq. 2183. We have already (above, p. 178. note.) given what
is
perhaps the original signification of the name Ad
danos. 2197. Il. xx. 237 ; the genealogy from Dardanos to this point
is
given Il. xx. 215-239. 2198. Il. vi. 23. 2199.
2200. Il. xxiv. 496. 2201. See above, p. 120. The story of Cassandra
is
unnoticed by Homer. 2202. Ἀπὸ τoῦ ἀλέξϵιν τoῦs ἄ
λέξϵιν τoῦs ἄνδραs. 2203. Apollod. iii. 12. 5. This history of Paris
is
unknown to Homer. It is the le gend of Œdipûs, of
3. Apollod. iii. 12. 5. This history of Paris is unknown to Homer. It
is
the le gend of Œdipûs, of Telephos, of Cyrus, of
laïs (Oil-giver). 2212. See above, p. 367. 2213. The common account
is
that Thetis had concealed him as a maiden among t
h at once attracted the attention of Achilleus. This narrative, which
is
directly contrary to that of the Ilias and the Cy
story of Iphigeneia (Strong-born) are unnoticed by Homer. Iphigeneia
is
probably an epithet of Artemis. She is the same w
unnoticed by Homer. Iphigeneia is probably an epithet of Artemis. She
is
the same with the Artemis- Orthia of Sparta, at w
ic Cycle. 2221. Here ends the Little Ilias ; the remaining narrative
is
from the Destruction of Ilion of Arctinos. 2222.
ot. 3. 2240. The Catalogue gives the Athenians fifty ships. But what
is
this to the ninety of Pylos ? 2241. See Buttmann
mythes, such as those of Ixiôn and Tantalos, certainly were such. It
is
possible that the Isles of the Blest, exclusively
s we have seen, perfectly pure and moral. 2249. In like manner Spain
is
much richer in romances of chivalry. 2250. Cic.
. 4.1. Pœnul. iv. 2. 48. Hor. Carm. i. 34. 5. ; iii. 2. 29. Diespiter
is
not Pater diei, for that is contrary to analogy.
. Carm. i. 34. 5. ; iii. 2. 29. Diespiter is not Pater diei, for that
is
contrary to analogy. See Varro, L. L. iv. p. 20.
. Dion. Hal. iv. 15. In Italy, during the middle ages (and perhaps it
is
so at the present day) the place of Juno Lucina w
ES BRYANT. In the hope that it may be useful, this book of Mythology
is
affectionately offered to you, by your friend, TH
u, by your friend, THE AUTHOR. Preface. This book of Education
is
one of a series of simple and easy works for the
but the object of them all, humble and merely elementary as they are,
is
to raise the mind above mere utility, not only to
mere utility, not only to employ the faculties of the young upon what
is
necessary to be known, but to elevate them to the
character too minute to be interesting, and too meager to entertain,
is
the most I have attempted in these Elements of My
en feel and be grateful that “the glorious gospel of the blessed God”
is
a dispensation, of infinite wisdom and infinite m
d” is a dispensation, of infinite wisdom and infinite mercy — that it
is
a marvelous light and a fountain of knowledge, as
h a clear conviction, and our devotionan undivided homage. I trust it
is
not a forced application to make a book of mythol
plication to make a book of mythology one of a religious tendency. It
is
my own view of the subject, and I cannot but beli
eason the instructor of memory, and not memory the caterer of reason,
is
the purpose of all the little books I have writte
nd with interest upon the philosophy of instruction, and whose theory
is
the rule of their practice, I commend this book.
ristians, often hear of other gods besides that true and only God who
is
represented to them as the father of all intellig
ve worshipped idols, and why they have worshipped them. This question
is
answered by the fact, that when men first spread
etry, and are often very amusing. Mythology, or the history of fable,
is
necessary to be known, because it explains many b
ust take the first place in the following compend of mythology, which
is
designed to bring into one view, for the use of y
and best known usages, of ancient and modern paganism. ——— Mythology
is
the history of the gods and goddesses who have be
ippers of images are Idolaters, the images are Idols, and the worship
is
Idolatry. Men were first taught by God himself, t
worship is Idolatry. Men were first taught by God himself, that there
is
a God. Instruction directly from God is Revelatio
ht by God himself, that there is a God. Instruction directly from God
is
Revelation. We learn from the Bible that God mani
re prophets. The patriarchs, the prophets, and Christ taught that God
is
one — a spirit infinitely wise, powerful, holy, j
and that he requires all human creatures to serve him in truth, that
is
, to confess or worship him before men; to love hi
All other nations believed in a plurality of gods, or many gods. This
is
Polytheism. The history of the fabulous divinitie
many gods. This is Polytheism. The history of the fabulous divinities
is
Mythology. The good men who knew and loved the tr
ipped him only. Who are heathens? How did men first learn that there
is
a God? Who are the most remarkable persons to who
other, of those inspired persons. At the present time, whatever truth
is
discovered, is immediately printed in books: in c
inspired persons. At the present time, whatever truth is discovered,
is
immediately printed in books: in civilized countr
tries people are generally taught to read, and therefore a known fact
is
not likely to be lost or altered. When Noah and A
or writings, and all knowledge was preserved by tradition. Tradition
is
an account of past events related by the old to t
How came men to forget the exact instructions of the patriarchs? How
is
truth certainly preserved at the present time? Wh
atriarchs? How is truth certainly preserved at the present time? What
is
tradition? When was God’s will first recorded in
ecame objects of worship? ——— The mythology of the Greeks and Romans
is
that which is now most important to be known. Thi
of worship? ——— The mythology of the Greeks and Romans is that which
is
now most important to be known. This mythology is
omans is that which is now most important to be known. This mythology
is
introduced into all classical poetry. Classical p
s mythology is introduced into all classical poetry. Classical poetry
is
that which is left of the poetry of the Greeks an
introduced into all classical poetry. Classical poetry is that which
is
left of the poetry of the Greeks and Romans, and
that which is left of the poetry of the Greeks and Romans, and which
is
still read. English poets, and almost all modern
goddesses, and sculptors have represented them in admirable forms. It
is
impossible to understand ancient and modern poetr
were first civilized by colonies of Phœnicians and Egyptians, and it
is
probable that the religion of the Greeks was a mi
ed by the ancients; as Courage and Pain, Prudence and Honour. Courage
is
a quality of the mind, it is the absence of fear,
e and Pain, Prudence and Honour. Courage is a quality of the mind, it
is
the absence of fear, and a virtue. A picture of c
Greeks and Romans worshipped these personifications. What mythology
is
most important to be known? What is classical poe
personifications. What mythology is most important to be known? What
is
classical poetry? Who besides poets have celebrat
lassed? Who are the chief gods and goddesses? Who are demi-gods? What
is
a personification? Saturn. The most an
er Saturn, his right to reign over the dominions of his parents, that
is
over heaven and earth. Saturn, the same as Chrono
so happy that the time of his reign was called the Golden Age. Saturn
is
represented as an old man, with a scythe in his h
ed from toil, and permitted to say and do what they pleased, even, it
is
said, to ridicule their masters. Who were the pa
aturn’s sons? Who deposed Saturn? Where did Saturn take refuge? Where
is
Latium? How was Saturn regarded in Latium? How is
take refuge? Where is Latium? How was Saturn regarded in Latium? How
is
Saturn represented? What was the Saturnalia?
Cybele. See plate, page 16. Rhea, or Cybele, the wife of Saturn,
is
sometimes called Ops, and sometimes Berecynthia.
was the first who fortified the walls of cities with towers, and she
is
therefore represented with a crown of towers upon
represented dancing and striking themselves. Who was Cybele, and how
is
she represented? Who were the priests of Cybele?
supernatural being, and therefore, after his death he was deified. It
is
probable, that Janus regulated the divisions of t
ten been noticed as a remarkable occurrence. Who was Janus, and what
is
the meaning of the fable of Saturn? Why did Janus
e lord of the ocean, and Pluto, the ruler of the infernal regions. He
is
said to have been educated in the island of Crete
these sacrifices. The oak and the olive were sacred to Jove. Jupiter
is
represented under the figure of a majestic man, w
he Titans are beneath his feet, and an eagle by his side. The sceptre
is
the symbol of his majesty. The ancients represent
From these he distributed benefits or afflictions to mankind. Terror
is
one of Jove’s principal attributes. Homer describ
Homer, answers a petitioner thus: Depart in peace, secure thy prayer
is
sped, Witness the sacred honours of our head; The
id Jupiter divide the universe? What worship was paid to Jupiter? How
is
Jupiter represented? How does Homer describe the
nged into the sea and swam off with his lovely burden to Crete. Crete
is
a European island, or nearer to Europe than to As
te, and her name was given to one quarter of the world. The following
is
a fine description in verse of the flight of Euro
es that Cupid and sea-gods, admiring her beauty, accompany her as she
is
borne over the waves. Now lows a milk-white bull
dorned the temple of Jupiter at Rome. The finest Jupiter in existence
is
one in the Vesospi palace at Rome. On a medal str
lace at Rome. On a medal struck in the time of the emperor Vitellius,
is
an impression like the famous statue of the capit
Did the ancients suppose that Jupiter loved human females, and what
is
related of his appearance to Semele? How did Jupi
rm? Who has given a fine description of the flight of Europa and what
is
it? What is the most famous statue of Jupiter at
given a fine description of the flight of Europa and what is it? What
is
the most famous statue of Jupiter at present hi e
and arts” He was the cause of disease, and the restorer of health. He
is
often called Phœbus the god of day; and was suppo
bow and arrow. In hymns addressed to Apollo as the god of health, he
is
called Pæan. Apollo is sometimes represented with
s addressed to Apollo as the god of health, he is called Pæan. Apollo
is
sometimes represented with rays around his head,
rays around his head, to show that he was the dispenser of light, and
is
often mentioned as the sun himself. We sometimes
ct from Apollo. Apollo frequently appears with a lyre in his hand. He
is
sometimes drawn in a car, commonly called the cha
r husband. This act of generous devotion has often been commended. It
is
asserted by the poets that Apollo raised the wall
ower called after his name. Among the stories which relate to Apollo,
is
that of Phaeton. Phaeton was the son of Apollo an
ed for him and were metamorphosed into poplars by Jupiter. This story
is
told by Ovid, the Roman poet. Apollo’s most famou
does not contain one or more statues of Apollo. Of these, that which
is
universally preferred is the Apollo which adorns
more statues of Apollo. Of these, that which is universally preferred
is
the Apollo which adorns the Vatican palace at Rom
ay be seen in almost every considerable town in the United States. It
is
commonly called the Apollo of Belvidere. Belvider
ited States. It is commonly called the Apollo of Belvidere. Belvidere
is
the name of a court of the palace, which commands
the palace, which commands a very fine prospect. Who was Apollo? How
is
Apollo represented? Are immoral actions imputed t
Where was the most famous oracle of Apollo? Who was the Pythia? What
is
the most admired statue of Apollo? Mercury.
asures, and conducted departed souls to the world of spirits. Mercury
is
represented as a young man; wings were fastened t
d which could render him invisible, which he lent to Perseus. Mercury
is
supposed to have been the Hermes of the Egyptians
d that they should overcome their enemies and conquer the world; that
is
, all the civilized world, which then included the
hs, and of metals, and the armorer of the gods. The working of metals
is
a most important circumstance in the civilization
roaring bellows blew.” [Translator : Pope] In the book of Genesis it
is
said that Tubalcain, one of the first men, was “a
n, but the fable says, Vulcan was the son of Jupiter and Juno. Vulcan
is
sometimes called Mulciber, and Lemnius. It is sai
upiter and Juno. Vulcan is sometimes called Mulciber, and Lemnius. It
is
said that Jupiter, taking offence at Vulcan, kick
, which breaks into a thousand fragments whatever it strikes. Thunder
is
known to be the explosion of the electric fluid,
the place, and held it in reverence. Who was Vulcan, and of what use
is
the manufacture of metals? Whom did the ancients
tals? Whom say the Hebrew scriptures was the first metallurgist? What
is
the history of Vulcan? In what verses is Venus de
the first metallurgist? What is the history of Vulcan? In what verses
is
Venus described as visiting Vulcan? What did Vulc
ented to assist labour, must have required immensely strong men. This
is
therefore called, from the Cyclops, the Cyclopean
Who were the Cyclops? What mode of life did the Cyclops follow? What
is
meant by the Cyclops being one-eyed? What is Virg
the Cyclops follow? What is meant by the Cyclops being one-eyed? What
is
Virgil’s description of the Cyclops? Pandora.
oman, and she was sent by Jupiter in a box to Prometheus. Jupiter, it
is
said, was angry at Prometheus for the manifold bl
ith the most grievous misfortunes, but that, in every affliction, man
is
comforted with the hope of relief and of better d
rse: he taught the use of fire, and the fusion of metals, and he also
is
said to have been the inventor of letters; he ins
heus employed fire more curiously and successfully than other men, he
is
said to have stolen it from heaven. He was accuse
y unworthy notion of the god’s character. We reverence God because he
is
infinitely great and powerful; and we love him be
cause he is infinitely great and powerful; and we love him because he
is
as good as he is powerful; and we know that whate
itely great and powerful; and we love him because he is as good as he
is
powerful; and we know that whatever good we do to
owerful; and we know that whatever good we do to our fellow-creatures
is
acceptable to him, and is, indeed, commanded by h
whatever good we do to our fellow-creatures is acceptable to him, and
is
, indeed, commanded by him. To punish a benefactor
manded by him. To punish a benefactor of mankind for his benevolence,
is
not suitable to the character of a benevolent bei
ated the motions of the heavenly bodies. The malignity of his enemies
is
a more rational cause for the sufferings of Prome
did Jupiter dispose of Pandora? Did Prometheus receive Pandora? What
is
the meaning of this allegory? Who was Prometheus?
a celestial goddess, the mythologists say she was born upon earth. It
is
disputed whether Juno’s birth-place was the islan
ffered him a city. The poppy and the lily were sacred to her, and she
is
sometimes exhibited with these flowers in her car
ese flowers in her car, when she appears as the queen of the air, and
is
borne through the heavens by peacocks, and attend
ess of the rainbow. Iris. In the Hebrew Scriptures the rainbow
is
the symbol of peace, God’s peace with the guilty
Iris was frequently employed by Juno to stir up strife among men. She
is
commonly represented with wings, and with her hea
uno? Was Juno worshipped at Rome? What was the character of Juno? How
is
Juno represented? What was Juno’s prerogative? Wh
imparting to others her own perpetual healthfulness and vigour. Hebe
is
, in fact, the personification of youthful beauty.
vigour. Hebe is, in fact, the personification of youthful beauty. She
is
represented as happy and innocent. Hebe is always
on of youthful beauty. She is represented as happy and innocent. Hebe
is
always represented as a beautiful virgin, crowned
gods of the heathen were not represented as pure intelligences, that
is
, as spirits without animal wants. They ate, drank
reproves the worshippers of Baal by this derision, “Cry aloud, for he
is
a god; either he is talking, or he is pursuing, o
pers of Baal by this derision, “Cry aloud, for he is a god; either he
is
talking, or he is pursuing, or he is in a journey
is derision, “Cry aloud, for he is a god; either he is talking, or he
is
pursuing, or he is in a journey, or per adventure
loud, for he is a god; either he is talking, or he is pursuing, or he
is
in a journey, or per adventure he sleepeth and mu
Juno slumbered on the golden bed. Iliad, Book I. Jupiter, however,
is
supposed never to have slept. The immortals slum
lse notion of God? Does Homer represent the gods as omnipresent, that
is
, filling every part of the universe at once? Did
a. See plate, page 55. Minerva was the goddess of Wisdom. Wisdom
is
the knowledge of what is right and true, and of w
. Minerva was the goddess of Wisdom. Wisdom is the knowledge of what
is
right and true, and of what is best to be done, w
isdom. Wisdom is the knowledge of what is right and true, and of what
is
best to be done, when intelligent beings are call
ings are called upon to act. Wisdom also includes the will to do what
is
right, and the love of goodness and truth. The Go
is right, and the love of goodness and truth. The God whom we worship
is
infinitely wise. The heathens personified Wisdom
inerva was the daughter of Jupiter. The poetic fiction concerning her
is
, that Jupiter being tormented with an excessive p
o called Pallas, from a Greek word, signifying bearing a javelin. She
is
often called in Homer, the “blue-eyed maid,” for
ed, — it was only used to affright the bad. The meaning of this fable
is
, that if men in the midst of crimes are overtaken
eir wicked purposes, and terrified at their own guilt, by a power who
is
of purer eyes than to behold iniquity with compla
taken. Eneas, the son of Venus, and the great ancestor of the Romans,
is
said, by some of their writers, to have recovered
ability of the empire and dominion of Rome. Hence, the word Palladium
is
sometimes used figuratively, to signify the prese
As, for example, the palladium of American liberty, or its security,
is
the virtue of our citizens. The Parthenon, called
n to the Athenians. Who was the heathen goddess of Wisdom — and what
is
signified by Wisdom? Who personified Wisdom, and
nd what is signified by Wisdom? Who personified Wisdom, and how? What
is
the description of heavenly Wisdom in the book of
t is the description of heavenly Wisdom in the book of Proverbs? What
is
the poetic origin of Minerva? How is Minerva repr
om in the book of Proverbs? What is the poetic origin of Minerva? How
is
Minerva represented? Of what city was Minerva the
onry, in the particular of secrecy at least. Initiated persons — that
is
, those who were admitted to be present at the cer
exhibitions was the initiation. What these mysteries really signified
is
unknown. The garments worn at the initiation were
at the initiation were accounted holy, and preserved as charms, that
is
, as being preventives to accidents and diseases,
cidents and diseases, or malevolence of enemies. Who was Ceres? What
is
the primitive condition of mankind? What favour d
he called by the Egyptians? How was Ceres represented? In what verses
is
her worship described? What honours were offered
cration? What spectacles were exhibited at Eleusis? What superstition
is
related concerning the initiation? Proserpine
See plate, page 65. One of the prettiest fictions of the mythology
is
the story of Proserpine. Proserpine was the belov
among the flowers of Enna, but she only found her daughter’s veil. It
is
related of Ceres, that in her distress she kindle
o the upper air and adorns the fields Minerva, the goddess of wisdom,
is
usually drawn with an owl by her side. This owl i
goddess of wisdom, is usually drawn with an owl by her side. This owl
is
no other than Ascalaphus. When Proserpine heard h
into an owl, which Minerva afterwards took for her attendant. The owl
is
not accounted a sagacious bird but his faculty of
calaphus, who watched Proserpine when he was not himself observed. It
is
suitable to wisdom, which discerns where the care
ored to earth? Did Ceres offer a second petition to Jupiter, and what
is
represented by this part of the fable of Proserpi
o wings upon his shoulders, fair and fleet; And blind as night, as he
is
often seen, A bow he bare, and arrows bright and
t the city of Paphos. Venus, from her vivacity and happy disposition,
is
often styled the laughter-loving goddess. That sh
And beauty blazed to heaven and earth unveiled. Botanic Garden. She
is
often represented in her sea-shell sporting upon
; I will bestow it upon her whose beauty never fades, and whose youth
is
immortal. Adonis. Adonis was a beautiful y
t Ezekiel reproves the idolatrous women for weeping for Thammuz; that
is
, for joining in the funeral procession with which
Venus personify? What were the appellations of Venus? In what verses
is
her rising from the sea described? Where, and how
value? What use did the Greek ladies sometimes make of a mirror? What
is
the story of Adonis? In what verses is Adonis des
metimes make of a mirror? What is the story of Adonis? In what verses
is
Adonis described? Cupid. Cupid was the so
s chords. Sometimes he appears mounted on a dolphin; and sometimes he
is
represented as breaking the winged thunderbolt of
d for Psyche was an allegory intended to show that all true affection
is
towards the mind. The most beautiful object in na
ithout life cannot be loved. The gift of life to an intelligent being
is
only of value according to the degree of understa
ent, without disguise or art, to gain good will. Who was Cupid? What
is
signified by the story of Cupid and Psyche? What
led. A man named Demetrius, who made “silver shrines for Diana,” that
is
, little altars and images of the goddess, and mod
be no gods which are made with hands: so that not only this our craft
is
in danger to be set at naught, but also that the
ld superstition, appeased them, saying, “ Ye men of Ephesus, what man
is
there that knoweth not that the city of the Ephes
us, what man is there that knoweth not that the city of the Ephesians
is
a worshipper of the great goddess Diana, and of t
What were Diana’s several characters? What were Diana’s offices? How
is
Diana represented? Where was the most celebrated
ancients used often to begin their verses by invoking the muse, that
is
, by a short address or prayer to one of the Muses
d over History. She was supposed to have invented the lyre, which she
is
frequently depicted as holding in her hand, toget
e. Thalia presided over comedy. Her name signifies, the blooming. She
is
represented reclining on a pillar, holding in her
lar, holding in her hand a mask. Melpomene presided over tragedy. She
is
generally seen with her hand resting upon the clu
atroness of instrumental music. Her name signifies the agreeable. She
is
always depicted as surrounded with various instru
ly touching the earth, while the other sports in air. Erato. Her name
is
derived from the Greek word signifying love. She
. Erato. Her name is derived from the Greek word signifying love. She
is
the inspirer of light poetry, and of the triumphs
e shunScylla we are lost in Charybdis, signifying, one of two dangers
is
inevitable. ——— The Halcyones were sea-birds, wh
to them the power of stilling the waves. The Halcyon of the ancients
is
supposed to be the king-fisher, an aquatic bird,
isting of sea-calves, (phocæ, or seals,) and other marine animals. He
is
represented by the poets as possessing the facult
changing himself into whatever forms he chose. Hence, a fickle person
is
frequently called Proteus. History makes mention
does the fable of Scylla signify, and who was Charybdis? What proverb
is
derived from the fable of Scylla and Charybdis, a
t proverb is derived from the fable of Scylla and Charybdis, and what
is
its meaning? What were the Halcyones? What is the
and Charybdis, and what is its meaning? What were the Halcyones? What
is
the truth concerning the Halcyones? Who was Prote
es? What is the truth concerning the Halcyones? Who was Proteus? What
is
Homer’s description of Proteus? Were there other
to Bacchus. The goat was slain in his sacrifices, because that animal
is
injurious to vines. The festivals of Bacchus were
intage flow. Pitt’s Virgil . In the Medici gallery, at Florence,
is
a fine statue of Bacchus by Michel Angelo. He is
allery, at Florence, is a fine statue of Bacchus by Michel Angelo. He
is
crowned with ivy and vine tendrils, and holds in
cluster of grapes, of which a little satyr, covered with a goat skin,
is
endeavouring to get a taste. Who was Bacchus? Wa
o was Terminus? Who were ÆoIus and his children? What fact in history
is
connected with Æolus? Pan. See plate, pag
a principal place among the most ancient divinities. By the poets, he
is
said to be the son of Jupiter and Calista. He was
ike that of Mars. And in some antique gems and sculptures, his figure
is
nearly as frightful as that of Medusa. The real o
r animals. To this deity the Greeks gave the appellation of Pan, that
is
, in their language, the whole. The poets relate t
h dog-skins, and at their feet was placed the image of a dog. The dog
is
the emblem of faithful attachment and watchful ca
he dog is the emblem of faithful attachment and watchful care, and he
is
more the friend and guard of man than any brute a
ius inspired him with virtuous sentiments, and instructed him in what
is
excellent action. They were represented as young
gh he continued to live for ages, was in such a state of dotage, that
is
of infirm old age, that he wished rather to die t
drop of blood to stain The current of thy purer vein; So blest an age
is
past by thee. Thou seemest — a little deity! Wh
ast by thee. Thou seemest — a little deity! Who was Aurora, and how
is
she represented? What is the history of Tithonus?
— a little deity! Who was Aurora, and how is she represented? What
is
the history of Tithonus? How was Tithonus transfo
of flowers. He was represented in the octagon temple of Athens, which
is
called the Temple of the Winds. Zephyr loved youn
ly were black sheep. The wife of Pluto was Proserpine; her history
is
related with that of her mother, Ceres. The follo
ty of hell, and how was he represented? Who was Pluto’s wife, and how
is
she described? ——— At hell’s dread mouth a thou
ity to appoint them judges of the dead. The probable history of Minos
is
, that he was a king of the island of Crete, and w
for centuries after his death. Who were the judges of the dead? What
is
the probable history of Minos? The Furies.
f the mind. The afflictions which we suffer come from God: “Vengeance
is
mine; I will repay, saith the Lord;” but the same
ive them opportunity to reform. The pain which their guilt has caused
is
sufficient to induce them to be virtuous hereafte
the avenging deities. She presided over the punishment of guilt. She
is
represented as traversing the earth with great di
into Tartarus, where vultures unceasingly prey upon his liver, which
is
continually renewed. There Tityus, large and lon
our friends die, and are laid in the cold ground,” we naturally ask,
is
this the last of them — is there no better world
aid in the cold ground,” we naturally ask, is this the last of them —
is
there no better world to which they are removed —
e last of them — is there no better world to which they are removed —
is
the mind lost? All hope that those they love stil
r departed friends in another state of existence. This prolonged life
is
called the immortality of the soul. Those of the
d that the doctrine of immortality might be true — Christians know it
is
true. We trust in it because Christ declared it;
cupations that had been agreeable to them during their lives. Whence
is
the notion of immortality derived? Did the heathe
he god of riches. He was represented as blind, to signify that wealth
is
dispensed lo the good and bad indifferently. For
Men are indeed no better than brutes, if to eat, drink, and be merry,
is
all that they live for. To be cheerful, modest, a
tions, and in them to regard the improvement and happiness of others,
is
to be at once rational, sympathetic, and benevole
f others, is to be at once rational, sympathetic, and benevolent, and
is
the nature of true and lasting pleasure. Momus wa
men to that of brute animals? Who was Esculapius reputed to be? What
is
the probable account of Esculapius? Echo.
his contempt of her? ——— Morpheus, the minister of Somnus or Sleep,
is
represented with the wings of a butterfly, to exp
dreams supposed to be? Themis and Nemesis. Themis, or Astrea,
is
the personification of Justice. She was the daugh
are right. She punishes the guilty, and acquits and relieves him who
is
innocent and falsely accused. The balance which J
en? Who was Nemesis, and what were her attributes? Fame. Fame
is
the report men make of actions good or bad. The c
men make of actions good or bad. The celebrity or praise of greatness
is
renown. Fame, or Renown, is the messenger of Jove
bad. The celebrity or praise of greatness is renown. Fame, or Renown,
is
the messenger of Jove. Poets represent her as a f
his hand poppies, which serve also for his pillow. Somnus, or sleep,
is
called by Homer, “Death’s half-brother, Sleep.” O
or false dreams, to comfort or disturb mankind as pleased him. What
is
Fame, and how is she represented? How did the anc
to comfort or disturb mankind as pleased him. What is Fame, and how
is
she represented? How did the ancients represent F
ent services to society. In what manner they were led to this worship
is
told in the following article — the history of He
hero of the Greek Fabulous History. The early history of all nations
is
poetical, a mixture of facts and fables; and the
ure of facts and fables; and the history of these heroes or demi-gods
is
recorded principally by the poets of Greece and R
f Greece and Rome. Hercules. In an early stage of society, that
is
when men, in small numbers, inhabit large tracts
mals learn by their instincts, that their own domain, the wild woods,
is
shared with new occupants; that men and their dom
his extraordinary exploits, and to speak of all his goodness. When he
is
dead they relate his sufferings and his triumphs,
ject to Eurystheus. King of Argos and Mycenæ. The first exploit which
is
related of the infant Hercules was the strangling
. King of Troy, from a sea monster, which would have devoured her. It
is
related that the Achelous, a river of Epirus, whi
as a slave to Omphale, Queen of Lydia. In the service of Omphale, it
is
said, that Hercules forgot his former habits, and
pired in the flames, and was received by the gods in heaven. Hercules
is
sometimes called Alcides. Hercules was worshipped
assistance in their weakness, as by the wagoner in Æsop’s fables. It
is
represented by the historian Xenophon, that when
e was employed in war and martial exercises. The story of the Amazons
is
probably a fiction but the frequent mention of th
ention of them in various books makes it necessary to understand what
is
meant by the Amazons. At the present time, by an
xpress the idea of a bold woman, without any sexlike refinement What
is
meant by an early stage of society? When are men
e of society? When are men exposed to incursions of wild beasts? What
is
the effect of danger and fear? Who are the first
disunited rocks called? Who was Antæus? Was Hercules worshipped? What
is
related of Hercules by Xenophon? Whom did Hercule
e the fable of the Centaurs. How were the Centaurs represented? What
is
the origin of the false ideas concerning the Cent
n of the false ideas concerning the Centaurs? Jason. Jason
is
chiefly known as the chief of the Argonautic expe
lled the Argo, and his companions the Argonauts. The history of Jason
is
the following. He was the son of Eson, King of Io
tched Medea, to revenge herself upon him, killed their children. This
is
a frightful story, but it was made very affecting
very affecting by Euripides, who wrote a tragedy called Medea, which
is
exceedingly admired by those who understand the G
exceedingly admired by those who understand the Greek literature. It
is
said that Jason lived a melancholy and unsettled
on their return to Thessaly? Did Jason remain faithful to Medea? How
is
it supposed that Jason was killed? Theseus.
son was killed? Theseus. Theseus was a king of Athens, yet he
is
also ranked among fabulous heroes; for it is some
a king of Athens, yet he is also ranked among fabulous heroes; for it
is
sometimes said of him that he went with Jason to
d Æthra, addressing herself to Theseus, “belonged to your father, who
is
Ægeus, King of Athens; whenever you shall present
prise you, and you will be cut off by their cruel hands; a sea voyage
is
safe and short, and you will soon reach Athens.”
ul tortures, he stretched them to its extent. This bed of Procrustes,
is
now often spoken of to illustrate some cruel or f
illustrate some cruel or foolish contrivance, designed to alter what
is
properly unalterable. According to the fable, The
ey were to be eaten up by a frightful monster called the Minotaur. It
is
a curious fact, that all partially civilized peop
of another, which has been treacherously taken. In the Hebrew law, it
is
said, “An eye for an eye, and a tooth for a tooth
e afterwards induced Minos to give up the exaction of the tribute. It
is
probable the truth is nothing more, than that the
inos to give up the exaction of the tribute. It is probable the truth
is
nothing more, than that the two princes peaceably
ribe a beautiful and unhappy lady, represent the forsaken Ariadne. It
is
related that one of the sails of Theseus’ vessels
despair, precipitated himself into the sea. From this circumstance it
is
said that the Archipelago was called the Ægean Se
ust take what does not belong to himself; and if one should take what
is
not his own, that dishonest and violent conduct i
e should take what is not his own, that dishonest and violent conduct
is
punished by the magistrate, who learns from books
unished by the magistrate, who learns from books of written laws what
is
to be done to the criminal or the breakers of law
right which a man has to keep his own property separately from others
is
political security. The security of property, and
curity. The security of property, and the punishment of all outrages,
is
a state of political order. Theseus found in Atti
ple. He would sometimes call together assemblies of the people — that
is
, all the men who were respectable should come int
e column which stood towards Peloponnesus, was written, On this side
is
Peloponnesus. On the other side the inscription
s Peloponnesus. On the other side the inscription was, On this side
is
Ionia. Ionia was a name of upper Greece. It is t
on was, On this side is Ionia. Ionia was a name of upper Greece. It
is
to be lamented that a legislator so wise and so s
he began to reign? Why could not the people of Attica be happy? What
is
a state of civil order? What admonition did These
s regard Theseus? Œdipus. Among the fables of antiquity there
is
not one more sad than the story of Œdipus. Œdipus
, walks upon his hands and feet; when he has grown to maturity, which
is
the noon or middle of the day of life, he walks o
, he walks on his feet only: and, in the evening of his days, when he
is
very old, he uses a staff in addition to his own
d for his burial place, and instantly expired. What melancholy story
is
told of a king of Thebes? What happened to Œdipus
the expression — hatred, like that of the Theban pair. Another story
is
related concerning Polynices; it is, that his unc
of the Theban pair. Another story is related concerning Polynices; it
is
, that his uncle Creon refused to allow him to be
dmiration of it shows a just moral taste in that people, for Antigone
is
a beautiful example of female excellence. Her con
were probably roving adventurers, who did as much wrong as right. It
is
related in their history, that Leucippus, a princ
inventor of the wedge, the lever, the axe, and the sails of ships. It
is
said that Talus, a nephew of Dædalus, discovered
but his father was more fortunate, getting safe into Sicily, where he
is
supposed to have built certain temples. The wings
m the sea shore. Near to Troy was a range of mountains called Ida. It
is
said that three several kings of this city gave n
s to it: the kings were Dardanus, Tros, and Illus, and hence the city
is
sometimes called Dardania, Troja, and Ilio or Ili
ia, Troja, and Ilio or Ilium. Homer’s description of the war of Troy,
is
thence called the Iliad. The ancients declared th
Minerva, and Juno were there, and Discord came also among them: that
is
, the goddesses contended with each other, which o
ise. Where was ancient Troy, and whence were its names derived? What
is
the fabulous origin of Troy? Who was the last kin
in the topography of Troy. The poetical account of the taking of Troy
is
this. The Greeks, no being able to enter the city
themselves. How this was done, without being observed by the Trojans,
is
not well accounted for, but such is the story tol
ut being observed by the Trojans, is not well accounted for, but such
is
the story told by Virgil. The Trojans, looking do
t; and thus Troy was taken, after a siege of ten years. Another story
is
told concerning the taking of Troy. It is said th
of ten years. Another story is told concerning the taking of Troy. It
is
said that it had been decreed by the gods that Tr
phocles has made a drama of the history of Philoctetes, at Lemnos; it
is
not unlike that of Robinson Crusoe, excepting tha
to deceive the Trojans? How was Troy taken at last? What other story
is
told concerning the fall of Troy? On what account
ildren, a son and a daughter; these were Electra and Orestes. Electra
is
described by the Greek dramatists, Eschylus and S
Menelaus carried her back to Sparta. The voyage of Menelaus to Sparta
is
related in the fourth book of Homer’s Odyssey. Wh
fs appeared, a blissful view. Who were the Atridæ, and in what book
is
their history related? For what cause was the voy
une punish the impiety of Ajax? What description of the death of Ajax
is
taken from Pope’s Homer? Ulysses. Ulysses
g his son, and improving his people. The interesting story of Ulysses
is
related at length in the Odyssey. According to so
ise man, but he was certainly not very honest; and the want of honour
is
a blemish in his character, which diminishes este
ce? How did Ulysses conduct himself on his return to Ithaca, and what
is
the chief defect of his character? Achilles.
dy three times round the walls of Troy. The manner of Achilles’ death
is
variously related; the common tradition is, that
manner of Achilles’ death is variously related; the common tradition
is
, that he went into a temple with Polyxena, the da
which caused his death. From this circumstance the tendon of the heel
is
called, by anatomists, the tendon of Achilles. Wh
Obscures my glory and resumes my prize. Iliad , Book V. Achilles
is
supposed to have been buried near the promontory
et who had transmitted his fame to posterity. Who was Achilles? What
is
the history of Achilles’ early life? How was the
? What was the cause of Achilles’ displeasure against Agamemnon? What
is
the principal subject of Homer’s Iliad? What inci
mer’s Iliad? What incited Achilles to the destruction of Hector? What
is
the common tradition in respect to the death of A
of Messinia in Peloponnesus, went to the siege of Troy. His character
is
more amiable than that of the heroes generally. N
eroes generally. Nestor was very old, having lived three ages, — that
is
supposed to signify three of thirty years, and he
a. He lost his son Antilochus in the battles of Troy; but his old age
is
represented to have been passed in the piety and
f Etolia, was one of the bravest of the followers of Menelaus. Diomed
is
celebrated in Homer, for what is called his night
of the followers of Menelaus. Diomed is celebrated in Homer, for what
is
called his night adventure. This was entering dur
t Diomed. ——————— “Untaught to fear Tydides spoke — The man you seek
is
here. To yon black camps to bend my dangerous way
d their only child was Astyanax. The parting of Hector and Andromache
is
justly accounted the most pathetic passage of the
tive led.” She fell to the share of Neoptolemus, son of Achilles. It
is
said that he married her. The infant Astyanax was
the race of the Dardan kings. So horrible are the details of war. It
is
hardly probable that this story is exactly true,
orrible are the details of war. It is hardly probable that this story
is
exactly true, but it has certainly many parallels
course to Italy, but he was driven upon the coast of Africa. Carthage
is
commonly supposed to have been founded about eigh
llowed. Young persons are not to understand from the word king, as it
is
used in the history of ancient and pastoral peopl
ous history does not relate with precision the death of Eneas, but it
is
somewhere said that he was drowned in the Numicus
ices to him. To imagine a man to be a god, and to worship him as one,
is
the apotheosis of that man. This folly no longer
oceed to Italy? Can it be a fact that Eneas was ever at Carthage? Who
is
commonly supposed to be the foundress of Carthage
thage? Who is commonly supposed to be the foundress of Carthage? What
is
Virgil’s history of Dido’s death? How long was th
e he reached Italy? What king gave Eneas a hospitable reception? What
is
to be understood by the word “king”? What was the
tween Eneas and Turnus? What was the reputed death of Eneas, and what
is
signified by the word apotheosis? ——— Besides th
of distinction, are called the Seven Wise Men of Greece — and to them
is
also added the tradition of certain monuments of
common account of the celebrated men, and of the perished monuments,
is
the following. Seven Wise Men of Greece.
Greek cities of Asia Minor perhaps possessed as much knowledge, that
is
, had made as many discoveries in science, and had
subjects of theology, morals, and physical science, and founded what
is
called the Ionian sect in philosophy. Thales was
oretold eclipses. Of his theology and morals, the following tradition
is
preserved; for, if he wrote any thing, his treati
f every man’s heart. He said that the most difficult thing in nature,
is
to know ourselves: the most easy to advise others
friends as if they might one day become our enemies, and that health
is
the felicity of the body, and knowledge that of t
y. Chilo , the Spartan, lived at the same time with Solon. All that
is
recorded of him, are certain maxims. “Three thing
— to employ one’s time worthily — to bear injuries with patience.” It
is
said that he caused to be engraved in letters of
a moral philosopher, though little more than his name now remains. He
is
said to have died suddenly, while he was engaged
d defended the maritime state of Corinth. Periander was a bad man; he
is
remembered as a skilful politician, not as the fa
r what was he distinguished? Who was Bias? Who was Pittacus? For what
is
Cleobulus memorable, and who was his daughter? Wa
ong them the doctrines of Christianity. The mythology of the ancients
is
of such high antiquity, that it is impossible to
ity. The mythology of the ancients is of such high antiquity, that it
is
impossible to go back to its origin. The doctrine
sacred book called the Vedas. The language in which they are written,
is
the Sanscrit; the word Sanscrit signifies to know
deity, called Brahma, or the great one; and they acknowledge that he
is
uncreated and eternal, and infinitely too great t
to have three names, and that he governs in three characters, when he
is
regarded as the Preserver of the Universe, the Mo
s, and the Destroyer or Changer of Forms. The Preserver and Pervader,
is
Brahma; the God of the Waters, Narayan; and the D
many of the inferior deities. Ganesa, son of Seva, the god of wisdom,
is
depicted with an elephant’s head, the symbol of s
t, are begun by pious Hindus, with an invocation of Ganesa. His image
is
set up in their streets and their high roads: and
the goddess of abundance, who presides over agricultural labours, and
is
the wife of Vishnu. She is represented with a twi
ho presides over agricultural labours, and is the wife of Vishnu. She
is
represented with a twisted cord under her arm, so
king; the god of the heavens; chief of the good spirits. His consort
is
named Sachi; his celestial city, Amaravati; his p
his charioteer, Matali; and his weapon, Vajra, or the thunderbolt. He
is
the master of the thunder; the ruler of the winds
nder; the ruler of the winds and showers. His peculiar place of abode
is
Meru, or the North Pole, allegorically represente
overeign of Patala, or the infernal regions; the king of serpents. He
is
thus described in the Bhagavat, a sacred Hindu po
s thus described in the Bhagavat, a sacred Hindu poem. His appearance
is
gorgeous and brilliant. He has a thousand heads;
gorgeous and brilliant. He has a thousand heads; and on each of them
is
a crown set with resplendent gems. His neck, tong
m like torches. The skirts of his robes are yellow. A sparkling jewel
is
hung on each one of his ears. His arms are extend
pon, the war-mace, and the lotos. Yama or Yamen, the god of death. He
is
esteemed to be a child of the sun: he is called a
Yamen, the god of death. He is esteemed to be a child of the sun: he
is
called also, King of Justice. He is distinguished
emed to be a child of the sun: he is called also, King of Justice. He
is
distinguished as being the judge of departed soul
ed souls; for the Hindus believe that when a soul leaves its body, it
is
immediately conveyed to Yamapur, or the city of Y
om him; and thence, either ascends to Swerga, or the first heaven; or
is
driven down to Narac, the region of serpents; or
n so heinous as to merit a vegetable, or even a mineral prison. Yamen
is
described under the double character of the Greek
Yamen is described under the double character of the Greek Furies. He
is
inexorably severe to the incorrigibly guilty; but
inexorably severe to the incorrigibly guilty; but to the penitent he
is
gracious and relenting. And like the true God, th
nitent he is gracious and relenting. And like the true God, though he
is
a “consuming fire,” yet “he forgiveth iniquity, t
Goodness and heavenly grace, And sweetest mercy shine. Yet
is
he still Himself the same, one form, one face, on
ll And these his twofold aspects are but one; And change
is
none In him; for change in Yamen could not be,
In him; for change in Yamen could not be, The immutable
is
He. Parvati is the consort of Seva, whose rites
nge in Yamen could not be, The immutable is He. Parvati
is
the consort of Seva, whose rites and emblems are
nt. Carticéya, the son of Parvati, leader of the celestial armies. He
is
represented as riding upon a peacock, clothed in
nds, which grasp spears, sabres, and other weapons of war. Seraswatti
is
the wife of Brahma, and emblem of his creative po
em of his creative power, the patroness of the arts and sciences. She
is
depicted as holding in her hands the palmira leaf
olding in her hands the palmira leaf, and the reed for writing. Durga
is
the same goddess, when regarded as difficult of a
divinity of heroic virtue, the vanquisher of demons and giants. Cama
is
the beautiful god of love, having a bow of cane,
o perform all the most laborious and degrading offices of life. What
is
the religious condition of Hindustan? In what boo
Under what different characters do the Hindus represent Brahma? What
is
the Hindu account of the creation? How was the wo
is the Hindu account of the creation? How was the world divided? Who
is
Casgapa? Who is Ganesa, and how is he worshipped?
count of the creation? How was the world divided? Who is Casgapa? Who
is
Ganesa, and how is he worshipped? Who is Menu? Wh
on? How was the world divided? Who is Casgapa? Who is Ganesa, and how
is
he worshipped? Who is Menu? Who is Lachsmee? Who
divided? Who is Casgapa? Who is Ganesa, and how is he worshipped? Who
is
Menu? Who is Lachsmee? Who is Indra? Who is Sesha
is Casgapa? Who is Ganesa, and how is he worshipped? Who is Menu? Who
is
Lachsmee? Who is Indra? Who is Seshanga? Who is Y
s Ganesa, and how is he worshipped? Who is Menu? Who is Lachsmee? Who
is
Indra? Who is Seshanga? Who is Yamen? Does Yamen
how is he worshipped? Who is Menu? Who is Lachsmee? Who is Indra? Who
is
Seshanga? Who is Yamen? Does Yamen appear in two
ped? Who is Menu? Who is Lachsmee? Who is Indra? Who is Seshanga? Who
is
Yamen? Does Yamen appear in two forms? Who are Pa
ama and Suradevi? Who are Varuna, Agni, and Agnastra, and Pavani? Who
is
Maritale? ——— The Hindus pay adoration to the Su
s Maritale? ——— The Hindus pay adoration to the Sun and Moon The sun
is
adored under the name of Surya. Surya is represen
to the Sun and Moon The sun is adored under the name of Surya. Surya
is
represented as riding in a chariot, drawn by seve
dawn. Temples, in honour of the sun, now exist in India. One of these
is
thus described: “The walls were of red marble, in
onds, of inestimable value.” Another temple of the sun at Juggernaut
is
of surprising magnificence: It is surrounded by a
her temple of the sun at Juggernaut is of surprising magnificence: It
is
surrounded by a high wall, and has three entrance
ing killed two elephants, are seated upon them. In front of that gate
is
an octagonal pillar of black stone, fifty cubits1
high. Nine flights of steps lead to an extensive enclosure, in which
is
a large dome, constructed of stone, upon which ar
of stone, upon which are carved the sun and the stars; and round them
is
a border on which is a variety of human figures,
are carved the sun and the stars; and round them is a border on which
is
a variety of human figures, expressive of differe
hat Vishnu takes upon himself different forms at different times, and
is
called by different names. The different characte
festations of Vishnu. When a god appears on earth in a human form, he
is
said to be incarnate, or clothed in flesh. The Ra
is said to be incarnate, or clothed in flesh. The Rama of the Hindus
is
an incarnate deity. He was a celebrated conqueror
delivered his wife Sita from the giant Ravan, King of Lanca. Chrishna
is
a manifestation of Vishnu. He is regarded by the
giant Ravan, King of Lanca. Chrishna is a manifestation of Vishnu. He
is
regarded by the Hindus as the god of shepherds; o
writings give the most extraordinary and strange representations. He
is
depicted as splendidly decorated, wearing a rich
and having his ankles adorned with strings of pearls. His complexion
is
dark blue, approaching to black, and hence, the l
k blue, approaching to black, and hence, the large bee of that colour
is
often drawn fluttering over his head. His charact
ctice of women burning themselves with their deceased husbands, which
is
yet encouraged by the Brahmins, and which civil a
taught to practise most cruel, absurd, and impure rites; and that it
is
meritorious to inflict on themselves severe penan
, who bring them food. Do the Hindus adore the Sun and Moon, and how
is
the temple of the Sun described? Is the temple of
the Hindus suppose Vishnu ever to appear in different characters? Who
is
the Rama of the Hindus? Who is Chrishna? Who are
to appear in different characters? Who is the Rama of the Hindus? Who
is
Chrishna? Who are the Avatars, and how are they r
es at Salsette, and in the small isle of Elephanta near Bombay, which
is
thus denominated from the figure of a large eleph
ge elephant admirably well cut in the solid rock, of which the island
is
composed. This astonishing cavern, which, as cont
eified heroes and princes of India, may be called the Hindu Pantheon:
is
about half way up the steep side of the mountain,
half way up the steep side of the mountain, from whose stony bosom it
is
excavated. The temple is about one hundred and tw
e of the mountain, from whose stony bosom it is excavated. The temple
is
about one hundred and twenty feet square, and eig
teen feet high. The enormous mass of solid rock which forms its roof,
is
supported by four rows of pillars, of beautiful p
lumns runs a ridge of stone, so cut as to resemble a huge beam, which
is
richly adorned with carved work. Along the sides
f exact symmetry; but though round and prominent, yet not one of them
is
detached from the main rock. Some of these statue
rifying stream. At the entrance of all the most considerable of them,
is
a portico, supported by rows of lofty columns, wi
t, to admit the first solar ray. Of these temples, that of Juggernaut
is
the most celebrated. Juggernaut is the residence
these temples, that of Juggernaut is the most celebrated. Juggernaut
is
the residence of the chief Brahmin of all India.
her in groups. What are the most ancient temples of the Hindus? What
is
found in the cavern of Elephanta? Does the cave o
odern temples of the Hindu and where are they commonly erected? Which
is
the most celebrated of the modern temples? Who re
emples in an elegant taste? Political State of the Hindus. It
is
a singular fact, that in Asia, where the Hebrews
rder exists, which effectually prevents the progress of society; that
is
, prevents one race of men from growing wiser and
, except a few European missionaries, no native Hindu, in particular,
is
permitted to converse indiscriminately with perso
forbids it. The regulation of society which forbids all improvement,
is
that of the people into orders or castes. The cas
o eat with strangers of any class whatsoever. The loss of caste, that
is
, the breaking of any rule of the caste, degrades
d causes him to be regarded as an impure and detestable animal. There
is
yet another class of persons, the Parias, who are
lowest indignities, and the meanest services that can be imposed. It
is
easy to see why the Christian religion, which dec
degree of temperance and self-denial. The abstinence from animal food
is
occasioned by their belief in the doctrine of the
s of religion are written, has long ceased to be a spoken tongue; and
is
understood only by the priests and learned. What
ty? Does any remarkable social order exist among the Hindus, and what
is
the effect of it? Into what classes are the Hindu
heir manners? Scandinavian Mythology. When the map of Europe
is
examined, its north western section is seen nearl
gy. When the map of Europe is examined, its north western section
is
seen nearly disparted from the eastern portion. B
le called the Scandinavian nations. The religion of the Scandinavians
is
contained in two ancient books, the Edda and the
ed to Scandinavia, and in that island the Edda was compiled. The Edda
is
filled with exploits of the supreme Scandinavian
oits of the supreme Scandinavian divinity Odin, or Wodin. The Voluspa
is
a book of prophecy, and consists of between two a
ri and Ferki, the food served up to him at the celestial banquets. It
is
probable that Odin was some formidable warrior, a
s most marvellous. In battle he slaughtered thousands at a blow. Odin
is
said, finally, to have retired into Sweden, and f
o died with arms in their hands. What was Scandinavia? In what books
is
the religion of Scandinavia described? What is co
dinavia? In what books is the religion of Scandinavia described? What
is
contained in the Voluspa? What is the Edda, and w
gion of Scandinavia described? What is contained in the Voluspa? What
is
the Edda, and what does it describe? Who were the
while the other three were spent on the shores of the ocean. Niorder
is
supposed to have been a king of some part of Swed
ht! Of his bones, the rocks high swelling Of his flesh the glebe
is
made; From his veins the tide is welling. And
swelling Of his flesh the glebe is made; From his veins the tide
is
welling. And his locks are verdant shade. Ha
s halls. Nature shines in glory beaming; Elves are born, and man
is
formed, Every hill with gladness teeming, Eve
s formed, Every hill with gladness teeming, Every shape with life
is
warmed. Who is he by heaven’s high portal, B
hill with gladness teeming, Every shape with life is warmed. Who
is
he by heaven’s high portal, Beaming like the
shrouded. Vapours dank around thee sail; Nature’s eye with mists
is
clouded; Shall the powers of ill prevail? Sa
ead of the serpent. A good deity destroying evil and malignant beings
is
a doctrine of the Scripture — Earth shall be dest
“a new heaven and a new earth.” The Christian doctrine of retribution
is
clear in this verse, He shall judge, and he shal
evoured, and lions roared. Some nations considered hell, a “fire that
is
not quenched,” but the Druids represented it to b
o the fourth and fifth chapters of the first book of Samuel. There it
is
mentioned, that in an engagement between the Phil
or a cavern or a bog than for a temple. The religion of ancient Egypt
is
wrapt in obscurity. It bears little relation to g
curity. It bears little relation to genuine history or to poetry, and
is
of little use to investigate. This religion appea
st used as hieroglyphics, finally came to be objects of adoration. It
is
universally agreed that the ancient Egyptians bel
le, built for that purpose at Alexandria, and called the Serapeum. It
is
said to have exceeded in magnificence all the oth
repared a book of doctrines and of regulations for worship. This book
is
the Zend-Avesta. This reformed religion of Persia
ulmans, who by violence established Islamism, or Mohammedanism, which
is
the prevalent system, at present; though numbers
fall Before his might, and evil be no more. Glover’sLeonidas. What
is
the character of the ancient religion of Persia?
e worship of the Persians? Religion of the Mexicans. Religion
is
a sentiment which is cherished in the bosom of al
ians? Religion of the Mexicans. Religion is a sentiment which
is
cherished in the bosom of all men: for it is not
ion is a sentiment which is cherished in the bosom of all men: for it
is
not an established fact that any people discovere
n lift up their thoughts, and to whom, in some form or other, worship
is
offered. Among the nations of the western hemisph
ent by Europeans, the Mexicans were the most highly civilized: and it
is
a truth exhibited in the history of all nations,
rts and comforts of life, the more intelligent they are. Intelligence
is
the power of thought and reflection. Men must thi
nd call these virtuous men gods also. To honour the gods properly, it
is
necessary to have priests to celebrate them, temp
the birth of Christ, preserved the knowledge of the true God; but it
is
curious to compare the history of God’s people an
wers. The Mexicans believed also in the transmigration of souls, that
is
, that the souls of dead men animated the bodies o
they presume was the condition of good and evil men after death? What
is
the transmigration of souls? What did the Greeks
icans, and who was the chief? Who was the Mexican god of justice? How
is
Tez-cat-li-po-ca described? How was the image of
eeks had a fable, that all the elements which form the universe; that
is
, fire, earth, air, and water, once lay in a vast
and they dared not depart from it. When a Mexican took an oath, that
is
, when he made a solemn promise or declared an imp
was permitted to marry. The cruelty of the Mexicans in their worship
is
detestable, and sorry as one may feel for the mis
the ministers of religion in all countries and ages of the world. It
is
the business of Christian ministers, to teach wis
and for deliverance from pestilence and famine. The following prayer
is
found in the writings of Plato, and was a traditi
re ancient author: “O thou, who art the king of Heaven, grant us what
is
useful to us; whether we ask it, or whether we as
truria was the country of Italy, which was the earliest civilized. It
is
conjectured that a colony of Phœnicians settled t
his celebrated monument of antiquity. Pantheon. The Pantheon
is
of a later origin than the Capitol. It was built
exists as a catholic church, dedicated to St. Mary and All Saints. It
is
known at Rome as the Rotonda. It was formerly ent
entered by an ascent of twelve steps; but the surface of modern Rome
is
so much elevated above that of the ancient city,
s so much elevated above that of the ancient city, that this building
is
below the common level; and those who visit the c
t stone of a house of worship with expressions of veneration and joy,
is
common, at the present time, among Christians. Th
ristians. The memorable fact, that “groves were God’s first temples,”
is
found in the history of all primitive people. “Tr
e called auspices; and when unfavourable, portents. An auspicious day
is
one that promises some happiness. We say a porten
nsome worship, and from fears and error. What were soothsayers? What
is
an auspicious day, etc.? What was the lucky or un
Erythrean, and Cumea, Sibyls. In the Roman history, frequent mention
is
made of the Sibylline oracles. These were books k
f what was best to be done The fabulous origin of the Sibylline books
is
this. In the reign of Tarquin II., a woman came t
deliverance had occurred. In the twenty-eighth chapter of Genesis, it
is
related, that in a dream, Jacob saw a vision of G
hearth was sacred to Vesta, and the household gods. The sacred hearth
is
a common expression. The master of a house would
illustrious men. Parthenon. See plate, page 245. The Parthenon
is
the chief boast of the Greek architecture. It was
e Acropolis of Athens; and even in its present state of dilapidation,
is
accounted the most magnificent ornament of that c
et in length, and ninety-eight feet, six inches in width. This temple
is
of white marble, of the Doric order, the columns
the Greek sculptors. The Parthenon remained entire for many ages. It
is
said that Christians have worshipped in it as a c
jury than it had already experienced from the Venetian artillery.” It
is
to be regretted that a great portion of these spe
stands a chef d’oeuvre;11 every portion of the sculpture, by which it
is
so highly decorated, has all the delicacy of a ca
re called divine, Who public structures raise, and who design. There
is
something sublime in the character of Pericles, w
such concentration of intellectual and physical power; and yet there
is
something more magnificent in the conception of a
duced in beholding it.” The most remarkable ornament of the Parthenon
is
the series of sculpture continued round the whole
e of the Panathenaic Festival, by the best artists of ancient Greece;
is
one continued sculpture above three feet in heigh
dred feet in length. A very considerable portion of this remains, and
is
“alone,” says Dr. Clark, “worth a journey to Athe
osition of the subject, adds to the effect of the representation. “It
is
somewhere said of Phidias,13 that as a sculptor,
Perhaps some notion may be conceived of the magic of his art, when it
is
related, that of a hundred horses introduced by h
bserves, that the prospect from the western entrance of the Parthenon
is
truly affecting “Every portion of territory compr
all serve to show that the sentiment of religion, however perverted,
is
expressed everywhere, by the finest works of huma
In what manner does the Parthenon exhibit the Grecian character? What
is
the most remarkable feature of the Parthenon? Wha
character? What is the most remarkable feature of the Parthenon? What
is
exhibited by the frieze of the Parthenon? What is
the Parthenon? What is exhibited by the frieze of the Parthenon? What
is
remarked of the genius of Phidias? What particula
ong the ancients? Had the people of Greece confidence in oracles? How
is
the oracle of Dodona described? What was the most
led the gathering of tribute. In the xiv. chapter of Genesis, Abraham
is
represented as giving tithes of all to Melchisede
s required of devout persons? What was the mode of purification? What
is
expressed by the washing of hands, and what exemp
one, “high throned above all,” called him Theon,14 or the God. Piety
is
a disposition to bear God in mind, to thank him a
r heads. Imprecation or cursing, was practised by the ancients: this
is
sometimes called malediction. A curse is a suppli
ctised by the ancients: this is sometimes called malediction. A curse
is
a supplication to some god, that he would inflict
that he would inflict shame and misery upon the accursed person; that
is
, the person hated by him who entreats the curse.
ed, prosperous and happy. A memorable example of blessing and cursing
is
given in the forty-fourth chapter of Genesis. The
omised them in a solemn manner to Jacob who had deceived him. An oath
is
a solemn promise made in the name of God. If a ma
n the name of God. If a man says, I declare in the name of God, (that
is
, I declare that I believe God hears me, and that
I declare that I speak the truth at this moment;) such a declaration
is
an oath. When a man declares he will surely do a
yself to you, Agamemnon, in their defence. After this explanation, it
is
easy to understand our Saviour’s prohibition, —
aviour’s prohibition, — “Swear not at all; neither by heaven, for it
is
God’s throne; nor by the earth, for it is his foo
; neither by heaven, for it is God’s throne; nor by the earth, for it
is
his footstool,” etc. This injunction was given be
verywhere, and never after they are detected believed. False swearing
is
perjury. A person hired to swear to a falsehood i
ed. False swearing is perjury. A person hired to swear to a falsehood
is
suborned. Perjury, among the Greeks, was punished
onment and disgrace. Did any of the Greeks worship one God, and what
is
signified by piety? Were the Greeks a religious p
reeks offer their devotions, and what did the Spartans pray for? What
is
meant by a curse, and who stood in fear of curses
for? What is meant by a curse, and who stood in fear of curses? What
is
a blessing or benediction, and what is a memorabl
stood in fear of curses? What is a blessing or benediction, and what
is
a memorable example? What is an oath and a vow, a
t is a blessing or benediction, and what is a memorable example? What
is
an oath and a vow, and who were permitted to take
e any other mode of swearing except in the name of some god, and what
is
an example of it? What is meant to be understood
ng except in the name of some god, and what is an example of it? What
is
meant to be understood when a person swears by th
be understood when a person swears by the sun or moon, etc., and what
is
the reason of our Saviour’s prohibition of sweari
and what is the reason of our Saviour’s prohibition of swearing? What
is
perjury, and how are perjured persons regarded ev
efore Christ, gave to Moses a law for his people to observe. This law
is
contained in the Pentateuch, or the first five bo
nd those of Italy, and of Syria, were bowing down before idols. There
is
no doubt that the Phœnicians were informed of man
religion. The worship which God appointed for his people the Hebrews,
is
described in the book of Leviticus. This worship
ight feel after him and find him. The Hebrews worshipped one God, who
is
above all, who created all, and who is in all; th
ebrews worshipped one God, who is above all, who created all, and who
is
in all; the heathens worshipped gods many, and lo
ce of supreme pontiff, or a priest, distinguished above all the rest,
is
a dignity which all the ancient nations conferred
e present time. The pope of Rome, and the primate of all England, who
is
the archbishop of Canterbury, are instances. The
nd when they were established in Canaan, it was set up in Shiloh, and
is
thence called the Lord’s House in Shiloh. The Tem
le, annually repaired to celebrate certain religious festivals. What
is
signified by holy places in the Hebrew worship? W
ith wings. It was an emblematical figure, denoting God’s presence. It
is
said, that between the cherubs, on the mercy-seat
ctuary; thus to intimate, by outward purity, that “clean heart” which
is
proper to the ministers of religion. The Altar of
n which was engraved the inscription, Holiness to the Lord. The Mitre
is
still worn by Catholic and Protestant Bishops. Th
— fruit and sound — intimating that the fruits of righteousness, that
is
a virtuous conduct, should always attend the soun
. Menelaus and his associates. 5. One of the Furies. 6. Chersonesus
is
from the Greek, and signifies a peninsula. 7. Th
re the remains of the dead are not interred. 9. Nestor. 10. A cubit
is
eighteen inches. 11. As this book is written for
erred. 9. Nestor. 10. A cubit is eighteen inches. 11. As this book
is
written for young persons, it may not be amiss to
rsons, it may not be amiss to inform them that the term chef d’oeuvre
is
French, and signifies a perfect or superior work;
The statues of Venus and Apollo in Italy are such. 12. Cameo — This
is
an Italian word: it signifies a sort of medal, co
om every honest heart. The consideration, also, that this work, which
is
chiefly designed for the entertainment and improv
ion, and aversion to ostentatious display, by which your private life
is
so eminently distinguished, lasting impressions,
he Author. Preface. As a general knowledge of ancient mythology
is
indispensable to a clear understanding, not only
e too strongly inculcated. The object of the author of this treatise,
is
to adapt a compendium of Heathen Mythology to the
extracts have been selected, which cannot fail to show how Mythology
is
mingled with poetry: and thus I have attempted to
sq., or by Messrs. Da Ponte and Ogilby, of New York. That dictionary
is
a universal note-book to all the editions of all
e Mythology of Northern Europe. The engravings introduced, will, it
is
anticipated, brighten the mental eye of the stude
se, signifies an explanation of any fabulous doctrine; but its import
is
commonly applied to the history of the gods and h
quity. The study of the Grecian and Roman Mythologies, in particular,
is
justly deemed important to every one who aspires
e who aspires to the dignity of sound scholarship. The word Mythology
is
derived from the Greek words , a fable, and , a w
eir works have been transmitted to us, a knowledge of their mythology
is
not essentially necessary to a liberal education.
ions to the supposed actions of the fabulous deities. Questions. What
is
Mythology? From what is the word Mythology derive
ions of the fabulous deities. Questions. What is Mythology? From what
is
the word Mythology derived? What was the origin o
is the word Mythology derived? What was the origin of Mythology? What
is
Polytheism? What are idols? Had not the Chaldeans
les, whose replies could be interpreted in a thousand different ways,
is
to be referred. — See figure 1. Fig. 1. Fatum o
ed. — See figure 1. Fig. 1. Fatum or Destiny. This idea of Destiny
is
the most beautiful confession that men have made
rcutius, because he was the first to fatten the earth with manure. He
is
represented under the figure of a decrepit old ma
ready to devour a child. — See Fig. 3. Fig. 3. Saturn. Obs. 1. It
is
probable that, as the father of agriculture, Satu
. Obs. 1. It is probable that, as the father of agriculture, Saturn
is
represented in the figure of an old man, holding
man, holding a scythe in his hand. Obs. 2. In a moral sence, Saturn
is
the emblem of time. Time, like an index in the he
g, crushing and destroying every created thing as he rushes along, he
is
aptly represented as devouring his own children.
ful to Janus for this kindness? Why was Saturn called Stercutius? How
is
Saturn represented? Chapter III. Of Janus.
ed? Chapter III. Of Janus. Janus, a god in the Roman calendar,
is
said by some to have been the son of Cœlus, and a
have been the son of Cœlus, and a brother of Saturn; but by others he
is
described as the son of Apollo, and born in Thess
composed of twelve months. It was he who gave his name to January. He
is
usually represented with two faces, that of an ol
ted with two faces, that of an old man, looking towards the year that
is
past, and that of a young man, regarding the year
s, locks, and all new undertakings. The invention of crowns and banks
is
attributed to him, He first stamped copper coins.
d lastly, in the reign of Augustus, after the battle of Actium. Janus
is
called Bifrons by Virgil, and by Ovid, Biceps, be
m. Janus is called Bifrons by Virgil, and by Ovid, Biceps, because he
is
painted with two faces; Claviger, or the “club be
memorated her sorrow. The box and the pine were sacred to her. Cybele
is
called Ops, because she succours and cherishes ev
Dindymus in Phrygia was consecrated to her; Berecynthia, because she
is
painted with a crown of towers; Pasithea, because
because she is painted with a crown of towers; Pasithea, because she
is
considered the mother of all the gods; Bona Dea,
mother of all the gods; Bona Dea, or the “Good Goddess,” because she
is
profuse with earthly blessings; Fauna, because sh
e of hers fell from heaven into the field of Pessinus in Phrygia. She
is
represented as seated in a chariot, drawn by lion
and in the other a key, and wears a crown of turrets on her head. She
is
sometimes painted with numerous breasts. She is u
rets on her head. She is sometimes painted with numerous breasts. She
is
usually described as sitting, to intimate the sta
lours are descriptive of the various hues in which the face of nature
is
bedecked. Obs. 2. — The worship of Cybele and Te
ace of nature is bedecked. Obs. 2. — The worship of Cybele and Terra
is
extremely ancient. Several authors affirm that it
as from that time consecrated to her. This fable of Atys and Sangaris
is
founded upon Midas, king of Pessinuntus’ promisin
of Cybele, history informs us that she was exposed when born, but it
is
silent as to the cause of such exposure, or how i
tradition of Eve, condemned to the labor of bringing forth children,
is
concealed under this fable. Questions. Who was Cy
? Who was her favourite? What trees were sacred to her? By what names
is
Cybele called? How is Cybele represented? Chap
e? What trees were sacred to her? By what names is Cybele called? How
is
Cybele represented? Chapter V. Of Vesta. T
he wife of Cœlus and the mother of Saturn, was the older goddess. She
is
painted as sitting with a drum, because the earth
der goddess. She is painted as sitting with a drum, because the earth
is
immovable, (according to the erroneous notion of
ing a lamp in one hand and a javelin in the other. On some medals she
is
depicted with a drum. — See Fig. 5. Fig. 5. Ves
No image Vesta’s shape can e’er express, Or fires.” Obs. 1. — Vesta
is
taken for the elements of earth and fire, which i
Obs. 1. — Vesta is taken for the elements of earth and fire, which
is
accounted for by two different deities of that na
sta’s fire was refined and celestial; whereas Vulcan’s was gross. One
is
the fire of the artificer; the other is expressiv
ereas Vulcan’s was gross. One is the fire of the artificer; the other
is
expressive of that vital heat which cherishes hea
onnected with female mortals, by whom, also, he had children. Jupiter
is
described as having had recourse to the most unwo
worthy artifices in order to gratify the basest of passions. Thus, he
is
said to have assumed the shape of a crow to woo h
ceptre of cypress surmounted with an eagle with expanded wings, which
is
his armour bearer; his vesture is an embroidered
an eagle with expanded wings, which is his armour bearer; his vesture
is
an embroidered cloak, and he has golden shoes. Th
gil. Obs. 1. — To understand the historical sense of this fable, it
is
necessary to know that different princes of the n
gions. By the combat of the giants who attempted to dethrone Jupiter,
is
meant the conspiracy of his enemies who attacked
worthy of him as god supreme? What are the attributes of Jupiter? How
is
Jupiter depicted in the Pantheon? How was he hono
And strengthen man with his own mind.” Byron. Obs. 1. — Prometheus
is
a name derived from a Greek word signifying to fo
st events; and Pandora, from one signifying every gift. Obs. 2. — It
is
believed that Prometheus was the first inventor o
aced Minerva by him, directing his labours by her counsels; whence he
is
said to have given, as it were, a soul to his sta
g that he made a man with the aid of the goddess of wisdom. Hence, he
is
painted, stealing fire from heaven, either becaus
hutting the box ere Hope escaped. Questions. Who was Prometheus? What
is
said of Pandora? Did Prometheus accept the danger
oets describe her as the majestic Empress of the skies, with all that
is
lofty, graceful, and magnificent, in her visage,
ppointed in her stead. Soon after, Hebe was married to Hercules. Hebe
is
usually represented as a beautiful virgin, crowne
a goblet, into which she pours nectar. Sometimes the eagle of Jupiter
is
depicted as drinking from the goblet. Iris was th
females; no woman of ill fame being allowed to enter her temples. She
is
described as the “Great Queen of nuptual rights,
her festivals under a fig-tree; Curis, or Curitis, because the spear
is
sacred to her; Cingula, because it was she who un
festivals were celebrated in the month of February; Juga, because she
is
the goddess of marriage; Socigena, because she he
on account of a recent marriage, when the wife was called Uxor. Juno
is
represented in a long robe, seated on a throne, h
g in one hand a golden sceptre, and in the other, a spindle; her head
is
sometimes covered with a radiant crown, and at ot
r head is sometimes covered with a radiant crown, and at other times,
is
encircled with a rainbow. Sometimes she traverses
his punishment correct Juno? Had Juno any children? Who was Hebe? How
is
Hebe usually represented? Who was the usual atten
fices were offered to her? What were the different names of Juno? How
is
Juno represented? Chapter IX. Hymen, Nuptial G
of the purification. Inventas, or Inventus, takes care of youth. She
is
the Hebe of the Greeks. Horta, Hora, or Hersilia
temple every thing for funeral purposes was sold or let. By her name
is
commonly meant the grave, and the Libitinarii wer
iled husbands to their wives? What was the province of Pilumnus? What
is
said of Intercidona? What is known of Deverra? Wh
What was the province of Pilumnus? What is said of Intercidona? What
is
known of Deverra? What was the duty of Janus? Wha
at was the duty of Janus? What goddess blesses sleeping infants? What
is
said of Nundina? What goddess blesses youth? What
was Meditrina? Who was Vitula? Who was Sentia? Who was Angerona? What
is
said of Stata or Statua Mater? Who was the goddes
the goddess of thieves? What two deities presided over the will? What
is
said of Aius Locutius? What goddess presided over
he goddess of agriculture, was the daughter of Saturn and Cybele. She
is
regarded as the first inventress of the art of cu
rded as the first inventress of the art of cultivating the earth. She
is
said to have repented of the improper demeanor of
olding a dove in one hand, and in the other, a dolphin. Sometimes she
is
represented as a country woman, mounted on an ox,
roduces the stalk and ear, exposing itself to the face of the sun. It
is
not our intention to present an unnecessary multi
, and Sol, are generally thought to be one and the same deity. Apollo
is
always represented under the figure of a young ma
of a young man, who holds a bow or a harp in his hand, while the sun
is
represented with a head surrounded with rays, hol
with a head surrounded with rays, holding a globe in one hand; which
is
never observed in the representation of Apollo. —
sons of Jupiter and Leda. 4. June, sign of Cancer (a crab.) The crab
is
supposed to have pricked Hercules, when killing t
are more clear; the third figures noon, a time at which that luminary
is
in all its splendor; and the fourth represents su
ary is in all its splendor; and the fourth represents sunset, when it
is
seen to approach the earth. Horæ or Seasons are s
rora and Phaeton are the most celebrated. Questions. Who was Sol? How
is
the Sun represented? Over what twelve signs of t
tatue of Memnon, set up in the temple of Serapis at Thebes, in Egypt,
is
reported to have uttered a melodious sound at sun
drop of blood to stain The current of thy purer vein; So blest an age
is
past by thee, Thou seemest a little deity! — Moo
reak in fair weather, affords a most beautiful prospect of nature. It
is
associated in the mind with ideas of the young an
shness and liveliness of all things. Obs. 2. — The fable of Tithonus
is
a pretty allegory, the end of which is to warn us
bs. 2. — The fable of Tithonus is a pretty allegory, the end of which
is
to warn us that we form many indiscreet vows, and
. Questions. Who was Aurora? Was Aurora faithful to her husband? What
is
said of Tithonus? What is said of Memnon? What fa
a? Was Aurora faithful to her husband? What is said of Tithonus? What
is
said of Memnon? What fable is related of Phaeton?
husband? What is said of Tithonus? What is said of Memnon? What fable
is
related of Phaeton? Chapter XIII. Of Latona an
lt him on Mount Palatine a temple to which he added a library. Apollo
is
represented as a tall, beardless youth, with long
Nor basely born, nor shepherd’s swain am I. ——————— What shall be Or
is
, or ever was, in fate I see. Mine is the inventio
n am I. ——————— What shall be Or is, or ever was, in fate I see. Mine
is
the invention of the charming lyre; Sweet notes a
f the charming lyre; Sweet notes and heavenly numbers I inspire. Sure
is
my bow, unerring is my dart, But ah! more deadly
Sweet notes and heavenly numbers I inspire. Sure is my bow, unerring
is
my dart, But ah! more deadly his, who pierc’d my
g is my dart, But ah! more deadly his, who pierc’d my heart. Med’cine
is
mine; what herbs and simples grow In fields, in f
y of Marsyas, by saying that Apollo had flayed him. Obs. 6. — Apollo
is
represented with long hair, in allusion to the su
o signify his power of life and death. His killing the serpent Python
is
taken for the sun’s exhaling pestilential vapours
dispersing those pestilential vapours which are fatal to mankind. He
is
called the sun in heaven, Bacchus on earth, and A
id Apollo incense Jupiter against him? Whither did he retire? Of what
is
Apollo said to have been the inventor? Had Apollo
ured? Where was his favorite residence? Had not he various names? How
is
he represented? Chapter XIV. The Muses. Th
ation of the liberal arts to the sciences. On their mountain, Pegasus
is
seen to expand his wings towards heaven, and to o
ight hand, and in her left, a plectrum, instead of a fiddlestick. She
is
often represented writing history. — See Fig. 12.
d by a splendid robe, a buskin, a dagger, a sceptre, and a crown. She
is
usually seen to rest her hand upon the club of He
est her hand upon the club of Hercules, because the object of tragedy
is
to exhibit the glorious actions of heroes, and th
ibit the glorious actions of heroes, and the most illustrious of all,
is
Hercules. — See Fig. 14. Fig. 14. Melpomene. 4
resented in a dancing attitude, with a musical instrument. Her visage
is
ever smiling, and one of her feet lightly touches
her left hand, with her right hand raised in a speaking attitude. She
is
painted with a lyre, as being the inventress of h
th a lyre, as being the inventress of harmony. Her countenance, which
is
raised towards heaven, announces that she preside
ematical instruments around her. She holds a globe in her hand, which
is
sometimes laid on a tripod; a compass is then see
s a globe in her hand, which is sometimes laid on a tripod; a compass
is
then seen in her hand. — See Fig. 19. Fig. 19.
s of the mind represent external, and not innate, impressions; and it
is
with that mental endowment that mankind refine th
indebted to it for their progress in knowledge. The name of the Muses
is
generally supposed to have been derived from the
donis, having tried to please them, they put him to death. This fable
is
intended to represent unsuccessful attempts at po
the toils of agriculture. However learned this explanation may be, it
is
novel, and not generally adopted. Questions. Who
aversion to marriage. Though Diana was the patroness of chastity, she
is
said to have forgotten her dignity in the company
feet, a bow in her hand, and a quiver full of arrows at her back. She
is
attended by her nymphs, and followed by dogs. Som
k. She is attended by her nymphs, and followed by dogs. Sometimes she
is
represented in a chariot drawn by hinds. At Ephes
oon smiles upon the world, for which we allegorically take Pan. Diana
is
said to have become so enamoured of Endymion, tha
from heaven to enjoy his company. This fiction, derogatory to Diana,
is
founded on the taste of Endymion for astronomy, a
the fleetness of a stag, who cannot look at water, and whose disease
is
often brought on by the bite of a dog. Questions.
t other actions are recorded of her? Had not Diana various names? How
is
Diana represented? Where was Diana particularly h
to be, and thither we will conduct you.” — “Naxos,” replied the god “
is
my home.” Bacchus burst into tears, and the marin
nd goddesses fled into Egypt under the forms of different animals. He
is
said to have subjected Egypt, Phrygia, Syria, and
yrsus, or javelin with an iron head, bound about with vine leaves. He
is
usually depicted as a corpulent, ruddy, and effem
y, and effeminate youth, crowned with ivy and vine leaves. His figure
is
sometimes that of a young, and sometimes of an ol
ely flowing down his shoulders, and with beauty equal to Apollo’s. He
is
commonly seen riding in a car, drawn by panthers
ated the giants: Moses fought the giants, descendants of Enoch: a rod
is
the instrument of his miracles. Jupiter sends Iri
follow him in his travels. Caleb, whose Hebrew name signifies a dog,
is
the faithful companion of Moses. Bacchus, by stri
with a miraculous rod, opened up a fountain. Obs. 4. — This parallel
is
too perfect not to allow us to disbelieve that th
s too perfect not to allow us to disbelieve that the fable of Bacchus
is
nothing more than an ill formed tradition of the
ed with fiction. Yet some learned men endeavour to prove that Bacchus
is
the same as Nimrod, son of Chus, whose name at fi
ption, became changed to that of Bacchus. Others suppose that Bacchus
is
the same as Noah, to whom the Scriptures ascribe
of character drawn from Noah. Questions. Who was Bacchus? What story
is
related of his birth? Did Jupiter grant this rash
lated of his birth? Did Jupiter grant this rash request? What exploit
is
recorded of Bacchus? What memorable actions did h
any children? What victims were offered to Bacchus? By what surnames
is
he distinguished? Chapter XVII. Minerva. A
of Troy was building, an image of the goddess, called the Palladium,
is
reported to have fallen from heaven into or near
called Minervalia, or gifts offered to wisdom. In the Acropolis, that
is
, the upper city or citadel, there were two magnif
he twelve great gods had decided it. Obs. 4. — The fable of Arachne,
is
nothing but an allegory to represent the punishme
t the truly wise man does not care for the common events of life, and
is
attentive to the lessons of wisdom, which improve
by virtue, knows how to contend with vice, and resist misfortune. She
is
a virgin, because wisdom is not connected with co
end with vice, and resist misfortune. She is a virgin, because wisdom
is
not connected with corruption and pleasure. She i
in, because wisdom is not connected with corruption and pleasure. She
is
unadorned, and her looks are severe, because she
and pleasure. She is unadorned, and her looks are severe, because she
is
not in need of ornament. She shines no more under
ten delights in meditating during the silence and calm of nights. She
is
often represented as holding a distaff and busyin
id Minerva perform? What city was under her safe-guard? By what names
is
she frequently mentioned? Was the worship of Mine
ly mentioned? Was the worship of Minerva universally established? How
is
Minerva represented? Chapter XVIII. Bellona, V
oddess of war, and sister of Mars, was called Enyo by the Greeks. She
is
represented as preparing the chariot of Mars, app
flicted on their thighs and bodies. At Comona, in Cappadocia, Bellona
is
said to have had 3000 priests. — See Fig. 24. F
ected a temple in honour of her. On some medals and marbles, Victoria
is
seen flying in the air, and holding in her hand a
r in the form of an eagle, a bird always victorious. Now and then she
is
seen to be carried by a globe, to denote that she
a globe, to denote that she rules the earth. In naval victories, she
is
seen on the prows of ships. Questions. Who was Be
he is seen on the prows of ships. Questions. Who was Bellona? and how
is
she depicted? Who was Victoria? Who honoured Vict
and how is she depicted? Who was Victoria? Who honoured Victoria? How
is
she represented? Chapter XIX. Mars, the God of
ging troops in order of battle, was Belus, who, in the Sacred Volume,
is
called Nimrod, and styled a mighty hunter before
Mars, for war renown’d, In adamantine armour frown’d.” Addison. It
is
said that Hallirhotius, the son of Neptune, havin
nd, with the other he grasps a sword, imbued with blood. Sometimes he
is
represented riding in a chariot drawn by furious
t of Beauty. Questions. Who was Mars? What extraordinary circumstance
is
recorded of him? Enumerate some of the actions of
ove and Beauty, the mother of Cupid, and the patroness of the Graces,
is
said by some to have been the daughter of Jupiter
e of watching over her worship, he formed a college of priests. Venus
is
said to have behaved in the most licentious manne
tible to the person whose affection she desired to win. Sometimes she
is
carried through the air in a car drawn by doves,
th the Nereides and dolphins, carrying loves, swimming about her. She
is
frequently painted sitting on a shell, floating o
of Zephyrus: Love swims by her; the Tritons surround her; and an oar
is
placed at her feet, in allusion to her origin; li
er of arrows, and sometimes with a fillet over his eyes. Sometimes he
is
mounted on a lion, playing on a lyre, the fierce
ress was Psyche, a Greek word for the soul, to figure which her fable
is
a plain allegory. Her symbol is a butterfly. Ado
r the soul, to figure which her fable is a plain allegory. Her symbol
is
a butterfly. Adonis was son of Cinyras, king of
changed the blood that flowed from his wound into the flower , which
is
said to have ever since retained the colour of it
said to have ever since retained the colour of its origin. Proserpine
is
said to have brought him back to life on conditio
o wings upon his shoulders, fair and fleet; And blind as night, as he
is
often seen, A bow he bore and arrows bright and k
was the primitive element of which all things were formed; and Venus
is
allegorically represented as the principle of com
mer and Virgil, we find Jupiter addressing Venus as his father, which
is
illustrated by the different views given of her c
ich is illustrated by the different views given of her character. She
is
considered as the model of the female form, and o
onsidered as the model of the female form, and of blooming youth. She
is
the daughter of Jupiter; except when figured symb
es, the reality of which does not exist. He has wings, because favour
is
deceitful and love is precarious. Hesiod supposes
ch does not exist. He has wings, because favour is deceitful and love
is
precarious. Hesiod supposes Cupid to have been th
unite the separate particles of matter when chaos was cleared. Cupid
is
allegorized with gentle, agreeable, caressing, de
f Astarte with that of Venus, gave rise to the fable of Adonis, which
is
thus explained. That young prince reigned over a
ntest for the prize of beauty. What are the usual names of Venus? How
is
Venus represented? Who was Cupid? Relate the fabl
lies. A partition-wall was made to separate their houses. But nothing
is
impregnable to love; for they regularly talked wi
rom undertaking the race? Give some account of the Lover’s Leap. What
is
said of the river Selemus? Chapter XXII. The G
n of reward. They were virgins, because inclination to render service
is
to be accompanied with prudence and discretion.
beauty and prettiness. By a beautiful female, we understand, one that
is
graceful, well proportioned, delicately made, and
ermillion veil of modesty, has charms that are irresistible. When she
is
clad in virtue’s pure robe, she wins the esteem a
represented dressed, but more frequently naked, to show that whatever
is
truly graceful, is so, in itself, without the aid
, but more frequently naked, to show that whatever is truly graceful,
is
so, in itself, without the aid of external orname
; and likewise formed the first woman, whose name was Pandora. Vulcan
is
called Lemnius, because he fell upon the island o
other gods. A calf and a boar-pig were the principal victims. Vulcan
is
usually represented working at the forge, holding
ot quite to the knees; he wears a round and pointed cap. Sometimes he
is
seen sitting upon an anvil, supporting himself wi
erops, and Pyracmon. Polyphemus was slain by Ulysses. Vulcan. “Cupid
is
Vulcan’s son, Venus his wife: No wonder then he g
im? By what surnames was Vulcan distinguished? Was he worshipped? How
is
Vulcan generally represented? Who were his servan
was entrusted to the care of the seasons. On the day of his birth, he
is
said to have stolen the oxen of Admetus, tended b
at this duplicity, and turned him into a stone. At different times he
is
said, in sport, and in spite of their utmost vigi
s. 1. — He who has furnished the poets with most materials for fable,
is
Mercury Trismegistus, or three times great, king
orm just conceptions of a pure, spiritual, and holy Supreme Being who
is
worthy to receive their highest adorations: and h
y every where fruitfulness. Oceanus was married to Tethys, by whom he
is
said to have had three thousand children. His nym
hen the sea was calm, and a black bull, when it was agitated. Oceanus
is
represented as an old man, with a long flowing be
ands of flowers. Thetis was the most illustrious of the Nereides, and
is
to be distinguished from the wife of Oceanus. Jup
s Oceanus? To whom was Oceanus married? How was Oceanus honoured? How
is
Oceanus represented? Who was Nereus? Who was the
god of counsel. Amphitrite was called Salacia, because the salt water
is
in the bottom of the sea, and Venilia, because th
he sea, and Venilia, because the sea ebbs and flows by turns. Neptune
is
represented with black hair and blue eyes, clad i
his father. He could calm the ocean and abate storms at pleasure. He
is
represented as half man and half fish, blowing a
and west from shore to shore rebounds.” Ovid. Obs. 1. — Amphitrite
is
quite a poetical personage. Her name signifies th
e the ancients understood the element of water: Amphitrite, his wife,
is
water itself. The enterprise of the dolphin shows
ploits in some sea-fight. Obs. 2. — By the use of his trumpet Triton
is
said to have frightened away the giants in their
ed? What were the usual names of Neptune and his wife Amphitrite? How
is
Neptune represented? Who was Triton? and how is h
wife Amphitrite? How is Neptune represented? Who was Triton? and how
is
he represented? Chapter III. The Sirens, Scyll
she threw herself into the sea, and was turned into a rock. Charybdis
is
said to have been an avaricious woman, who stole
ly glory, by inviting us to a banquet served up with every thing that
is
good and desirable, when, in truth, they would bu
3. — During a tempest the continual dash of the waves against a rock,
is
analogous to the barking of dogs. Scylla and Char
the only two passengers, that escaped their machinations? What story
is
related of Scylla? What is said of Charybdis?
hat escaped their machinations? What story is related of Scylla? What
is
said of Charybdis? Chapter IV. Proteus. Pr
ees into a field, where a venomous serpent, hidden under the flowers,
is
bruised by the foot of Eurydice. The serpent reve
ll resume his original form, and will tell him the secret of which he
is
in need. Proteus, surprised by Aristaeus, awakes,
akes, loaded with the bonds; but he cannot change Aristaeus’ form. He
is
, therefore, compelled to yield, with the hope of
saying, that he changed himself into different forms. A fickle person
is
called a Proteus. Questions. Who was Proteus? Wha
was buried in the porch of the temple; and from that time, that swamp
is
called Saronic, instead of Phœban. The king-fishe
sion, changed them both into alcyons or king-fishers. Questions. What
is
said of Glaucus? What story is told of Portumnus?
cyons or king-fishers. Questions. What is said of Glaucus? What story
is
told of Portumnus? Who was Phorcys? What story is
Glaucus? What story is told of Portumnus? Who was Phorcys? What story
is
related of Saron? Mention the fables of the king-
es and ponds. Hesiod and Pindar call Neptune Nymphagetes, because he
is
the captain of (50) nymphs. Agappidæ and Musæ wer
er flesh consumes and moulders with despair, And all her body’s juice
is
turn’d to air; So w’ond’rous are the effects of r
strange request, yet would to God’t were so.” Obs. — The word nymph
is
derived from lymph, water, or from the Phœnician
celestial, terrestrial, and marine deities, distinguished? What name
is
given to those nymphs who have empire over the wo
me is given to those nymphs who have empire over the woods? What name
is
common to the nymphs who are born and expire with
? Chapter VII. Æolus. Æolus, the god of the winds and tempests,
is
usually supposed to have been the son of Jupiter,
on of Jupiter, by Acesta or Sergesta, the daughter of Hippotus. Æolus
is
represented as shutting up the winds in a vast ro
nus Eventus were the sixth. The first, because, without it, the earth
is
dry and produces nothing; and the second, whose n
emogorgon. Among the different names borne by Earth, the most ancient
is
Titæa, which signifies dirt, or earth, as Uranus
a glimpse of the genuine history of the creation of the world. Chaos
is
an allegorical divinity, representing that confus
tter, from which the universe was formed. The idea of this generation
is
evidently taken from the Mosaic account of the cr
Fig. 33. Terminus. Obs. — Respect for the sacred right of property,
is
necessary to secure the repose and existence of s
t enables man to prosecute business with certainty and facility. Such
is
the origin of those laws which caused men to mark
to mark their property by boundaries. Ceres, protectress of tillage,
is
said by the ancients to have introduced the use o
ch ascribes this invention to Numa Pompilius; but many affirm that it
is
due to the celebrated Thaut or Egyptian Mercury,
d to Zephyrus, who gave her empire over the flowers of the field. She
is
represented as a beautiful nymph, blessed with pe
Tatius built her a temple. In the season of flowers, when all nature
is
jocund and smiling, the Romans instituted games t
was the son of Astræus and Aurora, and the Favonius of the Latins. He
is
represented as a beautiful and delicate youth, wi
— Flora the first, appears to have existed anciently, but her origin
is
unknown. The Romans honoured a second Flora, and
noured her as the goddess of groves and flowers. Obs. 2. — Vertumnus
is
said to have been an ancient king of Etruria, cel
by misshapen or hideous attributes. Questions. Who was Flora? and how
is
she represented? Who was Zephyrus? How was Flora
ora worshipped? Give a brief account of Feronia. Who was Pomona? What
is
the portrait of Pomona? Who was Vertumnus? Relate
agement of rural affairs was entrusted to Rurina, or Rusina. Collina
is
seated on the throne of the hills. Jugatinus pre
ed over the horses and stables. Bubona presided over the oxen. Seia
is
the deity whose office it is to preserve the seed
s. Bubona presided over the oxen. Seia is the deity whose office it
is
to preserve the seed whilst buried in the bosom o
sed the ears of corn to grow level, and produce a good crop. The corn
is
reaped by order of Tutelina, or Tutulina. Millers
eside over sowing and raking? What deity presides over the corn? What
is
said of Bonus Eventus? What divinity was invoked
uces the corn from the ground? What god knots and joints stalks? What
is
the duty of Volusia? What is the office of Pateli
? What god knots and joints stalks? What is the duty of Volusia? What
is
the office of Patelina? What is the province of F
ks? What is the duty of Volusia? What is the office of Patelina? What
is
the province of Flora? What is the business of La
? What is the office of Patelina? What is the province of Flora? What
is
the business of Lactura? What is Matura’s duty? W
What is the province of Flora? What is the business of Lactura? What
is
Matura’s duty? What is said of Hostilina? What is
f Flora? What is the business of Lactura? What is Matura’s duty? What
is
said of Hostilina? What is said of Tutelina? What
ss of Lactura? What is Matura’s duty? What is said of Hostilina? What
is
said of Tutelina? What god did millers and bakers
what goddess do the poets ascribe the invention of making honey? What
is
said of Fornax? Chapter V. Satyrs, Fauns, Pan.
, valleys, mountains, woods, and plains. The upper part of his figure
is
that of a man, with horns on his head, and a long
pine tree, a tree sacred to Pan. The origin of the phrase panic fear,
is
uncertain. Some attribute it to the sudden fright
are sometimes heard in solitary places. Hence, a fear without a cause
is
called a panic fear. Pan was worshipped, particul
Pan, which means all. His image represents the universe, of which he
is
the symbol. His upper parts are descriptive of th
re there any other rural deities that resembled Pan? By what surnames
is
Pan distinguished? Chapter VI. Silenus, Midas,
s the best thing that could befall man,” he deliberately replied, “It
is
best for all never to be born, but being born, to
osophy. Obs. 2. — The idea of Midas’ changing every thing into gold,
is
taken from his great riches gained by commerce, o
of virtue; and the latter excites them to the commission of vice. It
is
reported that, when Cassius fled to Athens after
er the sepulchral monuments, where the Romans superscribed D. M. that
is
, Diis Manibus, (To the gods Manes,) and over fune
eities. The idea of a God, who punishes crime and rewards virtue,
is
as ancient as the world itself. The first man rec
f this important and sublime truth; — a truth, the disbelief of which
is
so plainly contradicted by the voice of every con
ntradicted by the voice of every conscience and every people, that it
is
useless for mortality to wrestle with it. In all
ghtful plains inhabited by souls.”“The ocean,” continues Diodorus , “
is
the Nile, to which river the Egyptians gave that
e, to which river the Egyptians gave that name.” “The city of the Sun
is
Heliopolis; the delightful plains are fine countr
are fine countries situated in the environs of the Lake Acherusia. It
is
there that the obsequies are terminated, and the
they might gain access to the eternal prison. In this frightful abode
is
found an eternal increase of departed souls, some
found to wander farther into a forest of myrtles. Beyond that forest
is
found the residence of departed heroes with arms
ence of departed heroes with arms in their hands. Within sight of it,
is
the tribunal of the judges of hell. Adjacent to P
not strictly a river, but a muddy marsh. The Styx (water of silence)
is
a fountain in Arcadia, which flows from a rock, a
Epirus, and was considered as belonging to Pluto’s kingdom. The Styx
is
fabled to have been the daughter of the Ocean; an
er the rivers, what monster did the dead see? What was Cerberus? What
is
the condition of the dead in the Infernal Regions
erus? What is the condition of the dead in the Infernal Regions? What
is
said of the Field of Lamentations? Chapter II.
which are the emblems of their office. When he rides in a chariot, he
is
drawn by black horses. — See Fig. 39. Fig. 39.
always spilt on the earth. Black sheep were the common victims. Pluto
is
called Dis, because wealth proceeds from his king
because wealth proceeds from his kingdom; Ades, because his residence
is
sad and gloomy; Hades, because he sits in darknes
y; Agesilaus, because he guides people to hell; Agelastus, because he
is
never seen to laugh; Februus, because purificatio
ts people both to a natural and a violent death; Summanus, because he
is
the chief of the infernal deities; the Infernal J
represented at Athens as holding the god of riches in her lap. Plutus
is
generally represented blind, because he distribut
because he distributes riches indiscriminately; lame, because wealth
is
slow of acquisition; and winged, because riches a
ns. Who was Pluto? Was not Pluto married? How did he effect this? How
is
Pluto represented? How was he honoured? By what n
ct this? How is Pluto represented? How was he honoured? By what names
is
he commonly distinguished? Who was Proserpine? Wh
the goddess of Vengeance. She rewarded virtue, and punished vice. She
is
represented with a wing, a helmet, and a wheel, t
1. Nemesis. “Vengeance divine to punish sin moves slow, The slower
is
its pace, the surer is its blow.” Nox, the godd
ce divine to punish sin moves slow, The slower is its pace, the surer
is
its blow.” Nox, the goddess of the night, was t
, the goddess of the night, was the daughter of Chaos and Erebus. She
is
described as wearing a veil, bespangled with star
nd Erebus. She is described as wearing a veil, bespangled with stars,
is
crowned with poppies, and rides in a car drawn by
umbing vapour, never penetrated by light and wholesome air. No animal
is
seen there, no voice is heard, no leaf is moved b
etrated by light and wholesome air. No animal is seen there, no voice
is
heard, no leaf is moved by the wind. The god repo
nd wholesome air. No animal is seen there, no voice is heard, no leaf
is
moved by the wind. The god reposes on a downy bed
ently to prevent any noise from breaking their slumbers. Sometimes he
is
represented in the likeness of a corpulent, sleep
because neither prayers nor sacrifices could move or pacify her. She
is
depicted with a skeleton and a spotted robe, has
is depicted with a skeleton and a spotted robe, has black wings, and
is
armed with a scythe or a scymetar, and an hourgla
land of Sicily. This island was also denominated Trinacria because it
is
shaped like a triangle, the corners of which are
unfrequently confounded with those of the giants; but the difference
is
plain: the Titans made war on Saturn, because the
fterwards called Corinth, and debauched his niece Tyro. Sisyphus, who
is
said to have put no faith in Autolycus on account
e son of Jupiter by the nymph Plota or Pluto, was king of Phrygia. He
is
described as eternally experiencing in hell the m
ere served up in dishes, Atreus and Thyestes feasted on them. The sun
is
said to have turned his course back to the east,
e miser, who dares not expend his treasure. The barbarity of Tantalus
is
inexplicable. So is the murder of Pelops. The Dan
ot expend his treasure. The barbarity of Tantalus is inexplicable. So
is
the murder of Pelops. The Danaides were fifty sis
ther Danaus: and named also Belides, from their grandfather Belus. It
is
reported that Ægyptus, brother of Danaus, wished
— The fable, imagined to represent this singular kind of punishment,
is
founded on a custom observed by the Egyptians at
ve a description of Phlegyas. Describe Sisyphus. Describe Ixion. What
is
said of Salmoneus? Favour me with an account of T
s. These goods were afterwards brought to the ports of Phœnicia. Such
is
, says he, the explanation of the tooth, the horn,
head and breast resemble his, His waist a goat’s, his tail a dragon’s
is
. “——— And on the craggy top Chimæra dwells, with
the bottom or the marshy ground, abounded with serpents. Bellerophon
is
said to have cleared the mountain of the Chimæra,
should be explained. She proposed the following riddle: “What animal
is
that which walks on four feet in the morning, on
the right to depend upon her. Rome raised to her several temples. She
is
represented with a horn of plenty, fruits, and a
itus said that “Truth hid herself in the bottom of a well, so that it
is
difficult to discover her.” — See Fig. 52. Fig.
e goddess of Peace might banish all hatred and all the asperity which
is
apt to arise in disputes. This goddess was repres
y her or by Jupiter Fidius, was deemed the most inviolable of all. It
is
generally thought that Numa Pompilius raised her
the liberty of all. See Fig. 55. Fig. 55. Liberty. Licentiousness
is
represented as thunderstruck by heaven, at the mo
man who pointed to her forehead with her finger, to intimate that she
is
not troubled or blemished. — See Fig. 57. Fig.
on both sides, having a sword drawn and a bandage over her eyes. She
is
seated on a block of stone, ready to prescribe pe
of a blind and almost bald woman, with wings to her two feet. The one
is
placed on a wheel, which turns swiftly; and the o
to seize her. — See Fig. 61. Fig. 61. Opportunity. Questions. What
is
said of Felicity? What is said of Hope? What is r
1. Fig. 61. Opportunity. Questions. What is said of Felicity? What
is
said of Hope? What is related of Eternity? What d
ity. Questions. What is said of Felicity? What is said of Hope? What
is
related of Eternity? What do you observe of Time?
Hope? What is related of Eternity? What do you observe of Time? What
is
said of Virtue? What do you say of Truth? What we
ovinces of Concordia, Pax, and Fides? What do you say of Liberty? How
is
Licentiousness represented? What is said of Silen
? What do you say of Liberty? How is Licentiousness represented? What
is
said of Silence? How was Pudicitia represented? H
vows and prayers. The period in which this kind of worship commenced,
is
enveloped in uncertainty. In battles, Fear and Fl
es in their works, and of pourtraying their influence and effects. It
is
, therefore, an easy matter to become familiar wit
ear bedecked with the charms and ornaments of poetry. Questions. What
is
said of Paleness and Fear? What is said of Atea?
naments of poetry. Questions. What is said of Paleness and Fear? What
is
said of Atea? Chapter II. Comus, Momus, Æscula
pius, and Friendship. Comus presided over banquets and feasts. He
is
well known by name. Every painter has a right to
f Venus, he said that her sandals made a loud noise as she walked. He
is
usually depicted as holding a small figure of fol
he care of the Centaur Chiron, who taught him the art of medicine. He
is
fabled to have sprung out of a crow’s egg, under
nder the form of a serpent. To him were sacrificed a goat, because he
is
said to have been nourished by that animal, and a
e he is said to have been nourished by that animal, and a cock, which
is
considered the most vigilant of all birds; for wa
alirius, famous in the Trojan war, and four daughters, of whom Hygeia
is
the most celebrated. Hygeia, the goddess of heal
Asclepios, seems to have been derived from the oriental languages. It
is
certain that Æsculapius was known in Phœnicia bef
urished. Obs. 2. — The serpent becomes the symbol of Æsculapius; and
is
, at the same time, the symbol of prudence, a qual
physician. It was supposed to be the most long lived of animals, and
is
usually the emblem of health and immortality, fro
ords and symbols signified that Friendship did not grow old; that she
is
equal in all seasons, during absence and presence
all seasons, during absence and presence, in life and death; that she
is
exposed to every thing to serve a friend, and tha
on her heart. — See Fig. 67. Fig. 67. Friendship. Questions. What
is
said of Comas? Who was Momus? Mention some instan
? Who was Momus? Mention some instances of his critical severity. How
is
Momus depicted? Who was Æsculapius? What is farth
is critical severity. How is Momus depicted? Who was Æsculapius? What
is
farther said of him? How was Æsculapius honoured?
lapius? What is farther said of him? How was Æsculapius honoured? How
is
he represented? Had he any children? Say somethin
, and respected it; but the Greeks were the first to worship them. It
is
also from the Greek language that the word hero i
o worship them. It is also from the Greek language that the word hero
is
derived. Its origin is variously explained. Some
lso from the Greek language that the word hero is derived. Its origin
is
variously explained. Some ancients derive this wo
nate men celebrated by their courage and fine actions. This etymology
is
most generally adopted. This name was at first gi
marked times for carrying presents, and making libations, to them. It
is
very difficult to fix precisely the time in which
he son of Danae, daughter of Acrisius, king of Argos, by Jupiter, who
is
fabled to have metamorphosed himself into a showe
n, he struck the top of it with his hoof, and opened a fountain which
is
called in Greek, Hippocrene, and in Latin, Fons C
elted the wax on the wings of Icarus, and he fell into the sea, which
is
thence called the Icarian sea. Ariadne was daught
to accommodate them to the extent of the bed. This bed of Procrustes
is
proverbially applied to a cruel or foolish contri
ially applied to a cruel or foolish contrivance whereby to alter what
is
natural or unalterable. Theseus met and killed tw
cipitating passengers, for whom he laid snares, into the sea. Theseus
is
said to have descended, in company with his bosom
zons? What son had Theseus by Hyppolyte? Who was Demophoon? What else
is
recorded of Theseus? Did not Theseus enter the in
the Greeks Alceus, or Alcides, was the son of Jupiter by Alcmena. He
is
generally accounted the god of strength, and is t
upiter by Alcmena. He is generally accounted the god of strength, and
is
the Samson of the Greeks. Jupiter having declared
her milk being spilt upon the clouds, occasioned the milky-way, which
is
called in Greek, Galaxia. Lilies are said to have
ough it. Whence the proverbial phrase, “cleansing the Augean stable,”
is
now applied to a work of immense toil, or borderi
th a shower of stones, with which he vanquished his adversaries. This
is
said to have taken place in that division of anci
urned his club into a distaff, and his arrows into a spindle. Omphale
is
said to have sometimes put on his armour, and rid
atue, express such corporeal powers as never existed in any other. He
is
painted sometimes naked, and sometimes clad in th
ted club, with the Hesperian apples in his hand. At other times Cupid
is
described as wounding his heart for Omphale. — Se
cules devoted to female society? Mention the manner of his death. How
is
Hercules represented? Chapter IV. Jason. J
ering them up. Thus Jason and his companions returned home; and Medea
is
said to have restored by her charms, the old decr
e the sons of Leda, wife of Tyndarus, king of Sparta, by Jupiter, who
is
feigned to have assumed the likeness of a swan, i
Castor and Pollux were often called Tyndaridæ by the poets, as Helena
is
sometimes called Tyndaris, from Tyndarus. Castor
. 2. — The fable of Castor and Pollux’s living and dying alternately,
is
founded on their being represented, after their d
tellations in heaven? How were Castor and Pollux honoured? What story
is
related of Clytemnestra? Who was Diana Taurica? W
n order to the tunes he play’d.” Obs. — The meaning of these fables
is
this: so powerful and persuasive was the eloquenc
e, and with his son Ascanius, laid the foundation of a new empire. It
is
from Æneas that the Romans pretended to have been
history of Æneas, interspersed with much fabulous matter; among which
is
a beautiful description of his descent into the i
t of his body invulnerable, except the heel by which she held him. It
is
said that his mother concealed him in the night u
y excelled in strength were called Achilles; and an argument, when it
is
irrefragible, is called Achilleum. Thetis had lea
ength were called Achilles; and an argument, when it is irrefragible,
is
called Achilleum. Thetis had learned from an orac
of which he was slain by Telegonus. Penelope, the daughter of Icarus,
is
held up as a perfect pattern of virtue and chasti
d woven in the daytime. Hence the proverb, “to weave Penelope’s web,”
is
applied to a vain and endless piece of labour. qu
Troy? What exploits did he accomplish as he returned to Ithaca? What
is
the story of Penelope? Chapter X. Orion, Atlas
He was placed in the heavens as a constellation, which constellation
is
supposed to predict fair weather when it appears,
pears, and foul when it disappears; and from that circumstance, Orion
is
called, by the poets, tempestuous or stormyOrion.
sperides. These were appointed to guard the golden apples, which Juno
is
reported to have given to Jupiter on the day of t
of their nuptials. The place of their residence, as fixed by Hesiod,
is
generally considered to be at the pillars of Herc
ented the world by a sphere; which gave rise to the fable in which he
is
said to have sustained the heavens on his shoulde
ence into Greece. In order to take some respite from his toils, Atlas
is
reported to have requested Hercules to load himse
ed Hercules to load himself with the burden of the world. Mount Atlas
is
so lofty, that it seems to touch heaven: its top
orld. Mount Atlas is so lofty, that it seems to touch heaven: its top
is
lost in the clouds; and the poets, confounding th
rare in ancient times, and carefully guarded by dogs. Questions. What
is
said of Orion? Who was Atlas? Had Atlas any child
signified the antique, because they thought the moon eternal. Osiris
is
represented with a mitre and two horns on his hea
the Jews, and the Bacchus of the Greeks. In the character of king, he
is
said to have civilized his subjects who, through
decent rites. There was also an ox worshipped at Heliopolis; but this
is
said to have been sacred to Iris. Apis had genera
he ox or cow, under the figure of which Osiris or Iris was worshiped,
is
supposed emblematically to signify agriculture.
agus. His image was then erected in a temple, called the Serapeum. It
is
reported to have exceeded in magnificence, all th
olding in one hand a caduceus, and in the other, a branch of palm. He
is
commonly called Barker; also Hermanubis. He had t
Questions. What names did the Egyptians give to the sun and moon? How
is
Osiris represented? What was the manner of his de
of Cambyses’ visit to Egypt? What do you know of Typhon? What story
is
related of Horus? Was Serapis originally an Egypt
worship the gods? Who was Harpocrates? What were his offerings? What
is
said of Anubis? What is said of the second Hermes
as Harpocrates? What were his offerings? What is said of Anubis? What
is
said of the second Hermes. Chapter XII. Persia
, who, by violent means, established Islamism, or Mahometanism, which
is
now the prevailing religion, though numbers still
n accomplished by Camugers, great-grand-son of Noah. The Zenda Avesta
is
a book still extant, professing to contain the Pe
ted the duty of producing a universal deluge, made his appearance. He
is
taken for a star or a sun. A conflict now ensued
was another bull, from whom a second race of men proceeded. The moon
is
celebrated as the common mother, from whom all an
broke. Thence followed confusion and evil; and an incessant struggle
is
to be carried on between the two authors, till th
s all space, and by which spirits and bodies are rendered visible. He
is
the first principle of all things; and pervades a
his might, and evil be no more. Glover’s Leonidas. Questions. What
is
the Zenda Avesta? What is said of the man-bull? W
more. Glover’s Leonidas. Questions. What is the Zenda Avesta? What
is
said of the man-bull? What became of Ahriman? Wha
name of the second man-bull? Who became the author of abundance? Who
is
the supreme creator, so named in the Persian myth
es reside? Did the Persians form images of him? Mention Mithras. What
is
said of Arimanius? Chapter XIII. Hindoo Mythol
rimanius? Chapter XIII. Hindoo Mythology. The Hindoo mythology
is
of high antiquity, and is a strange mixture of su
Hindoo Mythology. The Hindoo mythology is of high antiquity, and
is
a strange mixture of sublime truths and wild fict
ns, and Scythians. It divides the world into ten parts, each of which
is
committed to the care of guardian spirits, and is
arts, each of which is committed to the care of guardian spirits, and
is
contained in their sacred books, called Vedas, wh
. The Hindoos acknowledge one supreme, uncreated deity, whose essence
is
above the comprehension of mortals. When he is co
d deity, whose essence is above the comprehension of mortals. When he
is
considered as the creating power, he is called Br
rehension of mortals. When he is considered as the creating power, he
is
called Brahma; as the preserving or consummating
t, are begun by pious Hindoos with an invocation to Ganesa. His image
is
set up in their streets and roads, and against th
name are said to have existed successively. The history of the third
is
very analogous to that of Noah. Lachamee, the go
nce, was the wife of Vishnu. She patronized agricultural labours. She
is
represented with a twisted cord under her arm lik
ia. Indra, the king of heaven, reigns over good spirits. His consort
is
called Sachi; his celestial city, Amaravati; his
he master of the thunder, winds, showers, and the like. His residence
is
Meru or the North Pole, allegorically represented
king of serpents, reigns over the infernal regions, called Patala. He
is
represented with a gorgeous and brilliant appeara
ous and brilliant appearance, with a thousand heads, on each of which
is
a crown set with resplendent gems, with a glitter
weapon, the war-mace, and the lotos. Yamen or Yama, a son of the sun,
is
the god of death, king of justice, and judge of d
is the god of death, king of justice, and judge of departed souls. He
is
painted in the double figure of the Greek Furies.
ted souls. He is painted in the double figure of the Greek Furies. He
is
inexorably severe to incorrigibly guilty souls, b
Furies. He is inexorably severe to incorrigibly guilty souls, but he
is
gracious and relenting to the truly penitent. Whe
, but he is gracious and relenting to the truly penitent. When a soul
is
separated from its body, it is conveyed to the ci
ing to the truly penitent. When a soul is separated from its body, it
is
conveyed to the city of Yama, called Yamapur, whe
called Yamapur, where it receives a just sentence from him. Thence it
is
to go up to the first heaven, called Swerga, or t
Goodness, and heavenly grace, And sweetest mercy shine. Yet
is
he still Himself the same, one form, one face, on
d these his twofold aspect are but one, And changed
is
none In him; for change in Yamen could not be;
im; for change in Yamen could not be; The immutable
is
he.” Parvati, the consort of Seeva, has immoral
rites and emblems consecrated 4o her. Carticeya, the son of Parvati,
is
the leader of the celestial armies. He is describ
ticeya, the son of Parvati, is the leader of the celestial armies. He
is
described as riding upon a peacock, with a robe b
Seraswatti, the wife of Brahma, patronizes the arts and sciences. She
is
represented as holding in her hands the palmira l
holding in her hands the palmira leaf, and the reed for writing. She
is
called Durga, because she is considered the sever
mira leaf, and the reed for writing. She is called Durga, because she
is
considered the severe, the awful, the majestic di
he vanquisher of demons and giants. Cama, the beautiful god of love,
is
depicted with a bow of cane, and shafts inwreathe
ted with a bow of cane, and shafts inwreathed with flowers. Suradevi
is
the goddess of wine. When, after the deluge, the
r, she arose from it, and threw up all that it had swallowed. Varuna
is
the genius of the waters. Agni is the genius of
all that it had swallowed. Varuna is the genius of the waters. Agni
is
the genius of fire. Agnastra is the forger of th
a is the genius of the waters. Agni is the genius of fire. Agnastra
is
the forger of the celestial arrows. Pavan is the
nius of fire. Agnastra is the forger of the celestial arrows. Pavan
is
the king of the winds. Mariatale is the favourin
of the celestial arrows. Pavan is the king of the winds. Mariatale
is
the favouring goddess of the Parias, a low and mi
the Hindoos. The Hindoos adore the sun under the name of Surya. Surya
is
represented as riding in a chariot, drawn by seve
ds of inestimable value.” But another temple of the sun at Juggernaut
is
the most celebrated. It is described as a magnifi
ut another temple of the sun at Juggernaut is the most celebrated. It
is
described as a magnificent, vast, and circular ed
n an oriental aspect, the immense image of a bull, a symbol of Seeva,
is
protuded, being enclosed with a high wall, having
th nine flights of steps, leading to an extensive inclosure, in which
is
a large dome, built with stone, and having round
her with a variety of strange, imaginary creatures. The horrible idol
is
paraded in a lofty car, which exhibits indecent f
themselves before it, and are crushed beneath the wheels. This temple
is
the abode of the chief Indian Bramin. When the Br
chosis. The Sanscrit language in which their sacred books are written
is
known only to the priests and the learned. The Hi
male deity on which they confer the appellation of Chandra, and which
is
represented as being seated in a splendid chariot
oos fancy that Vishnu assumes different forms at different times, and
is
called by various names. The different characters
d the manifestations of Vishnu. When a god appears in human shape, he
is
said to be incarnate. The Rama of the Hindoos, an
the giant Ravan, king of Lanca. Chrishna, a manifestation of Vishnu,
is
considered by the Hindoos as the god of shepherds
picted settling over his head. As to his character and attributes, he
is
like Apollo. The name of Avatars is sometimes giv
his character and attributes, he is like Apollo. The name of Avatars
is
sometimes given to Rama, Chrishna, and Budha, ano
iptical rings, and maces, or battle-axes. The religion of the Hindoos
is
full of superstition. They worship the ox, the co
of a horse in order to destroy every thing on earth. The river Ganges
is
sacred; and they practise ablution in its waters.
omen, burning themselves with their deceased husbands; a custom which
is
yet encouraged by the Bramins, but which civil au
reation? Who were Casayopa and Aditi? Who was Ganesa or Pollear? What
is
said of Menu? Who was Lachamee? What is said of I
o was Ganesa or Pollear? What is said of Menu? Who was Lachamee? What
is
said of Indra? What is related of Seshanaya? What
? What is said of Menu? Who was Lachamee? What is said of Indra? What
is
related of Seshanaya? What is said of Yamen? Who
s Lachamee? What is said of Indra? What is related of Seshanaya? What
is
said of Yamen? Who is Parvati? Who is Carticeya?
id of Indra? What is related of Seshanaya? What is said of Yamen? Who
is
Parvati? Who is Carticeya? Who is Seraswatti? Who
t is related of Seshanaya? What is said of Yamen? Who is Parvati? Who
is
Carticeya? Who is Seraswatti? Who is Cama? Who is
shanaya? What is said of Yamen? Who is Parvati? Who is Carticeya? Who
is
Seraswatti? Who is Cama? Who is Suradevi? Who is
id of Yamen? Who is Parvati? Who is Carticeya? Who is Seraswatti? Who
is
Cama? Who is Suradevi? Who is Varuna? Who is Agni
Who is Parvati? Who is Carticeya? Who is Seraswatti? Who is Cama? Who
is
Suradevi? Who is Varuna? Who is Agni? Who is Agna
ho is Carticeya? Who is Seraswatti? Who is Cama? Who is Suradevi? Who
is
Varuna? Who is Agni? Who is Agnastra? Who is Pava
? Who is Seraswatti? Who is Cama? Who is Suradevi? Who is Varuna? Who
is
Agni? Who is Agnastra? Who is Pavan? Who is Maria
swatti? Who is Cama? Who is Suradevi? Who is Varuna? Who is Agni? Who
is
Agnastra? Who is Pavan? Who is Mariatale? What is
ma? Who is Suradevi? Who is Varuna? Who is Agni? Who is Agnastra? Who
is
Pavan? Who is Mariatale? What is said of the Sury
adevi? Who is Varuna? Who is Agni? Who is Agnastra? Who is Pavan? Who
is
Mariatale? What is said of the Surya? Give some a
a? Who is Agni? Who is Agnastra? Who is Pavan? Who is Mariatale? What
is
said of the Surya? Give some account of the Brami
le? What is said of the Surya? Give some account of the Bramins? What
is
said of Chandra? What is said of Vishnu? What is
urya? Give some account of the Bramins? What is said of Chandra? What
is
said of Vishnu? What is said of the Hindoo Rama?
of the Bramins? What is said of Chandra? What is said of Vishnu? What
is
said of the Hindoo Rama? What is said of Chrishna
handra? What is said of Vishnu? What is said of the Hindoo Rama? What
is
said of Chrishna? What do you know of the Avatars
of the Hindoos abound? Chapter XIV. Other Mythologies. Little
is
known respecting the Chaldean, Phœnician, Arabian
ian, Arabian, Ammonitish, Moabitish, and Syrian mythologies. Idolatry
is
supposed to have sprung up first in Phœnicia. The
t sunset he retired to the sea, and spent the night in the waters. He
is
said to have left behind him some writings, in wh
tual air, and an eternal chaos. This spirit produced Mot or Mob, that
is
, the mud or watery mixture which became the princ
banus, and so on. Questions. Tell something about Belus or Baal. What
is
said of Adoneus? What is said of Beelphegor, Dago
ns. Tell something about Belus or Baal. What is said of Adoneus? What
is
said of Beelphegor, Dagon, etc.? What is said of
hat is said of Adoneus? What is said of Beelphegor, Dagon, etc.? What
is
said of the Chaldeans? What stories do the Chalde
curred to threaten their faith, or to disturb the public religion. It
is
, however, by taking the word of God for our guide
Chapter I. Of the Antiquity of Temples. The antiquity of temples
is
incontestible; but we do not know the precise man
built. Idolatry began in Phœnicia and Egypt soon after the deluge. It
is
in those countries that we must inquire into the
that the Egyptians themselves had none before the time of Moses. This
is
indicated by his silence concerning them. It is v
e time of Moses. This is indicated by his silence concerning them. It
is
very reasonable to believe that the tabernacle wh
nd of the place which was wrapped up in it. What serves to show this,
is
, that this temple had hidden places, which were c
hœnicia, it passed into Greece, and thence to Rome. This last opinion
is
founded on the statement of Herodotus, and on the
st,” says Herodotus, “among the works constructed by order of Amasis,
is
the temple of mere stone, which two thousand pilo
ephus, attributes the construction of it to Belus; but, if this Belus
is
the same as Nimrod, (as it is said.) he built, no
tion of it to Belus; but, if this Belus is the same as Nimrod, (as it
is
said.) he built, not a temple, but rather a tower
difice, the stadium was composed of sixty-nine toises. This elevation
is
better accommodated to the measure which we may c
s refused; but almost all were anxious to gratify that ambition which
is
inseparable from personal interest and petty pass
Saints, to whom it has been consecrated, as, in the time of Paganism,
is
was consecrated to all the gods. It is generally
, as, in the time of Paganism, is was consecrated to all the gods. It
is
generally supposed to have been built by the dire
nt. An opening in the middle of the vault, very ingeniously imagined,
is
sufficient to give light to the interior of the s
give light to the interior of the structure. The form of the Pantheon
is
round. It would appear that the architect designe
ortico, more surprisingly grand and beautiful than the temple itself,
is
composed of sixteen columns of marble. Each of th
emple itself, is composed of sixteen columns of marble. Each of these
is
of rugged marble. Their height is thirty-seven fe
en columns of marble. Each of these is of rugged marble. Their height
is
thirty-seven feet; and their diameter, five feet.
t. Eight columns adorn the front of the portico, and the hollow place
is
sustained by eight others. The Corinthian order w
ith four horses. The body of the edifice, which remains still entire,
is
laid on foundations so solid, that nothing can sh
he conceived the plan of the famous cupola of St. Peter’s at Rome. It
is
asserted that this extraordinary man — this great
therefore drove into these pillars narrow and useless stair cases. It
is
to this rash attempt that the large chinks which
the presumptuous pretensions of rivalry. St. Paul’s Church in London,
is
one of the most beautiful monuments in the world,
’s at Rome. Such are the most celebrated temples; the memory of which
is
recorded among men. The temple, or rather the tow
h and profundity of these two opinions, or attempting to decide which
is
preferable, it may be admitted that many reflecti
credit and eclat, if they had been the result of mere deception? This
is
a grave question, however sceptical some may be o
th apparent truth the responses of these wonderful institutions? What
is
, then, that concert, unknown till these came into
h owed their establishment to the Egyptians. This historical incident
is
related as follows: Two doves winged their flight
what she said, he gave out that the dove, or Pleiai, had spoken. Such
is
said to have been the origin of the famous oracle
, and it continued the longest. The time at which it was established,
is
not known, which goes to prove its great antiquit
bars laid on the rock. A woman was seated on this kind of chair, and
is
said to have received the exhalations without inj
ened under his feet, he was swallowed up in the gap or crevice, which
is
now called the ditch of Agamedes, and seen in a s
d in Lebadea, with a column raised above it. Lebadea, says Pausanias,
is
one of the most beautiful cities in Greece. There
says Pausanias, is one of the most beautiful cities in Greece. There
is
a sacred wood near that city, in which is situate
ful cities in Greece. There is a sacred wood near that city, in which
is
situated the temple of Trophonius, with his statu
ass some days in a chapel, dedicated to Genius and Fortune. This time
is
employed in purifying himself. He is not permitte
to Genius and Fortune. This time is employed in purifying himself. He
is
not permitted to wash except in the cold waters o
d to wash except in the cold waters of the river Hercine. A sacrifice
is
then made to Trophonius, to his family, to Jupite
cle, which he approaches by ascending a mountain; at the top of which
is
an inclosure formed of white stones, and upon whi
cut out by the hand of man, in the form of an oven. Through it there
is
a narrow aperture, into which he descends by degr
s by lying down on the ground, and holding in each hand honey: (which
is
deemed necessary to be borne:) he then passes his
ed necessary to be borne:) he then passes his feet into the cave, and
is
immediately carried away with great force and swi
Bœotia, a very small province, they counted at least twenty-five. It
is
true, that it was covered with woods and mountain
y of Tibur or Tivoli upon the Teveron, honoured her as a divinity. It
is
generally thought that the Sibyls held a kind of
cuff, called the cestus. Mount Olympius was the spot on which Jupiter
is
said, by the poets, to have held his court. It wa
to the very heavens. At what time the Olympic games were instituted,
is
a matter of uncertainty. Their origin is very obs
ympic games were instituted, is a matter of uncertainty. Their origin
is
very obscure. Diodorus Siculus merely says that i
eriod or on what occasion. The most common opinion among the learned,
is
that Pelops was the author, and that the first ce
Greeks and Romans, who were imperfectly acquainted with antiquity. It
is
the Olympiads, how ever, which have spread the gr
— who were soon compelled to yield to the genius of Pompey. Odin, it
is
said, was among this number. Obliged to fly from
priest or the chief of the worship which was paid to the god Odin. It
is
known that several nations gave their pontiffs th
of the people whom he wished to bring into subjection. Odin ruled, it
is
said, the Ases, a Scythian people, whose country
mately came to signify the supreme god of the Scythians and Celts. It
is
also known that the heroes of all these nations,
especially from the god of war. The historians of those times, (that
is
to say, the poets,) granted the same honour to th
a, which immediately became his conquest. In this pleasant island, it
is
said; he made a long stay, and built the city of
yield to the various proofs which have been adduced in its favour. It
is
, doubtless, more rational to see in Odin only the
founder of a new worship, previously unknown to the Scandinavians. It
is
also probable that he, his father, or the author
obeyed them. Another point of resemblance between these two imposters
is
the eloquence with which both were endowed. The c
in all probability, the only religion of the European aboriginals. It
is
generally remarked, that, under southerly climes,
pon objects of necessity, that activity which, under the torrid zone,
is
apt to run into the channels of inquietude and le
arrival that this religion began to lose its primitive purity; as it
is
obvious, that this conqueror, by introducing hims
od, says the Edda , sees and governs for centuries, directs all that
is
high and low, great and small. He made heaven, ai
t is high and low, great and small. He made heaven, air, and man, who
is
to live forever; and before heaven and earth were
heaven and earth were made, this god was already with the giants. It
is
likely that the ambitious Odin thus confounded an
th, still remain. The fourth day of the week still bears his name. It
is
called, according to different dialects, Odensdag
Wednesday. This god was also accounted the inventor of the arts; and
is
thought to correspond with the Mercury of the Gre
ad upwards of one hundred and twenty names. The residence of the gods
is
Asgard, a fortress whence the bridge Bifrost lead
hing in the universe. By his side stands the spear Gungner. His steed
is
called Sleipner. In the centre of Asgard, which i
Gungner. His steed is called Sleipner. In the centre of Asgard, which
is
in the valley of Ida, was situated the place of m
Friday,) and called by the Latins Dies Veneris (the day of Venus.) It
is
named Vendredi by the French. The third among the
him the most valiant of the sons of Odin; and the club with which he
is
armed, and which he throws in the air at the gian
earth. He rides on a boar with golden bristles. The name, of his wife
is
Gerda, Gymer’s daughter. The Celts placed Niord i
e would do evil. Wherefore temples were raised to his honor, for fear
is
the most superstitious of the passions. Balder,
Brage was the god of eloquence, wisdom, and poetry, which, from him,
is
called Bragur. He had a golden telyn, and swept t
f their gods. He was the son of the giant Farbaute and of Laufeya. He
is
, says the Edda, the calumniator of the gods, the
s, the artificer of frauds, the opprobrium of the gods and of men. He
is
beautiful of body, but malignant of spirit, and i
e gods, who, after divers efforts, inclosed the wolf Fenris, where he
is
to remain until the last day, when he will be let
of Frigga, and the patroness of finery; Freya, the goddess of lovers,
is
the most mild and bountiful of the divinities. He
of lovers, is the most mild and bountiful of the divinities. Her eye
is
an eternal spring; her neck and cheeks, light its
. They appear with a helmet and mail, and mounted on swift horses. It
is
their duty to wait upon heroes. Odin also employs
lly held under a large oak, where they administered justice. This oak
is
represented as the largest of all trees Its branc
we will notice those in the Edda, and in the poem, called Volupsa. It
is
thought that the latter was composed by Sæmond, s
veral fragments of the first Edda are still extant. The most valuable
is
the poem entitled Volupsa, i. e. Oracle of the Pr
to us the sentiments of the ancient Celts on this important point, it
is
sometimes expressed in a style of sublime elevati
se vapours, and formed living drops, whence sprang the giant Ymer. It
is
related that, while he was sleeping, he formed of
of his broken bones. They made of his skull the arch of heaven, which
is
sustained by four dwarfs, named South, (Sudre,) N
th speech, hearing, and sight, to which he added beauty and dress. It
is
from this man, named Askus, (Ash,) and from this
, named Askus, (Ash,) and from this woman, named Embla, (Alder,) that
is
descended the race of men, which now inhabit the
nd Romans, we shall doubtless be convinced, That the conformity which
is
found between the leading circumstances of these
le, whose vigorous imagination, despising or not familiar with rules,
is
displayed with all the liberty and all the energy
, marked out all the events of his life and the limit of his days. It
is
to that tenet of the Celtic mythology that the fa
r,) and Magne, (strength,) will receive the crushing hammer when Thor
is
killed, and Widar will tear the jaws of the wolf
t! Of his bones, the rocks high swelling, Of his flesh the glebe
is
made; From his veins the tide is swelling, An
swelling, Of his flesh the glebe is made; From his veins the tide
is
swelling, And his locks are verdant shade. H
s halls, Nature shines in glory beaming; Elves are born, and man
is
form’d; Ev’ry hill with gladness teeming, Ev’
s form’d; Ev’ry hill with gladness teeming, Ev’ry shape with life
is
warm’d. Who is he by heav’n’s high portal, B
hill with gladness teeming, Ev’ry shape with life is warm’d. Who
is
he by heav’n’s high portal, Beaming like the
shrouded, Vapours dark around thee sail; Nature’s eye with mists
is
clouded, Shall the powers of ill prevail? Sa
of a small hill, serve as a basis to a large flat stone, under which
is
ordinarily a cavity, which probably served to rec
rs, of the powerful aid of machinery. What increases our astonishment
is
, that the stones of which this structure is compo
ncreases our astonishment is, that the stones of which this structure
is
composed, are very rare in the isle of Selande; f
ribes or hordes of Scandinavia, erected temples to Envy; but none, it
is
said, was more famous than that at Upsal in Swede
stianity, and the very remembrance of the places which they occupied,
is
lost; but some tables of altars, dispersed in the
n we consider how liable ignorant nations are to fall into error. Man
is
surrounded with dangers and evils from his birth;
ation which cause the social and kindlier affections to spring up, he
is
soon surrounded with a thousand black cares and t
of the credulity, ignorance, and errors of men. What we have related,
is
sufficient to show how necessary it is that they
of men. What we have related, is sufficient to show how necessary it
is
that they should be guided by lights superior to
idolatry and the history of mythology, it evidently appears, that it
is
to the Oriental countries we must look, if we wis
ed any record which might indicate the period of their separation. It
is
well enough to extend our observations to those a
retending to indicate the time in which England was first peopled, it
is
probable that Gaul was inhabited before it was. I
rst peopled, it is probable that Gaul was inhabited before it was. It
is
natural to suppose that men ventured through the
pted among those nations separated from each other by immense forests
is
the only monument which remains to us to point ou
most renowned of all the Celts, are those who inhabited Gaul; and it
is
to the historians of the nations against whom the
he Gallic colony at first settled in that portion of the island which
is
opposite to Gaul. They then extended towards the
ore easily impress his sentiments on the memory: and hence, no doubt,
is
the origin of poetry among all nations; an art wh
tted, until the eighth century, poetical traditions by this means. It
is
not, then, to be wondered at, that the inhabitant
ansmitted from generation to generation, the poems of their bards. It
is
to that usage, continued among the remote inhabit
es of the Round Table, of the St. Greal, of the Amadis, and so on! It
is
worthy of remark, that it was in Great Britain, t
ears evident that the early Britons raised no temples to divinity. It
is
even found in the poesies of Ossian that this sub
They were enough to feast and fill up the most poetic imagination. It
is
to that cause that we must, no doubt, attribute t
s warlike, than the Gauls, preserved it in its purity. Such, adds he,
is
the origin of the profound respect which the Drui
ndence, and of the supreme dominion which God has over him.” Nothing
is
more celebrated in the history of the ancient Gau
ctions than those granted by the Druids. The origin of those pontiffs
is
lost in the remotest antiquity. Aristotle, Phocio
ids stripped them of that authority; but the epoch of this usurpation
is
unknown. Chapter X: Doctrine of the Druids; th
ouched, instantly felt peace and gaiety spring up in their breast. It
is
also necessary to range among the number of their
e come down to us by tradition, since the Druids never wrote them. It
is
even probable that they were composed after the t
rity according as the body falls, as the blood flows, or as the wound
is
opened. 11. Prisoners of war should be immolated
t be permitted. 13. He who arrives last in the assembly of the states
is
to be punished with death. 14. Children should be
his life, will be rendered to creditors in the other world. 16. There
is
another world, and those who kill themselves to a
cipal maxims collected and inculcated by the Druids. A glance at them
is
sufficient to enable us to perceive how easy it w
pal points: Honour to the gods, injury to no one, and courage. But it
is
not easy to reconcile with these sublime maxims,
n, and slaves. Paternal and domestic authority, says the Abbé Banier,
is
founded upon no positive law, but only in love an
on of those of the Druids. We shall close this article by citing what
is
well known respecting the period in which the ord
tics of the system of ancient mythology with remarkable ability. “It
is
asserted that vices, diseases, and evil demons, w
by the ancients; and that a multitude of gods, as an object of faith,
is
preposterous. The first of these assertions, appl
of the Greeks. “In the first place, the genuine key to this religion
is
the philosophy of Pythagoras and Plato ,2 which,
folded by Plato and his genuine disciples. The peculiarity of it also
is
this, that it is no less scientific than sublime;
nd his genuine disciples. The peculiarity of it also is this, that it
is
no less scientific than sublime; and that, by a g
hibits to our view all the links of that golden chain, of which deity
is
one extreme, and body the other. “In the second p
he best of all others to a nature truly ineffable and unknown. But it
is
impossible that such a nature could produce this
e, all things must have been, like himself, ineffable and unknown. It
is
necessary, therefore, that there should be certai
we are to understand a pure intellect. For Κρονος, Kronos or Saturn,
is
Κορος νους, koros nous, i. e. ὁ καθαρος, o kathar
ren, and afterwards again sent them into the light, because intellect
is
converted to itself, seeks itself, and is itself
he light, because intellect is converted to itself, seeks itself, and
is
itself sought; but he again refunds them, because
rocreates, but produces light and benefits. On this account, also, he
is
called αγκυλομητις, agkulometis, or inflected cou
d counsel, because an inflected figure verges to itself. And as there
is
nothing disordered and novel in intellect, they r
e gives life through himself. Further still, they report that the Sun
is
drawn by four horses, and that he is perpetually
still, they report that the Sun is drawn by four horses, and that he
is
perpetually young, signifying by this his power,
and that he is perpetually young, signifying by this his power, which
is
motive of the whole of nature subject to his domi
nversions, and the vigour of his energies. But they say that the Moon
is
drawn by two bulls: by two, on account of her inc
ers are four, and each consists of things first, middle, and last, it
is
necessary the governors of these should be twelve
tatues, as well as in enigmas. For Apollo harmonizes the lyre; Pallas
is
invested with arms; and Venus is naked; since har
r Apollo harmonizes the lyre; Pallas is invested with arms; and Venus
is
naked; since harmony produces beauty, and beauty
h arms; and Venus is naked; since harmony produces beauty, and beauty
is
not concealed in subjects of sensible inspection.
le inspection. As these gods likewise primarily possess the world, it
is
necessary to consider the other mundane gods as s
ollo and Diana are assumed for the sun and moon; the sphere of Saturn
is
attributed to Ceres; aether to Pallas; and heaven
sphere of Saturn is attributed to Ceres; aether to Pallas; and heaven
is
common to them all. “It is likewise necessary to
ted to Ceres; aether to Pallas; and heaven is common to them all. “It
is
likewise necessary to observe, that, according to
of Orpheus, Pythagoras, and Plato, the ineffable principle of things
is
not the immediate artificer of the universe; and
as the essence of the first cause, (if it be lawful so to speak,) it
is
full of deity, his immediate energy must be deifi
natures of one first nature. Hence, as the first principle of things
is
ineffable and super-essential, all things proceed
the evolution of things into distinct existence. Hence, Jupiter, who
is
the Dimiurgus or maker of the world, is not, acco
xistence. Hence, Jupiter, who is the Dimiurgus or maker of the world,
is
not, according to this theology, the First Cause.
n creed, as given by Maximus Tyrius, who lived under Marcus Antonius,
is
worthy of attention, viz. ‘There is one God, the
who lived under Marcus Antonius, is worthy of attention, viz. ‘There
is
one God, the king and father of all things, and m
m or long measure in France, containing six feet; but the French foot
is
longer than the English, 76 being equal to 81 Eng
submitted to the revision of an eminent classical scholar. Mythology
is
a subject which needs to be treated with peculiar
before the public leave nothing to be desired in this particular. It
is
a practical work, prepared by an experienced teac
her, and already submitted to the decisive test of the schoolroom. It
is
not designed for young persons who are already ad
most judicious to present the classic fables in their simplest, which
is
also their most poetic form, giving the allegoric
l meaning attached to the ancient myths, only where their application
is
clear and simple. For the same reason the writer
om reliable sources, and will, perhaps, be found to contain much that
is
new and interesting; many articles, such as those
e ancient writers whose names occur in the body of the work, will, it
is
hoped, be found generally useful. Among the moder
ade throughout to the New American Cyclopædia. The work now completed
is
offered to the public in the hope that it may ren
. Origin of Mythology — Divinities called Celestial. Ques. What
is
Mythology? Ans. This word is derived from the Gr
inities called Celestial. Ques. What is Mythology? Ans. This word
is
derived from the Greek, Mythos, a myth or fable,
om the Greek, Mythos, a myth or fable, and logos, a discourse. A myth
is
, properly speaking, an allegory or fable invented
es, which were current among the heathen in ancient times. Ques. Why
is
it necessary to become acquainted with these fabl
so frequent in our literature that an acquaintance with classic fable
is
considered a necessary part of a liberal educatio
ties. There are, nevertheless, so many points of resemblance, that it
is
believed by many that the principal mythical syst
logies, and the developments which gave rise to so great a diversity,
is
the province of comparative mythology. Ques. In
ing: “One self-existent lives; created things Arise from him; and He
is
all in all. No mortal sight may see Him, yet Hims
self Sees all that live; ………………………… ………………… For He alone All heavenly
is
, and all terrestrial things Are wrought by Him. F
t, midst and last he holds With His omniscient grasp.” The same idea
is
expressed in the verses of the poet Aratus, quote
Who was Jupiter? Ans. He was the king and father of gods and men. He
is
generally represented as a majestic man with a be
ie prostrate under his feet, and an eagle stands at his side. Jupiter
is
sometimes called Jove, and as the eagle was sacre
iter is sometimes called Jove, and as the eagle was sacred to him, it
is
often called the bird of Jove. Ques. Relate the
atues of this god were sometimes decorated with much magnificence. It
is
related that Dionysius, the tyrant of Syracuse, v
the enemy of tyrants, and the protector of the poor and innocent. It
is
hard to reconcile this character with the fables
er. Ques. On what was the story of Europa probably founded? Ans. It
is
probable that some sea captain, or pirate, was at
exploits of Apollo was to kill the Python with his arrows. Ques. How
is
this god generally represented? Ans. As a young
his sister Diana presided respectively over the sun and moon. The sun
is
often called Phœbus, or Apollo, and in ancient pi
called Phœbus, or Apollo, and in ancient pictures the head of the god
is
represented as darting rays. Apollo, like other d
ly for the youth, and caused a flower to spring from his blood, which
is
called the hyacinth. Cyparissus [Cyparis′sus] was
regulated the day by guiding the chariot of the sun. Ques. What else
is
said of Apollo? Ans. Many absurd and impossible
but flayed him alive, and afterwards changed him into a river, which
is
still known by his name. The punishment inflicted
a [Bello′na], a distracted woman, who holds a torch in her hand. Mars
is
fierce in aspect and brandishes a spear. Sometime
d. Mars is fierce in aspect and brandishes a spear. Sometimes Discord
is
represented going before him in tattered garments
e Latin word “to dance,” and was considered appropriate, because Mars
is
inconstant in his temper, and inclines now to thi
, the goddess of war, was, according to some, the sister of Mars. She
is
generally represented as above, but some poets ha
ces were generally offered to him during the month of May. Ques. How
is
Mercury represented? Ans. As a young man of chee
to his helmet and his sandals, and carrying a rod in his hand, which
is
also winged, and entwined with serpents. Ques. H
most important function was to carry the commands of Jupiter. Mercury
is
commonly called the messenger of the gods. He als
the room where the gods supped, and made their beds. Ques. What else
is
said of Mercury? Ans. He was the inventor of let
nd Semele [Sem′ele] and was worshipped as the god of wine. Ques. How
is
he represented? Ans. As a young man, crowned wit
ometimes by tigers and lions. He carries in his hand a thyrsus — that
is
, a staff encircled by ivy and grape leaves; a tro
s. An old man named Silenus. He was considered a demi-god. Ques. How
is
Silenus represented? Ans. He seems to be the per
resented? Ans. He seems to be the personification of drunkenness; he
is
sometimes represented as seated intoxicated on a
im? Ans. He taught men how to plant the vine and till the ground. He
is
said to have subdued India, and many other countr
s spared, and landed with Bacchus on the shores of Chios. Ques. What
is
the origin of the history of Bacchus? Ans. He wa
f Saturn and Ops, and was both sister and wife of Jupiter. Ques. How
is
she generally represented? Ans. As seated in a g
olden chariot drawn by peacocks. She holds a sceptre in her hand, and
is
crowned with roses and lilies. Iris was the messe
Iris was the messenger of Juno, as Mercury was of Jupiter. Ques. How
is
Iris represented? Ans. With wings, because of he
ceive either Callisto or her offspring in his watery domain. Hence it
is
, that the Greater and the Lesser Bear continually
no mother, but sprang full armed from the head of Jupiter. Ques. How
is
Minerva represented? Ans. As clothed in complete
a lance in her right hand, and her left rests upon a shield to which
is
affixed the head of Medusa. The cock and the owl
signify by this, that wisdom comes direct from the deity. Ques. Why
is
Minerva sometimes crowned with olive? Ans. Becau
Why is Minerva sometimes crowned with olive? Ans. Because the olive
is
the emblem of peace, and war should only be made
ns. Because this bird sees in the dark; and wisdom distinguishes what
is
hidden from common eyes. Ques. What is the story
and wisdom distinguishes what is hidden from common eyes. Ques. What
is
the story of Medusa’s [Medu′sa] head? Ans. Medus
er betrothed her to Vulcan, an ugly and deformed divinity. Ques. How
is
Venus represented? Ans. Sometimes as a young vir
ile Cupids, Nereids and Dolphins are sporting around her — again, she
is
pictured as traversing the heavens in an ivory ch
h golden chains, and Cupids flutter around her on silken wings. Venus
is
always crowned with roses. Ques. What was there
lly accompanied by her son Cupid, who was the god of love. Ques. How
is
Cupid represented? Ans. As a beautiful boy with
w and arrows; he has sometimes a band over his eyes to show that love
is
blind. Ques. What do you say of the festivals of
Horus and Bubastis [Bu′bastis], their Apollo and Diana. This goddess
is
generally represented on ancient monuments, as a
s a large and beautiful woman, wearing a veil. In paintings, the veil
is
always black; in cutting gems, artists sometimes
produce the same effect, and represent the shades of night. The veil
is
sometimes studded with stars. Chapter XI. Auro
he was the goddess of the morning and sister of the sun and moon. She
is
represented as seated in a golden chariot drawn b
eated in a golden chariot drawn by milk-white horses; her countenance
is
brilliant, and her fingers are red like roses. Q
in all probability an Egyptian, and not an Ethiopian king. His statue
is
still an object of curiosity to travellers. Ques
is statue is still an object of curiosity to travellers. Ques. Where
is
this statue, and for what is it remarkable? Ans.
of curiosity to travellers. Ques. Where is this statue, and for what
is
it remarkable? Ans. It is one of two colossal fi
Ques. Where is this statue, and for what is it remarkable? Ans. It
is
one of two colossal figures which are directly op
r. They are called by the Arabs, Shama and Dama. The statue of Memnon
is
the more northerly of the two, and was formerly c
erly of the two, and was formerly celebrated for its vocal powers. It
is
commonly asserted by ancient writers that when th
ken, were really heard from this statue at sunrise; the only question
is
as to the means by which they were produced. The
, measures fifty-two feet in height, and the throne on which it rests
is
thirty feet long and eighteen broad. These dimens
statue a stone, which, on being struck, emits a metallic sound. There
is
a hollow space hewn in the block behind this ston
presented a beautiful and imposing appearance. The base of the throne
is
covered with ancient inscriptions in Greek and La
dy learned, Saturn devoured the rest of his male children. Ques. How
is
he represented? Ans. Saturn is represented as an
rest of his male children. Ques. How is he represented? Ans. Saturn
is
represented as an old man armed with a scythe, wh
verything in its course; and he holds in his hands an infant which he
is
about to devour, because time destroys all that i
distinction reserved at other times to the patricians. The Saturnalia
is
probably represented in some degree by the modern
is probably represented in some degree by the modern Carnival. Saturn
is
thought by some persons to have been the same as
ays open in time of war, and closed when the Romans were at peace. It
is
a remarkable circumstance that the gates of Janus
urred just before the coming of our Lord. The first month of the year
is
named from Janus. Chapter XIII. Vulcan — Heph
ved their name. He was the founder of the city of Præneste. One fable
is
, that certain shepherds found Cæculus, when an in
d might give rise to the fable of one-eyed monsters. This explanation
is
, however, far fetched and improbable. Ques. Can
, create tempests. Ques. What was the origin of this fable? Ans. It
is
believed that Æolus was a skillful astronomer who
heir houses; hence the word vestibule, which we still use. Ques. How
is
Vesta usually represented? Ans. As seated on the
heir care. A striking instance of the respect felt for these Virgins,
is
related by a Roman historian. Appius Claudius Aud
oddess, sometimes called by the Greeks, Rhea, and by the Latins, Ops,
is
considered to be a personification of the earth.
Latins, Ops, is considered to be a personification of the earth. She
is
goddess, not of cities only, but of all things wh
riding in a chariot, drawn by lions. She wears a turreted crown, and
is
clothed in a many-colored mantle, on which are re
fy that the earth locks up her treasures in the winter season. Cybele
is
always represented with the dignified and matronl
ddess. At the close of the second Punic war, the Romans, directed, it
is
said, by the Sibylline books, sent an embassy to
ipped by the Roman women under the name of Bona Dea, or Good Goddess,
is
believed to be the same as Cybele. Ancient writer
urn and Ops, and was worshipped as the goddess of fruits and corn. It
is
supposed that she first invented and taught the a
me bread, where before they had lived on roots and acorns. Ques. How
is
Ceres represented? Ans. As a beautiful and majes
flaming torch. Ques. Explain these emblems. Ans. The hair of Ceres
is
golden, to represent the color of ripe corn; she
most as immoral as the festivals held in honor of Bacchus. Ques. Who
is
said to have instituted them? Ans. Triptolemus [
cted men in sowing, reaping, and other arts of husbandry. Triptolemus
is
usually represented as a young man, seated in a s
d was generally considered the goddess of law and justice. Her origin
is
uncertain; but she is said to have been a Titanes
ered the goddess of law and justice. Her origin is uncertain; but she
is
said to have been a Titaness. Ques. Who was Astr
nstellation Virgo, one of the signs of the zodiac. This constellation
is
represented by the figure of a woman holding scal
on foot, which signifies that the punishment of crime, although sure,
is
generally slow. An ancient poet says: “Vengeance
nt poet says: “Vengeance divine to punish sin moves slow; The slower
is
its pace, the surer is its blow.” Ques. What do
ce divine to punish sin moves slow; The slower is its pace, the surer
is
its blow.” Ques. What do you say of the temple
of Rhamnus. A fragment was found in the ruins of this edifice, which
is
supposed to be the head of this statue; and has b
nts; or again, as dancing in a circle with joined hands, while Apollo
is
seated in their midst. Ques. How have some write
e,” and at Rome he was worshipped as Lupercus, or Lynceus. His origin
is
uncertain, but he is said by some authors to have
s worshipped as Lupercus, or Lynceus. His origin is uncertain, but he
is
said by some authors to have been a son of Mercur
hors to have been a son of Mercury and a nymph of Arcadia. Ques. How
is
Pan represented? Ans. As half man, and half goat
strument was so sweet as to cheer the gods. Ques. What famous action
is
related of Pan? Ans. When the Gauls, under their
which spreads through an assemblage of persons, particularly an army,
is
called a panic. Ques. What was the origin of Pan
ies. His statue was only a square stone, or a painted log of wood. It
is
probable that the Romans did not suppose Terminus
f erecting wayside crosses, which became afterwards almost universal,
is
said to date from this epoch. Terminus had a temp
date from this epoch. Terminus had a temple on the Tarpeian rock. It
is
said that when Tarquin the Proud wished to build
sed to give way. Vertumnus. Ques. Who was this deity? Ans. He
is
generally reckoned as one of the rural divinities
d joined them in singing the praises of her mother Latona. Ques. How
is
Diana represented? Ans. As a very stately and be
rb of a huntress; she holds a bow in her hand, and a quiver of arrows
is
hung across her shoulders. Her feet are covered w
and a bright silver crescent glitters on her forehead. Sometimes she
is
represented as seated in a silver chariot drawn b
hed the subject of a very beautiful group of statuary, in which Niobe
is
represented as vainly endeavoring to shelter, ben
an about the streets for the space of about two hours, crying, “Great
is
Diana of the Ephesians!” This temple was despoil
is temple, which has been so completely destroyed that the exact site
is
not known. Nymphs. Ques. Who were the Nymp
r voice and bones. The latter were changed into stones, but the voice
is
still heard among rocks and in solitary places, r
t are spoken. Ques. What was the fate of Narcissus? Ans. One legend
is
that he saw his image reflected in a fountain, an
he god of the sea, and the father of rivers and fountains. Ques. How
is
he represented? Ans. As standing upright in a ch
chariot made of a sea-shell; for a sceptre, he holds a trident, that
is
, a fork with three barbed tines; he is arrayed in
ptre, he holds a trident, that is, a fork with three barbed tines; he
is
arrayed in a blue mantle, and is generally accomp
, a fork with three barbed tines; he is arrayed in a blue mantle, and
is
generally accompanied by his queen Amphitrite. Ne
d is generally accompanied by his queen Amphitrite. Neptune’s chariot
is
drawn by sea-horses, and his attendants, who swim
Neptune’s children? Ans. Triton, and Phorcus or Proteus. Ques. What
is
told of Phorcus? Ans. He was vanquished by Atlas
us who had three daughters, concerning whom a remarkable circumstance
is
related. The sisters had but one eye for their co
by the many shipwrecks that occurred upon it. Over against this rock
is
the whirlpool of Charybdis, about which the poets
s father’s kingdom, the infernal regions were allotted to him, and he
is
therefore called the king of Hell. Ques. How is
otted to him, and he is therefore called the king of Hell. Ques. How
is
Pluto represented? Ans. He is seated on a throne
re called the king of Hell. Ques. How is Pluto represented? Ans. He
is
seated on a throne in the midst of clouds and dar
ceived into Pluto’s kingdom, the gates are locked upon them and there
is
no escape. Ques. What does Pluto’s name signify?
name Pluto, and the Latin word Dis, signify wealth, because this god
is
supposed to control the hidden treasures of the e
en treasures of the earth. The thunder that happens in the night time
is
attributed to Pluto, and he is often styled the I
thunder that happens in the night time is attributed to Pluto, and he
is
often styled the Infernal Jupiter. Ques. Was Plu
god of riches, and was supposed to be the son of Jason and Ceres. He
is
described as being blind and lame, injudicious, a
, injudicious, and timorous. Ques. What does this mean? Ans. Plutus
is
blind and injudicious, because he passes over the
because he passes over the virtuous to heap riches on the wicked; he
is
lame because riches come slowly, and timorous, be
ine days. Lethe was also a river of Hell; the name means oblivion; it
is
so called, because when the dead drank of its wat
g fifty heads and a hundred hands. According to the ancient poets, he
is
imprisoned under Mount Etna, and whenever he trie
rved up the flesh of his son Pelops to try their divinity. In hell he
is
tormented by continual hunger and thirst. He stan
from a deep well until they have filled an immense sieve. Their labor
is
therefore perpetual. Ques. Who was Salmoneus [Sa
therefore said to have killed the Chimæra. At present anything which
is
quite imaginary is called a Chimæra. Ques. What
have killed the Chimæra. At present anything which is quite imaginary
is
called a Chimæra. Ques. What was the Sphinx? An
h she had learned from the Muses. The question was this: “What animal
is
that which goes on four feet in the morning, on t
r, the Sphinx dashed her head against a rock, and expired. Ques. Why
is
the story of the Sphinx interesting? Ans. Becaus
ut the sand which has been gathering around it for so many centuries,
is
now cleared away. The body is one hundred and twe
hering around it for so many centuries, is now cleared away. The body
is
one hundred and twenty-five feet long; and the fo
ate, and it was unlawful to take any one from it by force. This altar
is
said to have been erected by the kindred of Hercu
ins. Ques. Were not the Vices also honored by the ancients? Ans. It
is
certain that both the Greeks and Romans erected t
ch. Two counsellors, Ignorance and Suspicion, stand near him. Calumny
is
beautiful in form and feature, but has a malignan
nd torn garments. She looks behind her, as if calling upon Truth, who
is
seen advancing slowly in the distance. Discord, F
d a terrible lion which raged in the Nemean [Nemean] forest. Hercules
is
usually represented as clothed in the skin of thi
actions? Ans. A vast number of exploits are attributed to him. There
is
a plain near Narbonne, in France, covered with st
rated on account of his expedition in search of the Golden Fleece. He
is
also known as the husband of the famous sorceress
, in fulfilment of the engagement which he had made. Ques. What else
is
related of Medea? Ans. She lived for some time h
that they should live every alternate day. Ques. What Constellation
is
named from these brothers? Ans. Gemini, or the T
by means of fire which he stole from heaven. Ques. What pretty fable
is
connected with this? Ans. The poets tell us that
e was instructed by Mercury, who gave him a golden lyre with which he
is
said to have built the walls of Thebes, causing t
ons and as many daughters, who were all slain by Apollo and Diana. He
is
said to have killed himself in despair. The legen
imself in despair. The legend of the building of the walls of Thebes,
is
probably an allusion to the old Dorian and Æolian
, and the nymph Clymene; he was, therefore, brother of Prometheus. He
is
represented as sustaining the heavens on his shou
r slept. Orion. Ques. Who was Orion [Ori′on]? Ans. His origin
is
doubtful; according to some writers, he was the s
ng him. The hero was changed, after death, into a constellation which
is
known as the most resplendent group in the winter
nerva. It was followed by the rescue of Andromeda [Androm′eda], which
is
too remarkable to be omitted. Ques. Who was Andr
their Great Mother. Understanding by this expression the earth, which
is
the common mother of all, they gathered stones wh
e men, and those thrown by Pyrrha were changed into women. Ques. How
is
this fable explained? Ans. It is supposed that D
were changed into women. Ques. How is this fable explained? Ans. It
is
supposed that Deucalion and Pyrrha were remarkabl
mong them. Dædalus. Ques. Who was Dædalus [Dæd′alus]? Ans. He
is
said to have been a native of Athens, eminent for
He could no longer sustain himself, and was drowned in that sea which
is
called Icarian, from his name. Dædalus arrived in
ns have been given of the fable of Dædalus. The most probable opinion
is
that there really existed an architect of that na
tradition. He introduced the use of masts and sails in ships, and he
is
said to have been the first who represented statu
tatues in natural and lifelike attitudes, and with open eyes. Dædalus
is
also mentioned as the inventor of the axe, plumb-
eding. These are the “halcyon days” of antiquity, and this expression
is
still used to denote a period of bright and tranq
which at all resembles the halcyon described by Pliny and Aristotle,
is
the Alcedo Ispida, a species of martin called by
Ovid. Ques. Who was Homer? Ans. Everything relating to this poet
is
involved in obscurity. The two biographies of him
ch, are evidently fabulous; their real authors are not known. Nothing
is
known certainly regarding Homer’s parentage, his
odes, Argos and Athens. Smyrna appears to have the best claim, and it
is
considered certain that the poet was by birth an
is considered certain that the poet was by birth an Ionian; the Ionic
is
the dialect employed in his works, with a slight
and other forms. With regard to the time in which Homer lived, there
is
much difference of opinion among the learned, som
ninth, others in the tenth century before our era. The latter opinion
is
the more probable. According to the account gener
d at Ios, one of the Cyclades, where he was buried. The fame of Homer
is
founded on his two great poems, the Iliad and the
always considered among the finest productions of human genius. Homer
is
distinguished not only for his sublimity, but for
of a long and rather tedious catalogue of the gods and goddesses; it
is
valued as containing an accurate account of the G
n of the Battle of the Titans and the Gods, at the close of the work,
is
considered one of the most sublime passages in cl
tions of country life. The Æneid, the last and greatest of his works,
is
an epic poem in twelve books. It is a history of
e last and greatest of his works, is an epic poem in twelve books. It
is
a history of the wanderings of Æneas, and the set
derings of Æneas, and the settlement of the Trojans in Italy. Virgil
is
considered inferior to Homer in sublimity, but he
to a certain extent the religious spirit which pervades his writings
is
beyond praise, and places him almost alone among
), a town about ninety miles distant from Rome. The date of his birth
is
rendered memorable in history by the murder of th
egged in vain to be allowed to accompany her husband in his exile. It
is
not known by what crime the unfortunate poet meri
the emperor; but these verses had been written many years before. It
is
evident, therefore, that he must have offended Au
mong the poets of mythology, rests chiefly on his Metamorphoses. This
is
a collection of legends of all the transformation
s occasion that Vulcan fabricated for the hero, the famous suit which
is
described in the Iliad. Arrayed in this Achilles
g exposed his stratagem. The manner in which Ulysses revenged himself
is
not calculated to give us a very high opinion of
. The Odyssey, the second of the two great poems attributed to Homer,
is
a history of the wanderings of Ulysses. After som
as equally admirable as a son, husband, and father; and his character
is
perhaps the noblest which has been described by a
tragedy of Sophocles which bears her name, the character of Antigone
is
beautifully drawn. We have the sternest heroism,
dromache, and the meeting of Æneas with the widow of the great Hector
is
the subject of a very beautiful passage in the Æn
ine Verses are said by some to have perished in the conflagration. It
is
believed, however, on good authority, that they w
vailed with regard to the prophecies of the sibyls, some of which, it
is
said, pointed clearly to the advent of a Redeemer
would not eat, they might drink, and had them thrown into the sea. It
is
believed that the terrible defeat the Romans suff
t of his enemies, the oracle could not fail of being fulfilled. There
is
no doubt that the Pythia was often influenced by
lus], a Phocian general, seized these treasures to pay his troops. He
is
said to have carried off, in gold and silver, a s
al. On the seventh night the brothers died in their sleep. The oracle
is
said to have been discovered on the following occ
ert, called by the ancients Ammon, and by the modern Arabs, Siwah. It
is
about five degrees west of Cairo. The temple is s
dern Arabs, Siwah. It is about five degrees west of Cairo. The temple
is
said to have been founded by Bacchus under the fo
last century by an English traveller, but the latest and best account
is
given by Belzoni, who visited it in 1816. The oas
d best account is given by Belzoni, who visited it in 1816. The oasis
is
about six miles in length, with an average breadt
about six miles in length, with an average breadth of four miles. It
is
fertile and produces in abundance, rice, wheat an
tion. In a beautiful grove of palms, towards the centre of the oasis,
is
the famous Fons Solis, or Fountain of the Sun, wh
nset, and was boiling hot at midnight. Belzoni says that this account
is
quite exaggerated, although the water of the foun
ems to be that little or no change takes place in the fountain, which
is
well shaded and very deep. The great change which
ery deep. The great change which really takes place in the atmosphere
is
probably the cause of the apparent variation in t
erted that the oracles became silent at the birth of Christ, but this
is
an error. Milton, however adopts this idea in his
in Honor of Melicertes — Garland bestowed on the Victor. Ques. Why
is
a notice of these games appropriate in this place
Hellenic descent before they were allowed to enter as competitors. It
is
almost impossible for us to realize the importanc
of the birth of his son, afterwards Alexander the Great. This passage
is
sufficient to show what importance was attached t
proves that she had not driven the chariot herself at the games. This
is
a feat which, it is believed, no woman ever attem
not driven the chariot herself at the games. This is a feat which, it
is
believed, no woman ever attempted. The portrait o
n the highest degree absurd. The great theatre of Bacchus, at Athens,
is
the only structure of the kind of which a complet
gh the air, mounted on a griffin, and a choir of fifteen ocean nymphs
is
introduced in a flying chariot. In another piece,
tragedians, to revive the ancient chorus, but without success, as it
is
entirely unsuited to the modern drama. Ques. Wer
are to judge by the descriptions given of the scenic arrangements. It
is
even said that when groves were required, living
he stage. Whatever may have been the faults of the Greek drama, there
is
no doubt that it was intended to inculcate princi
ssion. The material was what the Greeks called chryselephantine; that
is
, the flesh was composed of plates of ivory skillf
d on; but the drapery and ornaments were pure gold. This circumstance
is
sufficient to account for the destruction of the
ares, who stripped the statue of Minerva of its golden adornments. It
is
said he obtained in this manner an amount of prec
ues. Describe the Venus de Medicis? Ans. This statue, still perfect,
is
so called from having been in the possession of t
has succeeded in producing a figure quite perfect in form; but there
is
nothing spiritual about the Venus, which is, ther
erfect in form; but there is nothing spiritual about the Venus, which
is
, therefore, far inferior to the Jupiter and Miner
and Minerva. Ques. Describe the Apollo Belvidere? Ans. This statue
is
so called from the Belvidere gallery of the Pope’
so called from the Belvidere gallery of the Pope’s palace. The artist
is
unknown, but it is believed to be a Roman work. T
Belvidere gallery of the Pope’s palace. The artist is unknown, but it
is
believed to be a Roman work. The god is represent
The artist is unknown, but it is believed to be a Roman work. The god
is
represented as having just discharged an arrow fr
t the monster Python. The form and attitude are perfect, but the face
is
particularly admired for its expression of majest
the Diana à la Biche? Ans. This beautiful statue, now at the Louvre,
is
considered the counterpart of the Apollo. The god
the Louvre, is considered the counterpart of the Apollo. The goddess
is
engaged in the chase, and a hind is running by he
erpart of the Apollo. The goddess is engaged in the chase, and a hind
is
running by her side. One hand is lifted to draw a
is engaged in the chase, and a hind is running by her side. One hand
is
lifted to draw an arrow from the quiver. PART
s was the son of Osiris. He was worshipped as the god of Silence, and
is
represented as a boy, seated on a lotus-flower, w
h’d gold: To godship here blue Triton’s scaly herd, The river progeny
is
there preferr’d: Through towns Diana’s power negl
crime. Religious nations sure, and blest abodes, Where every orchard
is
o’er-run with gods. Chapter II. Eastern Mytho
ans and Babylonians worshipped Nimrod under the name of Belus, but it
is
generally believed that with these nations, and t
divinities. According to Cicero, Astarte was the Syrian Venus, and it
is
certain that in her worship, and the festivals ce
that in her worship, and the festivals celebrated in her honor, there
is
some foundation for this idea. Where human sacrif
Who was Thammuz? Ans. This was another name for Adonis, whose story
is
of Eastern origin. His death, which we have alrea
ich we have already referred to in connection with the goddess Venus,
is
said to have taken place in the mountains of Liba
ated times, to instruct the Babylonians in wisdom and science. Oannes
is
the Dagon of the Philistines. Chapter III. Pe
vesta contain? Ans. The doctrines of Zoroaster, an Eastern sage, who
is
thought to have lived in Bactria about twelve hun
t followed the conquest of Persia by Alexander the Great. Ques. What
is
the form of the Zend-avesta? Ans. It is in the f
ander the Great. Ques. What is the form of the Zend-avesta? Ans. It
is
in the form of a dialogue, in which Ormuzd, the s
ue God. Ahriman, on the contrary, uses all his energies for evil; and
is
, in all respects, considered as a sort of indepen
ns. Yes, near the town of Bakoo in Georgia, on the Caspian Sea, there
is
a perpetual flame issuing from a limestone rock.
ian Sea, there is a perpetual flame issuing from a limestone rock. It
is
watched by priests, and is much venerated by the
al flame issuing from a limestone rock. It is watched by priests, and
is
much venerated by the surrounding tribes. Pilgrim
ages are made to this sacred fire from all parts of Asia. Ques. What
is
the cause of this phenomenon? Ans. Bakoo and the
surrounding country abound in naphtha and petroleum. The sacred fire
is
simply a jet of inflammable gas escaping from the
ing from the rocks, which, once lit, burns perpetually, as the supply
is
inexhaustible. Ques. Were the Persians attached
strology with their astronomical learning; hence, from the word magi,
is
derived our word magician. Ques. Where did the P
made by a sage named Vyasa, some five thousand years ago. Ques. What
is
the more correct opinion? Ans. That they were wr
ated all things, Vishnu preserves them, and when the end of the world
is
come, which the Vedas say will occur in about twe
ur in about twelve million years, Siva will destroy them. Ques. What
is
there peculiar in the history of Vishnu? Ans. Hi
u, the father of the human race, from a universal deluge. Ques. What
is
the ninth Avatar? Ans. In the ninth Avatar, Vish
orm of Krishna, a sort of Indian Apollo; the last of the Sacred Books
is
that which contains the life of Krishna. Ques. W
Sacred Books is that which contains the life of Krishna. Ques. What
is
there remarkable about this life? Ans. So many c
ely resemble corresponding events in the life of our Saviour, that it
is
impossible the coincidence should be accidental.
viour, that it is impossible the coincidence should be accidental. It
is
supposed this book was written after our era by s
who had heard imperfect accounts of the life of our Lord. Ques. What
is
to be the tenth Avatar? Ans. The tenth Avatar is
r Lord. Ques. What is to be the tenth Avatar? Ans. The tenth Avatar
is
called Kalki, in which Vishnu will come to judge
good. Ques. What do you say of Siva? Ans. Siva, or Mahadeva, as he
is
more generally called, has a vast number of follo
ts. Brahma, having finished his work, has but one temple in India. It
is
doubtful whether the worshippers of Juggernaut be
do the Hindoos believe of the soul? Ans. They think that every soul
is
a part of Brahma, as a spark is a part of the fir
oul? Ans. They think that every soul is a part of Brahma, as a spark
is
a part of the fire, and that finally all souls wi
e lost in the ocean. They also believe in metempsychosis. Ques. What
is
metempsychosis? Ans. The transmigration of souls
ollute them. Ques. Are the castes ancient? Ans. So much so, that it
is
impossible to say when they were first establishe
stian missionaries. Buddha. Ques. Who was Buddha? Ans. Buddha
is
said by the Vedas to have been a delusive incarna
Ques. When did Buddha live? Ans. We cannot ascertain exactly, but it
is
probable he was a contemporary of Solomon — that
n exactly, but it is probable he was a contemporary of Solomon — that
is
, he lived about one thousand years before our era
dy sacrifices are prohibited. One of the duties of a priest of Buddha
is
to study the medicinal properties of plants in or
gnifies spirit worship; the priests of this sect teach that the world
is
governed by an infinite number of spirits. The ch
rule the moon, stars, and different elements. The worship of the sun
is
the most important exterior part of their religio
gion. Ques. Is Buddhism universally followed in China? Ans. There
is
, strictly speaking, no state or national religion
followers. Ques. What are these? Ans. The first, of which Confucius
is
in some sort the founder, is called the “Doctrine
ese? Ans. The first, of which Confucius is in some sort the founder,
is
called the “Doctrine of the Lettered;” the second
ort the founder, is called the “Doctrine of the Lettered;” the second
is
regarded by its professors as the primitive relig
ed primordial reason as the creator of all things. The third religion
is
Buddhism, which, as we have seen, was introduced
e first century of our era. Ques. Who was Confucius? Ans. Confucius
is
the Latinized name of a philosopher whom the Chin
nors paid to him after death, have no parallel in history. His tablet
is
in every school in China and both master and pupi
h class. Every town has a temple erected in his honor, and his statue
is
to be found in every literary institution. Confuc
riginate any religious creed: he was simply a teacher of morality. It
is
thought, from many passages in his writings, that
t teacher, whose morality, though often defective, contains much that
is
to be admired. It is a proof, if any were needed,
lity, though often defective, contains much that is to be admired. It
is
a proof, if any were needed, that human motives a
ual manifestations, and in the transmigration of souls. This doctrine
is
called the religion of Tao, or Reason. The priest
se philosopher travelled as far west as Athens. Be this as it may, it
is
certain Lao-tze spent some time in Persia and Syr
just been dispersed over Asia by the conquests of Salmanasar; and it
is
not possible that a sage so eager in the pursuit
are often hired to perform inferior parts on the stage. Ques. Where
is
the most celebrated temple of Buddha? Ans. In Po
usan. This temple retains many traces of its former magnificence, and
is
particularly remarkable for a triple statue of Bu
the divinity in the past, the present and the future. In this temple
is
a hall dedicated to the Goddess of Porcelain, and
dedicated to the Goddess of Porcelain, and every part of the edifice
is
crowded with hideous idols of the lesser diviniti
e is crowded with hideous idols of the lesser divinities. Ques. What
is
the general feeling of the Chinese on religious s
the existence of anything beyond the present life. This indifference
is
the greatest obstacle with which the Christian mi
When Chinese, who are strangers to each other, meet, a polite formula
is
to ask “To what sublime religion do you belong?”
usy of strangers. The missionaries are, of course, foreigners, and it
is
natural that the emperors should imagine them to
is transmigrations — Mode of discovering his Successor. Ques. What
is
the prevailing religion of Thibet? Ans. Buddhism
n with aversion by the more virtuous among their brethren. Ques. Who
is
the Grand Lama? Ans. He is a sort of High Priest
virtuous among their brethren. Ques. Who is the Grand Lama? Ans. He
is
a sort of High Priest of Buddhism residing in Las
High Priest of Buddhism residing in Lassa, the capital of Thibet; he
is
invested with an entirely supernatural character.
t; he is invested with an entirely supernatural character. Ques. How
is
this? Ans. The Buddhists believe that the confin
he Buddhists believe that the confinement of the soul in a human body
is
a state of misery, and the punishment of sins com
Chief Pontiff of his sect, and a perpetual incarnation of Buddha. He
is
also a temporal sovereign, although he is control
l incarnation of Buddha. He is also a temporal sovereign, although he
is
controlled by the Chinese government. Ques. How
eign, although he is controlled by the Chinese government. Ques. How
is
the line perpetuated? Ans. When the Lama dies, h
, his soul enters immediately into the body of some child, so that he
is
simply said to transmigrate. Ques. How is the ch
of some child, so that he is simply said to transmigrate. Ques. How
is
the child discovered? Ans. This is an affair of
said to transmigrate. Ques. How is the child discovered? Ans. This
is
an affair of some difficulty, but the inferior La
inity. The child into whom they supposed the Lama’s soul has entered,
is
required to remember the most private acts of the
Europe now known as Sweden, Norway, Denmark and Iceland. Ques. What
is
the general character of Scandinavian mythology?
doos. In warm and fertile regions, the temper, even of the barbarian,
is
softened into harmony with the scenes around him,
torians as well as minstrels. Ques. Who composed the Eddas? Ans. It
is
impossible to say. The oldest, or poetic Edda, wa
e ancient legends of his race. The word Edda means ancestress, and it
is
so called because it is considered the mother of
race. The word Edda means ancestress, and it is so called because it
is
considered the mother of Icelandic poetry. The Sa
w off the weight cause earthquakes. The root that extends into Asgard
is
carefully tended by three Norns, who correspond t
and beautiful of these was Valhalla, the residence of Odin. This god
is
represented as seated on a throne which overlooks
en. At Odin’s feet lie two wolves, to whom he gives all the meat that
is
set before him, as he himself stands in no need o
that is set before him, as he himself stands in no need of food. Mead
is
for him both food and drink. Ques. How is Odin’s
s in no need of food. Mead is for him both food and drink. Ques. How
is
Odin’s name sometimes written? Ans. Woden; and f
e? Ans. He was sometimes called Alfâdur, (All father,) but this name
is
occasionally used in a way that seems to prove th
the cunning Loki escaped the threatened punishment. From Thor’s name
is
derived the word Thursday. Frey and Freya.
ngers of Odin, and their name signifies “Choosers of the slain.” Odin
is
desirous of collecting a great many heroes in Val
range flickering light, which flashes up over the northern skies, and
is
called by men, “Aurora Borealis,” or “Northern Li
hey came, he threw the serpent into the deep ocean by which the earth
is
surrounded. The monster soon grew to such an enor
r his head, whose venom falls upon his face drop by drop. One comfort
is
allowed him; his wife Siguna sits by his side, an
riptions, of which more than a thousand have been found. The language
is
a dialect of the Gothic, called Norse, still in u
isturb. Germany. The Mythology of the Teutonic or Germanic race
is
neither so picturesque nor so well defined as tha
chs — Stonehenge — Carnac — Popular Superstitions. Ques. From what
is
the term Druid derived? Ans. There exists much d
he Magi of Persia; but all agree as to its Eastern origin. Ques. Who
is
the earliest writer on this subject? Ans. Julius
the earliest writer on this subject? Ans. Julius Cæsar. His account
is
considered perfectly reliable, although, to rende
Druids give to the Supreme Being? Ans. Esus, or Hesus; although this
is
sometimes mentioned as the appellation of a subor
ent on the authority of an ancient Greek writer. “Apollo,” he says, “
is
worshipped with solemn rites by the inhabitants o
which lies off the coast of Gaul, in the Northern Ocean. This island
is
inhabited by the Hyperboreans, so named because t
there a remarkable temple, circular in form, and a magnificent forest
is
consecrated to him.” It is generally supposed tha
circular in form, and a magnificent forest is consecrated to him.” It
is
generally supposed that the temple alluded to by
ll speak later. Ques. Who was Teutates [Teu′tates] ? Ans. This name
is
thought to be derived from “Tut-tat,” signifying
letters, and resembled the characters used by the ancient Pelasgi. It
is
probable, therefore, that they received it from t
y which recalled to the Greeks the orgies of their own Bacchantes. It
is
said that no year passed without a victim. The ni
on the shore. Scarcely have they entered these, when the light craft
is
weighed down by a ghostly band. The terrified pil
credible velocity. When they touch the misty shores of Britain, there
is
a hollow murmur — the boats ride lightly on the w
rs, dolmens or cromlechs. Ques. What are the menhirs? Ans. The word
is
derived from the old Breton man, stone; and hir,
t; and are for the most part rough and unshapely; the ordinary height
is
from seven to twelve feet; but in some rare insta
nces, they exceed thirty feet in height. The purpose of these menhirs
is
not well understood. Where they stand singly, or
Where the stones are arranged in a “cromlech” or circular form, there
is
generally a dolmen in the centre. The dolmen is a
circular form, there is generally a dolmen in the centre. The dolmen
is
a large flat stone, placed like a table, upon two
ht. Some of these were evidently altars, as the flat stone on the top
is
furrowed and slightly inclined to facilitate as i
onuments? Ans. On the continent of Europe, the most extensive series
is
that of Carnac in Brittany. In the midst of a wid
ve been built from this convenient quarry. At Stonehenge, in England,
is
a large cromlech arranged in two circles and two
en or twelve, and the largest seventy tons. In the centre of the work
is
a massive slab of fine sandstone, supposed to hav
slab of fine sandstone, supposed to have been an altar. This cromlech
is
surrounded by a trench and an earthen embankment.
lough, the grass-grown “rath,” or Druid circle. Death within the year
is
the supposed penalty of such an act. In Brittany,
n the riches buried in ancient times beneath the enchanted circle. It
is
the treasure-seeker’s golden opportunity, but woe
nity, but woe to the avaricious wretch who lingers over the spoil. He
is
crushed by the swift returning stones, and the mo
of unexampled ferocity. Ques. How has this been explained? Ans. It
is
supposed that the religion of the Aztecs was deri
ence in preparing the way for the future success of the Spaniards. It
is
evident that Quetzalcoatl was the name given by t
eneficent ruler who instructed them in the arts of civilized life. It
is
singular that he should have been described with
istence? Ans. Yes; of those which yet remain, the pyramid of Cholula
is
the largest, and perhaps the most perfect. It mea
s the most perfect. It measures 176 feet in perpendicular height, and
is
1425 feet square; it covers 45 acres. It is very
perpendicular height, and is 1425 feet square; it covers 45 acres. It
is
very ancient, having been built before the Aztecs
, until the number of those sacrificed annually throughout the empire
is
calculated at twenty thousand, which is the lowes
nnually throughout the empire is calculated at twenty thousand, which
is
the lowest estimate given. It was customary to pr
on a festival day without placing before them this loathsome food. It
is
worthy of remark that Montezuma surpassed all his
any other Peruvian legends? Ans. Among the traditions of this race,
is
one of the deluge, which resembles in one or two
legend recalls the Mexican story of Quetzalcoatl, and the coincidence
is
singular, because no communication is believed to
etzalcoatl, and the coincidence is singular, because no communication
is
believed to have existed between the two countrie
were many and magnificent; but Cuzco was to the Inca noble what Mecca
is
to the devout follower of Mahomet, and he would c
retire to Sicily, where he was kindly entertained by Hiero. His death
is
said to have occurred in a very extraordinary man
mas written by Æschylus, but seven remain. Of these, the most admired
is
the “Prometheus Chained.” The subject is the puni
. Of these, the most admired is the “Prometheus Chained.” The subject
is
the punishment of Prometheus on Mount Caucasus; t
ubject is the punishment of Prometheus on Mount Caucasus; the scenery
is
grand and terrific, and all the persons of the dr
liant achievements are related with a certain modest simplicity which
is
one of the characteristics of true greatness.
d Euripides was buried with much pomp at Pella, in Macedon. This poet
is
inferior to Æschylus and Sophocles, not only in d
dignity of sentiment, but in the moral tone of his dramas. Sophocles
is
said to have observed that while he represented m
llecting materials for his great work. His account of the Persian war
is
full of interest, and won for him great popularit
imes, or accounts received from other travellers. The general opinion
is
that where Herodotus speaks from his own observat
Justin (Saint) . A Christian writer of the second century. He
is
principally celebrated for his “Apology for the C
“Apology for the Christians,” addressed to the Emperor Antoninus. It
is
written in a style at once eloquent and persuasiv
nus. It is written in a style at once eloquent and persuasive, and it
is
believed that it had the desired effect, and was
rst century. He was born in the reign of Caligula, but the exact date
is
not known. Juvenal is celebrated for his satires,
rn in the reign of Caligula, but the exact date is not known. Juvenal
is
celebrated for his satires, in which he attacked
Mæcenas sought out and rewarded every species of merit, that his name
is
proverbially used to denote a generous patron. Ad
(Secundus C.) A Roman writer, generally known as Pliny the Elder;
is
equally celebrated as a historian and a naturalis
the Elder; is equally celebrated as a historian and a naturalist. It
is
not easy to understand how one man could have fol
possesses now but little interest. In many instances, the description
is
so vague as to leave us in doubt as to the partic
ts, has rendered very little service to the art of medicine. The case
is
different where he speaks of geography, history a
idered, from its wide range of subjects, a sort of Cyclopædia, and it
is
said that if the Latin language were lost, it mig
of repose. C. Plinius Cæcilius Secundus , nephew of the preceding,
is
generally distinguished as Pliny the Younger. Und
ry that he wrote his celebrated letter in favor of the Christians. It
is
interesting and important, as showing the progres
manners and habits of his contemporaries. The style of these letters
is
studied, and they have none of the ease and famil
rfection of which it was capable. The most celebrated of his epitaphs
is
the monumental inscription composed for the Spart
orary of the Pisistratidæ and of Pausanias, king of Sparta. This poet
is
accused of having become mercenary in his old age
of the great tragic poets of Greece. In true dramatic excellence, he
is
generally considered the first. The poet was only
cial favorite of the gods. The remark of the ancient sage that no man
is
to be accounted happy before he dies, was verifie
ady advanced in life when he compiled his great work on geography. It
is
divided into seventeen books, and contains much v
e lake. So great a change has taken place, that the level of the lake
is
now 135 feet lower, and its shores 12 miles dista
e size of the blocks used, from the measurement of one doorway, which
is
10 ft. high, and 13 ft. broad, with an opening, 6
Varro . A Latin writer, celebrated for his extensive learning. He
is
said to have composed five hundred volumes, all o
ises; one on agriculture, the other on the Latin language. The latter
is
dedicated to Cicero, an intimate friend of the au
otection of Augustus. Speaking of Varro, St. Augustine says, that “it
is
an equal subject of wonder, how one who read such
tems, diversified likewise by quotations from various poets; to which
is
subjoined a slight sketch of the Mexican and Peru
ligious fables and ceremonies. The Mythology of the Greeks and Romans
is
evidently drawn from that of the Oriental nations
odelled agreeably to their own ideas, into their own country. As this
is
the case, it might have appeared more natural to
of this kind. The information given concerning the Oriental Mythology
is
borrowed principally from Maurice’s Indian Antiqu
art I. Chap I. [Definitions of Mythology and Idolatry.] What
is
Mythology? Mythology, an expression compounded of
or the fabulous history of the false gods of the heathen world. What
is
the meaning of the word Idolatry? The term Idolat
en world. What is the meaning of the word Idolatry? The term Idolatry
is
derived from the two Greek words, eidolon and lat
n and Roman Mythology. The Mythology of the Greeks and the Romans
is
evidently derived from that of the Oriental natio
tan and Saturn, which latter was the same as Chronos, or time.1 What
is
the history of Titan and Saturn, the sons of Cœlu
ime; and, as time sees all things produced, and all things perish, it
is
allegorically said, that Time or Saturn devours h
legorically said, that Time or Saturn devours his own offspring. What
is
the continuation of this fiction? Rhea, or Cybele
s wished to express by representing him with a double face; whence he
is
called Bifrons. We learn from history, that Janus
ia, to shew that his reign had been that of happiness and liberty. He
is
frequently represented under the form of an old m
mes and seasons. Under this form, he was called Chronos or Time. What
is
the history of Cybele? Cybele was generally regar
was the first who fortified the walls of cities with towers, and she
is
therefore depicted with a crown of towers on her
and she is therefore depicted with a crown of towers on her head. How
is
Cybele described? Cybele is generally represented
d with a crown of towers on her head. How is Cybele described? Cybele
is
generally represented sitting, to denote the stab
ught to Italy. Whence did the Romans derive this worship of Vesta? It
is
certain that the worship of Vesta, or of fire, wa
circumstance renders his history the more obscure. The first of them,
is
the Jupiter Ammon of the Libyans, who, there is r
e. The first of them, is the Jupiter Ammon of the Libyans, who, there
is
reason to believe, was Ham, one of the sons of No
e, in the desert, west of Egypt. Jupiter Serapis, worshiped in Egypt,
is
also very ancient. Jupiter Belus, mentioned by He
is three sons, Shem, Ham, and Japhet. Ham went into Africa: and there
is
great probability that he was the person afterwar
s. What were the principal names of this God? He was called Jou, that
is
, young, from being the youngest of Saturn’s sons,
waves lie level on the deep; Earth to the centre shakes; high heav’n
is
awed, And all th’ immortal pow’rs stand trembling
. Who was Iris? The attendant of Juno, as Mercury was of Jupiter. She
is
represented as being extremely beautiful; descend
to release the souls of females struggling in the pangs of death. She
is
the personification of the rainbow. Chap. VII.
une. Minerva afterwards took the owl under her protection, because it
is
a watchful bird and discerns objects in the dark.
and her left, grasping a lighted torch. What were her attributes? She
is
the goddess of fruits; for her very name is deriv
were her attributes? She is the goddess of fruits; for her very name
is
derived from the care she was supposed to take in
osed to take in producing and preserving the fruits of the earth. She
is
said to have taught the art of tilling the earth,
shed from each other. Under what figures are they represented? Apollo
is
always represented as a young man, having a bow o
ented as a young man, having a bow or lyre in his hand; while the Sun
is
depicted with his head surrounded with rays, hold
globe. By what people was the Sun worshiped? The adoration of the Sun
is
the first idolatrous worship known. The Egyptians
the various changes of the year, attended by the months and hours; he
is
represented riding in a chariot drawn by four hor
hen he acquires a brighter colour; the third, signifies noon, when he
is
in all his glory; and the fourth, the time of his
on of this fatal gift, and permission to die. This beautiful allegory
is
intended to paint, in striking colours, the impru
y would frequently be productive of misery instead of happiness. What
is
the history of Phaeton? In order to prove that he
, And e’en the God whose son the chariot drove, That what he acts, he
is
compell’d to do, Or universal ruin must ensue. St
er, by poisoning the water, in which she was accustomed to bathe. She
is
said to have changed men into beasts, and to have
ifficulties on earth. During his banishment, he invented the harp. It
is
asserted by the poets, that he raised the walls o
in their eyes, ‘Deep horror seizes ev’ry Grecian breast, Their force
is
humbled, and their fear confest. Pope’s Homer’s
d over history. She was supposed to have invented the lyre, which she
is
frequently depicted as holding in her hand, toget
re. Thalia presided over comedy. Her name signifies the blooming. She
is
represented reclining on a pillar, holding in her
lar, holding in her hand a mask. Melpomene presided over tragedy. She
is
generally seen with her hand resting upon the clu
atroness of instrumental music. Her name signifies the agreeable. She
is
always depicted as surrounded with various instru
ly touching the earth, while the other sports in air. Erato. Her name
is
derived from the Greek word signifying love. She
. Erato. Her name is derived from the Greek word signifying love. She
is
the inspirer or light poetry: and of the triumphs
necessarily transmit his name to posterity. It was this temple which
is
mentioned in the Acts of the Apostles, by selling
priest Thoas, and brought the statue of the goddess into Italy. What
is
the history of this goddess? It is full of absurd
ue of the goddess into Italy. What is the history of this goddess? It
is
full of absurdities not worth noticing. In her, i
f this goddess? It is full of absurdities not worth noticing. In her,
is
allegorised the moon, and by the silver chariot,
a chariot drawn by tigers and lions, or lynxes and panthers; his head
is
crowned with ivy or vine leaves, and in his hand
anthers; his head is crowned with ivy or vine leaves, and in his hand
is
a thyrsus or javelin, entwined with branches of t
state. He subdued India, Phrygia, Egypt, Syria, and all the East. He
is
said, by the poets of antiquity, to have performe
was no other than the famous Osiris, conqueror of India. This Bacchus
is
supposed, by many learned men, to be Moses. Both
sert, long before they arrived in Palestine, which, as well as India,
is
part of the continent of Asia. The fable represen
Bacchus with horns, which may be supposed to allude to the light that
is
said to have shone around the countenance of Mose
o have shone around the countenance of Moses, who, in old engravings,
is
frequently represented with horns. Moses received
o have sent Bacchus into India to exterminate a sinful nation; and it
is
recorded, that Moses was commanded, by the true G
f the latter, who consequently gave her own name to the city. Of what
is
this goddess emblematical? Of wisdom, prudence, c
Eneas the valiant son of Venus, and the great ancestor of the Romans,
is
said, by some of their writers, to have recovered
ability of the empire and dominion of Rome. Hence, the word Palladium
is
sometimes used figuratively, to signify the prese
the priests at first, though afterwards increased to twenty-four. Who
is
Mars supposed to represent in real history? There
his name, and almost every nation had its own Mars. The original Mars
is
supposed to be Belus, Who was Bellona? She was th
Mars, the goddess of war and cruelty, called by the Greeks Enyo. She
is
described as preparing the chariot and horses of
. How was Venus, the goddess of love and beauty, produced? She
is
represented by the poets as springing from the fr
of the sea. A sea-shell gliding smoothly on the surface of the waves,
is
wafted by the gentle zephyrs to the foot of Mount
ellations of Mother; the Victorious; the Laughter-loving Goddess. How
is
Venus generally depicted? She is frequently repre
us; the Laughter-loving Goddess. How is Venus generally depicted? She
is
frequently represented borne in a spacious shell,
, Dolphins, surround her. When she traverses the heavens, her chariot
is
drawn by doves and swans, accompanied by Cupid an
is drawn by doves and swans, accompanied by Cupid and the Graces. She
is
clothed in a light and airy manner, and wears rou
s chords. Sometimes he appears mounted on a dolphin; and sometimes he
is
represented as breaking the winged thunderbolt of
cular attention to eloquence, had the name of Hermes given to him, He
is
said to have left forty-two volumes of his works.
es of his works. These famous books have long been lost, and all that
is
known of them, is, that the first thirty-six cont
hese famous books have long been lost, and all that is known of them,
is
, that the first thirty-six contained the whole of
His shady forehead in surrounding clouds; With ice, his horrid beard
is
crusted o’er; From his bleak brows, the gushing t
e. The Indians paid divine honours to the Ganges, which, to this day,
is
accounted sacred by the Hindoos. Oceanus and Nere
steps as he towers along. His flock attends, the only joy he knows; H
is
pipe around his neck, the solace of his woes. Soo
of his flocks, consisting of sea calves and other marine animals. He
is
represented by the poets, as possessing the facul
changing himself into whatever forms he chose. Hence, a fickle person
is
frequently called a Proteus. History makes mentio
mortals changed into sea Gods, by some extraordinary influence. Egeon
is
spoken of, as a formidable giant, who issued from
wife Amphitrite, was changed by her into a dreadful sea monster. She
is
represented as having six necks, and as many terr
a principal place among the most ancient divinities. By the poets, he
is
said to be the son of Jupiter and Calista, or of
ike that of Mars. And in some antique gems and sculptures, his figure
is
nearly as formidable as that of Medusa. What was
r animals. To this deity the Greeks gave the appellation of Pan, that
is
, in their language, the whole. What are the ficti
air; the third, the fire. Chap XXIV. [Infernal Regions.] What
is
the poetical description of the infernal regions?
ilt, with snaky hair, and whips of scorpions. Near this dismal cavern
is
the road to the river Acheron, whither resort the
whole century on its solitary shores. On the other side of the river,
is
the gate leading to the palace of Pluto, the sove
g to the palace of Pluto, the sovereign of these dreary realms, which
is
guarded by Cerberus, an enormous dog with three h
s guarded by Cerberus, an enormous dog with three heads, one of which
is
always upon the watch5. Within this seat of horr
ve and despair. Then succeed the abodes of heroes. Not far from them,
is
seen the dread tribunal, where Minos, Eacus, and
waves of fire, and Cocytus extends his stagnant marsh. Here likewise
is
the river Styx, by which if the Gods swore, their
the flowers of the Narcissus, or with Cypress or Ebony. Sometimes he
is
seen in a black chariot, drawn by black horses, a
s Nemesis? The goddess who presided over the punishment of guilt. She
is
represented as traversing the earth, with great d
r violent struggles. Sisyphus, for having attempted to deceive Pluto,
is
condemned to the never-ceasing labour of rolling
into Tartarus, where vultures unceasingly prey upon his liver, which
is
continually renewed. Tityus. There Tityus, large
er grows, and gives th’ immortal feast. Ixion, the rival of Jupiter,
is
bound to a wheel surrounded with serpents, and pe
his own son Pelops, and served up his body at a banquet of the Gods,
is
condemned to the ever-enduring pain of parching t
made use of sails, which, by poetical licence, were called wings. He
is
said to have built, for Minos, king of Crete, an
s called the labyrinth. Hence the proverb, to be in a labyrinth, that
is
, in a situation from which it is difficult to ext
proverb, to be in a labyrinth, that is, in a situation from which it
is
difficult to extricate one’s self. Who was Jason,
om a small cavity in the side of a lofty mountain of Lycia, and which
is
still apparent. On the summit of the mountain, we
three of which still remain to astonish mankind. The largest of them
is
143 feet long, and 1000 high. It is constructed o
nish mankind. The largest of them is 143 feet long, and 1000 high. It
is
constructed of enormous stones, thirty feet thick
000 high. It is constructed of enormous stones, thirty feet thick. It
is
recorded that 360,000 men were employed in buildi
g it, during the space of twenty years. The other two are smaller. It
is
supposed they were intended as sepulchres for the
e kings of Egypt. Seventh. The Palace of Cyrus, king of Persia, which
is
recorded to have been a most splendid edifice, of
ur divisions, succeeding each other in chronological order. The first
is
that of the doctrines of the Emanation and Transm
he doctrines of the Emanation and Transmigration of Souls. The second
is
that of Astrolatry or Sabism, the worship of the
orship of the heavenly bodies, and of the visible elements. The third
is
that of the dogma of Two Principles; or of the wa
light and darkness, between the good and the evil genius. The fourth
is
the age of Pantheism. What were the doctrines of
ion or philosophy, which have prevailed in the oriental regions, none
is
of higher antiquity, (excepting the divine Mosaic
e the fiction of the Metempsychosis, or transmigration of souls; that
is
, their passing through numerous animal and other
brilliant or beneficial actions, were ranked among the deities. What
is
the doctrine of the two principles, the prevalenc
s; and worshiped them under various symbolical forms and images. What
is
the doctrine of Pantheism, which characterizes th
n of Oriental Mythology? The doctrine of Pantheism teaches that there
is
but one Being existing; a Being eternal, infinite
ences. “All are but parts of one stupendous whole, Whose body Nature
is
and God the soul; That, changed through all, and
, the source of the Egyptian, Persian, and Grecian Mythologies, which
is
still professed, though greatly corrupted, by the
where resides the Grand Lama, the Chief Priest of that religion, who
is
supposed to be immortal, by the transmigration of
splendour for five thousand years. In process of time, another Buddha
is
to appear upon earth; and, after an infinite numb
s, the universe will perish and a new order of things succeed. Buddha
is
represented as not purely spirit, but as having a
bles, and as having many other attributes of human nature: and yet he
is
imagined to pass through the different worlds wit
her Indian statues of gods, they are adorned with bracelets. The head
is
exposed; the hair is plaited up together, at the
gods, they are adorned with bracelets. The head is exposed; the hair
is
plaited up together, at the back of it; and the t
osed; the hair is plaited up together, at the back of it; and the top
is
surmounted by the form of a flame. The sides of t
ke of animal food, or to eat any thing after noon-day. Their business
is
to keep the temples clean, and their lamps always
orning and evening. Chap. IV. Indian Mythology. Of what nature
is
the Indian Mythology? The real doctrine contained
ctrine contained in the sacred books of the ancient Indian Mythology,
is
the unity of the Deity; in whom the universe is c
ent Indian Mythology, is the unity of the Deity; in whom the universe
is
comprehended; of which the elements, stars, and p
alled the Vedas. The sacred language of the Brahmins or Hindû priests
is
named the Sanscreet, or Sanscrit. The One Supreme
dû priests is named the Sanscreet, or Sanscrit. The One Supreme Being
is
denominated Brahme, or the Great One; he is decla
it. The One Supreme Being is denominated Brahme, or the Great One; he
is
declared to be uncreated and eternal, and his ess
reat One; he is declared to be uncreated and eternal, and his essence
is
asserted to be infinitely above the comprehension
to be infinitely above the comprehension of any mind but his own. He
is
supposed to manifest his power by the operation o
osed to manifest his power by the operation of his Divine Spirit; who
is
entitled Vishnu, or Veeshnu, the Preserver, the P
rts the whole order of nature. The Divine Power, engaged in creating,
is
the Deity Brahmá; and when viewed in the light of
wed in the light of the Destroyer, or rather the Changer of forms, he
is
termed Siva, Seeva, Mahádéva, or Mahadeo. These t
hat of the Scythians, the ancient Persians, Egyptians, and Greeks. It
is
very fanciful; inculcating the doctrine of a mult
o ten parts; and setting over each, a presiding guardian Spirit. What
is
the doctrine of the Hindû Mythology concerning th
imitive element, of which the world was formed? It teaches that water
is
the primitive element, and the idea of the Spirit
the idea of the Spirit of the universal Creator moving on the waters,
is
similar to, and probably borrowed from, the subli
e deep. And the Spirit of God moved on the face of the waters.” What
is
the Hindû account of the creation? It asserts tha
t, are begun by pious Hindûs, with an invocation of Ganesa. His image
is
set up in their streets and their high roads; and
the goddess of abundance, who presides over agricultural labours, and
is
the wife of Vishnu. She is represented with a twi
ho presides over agricultural labours, and is the wife of Vishnu. She
is
represented with a twisted cord under her arm, so
e King; the God of the Heavens chief of the good spirits. His consort
is
named Sachi; his celestial city, Amarávati; his p
his charioteer, Matali; and his weapon, Vajra, or the thunderbolt. He
is
the master of the thunder; the ruler of the winds
nder; the ruler of the winds and showers. His peculiar place of abode
is
Meru, or the North Pole, allegorically represente
overeign of Patala, or the infernal regions; the king of serpents. He
is
thus described in the Bhagavat, a sacred Hindû po
s thus described in the Bhagavat, a sacred Hindû poem. His appearance
is
gorgeous and brilliant. He has a thousand heads;
gorgeous and brilliant. He has a thousand heads; and on each of them,
is
a crown set with resplendent gems. His neck, tong
m like torches. The skirts of his robes are yellow. A sparkling jewel
is
hung on each one of his ears. His arms are extend
weapon, the war-mace, and the lotos. Yama or Yamen, God of death. He
is
esteemed to be a child of the sun, and thence nam
is esteemed to be a child of the sun, and thence named Vaivaswata. He
is
called also, King of Justice. He is distinguished
, and thence named Vaivaswata. He is called also, King of Justice. He
is
distinguished as being the judge of departed soul
d souls; for the Hindûs believe, that when a soul leaves its body, it
is
immediately conveyed to Yamapur, or the city of Y
om him; and thence, either ascends to Swerga, or the first heaven; or
is
driven down to Narac, the region of serpents; or
tal love, Goodness, and heav’nly grace, And sweetest mercy shine. Yet
is
he still Himself the same, one form, one face, on
face, one will; And these his twofold aspects are but one; And change
is
none In him; for change in Yamen could not be, Th
hange is none In him; for change in Yamen could not be, The immutable
is
he. Bhaváni, or Parvati, the consort of Seeva, t
Carticéya, the son of Parvati, the leader of the celestial armies. He
is
represented as riding upon a peacock; clothed in
em of his creative power, the patroness of the arts and sciences. She
is
depicted as holding in her hands the palmira leaf
been the very source and fountain of idolatry in India. That luminary
is
adored by the Hindûs, under the name of Surya, an
the Hindûs, under the name of Surya, and the sect amongst them which
is
peculiarly addicted to his worship is called Saur
and the sect amongst them which is peculiarly addicted to his worship
is
called Saura. Surya is represented as riding in a
em which is peculiarly addicted to his worship is called Saura. Surya
is
represented as riding in a chariot, drawn by seve
endurable by the sight.” In the Hindû work, called the Ayeen Akbery,
is
another description of a temple of the Sun. “Near
, is another description of a temple of the Sun. “Near to Juggernaut,
is
the temple of the Sun, in the erecting of which w
nue of Orissa for twelve years. The wall which surrounds the edifice,
is
one hundred and fifty cubits high, and nineteen c
ing killed two elephants, are seated upon them. In front of that gate
is
an octagonal pillar of black stone, fifty cubits
high. Nine flights of steps lead to an extensive inclosure, in which
is
a large dome, constructed of stone, upon which ar
of stone, upon which are carved the sun and the stars; and round them
is
a border, on which is represented a variety of hu
re carved the sun and the stars; and round them is a border, on which
is
represented a variety of human figures, expressiv
perform the Howm, or burnt sacrifice. The new-born babe of a Brahmin
is
exposed to the solar beam. They worship God in th
; who delivered his wife Sita from the giant Ravan, king of Lanca. He
is
said to have commanded an intrepid army of monkey
, which have been absurdly named Adam’s bridge. A large breed of Apes
is
, certainly, held in great veneration by the Hindû
gentle animals. Creeshna, or Chrishna, a manifestation of Vishnu. He
is
regarded by the Hindûs, as the God of shepherds;
writings give the most extraordinary and strange representations. He
is
depicted as splendidly decorated, wearing a rich
and having his ankles adorned with strings of pearls. His complexion
is
dark blue, approaching to black, and hence, the l
k blue, approaching to black, and hence, the large bee of that colour
is
often drawn fluttering over his head. His charact
actice of women burning themselves with their deceased husband, which
is
yet encouraged by the Brahmins, and which civil a
enjoin upon some particular occasions, the sacrifice of a man; which
is
called Neramedha; or of a bull, which is named Go
he sacrifice of a man; which is called Neramedha; or of a bull, which
is
named Gomedha; or of a horse, which is styled Asw
Neramedha; or of a bull, which is named Gomedha; or of a horse, which
is
styled Aswamedha. The Aswamedha Jug, or horse sac
es at Salsette, and in the small isle of Elephanta near Bombay, which
is
thus denominated from the figure of a large eleph
ge elephant admirably well cut in the solid rock, of which the island
is
composed. This astonishing cavern, which, as cont
eified heroes and princes of India, may be called the Hindû Pantheon,
is
about half way up the steep side of the mountain,
alf way up the steep side of the mountain, from whose stony bosom, it
is
excavated. The temple is about one hundred and tw
of the mountain, from whose stony bosom, it is excavated. The temple
is
about one hundred and twenty feet square, and eig
hteen feet high. The enormous mass of solid rock which forms its roof
is
supported by four rows of pillars, of beautiful p
mns, runs a ridge of stone, so cut, as to resemble a huge beam, which
is
richly adorned with carved work. Along the sides
f exact symmetry; but though round and prominent, yet not one of them
is
detached from the main rock. Some of these statue
rifying stream. At the entrance of all the most considerable of them,
is
a portico, supported by rows of lofty columns, wi
t, to admit the first solar ray. Of these temples, that of Jaggernaut
is
the most celebrated. It is an immense circular bu
ray. Of these temples, that of Jaggernaut is the most celebrated. It
is
an immense circular building, from the centre of
se circular building, from the centre of which, in an eastern aspect,
is
protruded, the vast image of a bull, one of the e
ast image of a bull, one of the emblems of Seeva, for whom Jaggernaut
is
only another name. Here, are practised the most a
are practised the most abominable and cruel rites. The horrible idol
is
paraded in a lofty and heavy car which is disgrac
el rites. The horrible idol is paraded in a lofty and heavy car which
is
disgraced by shamefully indecent figures; and man
elves on the ground, to be crushed beneath the ponderous wheels. This
is
the residence of the chief Brahmin of all India.
degree of temperance and self-denial. The abstinence from animal food
is
occasioned by their belief in the doctrine of the
s of religion are written, has long ceased to be a spoken tongue; and
is
understood only by the priest’s and the learned.
taught to practise most cruel, absurd, and impure rites; and that it
is
meritorious to inflict on themselves severe penan
, and separate from, the world, but embodied in it, as the human soul
is
supposed to be in the human body. From this Unive
ed the intelligent and active cause of the phenomena of nature, as it
is
displayed in its most striking and powerful agenc
ar religion of the most civilized nations of antiquity. But though it
is
most probable that the Egyptians, like almost all
ommunicated to those who were initiated into the sacred mysteries. It
is
universally agreed, that the ancient Egyptians be
as recognized in the northern or Etesian wind, which, in Upper Egypt,
is
very salubrious, the southern blast from the dese
logy as the operation of Typhon. Hence all those animals whose aspect
is
hideous, and whose disposition is fierce and unta
ence all those animals whose aspect is hideous, and whose disposition
is
fierce and untameable, were sacred to Typhon; suc
d preserve to Egypt coolness and salubrity, under a burning sky. This
is
the victory of Horus over Typhon, and his illustr
t god Osīris, but who, when dead, was named Sorāpis, or Serāpis; that
is
, Apis in his soros, or coffin. Others have mainta
le, built for that purpose at Alexandria, and called the Serapeum. It
is
said to have exceeded in magnificence, all the ot
of which was, on that account, called by the Greeks, Diospolis, that
is
, the City of Jupiter. The worship of this deity w
xhibited at the annual festival of the Ethiopians, or Meroites. Ammon
is
supposed to have represented the Spirit of the un
ows its flower above the surface of the water. The infant Harpocrates
is
represented reposing on the blossom of this plant
a tower, and the priests, every day, placed cakes in its chamber. It
is
related that a labourer employed in digging a tre
in its near approach to true religion, and in its moral tendency. It
is
represented by some as inculcating “a firm belief
s reformed and arranged by Zoroaster, was called the Zend-Avesta, and
is
till extant. The Zend-Avesta divides the period o
committed the charge of producing a universal deluge. This personage
is
spoken of as a star, or a sun, and as existing up
Taschter’s light shone on high for thirty days and thirty nights. He
is
represented as having three bodies, of a man, a h
as then formed, who became the author of all abundance, and from whom
is
derived the second race of men. According to the
n and the moon then appeared upon its summit; and the latter of these
is
said to have received, preserved, and purified th
ived, preserved, and purified the offspring of the Man-Bull. The moon
is
declared to have caused every thing to be produce
be produced, when the world was renewed after the general deluge. She
is
celebrated as the common mother, from whom procee
lmans, who by violence, established Islamism, or Mahommedanism, which
is
the prevalent system, at present; though numbers
mixture of evil with good. It was imagined that an incessant struggle
is
maintained between him and the evil principle, ti
d in bloodless sacrifices, and simple rites. Who was Mithras? Mithras
is
supposed to have been a personification of the su
ythian Mythology? The religion of the ancient Scythians, or Cuthites,
is
supposed to have been the first corruption of Pat
, probably? no very wide departure from divine truth. At that era, it
is
imagined that Polytheism likewise was introduced,
f Gods and Goddesses, but their chief deity, whom they called Tahiti,
is
the Vesta of after-times. Next to her, they rever
ook iii. l. 594, &c. Chap. VIII: Scandinavian mythology. Whence
is
the Scandinavian Mythology derived? The Scandinav
rea, and Thor, formed the court, or supreme council of the Gods. What
is
the history of Odin? According to Scandinavian my
ticular abode of Odin was called Lidskialf, or the trembling gate. He
is
called the universal father; the father of battle
uets. Considering Odin as a historical personage, the general opinion
is
that he was a Prince of some Scythian tribe, who,
s most marvellous. In battle he slaughtered thousands at a blow. Odin
is
said, finally, to have retired into Sweden, and f
where he would receive those who died with arms in their hands. What
is
the history of Frea? Frea, or Frigga, the daughte
while the other three were spent on the shores of the ocean. Niorder
is
supposed to have been a king of some part of Swed
and high priest of Upsal. Irminsul, or the column of the universe. He
is
imagined to have been a deification of Arminius,
are the sacred books of the Scandinavian mythology? The most ancient,
is
the Voluspa; the prophecy of Vala, or Vola, It be
ntation of the final ruin by a general conflagration. The Edda, which
is
a commentary on the Voluspa, compiled in Iceland,
extraordinary part of the sacred books of the Scandinavian mythology
is
the description they give of the end of the world
mythology is the description they give of the end of the world; which
is
called the twilight of the Gods. Three successive
e great ash tree Idrasil, which overshadowed the gates of his palace,
is
agitated. The combat begins between Odin and Fenr
orrible dog Garme, and they kill each other. At the same instant Frey
is
beaten down. Thor overthrows the huge serpent; bu
coils nine paces, and falls stifled by the venom of the monster. Odin
is
devoured by Fenris, who is killed by Vidar. Loke
stifled by the venom of the monster. Odin is devoured by Fenris, who
is
killed by Vidar. Loke and Heimdal fall by mutual
mutual wounds. Surtur scatters his fires over all the earth, till it
is
consumed. Vidar, the god of silence, and Vali, th
And that dark power, whose ample shield Before the sun’s bright face
is
held; Screening from flame, the liquid main, Each
t! Of his bones, the rocks high swelling, Of his flesh the glebe
is
made; From his veins the tide is welling, And
swelling, Of his flesh the glebe is made; From his veins the tide
is
welling, And his locks are verdant shade. Ha
s halls. Nature shines in glory beaming; Elves are born, and man
is
form’d Ev’ry hill with gladness teeming, Ev’r
is form’d Ev’ry hill with gladness teeming, Ev’ry shape with life
is
warm’d. Who is he by heav’n’s high portal, B
hill with gladness teeming, Ev’ry shape with life is warm’d. Who
is
he by heav’n’s high portal, Beaming like the
shrowded, Vapours dark around thee sail; Nature’s eye with mists
is
clouded; Shall the Powers of ill prevail? Sa
Maker and Lord of the Universe, who was denominated Allah Taala, that
is
, the Most High God. But the Arabians soon degener
and Khozaah, who occupied the country between Mecca and Medina. Manah
is
supposed to have been represented by the black st
angel Gabriel, to Abraham, when he was building the Caaba. This stone
is
set in silver, and fixed in the south-east angle
lver, and fixed in the south-east angle of that sacred edifice, which
is
a building so ancient, that its original use, and
latrous superstitions that spread among the neighbouring nations, and
is
charged with having introduced the abominable cus
of the Moabites, whose rites were most detestable and cruel; and who
is
regarded as being the same as Typhon; means lord
s as conveying lessons of wisdom, under the veil of allegory, yet, it
is
certain, that the people, at large, received them
nd vices ranked? Which of the Muses presided over history, and whence
is
her name derived? In what order were placed Hercu
he memory of Janus? Which of the Muses presided over tragedy, and how
is
she represented? How was the fire on the altar of
, and making bread? In what city was Juno principally worshiped? What
is
the description which Homer gives of Jupiter? Who
of the Muses, and what did he produce by a blow of his foot? Of what
is
Diana figurative? What animals were sacred to Mar
Buddhic systems of idolatry still the prevailing superstitions? What
is
the first division of Oriental Mythology? What wa
thologies was the Osiric or Brahminical superstition the source? What
is
the grand Lama? Give some account of him. What he
what event do they imagine will precede its termination? What colour
is
sacred to Buddha? How is he represented, and wher
ne will precede its termination? What colour is sacred to Buddha? How
is
he represented, and where was his worship celebra
was his worship celebrated? Who were Suradevi, Carticéya, Cama? What
is
the general character of the Hindû, or Brahminica
is the general character of the Hindû, or Brahminical Mythology? What
is
the name, and what are the attributes, of the sup
and what are the attributes, of the supreme deity of the Hindûs? What
is
the Hindû account of the Creation? What was the n
e Deity? What are the holy books of the Indian Mythology called? What
is
the Sanscrit? How is Brahme supposed to manifest
holy books of the Indian Mythology called? What is the Sanscrit? How
is
Brahme supposed to manifest his power? Who are th
power? Who are the celestial beings that form the Hindû Trinity? How
is
Lachsmee represented, and what account is given o
form the Hindû Trinity? How is Lachsmee represented, and what account
is
given of her? Who is Vishnu? How many incarnation
y? How is Lachsmee represented, and what account is given of her? Who
is
Vishnu? How many incarnations of him are recorded
carnations of him are recorded, and for what purpose and in what form
is
he expected to appear again? Who are the Dewtahs?
assert concerning Menu? Describe the Hindû God of Wisdom. What people
is
supposed to have introduced human sacrifices? Who
re the Parias? What account does the Bhagavat give of Seshanaga? What
is
the Bhagavat? What account is given of Mariatale?
es the Bhagavat give of Seshanaga? What is the Bhagavat? What account
is
given of Mariatale? What is the name of the Hindû
anaga? What is the Bhagavat? What account is given of Mariatale? What
is
the name of the Hindû God of Death, and what acco
he Hindû God of Death, and what account does Southey give of him? Who
is
Seraswatti, and what description is given of her?
unt does Southey give of him? Who is Seraswatti, and what description
is
given of her? What vestiges of the worship of the
ship of the Sun are discernible in the Hindû worship? Under what name
is
the Sun worshiped by the Hindûs? To what Divinity
u? What was its object, and when did it take place? What general name
is
given to the incarnations of Vishnu, and how are
date? What kind of idol images are found in the Hindû temples? Which
is
the highest caste among the Hindûs? Who was Varun
rshiped, and what was he? Of what was Serapis a personification? What
is
the name of the sacred book of the Persian religi
e of the sacred book of the Persian religion? Who was Arimanius? What
is
the Persian tradition of the Creation and the Del
ich of the Scandinavian Divinities formed their supreme council? What
is
the fabulous account of Odin? What is the histori
med their supreme council? What is the fabulous account of Odin? What
is
the historical account of Odin? What was the name
ount of Odin? What was the name of his wife, and what day of our week
is
called after her? After which of the Scandinavian
week is called after her? After which of the Scandinavian Divinities
is
the fifth day of the week named, and what is said
Scandinavian Divinities is the fifth day of the week named, and what
is
said of his palace? Who was the god of the sea in
When and where was the Edda compiled, and what are its contents? What
is
the Voluspa? Repeat the song of Vala. Who were th
supposed to have been? Who were the Chaldeans? Who was Astarte? What
is
the meaning of the words Baal and Moloch? How doe
as Baal Peor? Who was the principal Deity of the Philistines, and how
is
he described? Who were the Gods of the Mexicans a
were the Gods of the Mexicans and Peruvians? Who was Viracocha? What
is
the difference between the religion of the Peruvi
What was the name of the chief God of the Mexicans, and what account
is
given of him? Index. A Achĕrōn, a riv
f old enjoyed in you! The languid strings do scarcely move, The sound
is
forc’d, the notes are few! William Blake. Pr
Hale. But, after a year’s work, I find that half my material for copy
is
altogether new, and that the remainder differs in
it was based. Consequently, while the obligation to the Age of Fable
is
acknowledged in full, a new title has been select
luding all but the unquestionably classic. The term Classic, however,
is
, of course, not restricted to the products of Gre
is, of course, not restricted to the products of Greece and Rome; nor
is
it employed as synonymous with Classical or as an
tical to Romantic. From the extreme Classical to the extreme Romantic
is
a far cry; but as human life knows no divorce of
; and certain Norse and German myths have not been excluded. Whatever
is
admitted is admitted as first-class: first-class,
n Norse and German myths have not been excluded. Whatever is admitted
is
admitted as first-class: first-class, because sim
tic profit neglected by the great mass of our people. Since this book
is
intended for students of English poetry, and sinc
mes I have followed, also, the prevalent practice of our poets, which
is
, generally speaking, the practice of the Romans.
speaking, the practice of the Romans. The diphthong ει, for instance,
is
transliterated according to the accepted English
f Greek and Latin proper names in English, a brief statement of rules
is
prefixed to the Index; and in the Index of Mythol
bjects and their Sources names are not only accented, but, when there
is
possibility of error, syllabicated. In the prepar
mp; Co., Louisville: 1872); and of other works to which due reference
is
made in the footnotes and Commentary. The student
ch due reference is made in the footnotes and Commentary. The student
is
also referred to F. B. Jevons’ edition of Plutarc
en Kunst (Göttingen: 1832), and other collections, to which reference
is
made in the List of Illustrations prefixed to the
have been added a number of full-page illustrations of which the list
is
given on p. xxviii. I wish to express my gratitud
of “dead” languages, — for various reasons the study of the Classics
is
at present considerably impaired. It is, therefor
ons the study of the Classics is at present considerably impaired. It
is
, therefore, incumbent upon our universities and s
nt means of tempering the consequence of this neglect of the Classics
is
the study of them through translations and summar
s from age to age and from clime to clime, the genesis of imagination
is
universal, its products are akin, and its process
s of imagination is universal, its products are akin, and its process
is
continuous. For this reason the study of the imag
thought of the ancients through the artistic creations of the moderns
is
commended to students and readers as feasible and
f tradition, but with a thread of surer knowledge whose surest strand
is
sympathy. The study has led men soberly to trace
terature, music, and the plastic arts, — as such a tutor and governor
is
the study of beautiful myths invaluable. Long fam
though ethnologists may insist that to search for truth in mythology
is
vain, the best of them will grant that to search
he best of them will grant that to search for truth through mythology
is
wise and profitable. If we accept the statement (
he statement (often stretched beyond its proper limit) that mythology
is
primitive philosophy, and the other statement tha
of man, tended steadily to eliminate from primitive philosophy — that
is
, from the myths that embodied primitive philosoph
ct, are the throbbing of the heart of reason; the first or the second
is
the primal pulse of every myth; and to the life o
ss in what he calls the lowest stage, hecastotheism, where everything
is
endowed “with life: with personality, will, and d
sonality, will, and design… where everything discovered by the senses
is
looked upon subjectively by the philosopher, and
l the attributes supposed to be inherent in himself; where everything
is
a god.” Nor do we discover the truth unalloyed in
by subjective vision in man are attributed to the animals by which he
is
surrounded; … where man worships beasts, and the
philosophy do we discover the truth without admixture; no later stage
is
without trace of earlier creed; but in every stag
r stage is without trace of earlier creed; but in every stage a power
is
manifest making for righteousness, a love yearnin
without saying that a rational series of somewhat consecutive stories
is
more serviceable to the reader than a congeries o
yric, narrative, and descriptive passages of modern literature, there
is
furnished not only that material of allusion and
y tradition heightens the appreciation of each allusive passage as it
is
encountered; it enables the reader to sympathize
cs; of course, direct familiarity with the writers of Greece and Rome
is
the sine qua non of level-headed criticism and br
ern literature; and, of course, a sympathy with the imaginings of old
is
the best incentive to an æsthetic estimate not on
wers.” For, a second specific advantage to be derived from this study
is
that it quickens the æsthetic judgment, and heigh
he Ode to Duty, the Bothie of Tober-na-Vuolich, the Hymn of Man, Love
is
Enough, Prospice, Festus, the Ode of Life, the Dr
ative as a whole may be maintained while careful and continual review
is
had of the numerous allusions and references to e
t and wrong. To this end, and for the supply of further nutriment, it
is
important that teachers collect from their readin
ils may turn out parrots, we have too often turned them out loons. It
is
better that a few of the facts in their heads be
ethods of teaching them, while we insist, properly enough, that youth
is
the seed-time of observation, we seem to have for
th is the seed-time of observation, we seem to have forgotten that it
is
also the harvest-time of memory. It is easy for c
seem to have forgotten that it is also the harvest-time of memory. It
is
easy for children to remember what they learn, it
me of memory. It is easy for children to remember what they learn, it
is
a delight for them to commit to memory; we act cr
ous verse in the memory of one out of ten of them. Such unfortunately
is
the case in many of our schools; and such was not
be known of men for whom nature does not live? Surely the age of myth
is
not yet wholly past; surely the beauties and the
e Creation). The first three chapters may be deferred until the class
is
better able to understand them, or may be summari
logical arrangement, they should be recited in this order. When there
is
not time for detailed recitation on the whole boo
al fragments; their epical quality must be emphasized. The Commentary
is
numbered in sections corresponding to those of th
tations which the younger pupil does not appreciate will, if the book
is
used for purposes of reference in his further Eng
novels, of our essays and orations, like a golden warp where the woof
is
only too often of silver, are the myths of certai
nly too often of silver, are the myths of certain ancient nations. It
is
the purpose of this work to relate some of these
l discrimination must be made between the fable and the myth. A fable
is
a story, like that of King Log, or the Fox and th
certain questions that nearly every child and every savage asks: What
is
the world, and what is man? Who made them? What e
nearly every child and every savage asks: What is the world, and what
is
man? Who made them? What else did the maker do? a
do? and what the first men? Whence came the commodities of life? What
is
death, and what becomes of us after death? The an
of actuality. They furnish information that may not be practical but
is
delightful; they elicit emotion — sympathy, tears
. And the enduring measure of delight which the æsthetic myth affords
is
the test of what we call its beauty. A myth, whet
of what we call its beauty. A myth, whether explanatory or æsthetic,
is
of unconscious growth, almost never concocted wit
on the stern necessity of an overruling power, of fate or providence,
is
especially to be observed. Of this class is the I
r, of fate or providence, is especially to be observed. Of this class
is
the Iliad of Homer. (b) If romantic, the myths ar
e not so important as what the hero does with circumstances. The hero
is
more independent than in the historic myth, his l
e are next led to ask how these myths came into existence, and how it
is
that the same myth meets us under various forms i
er Earth (Demeter) mourning the loss of her daughter, the Springtide,
is
reasonable; a myth of Demeter devouring, in a fit
raction, the shoulder of the boy Pelops, and replacing it with ivory,
is
capricious, apparently senseless. “It is this sil
and replacing it with ivory, is capricious, apparently senseless. “It
is
this silly, senseless, and savage element,” as M
e discrepancy in mental development, imaginations like our own, there
is
nothing in the history of reasonable myths to baf
attributes of life upon inanimate things and abstract ideas. The sun
is
nowadays thirsty, the ship is a woman, the clouds
mate things and abstract ideas. The sun is nowadays thirsty, the ship
is
a woman, the clouds threaten, charity suffereth l
hat endowed the golden handmaids of Vulcan, or the eagle of Jove, Nor
is
hyperbole any less in use among us than it was am
lieved in these personifications. We do not believe. But their belief
is
easier to comprehend when we remember that the my
agnificent objects of nature — mountains, the sky, the sun, the sea —
is
universal. It springs from the fact that savages
lves superior to nature. They are not conscious of souls whose flight
is
higher than that of nature. On the contrary, sinc
ill and personality like man’s. In proportion, however, as their size
is
grander or their movement more tremendous, these
worthy of worship and fear and gratitude, all and more than all that
is
accredited to man? Why not confer upon them human
f evil vision and fear by the baptism of its dew; — if the sun itself
is
an influence, to us also, of spiritual good, — an
of worshipping ancestors, still existent in China and other countries
is
adduced in support of this method of investigatin
s is adduced in support of this method of investigating myths, and it
is
undoubtedly true that the method explains the ori
into beings entirely out of the realm of that actual experience which
is
the basis of the historical assumption. (2) The P
the tree sacred to his worship.6 The merit of the philological method
is
, that, tracing the name of a mythical character t
name and on its origin and first home.” 7 But unfortunately there
is
very often no agreement among scholars about the
t the original meaning of the names of mythical beings. The same name
is
frequently explained in half a dozen different wa
s frequently explained in half a dozen different ways. The same deity
is
reduced by different interpreters to half a dozen
be a person at all. And this latter, in studying the origin of myths,
is
what should first be ascertained. We must not, ho
not etymological, but historical. (3) The Allegorical Interpretation
is
akin to the philological in its results. It leads
o be understood literally. Thus Cronus, who devours his own children,
is
identified with the power that the Greeks called
id to destroy whatever it has brought into existence. The story of Io
is
interpreted in a similar manner. Io is the moon,
nto existence. The story of Io is interpreted in a similar manner. Io
is
the moon, and Argus the starry sky, which, as it
ioned as an allegory, in all probability it was preserved as such. It
is
not, however, likely that allegories of deep scie
ented by savages. Where the myth has every mark of great antiquity, —
is
especially silly and senseless and savage, — it i
great antiquity, — is especially silly and senseless and savage, — it
is
safe to believe that any profound allegorical mea
safe to believe that any profound allegorical meaning, read into it,
is
the work of men of a later generation who thus at
adiations of the attributes of the one God. A more limited conception
is
, that all mythological legends are derived from t
hough the real facts have been disguised and altered. Thus, Deucalion
is
only another name for Noah, Hercules for Samson,
he explanation of myth-making based upon the Theory of Progress. This
is
best stated by Mr. Andrew Lang 9, whose argument
of Progress. This is best stated by Mr. Andrew Lang 9, whose argument
is
, when possible, given in his own language. To the
found them in their inherited mythologies. The theory of development
is
, then, that “the savage and senseless element in
lopment is, then, that “the savage and senseless element in mythology
is
, for the most part, a legacy from ancestors of ci
n action and in experience, and that the allegorical element in myths
is
the addition of later peoples who had attained to
anthropology. It may be called the Anthropological Method. The theory
is
that of “survival.” It is of course probable that
lled the Anthropological Method. The theory is that of “survival.” It
is
of course probable that occasionally the question
of moral or religious truth. But, in general, the root of myth-making
is
to be found in the mental and social condition of
ical method of interpretation and of the euhemeristic, the transition
is
intelligible from a personification of the elemen
e illuminates, as the sun, with a constant fire, whatever in humanity
is
skilful and wise; and the other, like the living
ortitude and strength of righteous anger into every human breast that
is
pure and brave. “Now, therefore, in nearly every
or its sister; and lastly, the moral significance of the image, which
is
in all the great myths eternally and beneficently
ll the great myths eternally and beneficently true.” Myth, in fine, “
is
not to be regarded as mere error and folly, but a
error and folly, but as an interesting product of the human mind. It
is
sham history, the fictitious narrative of events
the fictitious narrative of events that never happened.” 14 But that
is
not the full statement of the case. Myth is also
er happened.” 14 But that is not the full statement of the case. Myth
is
also actual history of early and imperfect stages
ctual history of early and imperfect stages of thought and belief: it
is
the true narrative of unenlightened observation,
all probability, the Egyptian myth of Osiris. The theory, therefore,
is
open to the objection made to the theory of borro
en demonstrated (§ 7.1) that the historical (Euhemeristic) hypothesis
is
inadequate. It is, moreover, not likely that many
7.1) that the historical (Euhemeristic) hypothesis is inadequate. It
is
, moreover, not likely that many historical incide
an nations. (6) That the existence of similar incidents or situations
is
to be explained as resulting from the common fact
f myth. “In the long history of mankind,” says Mr. Andrew Lang , “it
is
impossible to deny that stories may conceivably h
civilized literature.” 19 The distribution of myth, like its origin,
is
inexplicable by any one theory. The discovery of
s mythical as the songs with which they are accredited. The following
is
a brief account of mythical prophets, of mythical
n the son, of the god Apollo, patron of musicians. This Thracian bard
is
said to have taught mysterious truths concerning
ch later period in Greek literature. Another Thracian bard, Thamyris,
is
said in his presumption to have challenged the Mu
art of our chapters on the Trojan War and the return of the Grecians,
is
almost as mythical a personage as the heroes he c
hical a personage as the heroes he celebrates. The traditionary story
is
that he was a wandering minstrel, blind and old,
nsmitting long productions were not yet in use. On the other hand, it
is
asked how poems of such length could have been ha
nded down from age to age by means of the memory alone. This question
is
answered by the statement that there was a profes
lars (about 537 b.c.) to collect and revise the Homeric poems; and it
is
probable that at that time certain passages of th
addressed. The date assigned to Homer, on the authority of Herodotus,
is
850 b.c. The preservation and further fashioning
f the Trojan War and myths of the two wars against Thebes.27 Hesiod
is
, like Homer, one of the most important sources of
of the most important sources of our knowledge of Greek mythology. He
is
thought by some to have been a contemporary of Ho
ry of Homer, but concerning the relative dates of the two poets there
is
no certainty. Hesiod was born in Ascra in Bœotia;
ile Hesiod may have written at a somewhat later period than Homer, it
is
noteworthy that his stories of the gods have more
n, but they establish her claim to eminent poetical genius. Her story
is
frequently alluded to. Being passionately in love
l youth named Phaon, and failing to obtain a return of affection, she
is
said to have thrown herself from the promontory o
e greatest work was a dithyramb or choral hymn to the god of wine. It
is
said that his music and song were of such sweetne
anaë, the most important of the fragments which remain of his poetry,
is
based upon the tradition that Danaë and her infan
ebrated. Vergil was born in Mantua in the year 70 b.c. His great poem
is
ranked next to those of Homer, in that noble clas
Homer, in that noble class of poetical composition, the epic. Vergil
is
inferior to Homer in originality and invention. T
ome. He was intimate with the family of Augustus, the emperor; and it
is
supposed that some serious offence given to a mem
ures of nature are striking and true; he selects with care that which
is
appropriate; he rejects the superfluous, and when
e; he rejects the superfluous, and when he has completed his work, it
is
neither defective nor redundant. The ‘Metamorphos
r knowledge of Greek and Roman myth.30 Seneca, the teacher of Nero,
is
best known for his philosophical treatises; but h
ce from which we, through our English ancestors, derive our origin, —
is
that of the Norsemen, who inhabited the countries
were inscribed: tombstones, spoons, chairs, oars, and so forth.33 It
is
doubtful whether mythological poems were ever wri
or dead. Such songs were called Drapas. The origin of Skaldic poetry
is
lost in mythic or prehistoric darkness, but the S
assigned to other writers of the twelfth and thirteenth centuries. It
is
probable, too, that in the Mythical Tales, or the
hraseology, figures, and art. Even at the present day, in Iceland, it
is
common to hear the term “void of Eddic art,” or “
t.” A rearrangement of Snorri’s Edda, by Magnus Olafsson (1574-1636),
is
much better known than the original work. In 1642
istorian who lived 1056-1133. Henceforth, consequently, Snorri’s work
is
called the Younger, or Prose Edda, in contradisti
ounger, or Prose Edda, in contradistinction to Bryniolf’s find, which
is
known as the Elder, the Poetical Edda, or the Edd
da, or the Edda of Sæmund. The oldest manuscript of the Poetical Edda
is
of the thirteenth century. Its contents were prob
43 Of these mythic-heroic prose compositions the most important to us
is
the Völsunga Saga, which was put together probabl
nga Saga, which was put together probably in the twelfth century, and
is
based in part upon the poems of the Elder Edda, i
ied have been advanced. It has been held by some that the German epic
is
an adaptation of the Norse version;46 by others,
ding from a common cradle, are of independent growth. The last theory
is
the most tenable.47 Concerning the history of the
of the three great manuscripts.49 But the theory advanced by Lachmann
is
still of great value: that the poem consists of a
, they have not materially affected English literature. The following
is
, however, a brief outline of the means by which s
Himalayas and began to push toward Southern Hindostan. The Sama-veda
is
a book of solemn chants and tunes. The Yajur-veda
rimitive stage of credulity, and of savage invention. The Mahâbhârata
is
a storehouse of mythical tradition. It contains s
contains several well-rounded epic poems, the most beautiful of which
is
the Episode of Nala, — a prince who, succumbing t
oraries, has gambled away his kingdom. The Great Feud of the Bhâratas
is
, indeed, assigned to an author — but his name, Vy
tten by the poet Vâlmîki. It tells how Sita, the wife of Prince Rama,
is
carried off to Ceylon by Râvana, king of the demo
n from the Greek epic. But, until the relative antiquity of the poems
is
established, the Iliad might as well be derived f
hed, the Iliad might as well be derived from the Râmâyana. The theory
is
unsubstantiated. These epics of India lack the ar
he most consistent account of the origin of the world and of the gods
is
given by the poet Hesiod, who tells us that Chaos
. But from Chaos itself issued Erebus,53 the mysterious darkness that
is
under Earth, — and Night, dwelling in the remote
onus. — Now follows the reign of Cronus, lord of Heaven and Earth. He
is
, from the beginning, of incalculable years. In wo
, from the beginning, of incalculable years. In works of art his head
is
veiled, to typify his cunning and his reserve; he
he immortals to withdraw their favor. Prometheus, a Creator. — There
is
a story which attributes the making of man to Pro
— Doubly enraged, Jupiter, in his turn, had recourse to stratagem. He
is
declared to have planned for man a curse in the s
the shape of woman. How the race had persisted hitherto without woman
is
a mystery; but that it had done so, with no sligh
uffocating sense of woe, Which speaks but in its loneliness, And then
is
jealous lest the sky Should have a listener, nor
us lest the sky Should have a listener, nor will sigh Until its voice
is
echoless… “Thy godlike crime was to be kind, To
we inherit.”61 § 26. A happy application of the story of Prometheus
is
made by Longfellow in the following verses: —62
nd songs are chanted, Full of promptings and suggestions. “Beautiful
is
the tradition Of that flight through heavenly por
n the vulture, — the despairing Cry of pain on crags Caucasian. “All
is
but a symbol painted Of the Poet, Prophet, Seer;
ate pulsations, In their words among the nations, The Promethean fire
is
burning. “Shall it, then, be unavailing, All thi
lture sailing Round the cloudy crags Caucasian! “Though to all there
is
not given Strength for such sublime endeavor, Thu
nds. At last Deucalion spoke: “Either my wit fails me, or the command
is
one we may obey without impiety. The earth is the
ails me, or the command is one we may obey without impiety. The earth
is
the great parent of all; the stones are her bones
other love affairs, not only in respect of goddesses, but of mortals,
is
, in part, explained by the fact that to the supre
, and foreign, divinities that were gradually identified with him. It
is
, therefore, not wise to assume that the love affa
ysical forces that have repeated themselves in ever-varying guise. It
is
important to understand that the more ideal Olymp
ions, and, like other statues of the period, “chryselephantine”; that
is
, composed of ivory and gold. For the parts repres
d at his nod.”72 Unfortunately, our knowledge of this famous statue
is
confined to literary descriptions, and to copies
Juno’s union with Jupiter was the prototype of earthly marriages. She
is
the type of matronly virtues and dignity. Fig.
and with her battle-cry awakening the echoes of heaven and earth. She
is
goddess of the lightning that leaps like a lance
om the cloud-heavy sky, and hence, probably, the name, Athene 74. She
is
goddess of the storms and of the rushing thunder-
74. She is goddess of the storms and of the rushing thunder-bolt, and
is
, therefore, styled Pallas. She is the goddess of
nd of the rushing thunder-bolt, and is, therefore, styled Pallas. She
is
the goddess of the thunder-cloud, which is symbol
refore, styled Pallas. She is the goddess of the thunder-cloud, which
is
symbolized by her tasselled breast-plate of goat-
bolized by her tasselled breast-plate of goat-skin, the ægis, whereon
is
fixed the head of Medusa, the Gorgon, that turns
he head of Medusa, the Gorgon, that turns to stone all beholders. She
is
also the goddess of war, rejoicing in martial mus
and protecting the war-horse and the war-ship. On the other hand, she
is
of a gentle, fair, and thoughtful aspect. Her Lat
is of a gentle, fair, and thoughtful aspect. Her Latin name, Minerva,
is
connected with the Sanskrit, Greek, and Latin wor
is connected with the Sanskrit, Greek, and Latin words for mind. She
is
eternally a virgin, the goddess of wisdom, of ski
lation, of spinning and weaving, of horticulture and agriculture. She
is
protectress of cities, and was specially worshipp
the war-god, son of Jupiter and Juno. The meaning of the name, Ares,
is
uncertain; the most probable significations are t
s are the Slayer, the Avenger, the Curse. The Roman god of war, Mars,
is
the bright and burning one. Homer, in the Iliad,
ife and slaughter are the condition of his existence. Where the fight
is
thickest, there he rushes in without hesitation,
re he rushes in without hesitation, without question as to which side
is
right. In battle-array, he is resplendent, — on h
tion, without question as to which side is right. In battle-array, he
is
resplendent, — on his head the gleaming helmet an
onze. Well-favored, stately, swift, unwearied, puissant, gigantic, he
is
still the foe of wisdom, the scourge of mortals.
etinue of blood-thirsty demons. As typifying the chances of war, Mars
is
, of course, not always successful. In the battles
ing him more than once to grief; and when he complains to Jupiter, he
is
snubbed as a renegade most hateful of all the god
a renegade most hateful of all the gods.76 His loved one and mistress
is
the goddess of beauty herself. In her arms the wa
erself. In her arms the warrior finds repose. Their daughter Harmonia
is
the ancestress of the unquiet dynasty of Thebes.
er 12: 2044.] His wife, according to the Iliad and Hesiod’s Theogony,
is
Aglaia, the youngest of the Graces; but in the Od
eogony, is Aglaia, the youngest of the Graces; but in the Odyssey, it
is
Venus. He is a glorious, good-natured god, loved
laia, the youngest of the Graces; but in the Odyssey, it is Venus. He
is
a glorious, good-natured god, loved and honored a
f the Hyperboreans, where for six continuous months of the year there
is
sunshine and spring, soft climate, profusion of h
the froward Tityus, and so the children of Niobe. While Phœbus Apollo
is
the Olympian divinity of the sun, fraught with li
their mother, the gray Dawn, Tells them that dreams and that the moon
is
gone. “Then I arise, and climbing Heaven’s blue
lamps on Earth or Heaven may shine, Are portions of one power, which
is
mine. “I stand at noon upon the peak of Heaven,
Atlantic even; For grief that I depart they weep and frown: What look
is
more delightful than the smile With which I sooth
ght be a secure resting-place for his beloved. The daughter of Latona
is
, as her name Artemis indicates, a virgin goddess,
virgin goddess, the ideal of modesty, grace, and maidenly vigor. She
is
associated with her brother, the prince of archer
rince of archery, in nearly all his adventures, and in attributes she
is
his feminine counterpart. As he is identified wit
adventures, and in attributes she is his feminine counterpart. As he
is
identified with sunlight, so is she, his fair-tre
he is his feminine counterpart. As he is identified with sunlight, so
is
she, his fair-tressed sister, with the chaste bri
essed sister, with the chaste brilliance of the moon. Its slender arc
is
her bow; its beams are her arrows with which she
d a speedy and painless death. In her prerogative of moon-goddess she
is
frequently identified with Selene, daughter of Hy
equently identified with Selene, daughter of Hyperion, just as Apollo
is
with Helios. Despising the weakness of love, Dian
cher 4: 603.] ———— “Queen and Huntress, chaste and fair, Now the sun
is
laid to sleep, Seated in thy silver chair. State
cus and hyacinth, violet, rose, lily, and narcissus. To her influence
is
ascribed the fruitfulness of the animal and of th
bed the fruitfulness of the animal and of the vegetable creation. She
is
goddess of gardens and flowers, of the rose, the
, and loving converse that steals the wits even of the wise.” For she
is
the mistress of feminine charm and beauty, the go
o mortals seductive form and fascination. To a few, indeed, her favor
is
a blessing; but to many her gifts are treacherous
er gifts are treacherous, destructive of peace. Her various influence
is
exemplified in the stories of Pygmalion and Adoni
dove. She was usually attended by her winged son Cupid, of whom much
is
to be told. Especially dear to her were Cyprus, C
s, and the Venus of the Medici.84 A comparison of the two conceptions
is
instituted in the following poem.85 The worshippe
an’s sly and servile grace, And the immortal beauty of thy face. One
is
the spirit of all short-lived love And outward, e
t-lived love And outward, earthly loveliness: The tremulous rosy morn
is
her mouth’s smile, The sky, her laughing azure ey
caress, Lie bare the soft hill-slopes, the while Her thrilling voice
is
heard In song of wind and wave, and every flittin
laughter when he turns, Shivering in mist of ocean’s sullen tears. It
is
the Medicean: well I know The arts her ancient su
space Opens immeasurably, and thy face Wavers and glimmers there and
is
withdrawn. And many days, when all one’s work is
d glimmers there and is withdrawn. And many days, when all one’s work
is
vain, And life goes stretching on, a waste gray p
hiest of Olympian divinities. As goddess of the burning hearth, Vesta
is
the divinity of the home: of settled, in oppositi
ets, the former as the type of rudeness, the latter of gentleness. It
is
and sighing was out of the question. Weary at las
Here, too, may be mentioned Æolus, the king of the winds, although he
is
not a lesser divinity of Heaven. His palace was o
ties of Sun and Moon respectively. Helios, the charioteer of the sun,
is
, as has been already said, frequently identified
(Eris), the goddess of Strife; and Iris, goddess of the rainbow, who
is
represented frequently as a messenger of the gods
general, was sister of Jupiter, and daughter of Cronus and Rhea. She
is
connected through her daughter Proserpine, queen
ng joys did first ordain; Bacchus’ blessings are a treasure, Drinking
is
the soldier’s pleasure; Rich the treasure, Sweet
the soldier’s pleasure; Rich the treasure, Sweet the pleasure, Sweet
is
pleasure after pain.”92 Fig. 23. Bacchus (Di
esemble youths, sometimes with sprouting horns. The goat-legged satyr
is
found in Roman poetry. Fig. 25. A Roman Satyr,
s realm lay deep in the bowels of the Earth 93 but in the Odyssey, it
is
in the far west on a low-lying island of Ocean.94
t on a low-lying island of Ocean.94 The realm of darkness underground
is
bounded by awful rivers: the Styx, sacred even am
herwise he left them gibbering on the hither bank. The abode of Pluto
is
represented as wide-gated, and thronged with gues
s entering, but inimical to those who would depart. The palace itself
is
dark and gloomy, set in the midst of uncanny fiel
or, at best, studded with futile bushes and pale-flowered weeds. This
is
the Garden of Proserpine. Fig. 26. Mercury con
western seas, to which Hermes conducts the outworn ghosts of mortals,
is
recorded in a passage of the Odyssey,99 already c
e sun neither rises nor sets. But Homer’s Elysium of the western seas
is
a happy land, not tried by sun, nor cold, nor rai
nder the happy rule of Rhadamanthus. The Elysium of Hesiod and Pindar
is
likewise in the Western Ocean, on the Islands of
land Atlantis. The blissful region may have been wholly imaginary. It
is
, however, not impossible that the myth had its or
d the shades of the dead. In his character of Hades, the viewless, he
is
hard and inexorable. By virtue of the helmet or c
rting their faces, sacrificed black sheep to him and to his queen. He
is
known also as Dis, Orcus, and Tartarus. Fig. 2
me applied both to the ruler of the shades and to his realm. When she
is
goddess of spring, dear to mankind, Proserpina be
lowers, and revisits the earth in duly recurring season. But when she
is
goddess of death, sitting beside Pluto, she direc
sitting beside Pluto, she directs the Furies, and, like her husband,
is
cruel, unyielding, inimical to youth and life and
rs of the Ocean were Glaucus, Leucothea, and Melicertes, of whom more
is
said in another section. The sympathy with classi
is said in another section. The sympathy with classical ideals, which
is
requisite to a due appreciation of the Greek theo
eals, which is requisite to a due appreciation of the Greek theogony,
is
nowadays a rare possession. There is, however, no
reciation of the Greek theogony, is nowadays a rare possession. There
is
, however, no strain of simulated regret in the. f
fference between ancient and modern conceptions of nature. The world
is
too much with us; late and soon, Getting and spen
g and spending, we lay waste our powers: Little we see in Nature that
is
ours; We have given our hearts away, a sordid boo
Heaven. He opens the year, the first month being named after him. He
is
the guardian deity of gates, on which account he
med after him. He is the guardian deity of gates, on which account he
is
commonly represented as facing both ways. His tem
sed to attend to the welfare and prosperity of the family. Their name
is
derived from Penus, the storehouse or inner chamb
elieved that every man had his Genius, and every woman her Juno; that
is
, a spirit who had given them being, and was regar
ne ancestry. Her father was the river-god Inachus, son of Oceanus. It
is
said that Juno, one day, perceiving the skies sud
Young man,” said he, “come and take a seat by me on this stone. There
is
no better place for your flock to graze in than h
no better place for your flock to graze in than hereabouts, and here
is
a pleasant shade such as shepherds love.” Mercury
was supplanted in Heaven, cried, “So do my punishments result — such
is
the extent of my power! I forbade her to wear hum
Phœnicia, son of the god Neptune. The story of Jupiter’s love for her
is
thus told by the idyllic poet, Moschus: — To Eur
s sent by Cypris, when the third watch of the night sets in, and near
is
the dawning; when sleep more sweet than honey res
us mount the bull here and take our pastime, for truly, he will bear
is
on his back, and carry all of us! And how mild he
ly, he will bear is on his back, and carry all of us! And how mild he
is
, and dear, and gentle to behold, and no whit like
feet through the path of the sea-beasts, nor fearest the sea? The sea
is
a path meet for swift ships that traverse the bri
hat traverse the brine, but bulls dread the salt sea-ways. What drink
is
sweet to thee, what food shalt thou find from the
lp being afraid. People are not always what they pretend to be. If he
is
indeed Jove, make him give some proof of it. Ask
uaded to try the experiment. She asks a favor, without naming what it
is
. Jove gives his promise, and confirms it with the
putting on all his terrors, as when he overthrew the giants, but what
is
known among the gods as his lesser panoply. With
ter’s love affairs might yet be involved in the consequences of them,
is
illustrated by the fortunes of Ægina. This maiden
ated their land with a plague. The following account of this calamity
is
placed in the mouth of Æacus, king of the island:
under the storm-shaken oak. You see yonder a temple on the height. It
is
sacred to Jupiter. Often, while the priest made r
occupied himself in hunting and tending the flocks. Amphion, himself,
is
one of the most famous of mythical musicians. Hav
e most famous of mythical musicians. Having become king of Thebes, it
is
said that when he played on his lyre, stones move
g Tantalus, there befell him and his house a crushing calamity, which
is
narrated among the exploits of Apollo and Diana.1
22 § 65. The kindly interest evinced by the Thunderer toward mortals
is
displayed in the story of Baucis and Philemon. —
saints, and the house being changed into a church, of which Philemon
is
made the parson: — … They scarce had spoke, when
the queen of heaven deemed the greatest blessing reserved for mortals
is
narrated in the beautiful myth of Biton and Cleob
r station, and attaches the web to the beam. Then the slender shuttle
is
passed in and out among the threads. The reed wit
up the woof into its place, and compacts the web. Wool of Tyrian dye
is
contrasted with that of other colors, shaded off
another so adroitly that the joining deceives the eye. And the effect
is
like the bow whose long arch tinges the heavens,
nap which on his wings doth lie, The silken down with which his back
is
dight, His broad outstretched horns, his hairy th
ansformed her into a spider, forever spinning the thread by which she
is
suspended.128 3. Myths of Mars. § 68. The
ause thou didst beget that reckless maiden and baleful, whose thought
is
ever of iniquitous deeds. For all the other gods
ther in deed nor word, but settest her on, because this pestilent one
is
thine own offspring. Now hath she urged on Tydeus
ou ever lovest strife and wars and battles. Truly thy mother’s spirit
is
intolerable, unyielding, even Juno’s; her can I s
tal mould. Even as fig juice maketh haste to thicken white milk, that
is
liquid but curdleth speedily as a man stirreth, e
hing upon their minds, Cadmus one day exclaimed, “If a serpent’s life
is
so dear to the gods, I would I were myself a serp
, prayed the gods to let her share his fate. Both became serpents. It
is
said that, mindful of their origin, they neither
f Vulcan. Velasquez. That Vulcan was not permanently hostile to Juno
is
shown by the services that on various occasions h
e rustics forbade her. “Why do you refuse me water?” said she. “Water
is
free to all. Yet I ask it of you as a favor. I ha
he sang for the first time that song of victory, which, as the Pæan,
is
still among all nations synonymous with jubilatio
ount Pelion on top, to scale the skies and dethrone the immortals. It
is
reported that not Apollo and Diana, but Jupiter h
utiful than the Tyrian sprang up, resembling the lily, save that this
is
purple and that silvery white. Phœbus then, to co
terrible right arm hurls the thunderbolts. The first part of the way
is
steep, and such as the horses when fresh in the m
as the horses when fresh in the morning can hardly climb; the middle
is
high up in the heavens, whence I myself can scarc
road descends rapidly, and requires most careful driving. Tethys, who
is
waiting to receive me, often trembles for me lest
mbles for me lest I should fall headlong. Add to this that the heaven
is
all the time turning round and carrying the stars
p thy course, while the sphere revolved beneath thee? The road, also,
is
through the midst of frightful monsters. Thou mus
load they drew was lighter than usual; and as a ship without ballast
is
tossed hither and thither on the sea, the chariot
eheld the world on fire, and felt the heat intolerable. Then, too, it
is
said, the people of Ethiopia became black because
Danaans the loathsome pestilence.147 § 77. The Punishment of Niobe
is
another illustration of the swift and awful venge
thy hard heart, while I follow to the grave my seven sons. Yet where
is
thy triumph? Bereaved as I am, I am still richer
Linus. — How the people of Argos fell under the displeasure of Apollo
is
told in the story of Linus, a beautiful son of Ap
mphrysus. How the god lived among men, and what, they thought of him,
is
well told in the following verses: — The Shepher
suburb tomb. Gladness be with thee, Helper of our world! I think this
is
the authentic sign and seal Of Godship that it ev
hast lost.” Ah, but the tears come, find the words at fault! There
is
no telling how the hero twitched The veil off; an
s and maidens of mortal mould. § 83. Apollo, Pan, and Midas. 155 — It
is
said that on a certain occasion Pan had the temer
entreaties. “Stay,” said he, “daughter of Peneüs; I am not a foe. It
is
for love I pursue thee. I am no clown, no rude pe
It is for love I pursue thee. I am no clown, no rude peasant. Jupiter
is
my father. I am lord of Delphi and Tenedos. I kno
ou shalt be woven into wreaths for their brows. And, as eternal youth
is
mine, thou also shalt be always green, and thy le
By a strange kind of smile he put on when he thought of her. “My case
is
like Dido’s,” he sometimes remarked; “When I last
would forever intrude That you’ve less chance to win her the more she
is
wood? Ah! it went to my heart, and the memory sti
If her tongue had a tang sometimes more than was right, Her new bark
is
worse than ten times her old bite.”163 § 86. Cl
o offended her. How she served Agamemnon for slaying one of her hinds
is
told in the story of Troy;165 how she punished Œn
ry of Troy;165 how she punished Œneus for omitting a sacrifice to her
is
narrated in the episode of the Calydonian hunt.16
ddess are exemplified in the myths of Arethusa, Actæon, and Orion. It
is
only when she is identified with Selene, the peac
fied in the myths of Arethusa, Actæon, and Orion. It is only when she
is
identified with Selene, the peaceful moonlight, t
ctæon, grandson of Cadmus whose kindred fell under the curse of Mars,
is
thus narrated. One day, having repaired to a vall
rowess and manly favor gained for him the rare good-will of Diana. It
is
related that he loved Merope, the daughter of Œno
h their number was seven, only six stars are visible; for Electra, it
is
said, left her place that she might not behold th
ably ranges the expanse of heaven. According to some, the lost Pleiad
is
Merope, who was vested with mortality in conseque
s. Vedder. Tennyson’s reference to the Pleiads, in “Locksley Hall,”
is
of course familiar to all readers. § 92. Endymion
. Endymion. — The frequent absence of Diana from her duties in heaven
is
said to have awakened suspicion among the deities
oubted whether she actually occupied these intervals with hunting. It
is
easy to imagine the satisfaction with which Venus
s and of her relations with Anchises,175 the father of Æneas, mention
is
elsewhere made. The following is the myth of Venu
ses,175 the father of Æneas, mention is elsewhere made. The following
is
the myth of Venus and Adonis. Adonis. 176 — The
nd over the hills, girt like the huntress Diana. She chased game that
is
safe to hunt, but kept clear of the wolves and be
ave toward the timid,” she would say, “courage against the courageous
is
not safe.” Having thus, on one occasion, warned h
s side, and stretched him dying upon the plain. The rest of the story
is
thus recounted: — Fig. 51. Celestial Venus. [W
l painting: H. and P.] The Lament for Adonis.177 … Low on the hills
is
lying the lovely Adonis, and his thigh with the b
his thigh with the boar’s tusk, his white thigh with the boar’s tusk
is
wounded; and sorrow on Cypris he brings, as softl
y and dim; and the rose flees from his lip, and thereon the very kiss
is
dying, the kiss that Cypris will never forego. …
ll lovely things drift down to thee. But I am ill-fated, inconsolable
is
my anguish; and I lament mine Adonis, dead to me,
hrice-desired, and my desire hath flown away as a dream! Nay, widowed
is
Cytherea, and idle are the Loves along the halls!
but the beauty of the youngest was such that the poverty of language
is
unable to express its praise. In fact, Venus foun
ds, consulted the oracle of Apollo. They received answer, “The virgin
is
destined for the bride of no mortal lover. Her hu
o mortal lover. Her husband awaits her on the top of the mountain. He
is
a monster whom neither gods nor men can resist.”
visible being addressed her: “Sovereign lady, all that thou beholdest
is
thine. We whose voices thou dost hear are thy ser
d, “mayhap thou wouldst fear, mayhap adore, me; but all I ask of thee
is
love. I would rather thou shouldst love me as an
owned with roses. Seeing the task done, she promptly exclaimed, “This
is
no work of thine, wicked one, but his, whom to th
nd be immortal. Thy Cupid shall never break from the knot in which he
is
tied; these nuptials shall, indeed, be perpetual.
orn to them whose name was Pleasure. The allegory of Cupid and Psyche
is
well presented in the following lines: — They wo
the works of Apuleius, a writer of the second century of our era. It
is
therefore of much more recent date than most of t
t Cupid pin’d, And, looking in her face, was strooken blind. But this
is
true: so like was one the other, As he imagined H
orous look. It lies not in our power to love or hate, For will in us
is
overrul’d by fate. When two are stript long e’er
each respect: The reason no man knows; let it suffice, What we behold
is
censur’d by our eyes. Where both deliberate, the
at we behold is censur’d by our eyes. Where both deliberate, the love
is
slight: Who ever lov’d, that lov’d not at first
d her hand; in touching it she trembled: Love deeply grounded, hardly
is
dissembled… So they conversed by touch of hands,
herself into the, sea and perished. A picture of the drowning Leander
is
thus described by Keats 186: — Come hither all s
o-day I give.’”189 A fuller account of Venus’ address to the statue
is
the following: — “O maiden, in mine image made!
m the union Paphos was born, by whose name the city, sacred to Venus,
is
known. § 98. Pyramus and Thisbe. 191 — Pyramus wa
es on the cold lips. “O, Pyramus,” she cried, “what has done this? It
is
thine own Thisbe that speaks.” At the name of Thi
d for my sake,” she said. “I, too, can be brave for once, and my love
is
as strong as thine. But ye, unhappy parents of us
te the future only by signs, not by speech or song, as did Apollo. It
is
said that the god of gain avenged himself, for th
e the cultivation of the vine. The most famous part of his wanderings
is
his expedition to India, which is said to have la
most famous part of his wanderings is his expedition to India, which
is
said to have lasted several years. Returning in t
ll us where thou wouldst go, and we will convey thee thither.” “Naxos
is
my home,” said Bacchus; “take me there, and ye sh
ing, “Sailors, these are not the shores ye promised me; yonder island
is
not my home. It is small glory ye shall gain by c
e are not the shores ye promised me; yonder island is not my home. It
is
small glory ye shall gain by cheating a poor boy.
re him to pieces, — his mother shouting, “Victory! Victory! the glory
is
ours! ” . So the worship of Bacchus was establish
ho had been deserted by her lover, Theseus. How Bacchus comforted her
is
related in another section.199 Behold, behold!
his great flight, Whose ivory arms hold up the golden lyre? What form
is
this of more than mortal height? What matchless b
f Pan, the god of the fields. But that he had not gained common sense
is
shown by the decision that he delivered somewhat
n heaven some despise our power? Minerva and Diana defy us; and there
is
that daughter of Ceres, who threatens to follow t
t arrow, and sped it right to the heart of Pluto. In the vale of Enna
is
a lake embowered in woods, where Spring reigns pe
nd Sisyphus sat on his rock to listen.208 Then for the first time, it
is
said, the cheeks of the Furies were wet with tear
s buried the fragments of his body at Libethra, where the nightingale
is
said to sing over his grave more sweetly than in
e superior melody of the nightingale’s song over the grave of Orpheus
is
alluded to by Southey in his Thalaba: — “Then on
f Jupiter, after the overthrow of the giants. They were compelled, it
is
said, to resign for a season their respective fun
reased in beauty and speed on the pastures watered by his streams. It
is
said, indeed, that the first and fleetest of hors
ether by the speed of his horses or by the aid of Hippodamia, who, it
is
said, bribed her father’s charioteer, Myrtilus, t
s charioteer, Myrtilus, to take a bolt out of the chariot of Œnomaüs,
is
uncertain. At any rate, Pelops married Hippodamia
interwoven. That the winds, which sweep heaven, should kiss the stars
is
easy to understand. The stories of Aurora, and of
og and a javelin, which she handed over to her husband. Of the dog it
is
told that when about to catch the swiftest fox in
aying, she expired in her lover’s arms. An altogether different story
is
the following:218 — Procris, the nymph, had wedd
he sky with her bow, seeks the cave near the Cimmerian country, which
is
the abode of the dull god, Somnus. Here Phœbus da
t distils slumbers, which she scatters over the darkened earth. There
is
no gate to creak on its hinges, nor any watchman.
ds the winds to blow. Then Halcyon broods over her nest; then the way
is
safe to seafarers. Æolus confines the winds that
es be heard. Finally she turned him into a grasshopper. The following
is
, according to the finest of poetic conceptions, t
, Or pass beyond the goal of ordinance Where all should pause, as
is
most meet for all? “A soft air fans the cloud
e. The dew-drops are her tears.222 The kinship of Memnon to the Dawn
is
certified even after his death. On the banks of t
eath. On the banks of the Nile are two colossal statues, one of which
is
called Memnon’s; and it was said that when the fi
m haunted spring and dale, Edged with poplar pale, The parting Genius
is
with sighing sent; With flower-enwoven tresses to
or a time, by the revolt against the divine prerogative of nature, it
is
more than possible that the heart lost in due pro
more than possible that the heart lost in due proportion. Indeed, it
is
only a false Christianity that fails to recognize
air and the lilies of the field as well as in man. True Christianity
is
not selfish. His sorrow at this loss of imaginati
dsworth expresses in the sonnet, already cited, beginning, “The world
is
too much with us.” 227 Schiller, also, by his poe
will weep not! earth shall roll Heir to each god’s aureole, And Pan
is
dead. “Earth outgrows the mythic fancies Sung be
nair romances Sound but dull beside the truth. Phœbus’ chariot course
is
run! Look up, poets, to the sun! Pan, Pan is dea
Phœbus’ chariot course is run! Look up, poets, to the sun! Pan, Pan
is
dead.” True enough from the philosophical point
poetic. Phœbus’ chariot course shall not be finished so long as there
is
a sun, or a poet to gaze upon it. And that Pan is
ed so long as there is a sun, or a poet to gaze upon it. And that Pan
is
not yet dead, but alive even in the practical atm
im from the step I sat on. Doubting I mused upon the cry — “Great Pan
is
dead!” — and all the people Went on their ways: —
n the adventures of Bacchus. What kind of existence the Satyr enjoyed
is
conveyed in the following soliloquy: — Pl. 12.
guished for it, and pined until he died. Indeed, even after death, it
is
said that when his shade passed the Stygian river
yde, and the Satyr. — Another interesting episode in the life of Echo
is
given by Moschus: 232— Pan loved his neighbor Ec
im, are hers and mine; And when the days are mild and fair, And grass
is
springing, buds are blowing, Sweet it is, ’mid wa
are mild and fair, And grass is springing, buds are blowing, Sweet it
is
, ’mid waters flowing, Here to sit and know no car
s face was worn and sad! “Mild joys like silvery waters fall; But it
is
sweetest, sweetest far of all, In the calm summer
s physical sight; but the superior insight of Lowell’s interpretation
is
evident. § 124. Pomona and Vertumnus. 237 — Pomon
rpowering the sound of the instruments: — “Happy the man whose heart
is
pure from guilt and crime! Him we avengers touch
milk-white Galatea, why cast off him that loves thee? More white than
is
pressed milk to look upon, more delicate than the
t all, have I the strength, even from that hour. But to thee all this
is
as nothing, by Zeus, nay, nothing at all! “I know
, by Zeus, nay, nothing at all! “I know, thou gracious maiden, why it
is
that thou dost shun me. It is all for the shaggy
! “I know, thou gracious maiden, why it is that thou dost shun me. It
is
all for the shaggy brow that spans my forehead, f
om this to the other ear, one long, unbroken eyebrow. And but one eye
is
on my forehead, and broad is the nose that overha
long, unbroken eyebrow. And but one eye is on my forehead, and broad
is
the nose that overhangs my lip. Yet I (even such
gy and rough, well, I have faggots of oak-wood, and beneath the ashes
is
fire unwearied, and I would endure to let thee bu
t thee burn my very soul, and this my one eye, the dearest thing that
is
mine. “Ah me, that my mother bore me not a finny
me stranger come hither, sailing with his ship, that I may see why it
is
so dear to thee to have thy dwelling in the deep.
em, and softly they all laugh, if perchance I answer them. On land it
is
plain that I, too, seem to be somebody! ” 241 H
a sea-god. Of his experience during this “sea-change,” the following
is
an account: — Fig. 73. Glaucus and Scylla. [Wa
inting: H. and P.] A modern version of the fate of Glaucus and Scylla
is
given by Keats in the Endymion. Glaucus consents
he endeavors to escape from her. The attempt proving unsuccessful, he
is
brought back, and sentenced to pass a thousand ye
beloved of the gods will, in time, appear and help him. This prophecy
is
fulfilled by Endymion, who aids in restoring Glau
overs to life. § 128. Nisus and Scylla. 247 — The daughter of Phorcys
is
frequently confounded with another Scylla, daught
e gentle nymph… that with moist curb sways the smooth Severn stream,”
is
but one refrain of many caught by the poet from t
was Abas; their grandson, Acrisius, — of whom the following narrative
is
told. Fig. 76. The Danaïds. [Relief on an alta
, straggling underneath, The agonies of anguish and of death. Yet it
is
less the horror than the grace Which turns the ga
so closely on those of Perseus. His father, Glaucus, king of Corinth,
is
frequently identified with Glaucus the fisherman.
ore their master to pieces. As to his son, Bellerophon, the following
is
related: — In Lycia a monster, breathing fire, ma
his daughter in marriage and made him his successor on the throne. It
is
said that Bellerophon, by his pride and presumpti
lay in the west, under the rays of the setting sun. This description
is
thought to apply to Spain, of which Geryon was ki
a mate shouts out to the seamen, ‘Up with the gear, my lads, the wind
is
fair for sailing.’ “Then the nymphs held the weep
forth, carrying his bended bow in Scythian fashion and the club that
is
ever grasped in his right hand. Thrice he shouted
g; and Jason’s quest was all postponed to this… “Thus loveliest Hylas
is
numbered with the Blessed; but for a runaway they
s friends and his sweetheart accompanying, hastened to the vessel. It
is
said that, in order to delay the pursuit of her f
houts of his pursuers, and rushed forth against them. One and another
is
thrown down and slain. Jason, Nestor, Telamon ope
arments of joy for those of mourning. But when the author of the deed
is
known, grief gives way to the stern desire of ven
The feelings of the mother and the sister contend within her. Now she
is
pale at the thought of the purposed deed, now flu
those whom he loves, Atalanta and his mother. But speedily the brand
is
ashes, and the life of Meleager is breathed forth
his mother. But speedily the brand is ashes, and the life of Meleager
is
breathed forth to the wandering winds. When, at l
ng Æacus, to Hades, where the three became judges of the Shades. This
is
the Minos mentioned by Homer and Hesiod, — the em
r and Hesiod, — the eminent law-giver. Of his grandson, Minos II., it
is
related that when aiming at the crown of Crete, h
out. The Minotaur, roaming therein, lived upon human victims. For, it
is
said that, after Minos had subdued Megara,321 a t
Off they came; and down the lad dropped into the sea, which after him
is
named Icarian. Fig. 88. Dædalus and Icarus. [R
s disposed of Minos by scalding him to death while he was bathing. It
is
said that Dædalus could not bear the idea of a ri
raught. Medea fled to Asia, where the country afterwards called Media
is
said to have received its name from her. Theseus
stonily gazes — Heart o’erwhelmed with woe— ah, thus, while thus she
is
gazing, — Down from her yellow hair slips, sudden
ching with tear-wet lips poor sobs that shivering choked her: — “Thus
is
it far from my home, O traitor, and far from its
— Thus on a desert strand, — dost leave me, treacherous Theseus? Thus
is
it thou dost flout our vow, dost flout the Immort
trustworthy within them! Verily, while in anguish of heart his spirit
is
longing, Nothing he spares to assever, nor aught
the ocean! No, no way of escape, where the circling sea without shore
is
, — No, no counsel of flight, no hope, no sound of
n that holds the serpent. § 155. The Amazons. — As king of Athens, it
is
said that Theseus undertook an expedition against
nts, boldly advanced to the trial. The Sphinx asked him, “What animal
is
it that in the morning goes on four feet, at noon
d his bidding, bathed his limbs, And clothed them in the garment that
is
meet. And when he had his will in all they did, A
e, Caring for me. Hard was it, that I know, My children! Yet one word
is
strong to loose, Although alone, the burden of th
ground, and he, his chariot, and his charioteer were swallowed up. It
is
unnecessary here to detail all the acts of herois
o avert her fate, would not survive her, and fell by his own hand. It
is
only after his son’s death, and as he gazes upon
ould spring from this union of a goddess with a mortal. The following
is
from a translation of the famous poem, The Weddin
ualid the rust creeps up o’er ploughs forgotten of ploughmen. Bright
is
the palace, ay, through far retreating recesses B
e glad with imperial splendor, — Ay, but most — in the hall midmost —
is
the couch of the goddess, Glorious, made of the t
ourneying Phœbus, — They, at first, blown outward unroughly when Dawn
is
a-rising, Limp slow-footed, and loiter with laugh
ther, they accompanied the Argonauts. During the voyage to Colchis it
is
said that, a storm arising, Orpheus prayed to the
o Tauris, where Diana made her priestess of her temple.348 Iphigenia
is
represented as thus describing her feelings at th
orld; and when the hero died a second time Laodamia died with him. It
is
said that the nymphs planted elm trees round his
e cause of the Greeks, — a quarrel between Achilles and Agamemnon. It
is
at this point that the great poem of Homer, the I
h over his friend, and to guide his inexperience. “Now,” said Nestor “
is
the time for such guidance. If the gods so please
om darkness; clear the skies; Give day; and, since thy sovereign will
is
such, Destruction with it; but, oh, give us day!”
n and all her treasures and ample of our own beside? Ah no! even that
is
too late. He would not hear me through, but slay
iphobus was gone. Then Hector understood his doom and said, “Alas! it
is
plain this is my hour to die ! I thought Deiphobu
ne. Then Hector understood his doom and said, “Alas! it is plain this
is
my hour to die ! I thought Deiphobus at hand, but
to die ! I thought Deiphobus at hand, but Pallas deceived me, and he
is
still in Troy. But I will not fall inglorious.” S
f life. Even now, mayhap, some neighbor chief oppresses him and there
is
none at hand to succor him in his distress. Yet,
Troy. — The story of the Iliad ends with the death of Hector, and it
is
from the Odyssey and later poems that we learn th
r — he was captivated with her charms; and to win her in marriage, it
is
said (but not by Homer), that he agreed to influe
, Laocoön, the priest of Neptune, exclaimed, “What madness, citizens,
is
this! Have you not learned enough of Grecian frau
lential breath in their faces. The father, attempting to rescue them,
is
next seized and involved in the serpent’s coils.
charmingly expressed the dreamy, languid feeling which the lotus-food
is
said to have produced. “… How sweet it were, hea
of grass, Two handfuls of white dust, shut in an urn of brass! “Dear
is
the memory of our wedded lives, And dear the last
and alley lone Round and round the spicy downs the yellow Lotos-dust
is
blown. We have had enough of action, and of motio
ses approaching him handed him a bowl of wine, saying, “Cyclops, this
is
wine; taste and drink after thy meal of man’s fle
party devoured. He asked his name, to which Ulysses replied, “My name
is
Noman.” After his supper the giant sought his re
e, and Noman gives the blow.” They answered, “If no man hurts thee it
is
the stroke of Jove, and thou must bear it.” So sa
ps, the gods have well requited thee for thy atrocious deeds. Know it
is
Ulysses to whom thou owest thy shameful loss of s
but hoping Behind death’s doors security of sleep; — For yet to laugh
is
somewhat, and to sleep; — To feel delight of livi
signal to unseal their ears, and they relieved him from his bonds. It
is
said that one of the Sirens, Parthenope, in grief
none spoke. At last an aged statesman, addressing the king, said, “It
is
not fit that a stranger who asks our hospitality
o try; for, said he, “beggar as I am, I was once a soldier, and there
is
still some strength in these old limbs of mine.”
f windy Troy. I am a part of all that I have met; Yet all experience
is
an arch wherethro’ Gleams that untravell’d world,
orld, whose margin fades Forever and forever when I move. How Hull it
is
to pause, to make an end, To rust unburnish’d, no
Were all too little, and of one to me Little remains; but every hour
is
saved From that eternal silence, something more,
like a sinking star, Beyond the utmost bound of human thought. “This
is
my son, mine own Telemachus, To whom I leave the
’ soft degrees Subdue them to the useful and the good. Most blameless
is
he, centred in the sphere Of common duties, decen
the Happy Isles, And see the great Achilles, whom we knew. Tho’ much
is
taken, much abides: and tho’ We are not now that
jans heard with joy, and immediately began to ask one another, “Where
is
the spot intended by the oracle?” Anchises rememb
, approached in the guise of Phorbas and said, “Palinurus, the breeze
is
fair, the water smooth, and the ship sails steadi
im to accomplish the task. The Sibyl replied, “The descent to Avernus
is
easy; the gate of Pluto stands open night and day
and day; but to retrace one’s steps and return to the upper air, that
is
the toil, that the difficulty.385 She instructed
The region where Vergil locates the entrance to the infernal regions
is
, perhaps, the most strikingly adapted to excite i
of the terrific and preternatural of any on the face of the earth. It
is
the volcanic region near Vesuvius, where the whol
rth. It is the volcanic region near Vesuvius, where the whole country
is
cleft with chasms from which sulphurous flames ar
left with chasms from which sulphurous flames arise, while the ground
is
shaken with pent-up vapors, and mysterious sounds
ysterious sounds issue from the bowels of the earth. The lake Avernus
is
supposed to fill the crater of an extinct volcano
lake Avernus is supposed to fill the crater of an extinct volcano It
is
circular, half a mile wide, and very deep, surrou
gloomy forest. Mephitic vapors rise from its waters, so that no life
is
found on its banks, and no birds fly over it. Her
e punishments produced the sounds he heard? The Sibyl answered, “Here
is
the judgment hall of Rhadamanthus, who brings to
ght him the difference between mortal weapons and divine. Here, also,
is
Tityus, the giant, whose form is so immense, that
rtal weapons and divine. Here, also, is Tityus, the giant, whose form
is
so immense, that, as he lies, he stretches over n
ine acres, while a vulture preys upon his liver, which, as fast as it
is
devoured grows again, so that his punishment will
, and drink oblivion of their former lives.”“O, father!” said Æneas, “
is
it possible that any can be so in love with life,
d. Thus the more earth predominates in the composition, the less pure
is
the individual; and we see that men and women wit
n proportion to the time which the union of body and soul has lasted,
is
the impurity contracted by the spiritual part. Th
spiritual part. This impurity must be purged away after death, which
is
done by ventilating the souls in the current of w
heir impurities by fire. Some few, of whom Anchises intimates that he
is
one, are admitted at once to Elysium, there to re
and accepted the omen. “All hail, promised land!” he exclaimed, “this
is
our home, this our country!” He then took measure
to say, “O goddess-born, destined possessor of the Latin realms, this
is
the promised land, here is to be thy home, here s
stined possessor of the Latin realms, this is the promised land, here
is
to be thy home, here shall terminate the hostilit
chief. He has long been at strife with Turnus and the Rutulians, and
is
prepared to become an ally of thine. Rise! offer
oon joining them, the old king spoke thus: — “Illustrious Trojan, it
is
but little we can do in so great a cause. Our sta
ous Trojan, it is but little we can do in so great a cause. Our state
is
feeble, hemmed in on one side by the river, on th
e their demand; but their priests restrain them, telling them that it
is
the will of heaven that no native of the land sha
n to me, but I am too old to undertake such great affairs, and my son
is
native-born, which precludes him from the choice.
ndship. Euryalus replied, “I have but one boon to ask. My aged mother
is
with me in the camp. For me she left the Trojan s
(the region of darkness and cold). By the side of each of these roots
is
a spring, from which it is watered. The root that
cold). By the side of each of these roots is a spring, from which it
is
watered. The root that extends into Asgard is car
a spring, from which it is watered. The root that extends into Asgard
is
carefully tended by the three Norns, — goddesses
i (the present), Skuld (the future). The spring at the Jotunheim side
is
Mimir’s well, in which wisdom and wit lie hidden,
78. Odin and his Valhalla. — To Asgard, the abode of the gods, access
is
gained only by crossing the bridge, Bifrost (the
onsists of golden and silver palaces: but the most beautiful of these
is
Valhalla, the great hall of Odin. When seated on
lie his two wolves, Geri and Freki, to whom Odin gives the meat that
is
set before him, for he himself stands in no need
hat is set before him, for he himself stands in no need of food. Mead
is
for him both food and drink. He invented the Runi
nted the Runic characters; the decrees of fate, inscribed therein, it
is
the business of the Norns to engrave upon a metal
e upon a metal shield. From Odin’s name, spelt Woden, as it sometimes
is
, comes Wednesday. Odin is frequently called Alfad
m Odin’s name, spelt Woden, as it sometimes is, comes Wednesday. Odin
is
frequently called Alfadur (All-father), but this
nesday. Odin is frequently called Alfadur (All-father), but this name
is
sometimes used in a way that shows that the Scand
who die a peaceful death are excluded. The flesh of the boar Serimnir
is
served up to them, and is abundant for all. For a
re excluded. The flesh of the boar Serimnir is served up to them, and
is
abundant for all. For although this boar is cooke
is served up to them, and is abundant for all. For although this boar
is
cooked every morning, he becomes whole again ever
he court or field and fight until they cut each other in pieces. This
is
their pastime; but when meal time comes, they rec
mounted upon horses and armed with helmets, shields, and spears. Odin
is
desirous of gathering many heroes in Valhalla tha
389 § 179. The Other Gods. — Thor, the thunderer, Odin’s eldest son,
is
the strongest of gods and men, and possesses thre
ngest of gods and men, and possesses three precious things. The first
is
a hammer, which both the Frost and the Mountain g
rns to his hand of its own accord. The second rare thing he possesses
is
the belt of strength. When he girds it about him
is the belt of strength. When he girds it about him his divine might
is
doubled. The third is his iron gloves, which he p
th. When he girds it about him his divine might is doubled. The third
is
his iron gloves, which he puts on whenever he wou
uts on whenever he would use his mallet efficiently. From Thor’s name
is
derived our word Thursday. Vithar comes next in s
r rain and sunshine and all the fruits of the earth. His sister Freya
is
the most propitious of the goddesses. She loves m
She loves music, spring, and flowers, and the fairies of Elfheim. She
is
the goddess of love. Her day is Friday. Bragi is
wers, and the fairies of Elfheim. She is the goddess of love. Her day
is
Friday. Bragi is the god of poetry, and his song
ies of Elfheim. She is the goddess of love. Her day is Friday. Bragi
is
the god of poetry, and his song records the deeds
only to taste of to become young again. Tyr, or Ziu, from whose name
is
derived our Tuesday, is the wrestler among the go
me young again. Tyr, or Ziu, from whose name is derived our Tuesday,
is
the wrestler among the gods; and preëminently the
and preëminently the “god of battles.” Balder, dearest of the Anses,
is
the god of sunlight, spring, and gladness. Höder,
s, is the god of sunlight, spring, and gladness. Höder, his opposite,
is
the blind god of winter. Heimdall is the watchma
gladness. Höder, his opposite, is the blind god of winter. Heimdall
is
the watchman of the gods, and is therefore placed
s the blind god of winter. Heimdall is the watchman of the gods, and
is
therefore placed on the borders of heaven to prev
sees by night as well as by day a hundred miles around him. So, acute
is
his ear that no sound escapes him, for he can eve
grow, — and the wool on a sheep’s back. Loki and his Progeny. — Loki
is
described as the calumniator of the gods and the
lumniator of the gods and the contriver of all fraud and mischief. He
is
the son of Farbanti, the Charon of Norse mytholog
ischief. He is the son of Farbanti, the Charon of Norse mythology. He
is
handsome and well made, but of fickle mood and ev
er by his cunning, wit, and skill. Loki has three children. The first
is
the wolf Fenris, the second the Midgard Serpent,
they came he threw the serpent in that deep ocean by which the earth
is
surrounded. But the monster has grown to such an
or regions, in which she distributes those who are sent to her; that
is
, all who die of sickness or old age. Her hall is
re sent to her; that is, all who die of sickness or old age. Her hall
is
called Elvidnir. Hunger is her table, Starvation
l who die of sickness or old age. Her hall is called Elvidnir. Hunger
is
her table, Starvation her knife, Delay her man, S
angings of her apartments. She may easily be recognized, for her body
is
half flesh color and half blue, and she presents
the mountain spirits, who made for them the chain called Gleipnir. It
is
fashioned of six things: the noise made by the fo
ked up, Thor contented himself with simply asking his name. “My name
is
Skrymir,” said the giant, “but I need not ask thy
, “An acorn fell on my head. What! Art, thou awake, Thor? Methinks it
is
time for us to get up and dress ourselves; but yo
eats that thou and thy fellows deem yourselves skilled in, for no one
is
permitted to remain here who does not, in some fe
or other, excel all other men?” “The feat that I know,” said Loki, “
is
to eat quicker than any one else, and in this I a
The cupbearer having presented it to Thor, Utgard-Loki said, “Whoever
is
a good drinker will empty that horn at a single d
turned out,” said Utgard-Loki, “just as I imagined it would. The cat
is
large, but Thor is little in comparison to our me
Utgard-Loki, “just as I imagined it would. The cat is large, but Thor
is
little in comparison to our men.” “Little as ye
he has thrown to the ground many a man not less strong than this Thor
is
.” A toothless old woman then entered the hall, a
the hall, and was told by Utgard-Loki to take hold of Thor. The tale
is
shortly told. The more Thor tightened his hold on
rought great shame on himself. “And what grieves me most,” he added, “
is
that ye will call me a person of little worth.”
having reported the success of his errand, Freyr exclaimed, — “Long
is
one night, Long are two nights, But how shall I h
cept one little shrub that grows on the eastern side of Valhalla, and
is
called Mistletoe, and which I thought too young a
r?” “Because I am blind,” answered Höder, “and see not where Balder
is
, and have moreover nothing to throw.” “Come, th
hould take his place among the shades? “Nay,” replied Frigga, “no way
is
there but one, that the first god thou meetest on
, take Sleipnir, Odin’s horse, and ride o’er the bridge Bifrost where
is
Heimdall’s watch, past Midgard fortress, down the
by and disappeared. And Hermod gazed into the night, and said: “Who
is
it utters through the dark his hest So quickly, a
esired — But right bars ties, not only thy desire. Yet dreary, Nanna,
is
the life they lead In that dim world, in Hela’s m
ead, Whom Hela with austere control presides. For of the race of gods
is
no one there Save me alone, and Hela, solemn quee
mouth a skinny hag, Toothless and old; she gibes the passers-by. Thok
is
she called, but now Lok wore her shape; She greet
he greeted them the first, and laughed and said: “Ye gods, good lack,
is
it so dull in heaven That ye come pleasuring to T
tes. Look, as in some boor’s yard, a sweet-breath’d cow, Whose manger
is
stuffed full of good fresh hay, Snuffs at it dain
her and said, “Thok, not for gibes we come; we come for tears. Balder
is
dead, and Hela holds her prey, But will restore,
, who engaging the wolf Fenris, falls a victim to the monster. Fenris
is
, in turn, slain by Vithar, Odin’s son. Thor wins
killed Freyr, darts fire and flames over the world, and the universe
is
consumed. The sun grows dim, the earth sinks into
the earth sinks into the ocean, the stars fall from heaven, and time
is
no more. After this Alfadur (the Almighty) will c
he gods and men will live happily together. This twilight of the gods
is
aptly described in a conversation held between Ba
ast then all the solace death allows, Esteem and function; and so far
is
well. Yet here thou liest, Balder, underground, R
gh vain, But not to me so grievous as, I know, To other gods it were,
is
my enforced Absence from fields where I could not
ys. O Hermod, pray that thou may’st join us then! Such for the future
is
my hope; meanwhile, I rest the thrall of Hela, an
now Thickens, and to inner gulph recalls. Farewell, for longer speech
is
not allowed.” Chapter XXXI. Myths of Norse
his kirtle gleaming-gray As the latter morning sun-dog when the storm
is
on the way; A bill he bore on his shoulder, whose
d wood, I heard on the mountain-side That the shining house of heaven
is
wrought exceeding wide, And that there the Early-
od rusheth apart, And high o’er his head it riseth, and wide and wild
is
its roar As it beareth the mighty tidings to the
fades and darkens till all seems left behind, And dawn and the blaze
is
swallowed in mid-mirk stark and blind. … Then be
cheeks, and the wise lips breathing light; And the face of a woman it
is
, and the fairest that ever was born, Shown forth
ring-knit mail that encloses her, “till nought but the rippling linen
is
wrapping her about,” — Then a flush cometh over
hild for the interpretation of the dream. “The hawk,” said Brynhild, “
is
Sigurd.” And so it came to pass. Sigurd visiting
In remembrance of our glory, mid the gifts the gods shall give!… … It
is
Brynhild’s deed,” he murmured, “and the woman tha
d’s deed,” he murmured, “and the woman that loves me well; Nought now
is
left to repent of, and the tale abides to tell. I
— certain variations of name, incident, and character appear. Sigurd
is
Siegfried, dwelling in Xanten near the Rhine, the
of Siegmund and Siegelind, king and queen of the Netherlands. Gudrun
is
Kriemhild, sister of Gunther (Gunnar), king of th
nhild’s defeat. Although the Nibelungenlied offers no explanation, it
is
evident that the injured queen of Ysselland had r
ring stars outshine? Sure have I cause to pride me when such a knight
is
mine.” Thereto replied queen Brunhild, “How brav
ld, “How brave soe’er he be, How stout soe’er or stately, one greater
is
than he. Gunther, thy noble brother, a higher pla
the Nibelungs. But this treasure, after it has been brought to Worms,
is
sunk, for precaution’s sake, by Hagen, in the Rhi
where, after a desperate and dastardly encounter, in which their hall
is
reduced to ashes, they are all destroyed save Gun
ashes, they are all destroyed save Gunther and Hagen. Gunther’s head
is
cut off at her orders; and she herself, with Sieg
ires, their dear friends lying dead: Here hath the story ending; this
is
the Nibelungen’s Need.” 397 Commentary.398
ing; this is the Nibelungen’s Need.” 397 Commentary.398 [It
is
hoped that this Commentary may be useful to gener
on — consult Index and the references as there indicated. § 11. Homer
is
also called Melesigenes, son of Meles — the strea
hology to be noted are Callimachus (260 b.c.), whose Lock of Berenice
is
reproduced in the elegiacs of Catullus, and from
arl of Derby, and Cowper. An excellent prose translation of the Iliad
is
that of Lang, Leaf, and Myers (Macmillan & Co
timacy with Ovid, a fragmentary work called the Book of Fables, which
is
sometimes a useful source of information, and fou
es. — For a general treatment of the great poets of Rome, the student
is
referred to W. L. Collins’ Series of Anc. Classic
a torch; and the six sounds being joined together make Futhorc, which
is
the name given to the runic A B C.” Morley’s Engl
nier Williams, Oxford: 1879. Of the Ramayana, a paraphrase (in brief)
is
given by F. Richardson in the Iliad of the East,
h the name of the Indian divinity Varunas, root var, to cover. Uranus
is
the starry vault that covers the earth; Varunas b
erer on high399 the sun. Thea: the beautiful, shining; the moon. She
is
called by Homer Euryphaëssa, the far-shining. Iap
ender, hurler, wounder; compare the Hebrew Japhet. Themis: that which
is
established, law. Mnemosyne: memory. Other Titans
us cast them into the Ocean, or into Tartarus. Cronus (Greek Kronos)
is
, as his name shows, the god of ripening, harvest,
Cottus, the striker; Gyes (or Gyges), the vaulter, or crippler. Gyges
is
called by Horace (Carm. 2, 17: 14) Centimanus, —
rist’s Nativity, “Nor Typhon huge ending in snaky twine.” The monster
is
also called Typhöeus ( Hesiod, Theog. 1137). The
, Rhœtus, Clytius. See Preller, 1: 60. Briareus (really a Centimanus)
is
frequently ranked among the giants. Illustrative
during the years of his exile. Of the Divine Comedy, says Lowell, “It
is
the real history of a brother man, of a tempted,
and Milton’s Hymn to the Nativity, 14, 15. In P. L. 4: 998, et seq.,
is
a different conception of the golden scales, “bet
he race of Inachus, Phoroneus, Pelasgus, and Io, see § 59 C. Pelasgus
is
frequently regarded as the grandson, not the son,
s; (4) they were, however (with the possible exception of Athene, who
is
never ignorant, never deceived, never baffled), a
ods, their general government not only “makes for righteousness,” but
is
addressed to the end of rendering it triumphant.
ing.” But, beside this general effort for the triumph of right, there
is
little to be said in abatement of the general pro
, whatever be their collective conduct, the common speech of the gods
is
below the human level in point of morality.402 §
housands of years before Homer, or the Sanskrit Bible (the Vedas). It
is
not merely the blue sky, nor the sky personified,
— not merely worship of a natural phenomenon, — but of the Father who
is
in Heaven. So in the Vedas we find Dyaus pitar, i
of the Matronalia on the first of March of each year. The Latin Juno
is
for Diou-n-on, from the stem Diove, and is the fe
each year. The Latin Juno is for Diou-n-on, from the stem Diove, and
is
the feminine parallel of Jovis, just as the Greek
parallel of Jovis, just as the Greek Dione (one of the loves of Zeus)
is
the feminine of Zeus. These names (and Diana, too
?), of women, of marriage; to both the cow (with moon-crescent horns)
is
sacred. (See Roscher, 21: 576-579.) But Overbeck
stics of the warlike kind in common with the Norse Valkyries, but she
is
altogether a more ideal conception. The best desc
found in Homer’s Iliad, Bk. 5: 730 et seq. The derivation of Athene
is
uncertain ( Preller). Related, say some, to æthēr
s the Sanskrit Ahana and the Greek Daphne, the Dawn (?). Hence Athene
is
the Dawn-goddess; but she is also the goddess of
Greek Daphne, the Dawn (?). Hence Athene is the Dawn-goddess; but she
is
also the goddess of wisdom, because “the goddess
ss who caused people to know” (Science of Language, 1: 548-551). This
is
poor philology. Epithets applied to Athene are th
holds always high in air the brandished lance. Minerva, or Menerva,
is
connected with Latin mens, Greek ménos, Sanskrit
Sanskrit manas, mind; not with the Latin mane, morning. The relation
is
not very plausible between the awakening of the d
a, at Athens. The Minerva of the Parthenon has disappeared; but there
is
good ground to believe that we have, in several e
several extant statues and busts, the artist’s conception. The figure
is
characterized by grave and dignified beauty, and
expression; in other words, by repose. The most important copy extant
is
of the Roman period. The goddess was represented
warrior. In the art of the second half of the fifth century b.c., he
is
represented as beardless, standing with spear and
arble Ares statue (called the Borghese Achilles) in the Louvre. There
is
a later type (preferred in Rome) of the god in Co
the left arm a chlamys. The finest representation of the deity extant
is
the Ares Ludovisi in Rome, probably of the second
a, to shine, or spha, to burn. The Latin Vulcan, while a god of fire,
is
not represented by the Romans as possessed of tec
is not represented by the Romans as possessed of technical skill. It
is
said that Romulus built him a temple in Rome, and
lia — a festival in honor of the god. The name Vulcanus, or Volcanus,
is
popularly connected with the Latin fulgere, to fl
n fulgere, to flash or lighten, fulgur, a flash of lightning, etc. It
is
quite natural that, in many legends, fire should
; and that, therefore, the spirit of man was composed of fire. Vulcan
is
also called by the Romans Mulciber, from mulceo,
to. Thorwaldsen’s piece of statuary, Vulcan forging arrows for Cupid,
is
justly famous. § 38. Castalia: on the slopes of P
by many scholars as symbolic of the annual course of the sun. Apollo
is
born of Leto, who is, according to hypothesis, th
symbolic of the annual course of the sun. Apollo is born of Leto, who
is
, according to hypothesis, the Night from which th
reminds one of Siegfried’s combat and that of St. George. The dragon
is
variously interpreted as symbolical of darkness,
ter, which are overcome by the rays of the springtide sun. The dragon
is
called Delphyne, or Python. The latter name may b
reference to the consultation of the Delphian or Pythian oracle. “It
is
open to students to regard the dolphin as only on
ard the dolphin as only one of the many animals whose earlier worship
is
concentrated in Apollo, or to take the creature f
ith delphis, the dolphin.” — Lang, Myth, Ritual, etc., 2: 197. Apollo
is
also called Lycius, which means, not the wolf-sla
7. Apollo is also called Lycius, which means, not the wolf-slayer, as
is
sometimes stated, for the wolf is sacred to Apoll
hich means, not the wolf-slayer, as is sometimes stated, for the wolf
is
sacred to Apollo, but either the wolf-god (as inh
r the golden god of Light. (See Preller and Roscher.) This derivation
is
more probable than that from Lycia in Asia Minor,
of Apollo as referring to the annual and diurnal journeys of the sun
is
justifiable. To explain the savage and senseless
ain the savage and senseless survivals of the Apollo-myth in that way
is
impossible. Festivals. — The most important were
ny English people from Sir Frederick Leighton’s picture. This feast
is
believed to have symbolized the year. … An olive-
oclus and Pausanias.) — Lang, Myth, Ritual, etc., 2: 194, 195. Apollo
is
also called the Sminthian, or Mouse-god, because
ountry from them. As Mr. Lang says (Myth, Ritual, etc., 2: 201), this
is
intelligible, “if the vermin which had once been
to a peculiar vapor arising out of the cavern, and a certain goatherd
is
said to have tried its effects upon himself. Inha
t. — One of the most esteemed of all the remains of ancient sculpture
is
the statue of Apollo, called the Belvedere, from
om the name of the apartment of the Pope’s palace at Rome in which it
is
placed. The artist is unknown. It is conceded to
rtment of the Pope’s palace at Rome in which it is placed. The artist
is
unknown. It is conceded to be a work of Roman art
ope’s palace at Rome in which it is placed. The artist is unknown. It
is
conceded to be a work of Roman art, of about the
y a Greek sculptor of the Hellenistic period, probably in bronze). It
is
a standing figure, in marble, more than seven fee
n marble, more than seven feet high, naked except for the cloak which
is
fastened around the neck and hangs over the exten
is fastened around the neck and hangs over the extended left arm. It
is
restored to represent the god in the moment when
shot the arrow to destroy the monster Python. The victorious divinity
is
in the act of stepping forward. The left arm whic
ct of stepping forward. The left arm which seems to have held the bow
is
outstretched, and the head is turned in the same
ft arm which seems to have held the bow is outstretched, and the head
is
turned in the same direction. In attitude and pro
ection. In attitude and proportion the graceful majesty of the figure
is
unsurpassed. The effect is completed by the count
portion the graceful majesty of the figure is unsurpassed. The effect
is
completed by the countenance, where, on the perfe
l Angelo (National Museum, Florence). A painting of romantic interest
is
Paolo Veronese’s St. Christina refusing to adore
Veronese’s St. Christina refusing to adore Apollo. Of symbolic import
is
the Apollo (Sunday) by Raphael in the Vatican. Ph
let. § 39. Latona. — A theory of the numerous love-affairs of Jupiter
is
given in § 33 of text. Delos is the central islan
the numerous love-affairs of Jupiter is given in § 33 of text. Delos
is
the central island of the Cyclades group in the Æ
ut the early myth-makers would hardly have reasoned so abstrusely. It
is
not at all certain that the name Leto means darkn
name Leto means darkness ( Preller 1: 190, note 4); and even if light
is
born of or after darkness, the sun (Apollo) and t
œbus sprung! Eternal summer gilds them yet, But all except their sun,
is
set.” See Milton’s Sonnet, “I did but prompt the
r “goddess of the bright heaven,” or “goddess of the bright day.” She
is
frequently identified with Artemis, Hecate, Luna,
ity; H. K. White, Ode to Contemplation. In Art. — In art the goddess
is
represented high-girt for the chase, either in th
g an arrow from her quiver or watching her missile in its flight. She
is
often attended by the hind. Sometimes, as moon-go
hind. Sometimes, as moon-goddess, she bears a torch. Occasionally she
is
clad in a chiton, or robe of many folds, flowing
es correspond and also the styles of execution. The Diana of the Hind
is
a work of the highest order, though by no means e
e highest order, though by no means equal to the Apollo. The attitude
is
that of hurried and eager motion, the face that o
huntress in the excitement of the chase. The left hand of the goddess
is
extended over the forehead of the hind which runs
o draw ian arrow from the quiver. The second illustration in the text
is
the Artemis Knagia (Diana Cnagia), named after Cn
he was the Istar of the Assyrians, the Astarte of the Phœnicians, and
is
the analogue of the Greek Aphrodite and the Latin
C), who passes in the Iliad (5: 370, 428) as the mother of Aphrodite;
is
worshipped at Dodona by the side of Zeus, and is
mother of Aphrodite; is worshipped at Dodona by the side of Zeus, and
is
regarded by Euripides as Thyone, mother of Dionys
ia (Aphrodite of ideal love), Anadyomene (rising from the water); she
is
, also, the sweetly smiling, laughter-loving, brig
, or of Milo (see text, § 40), now to be seen in the Louvre in Paris,
is
the work of some sculptor of about the third cent
he Venus de’ Medici in Florence. Also the Venus of the Vatican, which
is
incomparably superior to both. The Venus of the M
thenian sculptor of 200 b.c., but the authenticity of the inscription
is
doubtful. There is a story that the artist was em
200 b.c., but the authenticity of the inscription is doubtful. There
is
a story that the artist was employed by public au
h the meaning “Hastener”, the swift wind. The invention of the Syrinx
is
attributed also to Pan. Illustrative. — To Mercu
of the goddess; the latter with her relation to the hearth-fire. She
is
“first of the goddesses,” the holy, the chaste, t
11: 244. In Art: painting by Guy Head (Gallery, St. Luke, Rome). She
is
the swift-footed, wind-footed, fleet, the Iris of
(Cornh. Mag. Vol. 33, 1876); Swinburne, At Eleusis. The name, Ceres,
is
from the stem cer, Sanskrit kri, to make. By meto
Latin. Demeter (Τῆ μήτηρ, δᾶ μάτηρ), means Mother Earth. The goddess
is
represented in art crowned with a wheat-measure (
ts the matronly air which distinguishes Juno and Ceres. Sometimes she
is
veiled, and seated on a throne with lions at her
she rides in a chariot drawn by lions. She wears a mural crown: that
is
, a crown whose rim is carved in the form of tower
t drawn by lions. She wears a mural crown: that is, a crown whose rim
is
carved in the form of towers and battlements. Rhe
crown whose rim is carved in the form of towers and battlements. Rhea
is
mentioned by Homer (Iliad XV, 187) as the consort
rom ocean,” etc. Also Milton’s Arcades 21. § 46. Interpretative. — It
is
interesting to note that Homer (Iliad and Odyssey
iad 6: 130 he refers, however, to the Dionysus cult in Thrace. Hesiod
is
the first to call wine the gift of Dionysus. Dion
e statue of the Villa Tiburtina (Rome). The bearded or Indian Bacchus
is
represented as advanced in years, grave, dignifie
Bacchantes. See also under Ariadne. § 47. The invention of the Syrinx
is
attributed also to Mercury. For poetical illustra
ible.” The meaning of Pluto (Plouton), according to Plato (Cratylus),
is
wealth, — the giver of treasure which lies underg
discrimination must be observed between him and Plutus (Ploutos), who
is
merely an allegorical figure, — a personification
gorical figure, — a personification of wealth and nothing more. Hades
is
called also the Illustrious, the Many-named, the
both sides, the granddaughter of Uranus and Gæa. The following table
is
based upon Hesiod’s account of the Family of Nigh
The first love of Zeus was Metis, daughter of Oceanus and Tethys. She
is
Prudence or Foreknowledge. She warned Zeus that i
amilies, and mythical individuals have been intentionally omitted, it
is
hoped that this reduction of various relationship
exercise of discretion, and a balancing of probabilities. Inachus
is
the principal river of Argolis in the Peloponnesu
principal river of Argolis in the Peloponnesus. Interpretative. — Io
is
explained as the hornèd moon, in its various chan
d as the hornèd moon, in its various changes and wanderings.404 Argus
is
the heaven with its myriad stars, some of them sh
nt conception. § 60. Interpretative. — The myth of Callisto and Arcas
is
of Arcadian origin. If the Arcadians, in very rem
applied to Artemis herself. That Artemis was protectress of she-bears
is
known; also that, in Attica, she was served by gi
as served by girls who imitated, while dancing, the gait of bears. It
is
quite possible, therefore, that Artemis inherited
ve arisen ( Max Müller). The last star in the tail of the Little Bear
is
the Pole-Star, or Cynosure (dog’s tail). Illustr
lic poet. He calls himself a pupil of Bion, — whose Lament for Adonis
is
given in § 93. Both Bion and Moschus belong to th
head of the ship in which Europa was conveyed to Crete was a bull. It
is
not improbable that the story indicates a settlem
nd E in §§ 59 and 61. Interpretative. — According to Preller, Semele
is
a personification of the fertile soil in spring,
l moist clouds brooding over the youthful vine. The whole explanation
is
altogether too conjectural. See A. Lang 2: 221-22
ranslation of Schiller’s Semele; E. R. Sill’s Semele, of which a part
is
given in the text. § 63. Textual. — The son of Æg
name of two rivers, one in Achaia, one in Bœotia, of which the latter
is
the more important. The Greek traveller, Pausania
h bears his name. Sisyphus, see § 175. This description of the plague
is
copied by Ovid from the account which Thucydides
cydides gives of the plague of Athens. That account, much fuller than
is
here given, was drawn from life, and has been the
ed, may indicate the moon with face turned full upon us. That Antiope
is
a personification of some such natural phenomena
in Asia Minor. For Minerva’s protection of the olive, see § 67. Tyana
is
a town in Cappadocia, Asia Minor. § 66. Textual.
. — Argos: the capital of Argolis in the Peloponnesus. Of Cydippe, it
is
told, in Ovid’s Heroides and elsewhere, that, whe
ses with which he scours the strand. Arachne: a princess of Lydia. It
is
probable that the myth symbolizes the competition
æon, or Paiëon), classed by Homer among the Olympian gods, of whom he
is
, as his name implies, the “healer.” Later, the na
Cadmus and his Tyrians: according to the usual explanation, this myth
is
based upon an immigration of Phœnicians, who sett
and a Phœnician Cadmus, have been confounded; that the Theban Cadmus
is
merely the representative of the oldest Theban st
ng spear-points. Harmonia, daughter of the patron deities of Thebes,
is
the symbol of the peace and domesticity that atte
, of course, must journey further west than Crete. The heifer that he
is
to follow is, therefore, still another cloud (lik
must journey further west than Crete. The heifer that he is to follow
is
, therefore, still another cloud (like the cattle
cloud (like the cattle of the Sun: clouds, § 171). The dragon of Mars
is
still a third cloud; and this the Sun dissipates.
ave; Think you he meant them for a slave?” § 71. Textual. — Eurynome
is
represented by some as one of the Titans, the wif
Cox traces the word to the root of Lethe (the forgetful), but Preller
is
doubtful. Possibly Leto and Leda (the mother of t
night over the mountain-tops, both before and after the Sun (Apollo)
is
born, in Delos (the land of Dawn). See also §§ 37
myths, a serpent, a frog, or a lizard that drinks up all the waters,
is
destroyed by some national hero or god. As Mr. La
od, became mixed up with ancient legal ideas and local traditions. It
is
almost as necessary for a young god or hero to sl
night, or a “black storm-cloud which shuts up the waters” ( Cox). It
is
not impossible that the Python was the sacred sna
worship superseded by that of Apollo. § 74. Textual. — The Tyrian hue
is
purple, made from the juice of the murex, or purp
re inscribed characters like Ai, Ai, the Greek exclamation of woe. It
is
evidently not our modern hyacinth that is here de
reek exclamation of woe. It is evidently not our modern hyacinth that
is
here described, but perhaps some species of iris,
me species of iris, or of larkspur, or pansy. The meaning of the name
is
also uncertain, but the best authorities favor yo
o, the other to the Muses. The Castalian Spring, sacred to the Muses,
is
at the foot of the mountain; Delphi is nearby. Rh
n Spring, sacred to the Muses, is at the foot of the mountain; Delphi
is
nearby. Rhodope: part of the Hsemus range of moun
many of the attributes of Helios, the older divinity of the sun, who
is
ordinarily reputed to be the father of Phaëthon (
name Phaëthon, like the name Phœbus, means “the radiant one.” The sun
is
called both Helios Phaëthon and Helios Phœbus in
autious son of Helios, or Apollo, and to suppose that extreme drought
is
caused by his careless driving of his father’s ch
s caused by his careless driving of his father’s chariot. The drought
is
succeeded by a thunderstorm, and by lightning whi
g which puts an end to Phaëthon. The rain that succeeds the lightning
is
, according to Cox, the tears of the Heliades. It
eds the lightning is, according to Cox, the tears of the Heliades. It
is
hardly wise to press the analogy so far, unless o
e Heliades. It is hardly wise to press the analogy so far, unless one
is
prepared to explain the amber in the same way. I
ides): the son of Atreus, Agamemnon. The ending ides means son of and
is
used in patronymics; for instance, Pelides (Pelei
des (Peleides), Achilles; Tydides, Diomede, son of Tydeus. The ending
is
, in patronymics, means daughter of; as Tyndaris,
antalus and its Connections. — See also § 132 (5) C. Pelops. — It
is
said that the goddess Demeter in a fit of absent-
for snow in the Indo-European languages. In Latin and Greek, the stem
is
Niv, hence Nib, Niobe. The myth, therefore, would
getation under the heats of summer ( Preller). The latter explanation
is
as satisfactory, for spring is the child of winte
mer ( Preller). The latter explanation is as satisfactory, for spring
is
the child of winter (Niobe). Illustrative. — Pop
be, Mount Sipylus; of extreme antiquity. The illustration in the text
is
from a statue in the Imperial Gallery of Florence
in the text is from a statue in the Imperial Gallery of Florence. It
is
the principal figure of a group supposed wrongly
The figure of the mother, clasped by the arm of her terrified child,
is
one of the most admired of the ancient statues. I
and the Apollo Belvedere among the masterpieces of art. The following
is
a translation of a Greek epigram supposed to rela
, but in vain; The sculptor’s art has made her breathe again.” There
is
a headless daughter of Niobe in the Vatican, Rome
Hercules. The Linus-song (composed by Linus or sung in honor of him)
is
placed by Homer (Iliad 18: 570) in the mouth of a
at have come down to us that the treatment of the sick resembled what
is
now called animal magnetism or mesmerism. Serpent
tative. — The healing powers of nature may be here symbolized. But it
is
more likely that the family of Asclepiadæ (a medi
un were free, like fire, he would visit new parts of the heavens. “He
is
,” said the Inca, “like a tied beast who goes ever
niece. To explain the myth as a physical allegory would be easy, but
is
it not more likely that the idea of substitution
expression in the myth? — that idea of atonement by sacrifice, which
is
suggested in the words of Œdipus at Colonus (§ 16
lcestis of Euripides, but while it maintains the classical spirit, it
is
in execution one of the sweetest original poems o
as, sailed away from her. Interpretative. — Max Müller’s explanation
is
poetic though not philologically probable. “Daphn
not philologically probable. “Daphne, or Ahanâ, means the Dawn. There
is
first the appearance of the dawn in the eastern s
e (Sci. Relig. 378, 379). Others construe Daphne as the lightning. It
is
, however, very probable that the Greeks of the my
trative. — Hood, Flowers, “I will not have the mad Clytie. Whose head
is
turned by the sun,” etc.; W. W. Story, Clytie; Mr
ields, Clytia. The so-called bust of Clytie (discovered not long ago)
is
possibly a representation of Isis. § 88. Textual.
ran that a cup thrown into the Alpheüs appeared again in Arethusa. It
is
, possibly, this fable of the underground course o
oceraunian Mountains are in Epirus in the northern part of Greece. It
is
hardly necessary to point out that a river Arethu
e of Sicily. Ortygia: an island on which part of the city of Syracuse
is
built. Illustrative. — Milton, Arcades 30; Lycid
ok upon the clear sky, are torn to pieces and scattered by the winds,
is
principally instructive as illustrating now far a
e as illustrating now far afield theorists have gone, and how easy it
is
to invent ingenious explanations. Illustrative.
more below.” In modern sculpture, The Lost Pleiad of Randolph Rogers
is
famous; in painting, the Pleiades of Elihu Vedder
ng, the Pleiades of Elihu Vedder. § 92. Mount Latmos: in Caria. Diana
is
sometimes called Phœbe, the shining one. For the
According to the simplest explanation of the Endymion myth, the hero
is
the setting sun on whom the upward rising moon de
wer of the Greeks was of bloody hue, like that of the pomegranate. It
is
said the wind blows the blossoms open, and afterw
ds scatters the petals. Interpretative. — Among the Phœnicians Venus
is
known as Astarte, among the Assyrians as Istar. T
wn as Astarte, among the Assyrians as Istar. The Adonis of this story
is
the Phœnician Adott, or the Hebrew Adonai, “Lord.
red to his mistress and to earth, all nature again rejoices. The myth
is
akin to those of Linus, Hyacinthus, and Narcissus
stics common to such religious rites in various lands: (1) The spring
is
personified as a beautiful youth who is represent
various lands: (1) The spring is personified as a beautiful youth who
is
represented by an image surrounded by quickly fad
owers from the “garden of Adonis.” (2) He comes in the early year and
is
beloved by a goddess of vegetation, goddess somet
and during autumn and winter inhabits the underworld. (4) His burial
is
attended with lamentations, his resurrection with
on, etc., see Index. Interpretative. — The fable of Cupid and Psyche
is
usually regarded as allegorical. The Greek name f
he is usually regarded as allegorical. The Greek name for a butterfly
is
Psyche, and the same word means the soul. There i
me for a butterfly is Psyche, and the same word means the soul. There
is
no illustration of the immortality of the soul so
e most fragrant and delicate productions of the spring. Psyche, then,
is
the human soul, which is purified by sufferings a
ate productions of the spring. Psyche, then, is the human soul, which
is
purified by sufferings and misfortunes, and is th
the human soul, which is purified by sufferings and misfortunes, and
is
thus prepared for the enjoyment of true and pure
and is thus prepared for the enjoyment of true and pure happiness. It
is
probable that the story allegorizes a philosophic
rris in the Epic of Hades; Frederick Tennyson, Psyche. Most important
is
W. H. Pater’s Marius the Epicurean, which contain
ean, which contains the story as given by Apuleius. In Art. — Psyche
is
represented as a maiden with the wings of a butte
he Græco-Roman sculpture of Cupid and Psyche, in the Capitol at Rome,
is
of surpassing beauty; so also is Canova’s Cupid a
and Psyche, in the Capitol at Rome, is of surpassing beauty; so also
is
Canova’s Cupid and Psyche. Among Paintings. — Ra
of three illustrations by H. Bates. The Charon and Psyche of E. Neide
is
a sentimental, simpering conception. A. Zick has
nuptial vow was ratified by Hera (Juno). This, the Bœotian, Atalanta
is
sometimes identified with the Arcadian Atalanta o
an Atalanta of the Calydonian Hunt. See § 148 and Table D, § 59 C. It
is
better to discriminate between them. The genealog
Race. § 96. Textual and Illustrative. — The story of Hero and Leander
is
the subject of a romantic poem by Musæus, a gramm
This author, in distinction from the mythical poet of the same name,
is
styled the Pseudo-Musæus. The “epyllion” has been
spont was performed by Lord Byron. The distance in the narrowest part
is
not more than a mile, but there is a constant dan
The distance in the narrowest part is not more than a mile, but there
is
a constant dangerous current setting out from the
translated by Philips, by Fawkes, and by recent poets. The reference
is
probably to Phaon. Allusions in Pope, Moral Essay
e physical explanation of the relations of Mercury (Hermes) to Apollo
is
the following from Max Müller. “Hermes is the god
Mercury (Hermes) to Apollo is the following from Max Müller. “Hermes
is
the god of the twilight, who betrays his equivoca
them without the violent combat that (in the analogous Indian story)
is
waged for the herds between Indra, the bright god
er. In India the dawn brings the light; in Greece the twilight itself
is
supposed to have stolen it, or to hold back the l
lenged by the sun-god Apollo” (Lect. on Lang., 2 Ser., 521-2). Hermes
is
connected by Professor Müller with the Vedic god
Mercury, or Hermes, as morning or as evening twilight, loves the Dew,
is
herald of the gods, is spy of the night, is sende
morning or as evening twilight, loves the Dew, is herald of the gods,
is
spy of the night, is sender of sleep and dreams,
twilight, loves the Dew, is herald of the gods, is spy of the night,
is
sender of sleep and dreams, is accompanied by the
rald of the gods, is spy of the night, is sender of sleep and dreams,
is
accompanied by the cock, herald of dawn, is the g
nder of sleep and dreams, is accompanied by the cock, herald of dawn,
is
the guide of the departed on their last journey.
. Cox are more satisfactory here than usual, Roscher’s the swift wind
is
scientifically preferable. Illustrative. — See S
. — See Shelley’s Homeric Hymn to Mercury, on which the text of § 101
is
based, and passages in Prometheus Bound; Keats’ O
es. Mænads and Bacchantes were female followers of Bacchus. Bacchanal
is
a general term for his devotees. Interpretative.
general term for his devotees. Interpretative. — “Bacchus (Dionysus)
is
regarded by many as the spirit-ualform of the new
ted Greece, Dionysus, in spite of the surviving orgiastic ceremonies,
is
a poetic incarnation of blithe, changeable, spiri
ught him would account for the Oriental nature of his rites; for Rhea
is
an Eastern deity by origin. The opposition of Pen
Bacchus conquered each nation in turn. The influence of intoxication
is
symbolized by the transformation of the sailors i
us as the quenching of the sun’s splendor in the western ocean. Midas
is
fabled to have been the son of the “great mother”
e. — There can be little doubt that the story of Ceres and Proserpine
is
an allegory. Proserpine signifies the seed-corn w
e seed-corn which, when cast into the ground, lies there concealed, —
is
carried off by the god of the underworld; when th
off by the god of the underworld; when the corn reappears, Proserpine
is
restored to her mother. Spring leads her back to
ing, from Aubrey de Vere’s Introduction to his Search for Proserpine,
is
suggestive: “Of all the beautiful fictions of Gre
n says, in his Wisdom of the Ancients, that by the Rape of Proserpine
is
signified the disappearance of flowers at the end
ned. The Lesser Mysteries were an introduction to the Greater; and it
is
known that the rites involved partook of the natu
g the sorrows of Ceres, and by participation in sacramental rites, it
is
probable that the initiated were instructed in th
sistent to construe Eurydice as the twilight, first, of evening which
is
slain by night, then, of morning which is dissipa
ht, first, of evening which is slain by night, then, of morning which
is
dissipated by sunrise. Cox finds in the music of
a. § 112. Textual. — Cephalus, the son of Mercury (Hermes) and Herse,
is
irretrievably confounded with Cephalus, the son o
hould, strictly, be regarded as the lover of Aurora (Eos); the latter
is
the husband of Procris, and the great-grandfather
l. Table I., § 132 (5) C, and § 165 (4) C. Interpretative. — Procris
is
the dew-drop (from Greek Prōx, dew) which reflect
rays of the sun. The “head of the day,” or the rising sun, Cephalus,
is
also wooed by Aurora, the Dawn, but flies from he
he dew reflects, or gives back to him. According to Preller, Cephalus
is
the morning-star beloved alike by Procris, the mo
es; or, perhaps, in the north, for the people dwell by the ocean that
is
never visited by sunlight (Od. 11: 14-19). Other
tion of the habits of the Halcyon-bird, which nests on the strand and
is
frequently bereft of its young by the winter wave
y the winter waves. The comparison with the glory of Jupiter and Juno
is
suggested by the splendid iris hues of the birds.
n days have become proverbial as seasons of calm. Æolus son of Hellen
is
here identitied with Æolus, the king of winds. Ac
tied with Æolus, the king of winds. According to Diodorus, the latter
is
a descendant, in the fifth generation, of the for
vince of Asia Minor, south of the Propontis, or Sea of Marmora. There
is
some doubt about the identification of the existi
ncients, and the mysterious sounds are still more doubtful. Yet there
is
not wanting modern testimony to their being still
and discovered that it was hollow, and that “in the lap of the statue
is
a stone, which, on being struck, emits a metallic
ho was predisposed to believe its powers.” Interpretative. — Memnon
is
generally represented as of dark features, lighte
as of dark features, lighted with the animation of glorious youth. He
is
king of the mythical Æthiopians who lived in the
un, and strengthens the theory according to which his father Tithonus
is
the gray glimmer of the morning heavens. The floc
nge. § 125. Textual. — In order to understand the story of Ibycus, it
is
necessary to remember, first, that the theatres o
he daytime. Secondly, that the appalling representation of the Furies
is
not exaggerated in the story. It is fabled that Æ
ling representation of the Furies is not exaggerated in the story. It
is
fabled that Æschylus, the tragic poet, having on
re emphatically personifications of thunder and lightning; Polyphemus
is
rather the heavy vapor that rolls its clouds alon
s are the sheep that he pastures; the sun glowering through the vapor
is
his single eye ( Cox). Illustrative. — John Gay,
nt, see § 54 C. See Keats’ Endymion Bk. 3. Interpretative. — Glaucus
is
explained by some as the calm gleaming sea; by ot
ry sea that reflects the lowering heavens (see Roscher, 1690). Scylla
is
a personification of treacherous currents and sha
m of Dejanira, hence Acheloüs loves Dejanira. When the river winds it
is
a snake, when it roars it is a bull, when it over
loves Dejanira. When the river winds it is a snake, when it roars it
is
a bull, when it overflows its banks it puts forth
a bull, when it overflows its banks it puts forth new horns. Hercules
is
supposed to have regulated the course of the stre
blossoming with flowers, might well be called a horn of plenty. There
is
another account of the origin of the Cornucopia.
whatever the possessor might wish. Illustrative. — The name Amalthea
is
given also to the mother of Bacchus. It is thus u
ative. — The name Amalthea is given also to the mother of Bacchus. It
is
thus used by Milton, P. L. Bk. 4: — “That Nyseia
137. Textual. — Seriphus: an island of the Ægean. The House of Danaüs
is
as follows: — Interpretative. — While Danaüs
e House of Danaüs is as follows: — Interpretative. — While Danaüs
is
, in fact, a native mythical hero of Argos, the st
a native mythical hero of Argos, the story of his arrival from Egypt
is
probably an attempt to explain the influence of E
t weather deprive the streams of water and consequently of life. That
is
to say, when the sources (Danaïds) choose to stop
which, shot through with the golden rays of heaven, the youthful Sun
is
born.405 Advocates of the last theory would under
light the black cloud of the heavenly vault, the Gorgon, whose aspect
is
night and death. The Grææ and the Gorgons may, wi
and the Giant of White Hill ( Curtin’s Myths of Ireland). Andromeda
is
variously deciphered: the tender dawn, which a st
ver, had her placed in a part of the heavens near the pole, where she
is
half the time held with her head downward, to tea
a Vinci, Head of Medusa. § 138. Textual. — The descent of Bellerophon
is
as follows. See also § 132 (5) C: — Lycia. —
tters” arose, to describe any species of communication which a person
is
made the bearer of, containing matter prejudicial
d: a district in Cilicia (Asia Minor). Interpretative. — Bellerophon
is
either “he who appears in the clouds,” or “he who
y monster.” In either sense we have another sun-myth and sun-hero. He
is
the son of Glaucus, who, whether he be descended
Glaucus, who, whether he be descended from Sisyphus, or from Neptune,
is
undoubtedly a sea-god. His horse, sprung from Med
Medusa, the thunder-cloud, when she falls under the sword of the sun,
is
Pegasus, the rain-cloud. In his contest with the
repetition of the combat of Perseus and the sea monster. Bellerophon
is
a heavenly knight-errant who slays the powers of
ave been suggested by stories of the oranges of Spain. The Cacus myth
is
thoroughly latinized, but of Greek origin. The Av
is into the Euxine. For genealogy of Laomedon, see § 167 C. Pylos: it
is
doubtful what city is intended. There were two su
r genealogy of Laomedon, see § 167 C. Pylos: it is doubtful what city
is
intended. There were two such towns in Elis, and
f inferior spirit, but of legal authority. Since the life of Hercules
is
composed of such tasks, it is easy to, class him
l authority. Since the life of Hercules is composed of such tasks, it
is
easy to, class him with other sun-heroes. But to
twelve labors as consciously recalling the twelve signs of the Zodiac
is
not only unwarranted, but absurd. To some extent
e Zodiac is not only unwarranted, but absurd. To some extent Hercules
is
a sun-hero; to some extent his adventures are fab
an) birds and the giant Cacus. Finally, the scene of the hero’s death
is
a “picture of a sunset in wild confusion, the mul
their very plausibility should suggest caution in accepting them. It
is
not safe to construe all the details of a mythica
in physical phenomena. So far as the tradition of primitive seafaring
is
concerned, it may refer to some half-piratical ex
adily be known as the Golden Fleece. So far as the physical tradition
is
concerned, it may refer to the course of the year
teeth, an image of the sunbeams leaping from eastern darkness. Medea
is
a typical wise-woman or witch; daughter of Hecate
irce was even more powerful in necromancy than she. The Robe of Medea
is
the Fleece in another form. The death of Glauce s
h of Glauce suggests that of Hercules (in the flaming sunset?). Jason
is
no more faithful to his sweetheart than other sol
e of to-morrow. (See Roscher, Lex. 530-537.) The physical explanation
is
more than commonly plausible. But the numerous ad
idated and preserved in the artistic form of the myth. Jason, Diason,
is
another Zeus, of the Ionian race, beloved by Mede
son of Jupiter and Callisto. See § 59 C. Interpretative. — Atalanta
is
the “unwearied maiden.” She is the human counterp
ee § 59 C. Interpretative. — Atalanta is the “unwearied maiden.” She
is
the human counterpart of the huntress Diana. The
) Interpretative. — Discrimination between Minos I. and Minos II.
is
made in the text, but is rarely observed. Minos,
iscrimination between Minos I. and Minos II. is made in the text, but
is
rarely observed. Minos, according to Preller, is
ade in the text, but is rarely observed. Minos, according to Preller,
is
the solar king and hero of Crete; his wife, Pasip
to Preller, is the solar king and hero of Crete; his wife, Pasiphaë,
is
the moon (who was worshipped in Crete under the f
ho was worshipped in Crete under the form of a cow); and the Minotaur
is
the lord of the starry heavens which are his laby
of Lock 5: 65; Dunciad 1: 64; 3: 55. § 150. Interpretative. — Dædalus
is
a representative of the earliest technical skill,
the worship of Athene and of various moral and civic institutions. He
is
probably a hero of the Pelasgian race. Ion. — Ac
to account for the sad song of the nightingale. With her the swallow
is
associated as another much loved bird of spring.
associated as another much loved bird of spring. Occasionally Procne
is
spoken of as the nightingale, and Philomela as th
f Theseus was Hippolyta; but her Hercules had already killed. Theseus
is
said to have united the several tribes of Attica
e temple of the Parthenon. A considerable portion of these sculptures
is
now in the British Museum among those known as th
of reckoning time and dating events by Olympiads. The first Olympiad
is
generally considered as corresponding with the ye
of the victors was diffused far and wide. Interpretative. — Theseus
is
the Attic counterpart of Hercules, not so signifi
t of the sun, and, like Medea and Dejanira, she must be deserted. She
is
either the “well-pleasing” or the “saintly.” She
d between the joy of spring and the melancholy of winter. By some she
is
considered to be connected with star-worship as a
e Kinsmen. In Beaumont and Fletcher’s Maid’s Tragedy 2: 2, a tapestry
is
ordered to be worked illustrating Theseus’ desert
ing Theseus’ desertion of Ariadne. Landor, To Joseph Ablett, “Bacchus
is
coming down to drink to Ariadne’s love”; Landor,
er folk-stories, or into the artistic myths and epics of any country,
is
historically unwarranted and, in practice, is onl
d epics of any country, is historically unwarranted and, in practice,
is
only too often capricious; (3) the effort to inte
scuri (sons of Jove), sometimes Tyndaridse (sons of Tyndareus). Helen
is
frequently called Tyndaris, daughter of Tyndareus
p. 288 and 311, in accordance with Goethe’s practice, the name Tauris
is
given to the land of the Tauri. To be correct one
nd James Thomson, Agamemnon (a drama). The Troïlus and Cressida story
is
not found in Greek and Latin classics. Shakespear
n classics. Shakespeare follows Chaucer’s Troïlus and Creseide, which
is
based upon the Filostrato of Boccaccio. On Menela
h of Paris and Œnone; Tennyson, Œnone; also the Death of Œnone, which
is
not so good. The story of the death of Corythus,
f his father, who was jealous of Helen’s tenderness toward the youth,
is
a later myth, but exquisitely pathetic. Sinon. —
(statuary) of Laocoön and his children in the embrace of the serpents
is
in the Vatican in Rome. § 170. Cassandra. — Chauc
ing, “But not in silence pass Calypso’s isles,” 2: 29. Calypso’s isle
is
said to be Goza. In Art. — Circe and the Compani
nd channel, and ocean. Just at the entrance of the inner harbor there
is
a picturesque rock with a small convent perched u
resque rock with a small convent perched upon it, which by one legend
is
the transformed pinnace of Ulysses. “Almost the o
transformed pinnace of Ulysses. “Almost the only river in the island
is
just at the proper distance from the probable sit
Dido building Carthage. The Sibyl. The following legend of the Sibyl
is
fixed at a later date. In the reign of one of the
various Sibyls; but the Cumæan Sibyl, of whom Ovid and Vergil write,
is
the most celebrated of them. Ovid’s story of her
mos, but passed the chief portion of his life at Crotona in Italy. He
is
therefore sometimes called “the Samian,” and some
the philosopher of Crotona.” When young he travelled extensively, and
is
said to have visited Egypt, where he was instruct
re. Gods, demons, and heroes are emanations of the Supreme, and there
is
a fourth emanation, the human soul. This is immor
of the Supreme, and there is a fourth emanation, the human soul. This
is
immortal, and when freed from the fetters of the
ation, meaning by it the just adaptation of parts to each other. This
is
the idea which Dryden expresses in the beginning
e’s Norse Stories, Boston: 1882. A critical edition of the Elder Edda
is
Sophus Bugge’s, Christiania: 1867. The Younger Ed
and Thor. Sydney Dobell’s Balder does not rehearse the Norse myth. It
is
a poem dealing with the spiritual maladies of the
en. Longfellow’s Saga of King Olaf (the Musician’s Tale, Wayside Inn)
is
from the Heimskringla or Book of Stories of the K
the gallows (which was called Woden’s tree or Woden’s steed). Frigga
is
Mother Earth. Thor is the lord of the hammer — th
s called Woden’s tree or Woden’s steed). Frigga is Mother Earth. Thor
is
the lord of the hammer — the thunderbolt, the adv
he thunderbolt, the adversary of giants and all oppressors of man. He
is
dear to man, always connected with earth, — the h
recall those of Apollo; on the other hand, his story appeals to, and
is
colored by, the Christian imagination. He is anot
is story appeals to, and is colored by, the Christian imagination. He
is
another figure of that radiant type to which belo
cules, Perseus, Achilles, Sigurd, St. George, and many another. Hoder
is
the “adversary.” Nanna, Balder’s wife, is the en
e, and many another. Hoder is the “adversary.” Nanna, Balder’s wife,
is
the ensample of constancy; her name is maiden. §
rsary.” Nanna, Balder’s wife, is the ensample of constancy; her name
is
maiden. § 185. The Volsunga Saga. — The songs of
iegfried Saga, and Hildebrandt’s Return. Especially of artistic value
is
Richard Wagner’s series of operas, The Ring of th
of operas, The Ring of the Nibelungs, finished in 1876. The composer
is
responsible not only for the musical score, but f
of the tribe of the Cherusci, who inhabited the southern part of what
is
now Hanover and Brunswick; born 18 b.c. and train
s, the leader of the Batavi in the revolt against Rome, 69-70 a.d. It
is
probable that in Sigurd and Siegfried we have rec
stern Empire. In these poems, however, his earlier illustrious career
is
overlooked; he is merely a refugee in the court o
hese poems, however, his earlier illustrious career is overlooked; he
is
merely a refugee in the court of the Hunnish king
e is merely a refugee in the court of the Hunnish king; and, even so,
is
confounded with uncles of his who had been retain
ributions to, the great heroes of the epics, not prototypes; the same
is
true of any apparently confirmed historic forerun
d being Balder of the spring, and Hogni Hoder of winter and darkness,
is
ingenious; but, except as reminding us of the myt
mythic material which the bards were likely to recall and utilize, it
is
not of material worth. In the Norse version, the
, it is not of material worth. In the Norse version, the name Niblung
is
interchangeable with the patronymic Giuking, — it
the name Niblung is interchangeable with the patronymic Giuking, — it
is
the name of the family that ruins Sigurd. But, in
of the family that ruins Sigurd. But, in the German version, the name
is
of purely mythical import: the Nibelungs are not
t Siegfried may have intercourse with them. The land of the Nibelungs
is
equally vague in the German poem; it is at one ti
em. The land of the Nibelungs is equally vague in the German poem; it
is
at one time an island, again a mountain, and in o
is at one time an island, again a mountain, and in one manuscript it
is
confounded with Norway. But mythically it is conn
and in one manuscript it is confounded with Norway. But mythically it
is
connected with Niflheim, the kingdom of Hela, the
also in her bosom the hoard of gold. Naturally, therefore, the hoard
is
guarded by Alberic, the dwarf, for dwarfs have al
erred the underworld. So (according to Werner Hahn, and others) there
is
a deep mythical meaning in the Lay of the Nibelun
t cases, but they are not intended to exhaust the subject. The reader
is
referred to the Latin grammars and the English di
der must first ascertain whether the second last syllable of the word
is
long. In general, a syllable is long in quantity:
the second last syllable of the word is long. In general, a syllable
is
long in quantity: (1) If it contain a diphthong,
on, Mē-tis, O-rī-on, Flō-ra. (2) If its vowel, whether long or short,
is
followed by j, x, or z, or by any two consonants
come together without forming a diphthong. In such cases the diæresis
is
, in this volume, used to indicate the division; e
b). — The syllable formed by a short vowel before a mute with l or r,
is
sometimes long and sometimes short; e.g. Cle-o-pā
of more than two syllables, it falls on the penult when that syllable
is
long; otherwise, on the antepenult: Æ-nē′-as, Her
-pē′-a. Note. — In the Index of this work, when the penult of a word
is
long, it is marked with the accent; when the penu
e. — In the Index of this work, when the penult of a word is long, it
is
marked with the accent; when the penult is short,
nult of a word is long, it is marked with the accent; when the penult
is
short, the antepenult is marked. The reader shoul
t is marked with the accent; when the penult is short, the antepenult
is
marked. The reader should, however, bear in mind
.g. Pe-ne′-us, I-tho′-me, A′-treus, Hel′e-nus: Except when its vowel
is
followed by x or by two consonants (not a mute wi
ed by x or by two consonants (not a mute with l or r), then the vowel
is
joined with the succeeding consonant: Nax-os, Cir
ultimate) end with a vowel; e.g. Pi-ræ-us: Except when (a) the vowel
is
followed by x or any two consonants (not a mute w
l or r): e.g. Ix-i′-on, Pel-o-pon-ne′-sus; and when (b) the syllable
is
accented and its vowel followed by one or more co
(or a mute with l or r), followed by e, i, or y before another vowel,
is
not joined with the succeeding consonant, and con
(b). — An accented u before a single consonant (or mute with l or r)
is
not joined with the succeeding consonant, and con
ion to the dead creed and forms of Brahmanism, taught: “(1) Existence
is
only pain or sorrow. (2) The cause of pain or sor
(1) Existence is only pain or sorrow. (2) The cause of pain or sorrow
is
desire. (3) In Nirvana all pain and sorrow cease.
rrow is desire. (3) In Nirvana all pain and sorrow cease. (4) Nirvana
is
attainable by the ′noble path’ of virtuous self-d
attainable by the ′noble path’ of virtuous self-discipline.” Nirvana
is
both a means and an end. As a means, it is the pr
self-discipline.” Nirvana is both a means and an end. As a means, it
is
the process of renunciation by which the love of
on by which the love of life and self are extinguished; as an end, it
is
the heaven of the Buddhist, a negative bliss cons
liss consisting in absorption of the soul into the Infinite. The soul
is
the Karma, the sum total of a man’s deeds, good a
sum total of a man’s deeds, good and evil, — his character, by which
is
determined his state of future existence. The Kar
s of foreign origin. His name means the “opener,” or the “carver.” He
is
called “ the Father of the Beginning,” and as the
as the prime architect, or artificer, recalls the Greek Hephæstus. He
is
the activity of the “Spirit,” Neph, Chnuphis. He
eek Hephæstus. He is the activity of the “Spirit,” Neph, Chnuphis. He
is
represented as a mummy or a pigmy. Pakht and Bas
shipped at Heliopolis as the son of Phtha; Like Osiris (see below) he
is
the sun of the underworld. Seb: the father of th
s the sun of the underworld. Seb: the father of the Osirian gods. He
is
the god of earth and its vegetation; represented
neral, the most human and most beneficent of the Egyptian deities. He
is
the son of Seb (or, according to some, of Neph, C
He wages war with his brother Seth (Set), the principle of Evil, but
is
vanquished by him, boxed in a chest, drowned, and
rworld, the sun of the night, the tutelary deity of the Egyptians. He
is
avenged by his son Horus, who, with the aid of Th
with evil, the course of human life, and of the life after death. O.
is
represented as a mummy crowned with the Egyptian
ung sun of the day, avenges his father, the sun of the underworld. He
is
Horus the child, Horus the elder (as taking the p
the principle of physical, and later of moral, darkness and evil. He
is
the opponent of his brother, or father, Osiris. R
other gods who are then manifestations of his various attributes. He
is
the victorious principle of light, life, and righ
and right, but rules over, rather than sympathizes with, mankind. He
is
of human form, sometimes hawk-headed, always crow
awk-headed, always crowned with the sun’s disk. His Greek counterpart
is
not Apollo, but Helio’s. Mentu: Ra, as the risin
enerally -associated in attributes with some other god. As Amen-Ra he
is
the king of Theban gods, the divinity of the sun.
As Amen-Ra he is the king of Theban gods, the divinity of the sun. He
is
of human form; rarely with a goat’s head as repre
nted by the Greeks. He corresponds to the Greek Zeus. As Amen-Khem he
is
the god of productivity, and is represented with
ds to the Greek Zeus. As Amen-Khem he is the god of productivity, and
is
represented with a flail in his hand. His consort
roductivity, and is represented with a flail in his hand. His consort
is
Mut, or Maut, and their son is Khuns. Mut or Mau
with a flail in his hand. His consort is Mut, or Maut, and their son
is
Khuns. Mut or Maut: the mother; the Theban godde
ek Demeter. Khuns: son of Ammon and Maut; a divinity of the moon. He
is
sometimes hawk-headed; generally invested with th
ed with both Ammon and Osiris. His counterpart in classical mythology
is
Pan, or, as god of gardens, Priapus. Neith: godd
s of truth; her emblem the ostrich feather which signifies truth. She
is
the wife of Thoth. Thoth: the chief moon-god; ch
of the universe, its source, its essence, and its sustenance. Brahma
is
the creative energy of the godhead, calm, passion
of the godhead, calm, passionless, remote from man and the world. He
is
four-headed and four-handed. Vishnu: originally
n the Brahmanic godhead as the manifestation of destructive power. He
is
adorned with a necklace of skulls and ear-rings o
that condition destroy Iole in spite of his love for her. By some she
is
made the half-sister of Dryope; 241. I′on, Com. §
ent races, 2; kinds of, 3; explanatory, 3; æsthetic, 4; æsthetic myth
is
historic or romantic, 5; of unconscious growth, 5
re the name of Nysa, — in Caria, in Palestine, and in India. The last
is
here referred to, Com. §§ 46, 102, 103. Nysse′an
72; Com. § 93. Papy′ri, the sacred, 35. Par′cæ, Mœ′ræ; see Fates. Par′
is
, 407 the judgment of, 285; and Helen, 285, 287,
, 82; name of Pluto, 83, 124, 349. Tau′ri, Taurians: a people of what
is
now the Crimea; Iphigenia among the Taurians, 288
ounger d., 85, 86; lesser divinities, 86, 87; Wordsworth’s “The world
is
too much with us,” 87; myths of Neptune, 189-191;
4. Ze′tes, 73, 245. Ze′thus, 102; Com. § 64. Zeus; see Jupiter. Zeux′
is
, Greek painter of Heraclea; flourished about 424
e p. 512. As god of good beginnings, which ensure good endings, Janus
is
a promoter of civilization. Gellius (v, 12); Ovid
(v, 12); Ovid (Fasti 1, 179). According to Macrobius (S. 1, 9-15) he
is
Cosisivius the Sower. Compare Dryden, Epist. to C
), and by others; but recently (1857) by Matthew Arnold, whose Merope
is
at once a masterpiece of classical invention and
he Sphinx. Wordsworth, W., 1770-1850. Quoted, 15; Sonnet, “The world
is
too much with us,” 87; Laodamia, 290, 291; Com. §
nsl. of Statius, Thebaid, Bk. 1: 1703. Robinson, A. Mary F. (p. 536)
is
Mme. James Darmesteter. Rossetti, D. G. Com. § 1
being little more than a mass of conjectural memoranda; but the heap
is
suggestive, if well sifted.” 14. E. B. Tylor,
unless they were made by him before the war of the Titans. 59. There
is
uncertainty as to the mythical period of these ev
: 537; Iliad, 18: 486, and 22: 29; Odys. 5: 121, 274. 172. The story
is
told by Hyginus in his Fables, and in his Poetica
Cytherea, and the Paphian refer to Venus. See Commentary, This elegy
is
also translated by Mrs. Browning and by Sir Edwin
Pausanias, 1,42, § 2. 224. Darwin’s Botanic Garden. 225. His name
is
not derived from the Greek pān = all, but from th
g the farewell of Hector to Andromache his wife and Astyanax his son,
is
the most delicate and pathetic in the Iliad (6: 3
. Æn. 6: 126-129. 386. The poet here inserts a famous line which
is
thought to imitate in its sound the galloping of
hology see § 13 and Commentary. 389. Gray’s ode, The Fatal Sisters,
is
founded on this superstition. 390. From Matthew
For assistance in collecting references to English poetry the author
is
indebted to Miss M. B. Clayes, a graduate of the
the University of California. 399. Popular etymology. The suffix īon
is
patronymic. 400. Popular etymology. The root of
condemns the Ægis. 404. But see p. 415, § 34. 405. This dawn theory
is
certainly far-fetched. 406. Pronounce Mizh’ia.
ronunciation this should be Pa’ris, even though the penultimate vowel
is
short.
popularize mythology, and extend the enjoyment of elegant literature,
is
respectfully inscribed. Preface. If no ot
led useful, then we claim that epithet for our subject. For Mythology
is
the handmaid of literature; and literature is one
subject. For Mythology is the handmaid of literature; and literature
is
one of the best allies of virtue and promoters of
f as many. Through “Paradise Lost” they are scattered profusely. This
is
one reason why we often hear persons by no means
h has appeared to them “harsh and crabbed” would be found “musical as
is
Apollo’s lute.” Our citations, taken from more th
ances. In Macaulay's article on Milton there are twenty such. But how
is
mythology to be taught to one who does not learn
of learning which relates wholly to false marvels and obsolete faiths
is
not to be expected of the general reader in a pra
neral reader in a practical age like this. The time even of the young
is
claimed by so many sciences of facts and things t
red by reading the ancient poets in translations? We reply, the field
is
too extensive for a preparatory course; and these
ionary? We reply, the interruption of one’s reading by either process
is
so annoying that most readers prefer to let an al
ry facts without any of the charm of the original narrative; and what
is
a poetical myth when stripped of its poetry? The
the best ( Smith's) Classical Dictionary; and so of others. Our work
is
an attempt to solve this problem, by telling the
d, for, in the author’s opinion, poetry translated into literal prose
is
very unattractive reading. Neither are they in ve
ranslate faithfully under all the embarrassments of rhyme and measure
is
impossible. The attempt has been made to tell the
rose, preserving so much of the poetry as resides in the thoughts and
is
separable from the language itself, and omitting
yptian mythology, seemed necessary to complete the subject, though it
is
believed these topics have not usually been prese
ave endeavored to omit nothing which the reader of elegant literature
is
likely to find occasion for. Such stories and par
d feel no mortification in confessing his ignorance of them. Our book
is
not for the learned, nor for the theologian, nor
ciations of the morning of life. The permanency of those associations
is
beautifully expressed in the well-known lines of
s with their friend; and at this day ’Tis Jupiter who brings whate’er
is
great. And Venus who brings every thing that’s fa
, of which we shall give a further account in our next chapter. There
is
another cosmogony, or account of the creation, ac
ion to Apollo. Hyperion was the father of the Sun, Moon, and Dawn. He
is
therefore the original sun-god, and is painted wi
of the Sun, Moon, and Dawn. He is therefore the original sun-god, and
is
painted with the splendor and beauty which were a
iven of Saturn are not very consistent; for on the one hand his reign
is
said to have been the golden age of innocence and
have been the golden age of innocence and purity, and on the other he
is
described as a monster who devoured his children.
sometimes as the symbol of reciprocal affection. The following legend
is
told of him: — Venus, complaining to Themis that
hand a rod entwined with two serpents, called the caduceus.2 Mercury
is
said to have invented the lyre. He found, one day
f wine, but its social and beneficent influences likewise, so that he
is
viewed as the promoter of civilization, and a law
punished, and the fire was rekindled from the rays of the sun. Liber
is
the Latin name of Bacchus; and Mulciber of Vulcan
heaven. He opens the year, the first month being named after him. He
is
the guardian deity of gates, on which account he
med after him. He is the guardian deity of gates, on which account he
is
commonly represented with two heads, because ever
sed to attend to the welfare and prosperity of the family. Their name
is
derived from Penus, the pantry, which was sacred
elieved that every man had his Genius, and every woman her Juno: that
is
, a spirit who had given them being, and was regar
th the chestnut shade.” Macaulay , Prophecy of Capys .” N. B. — It
is
to be observed that in proper names the final e a
Chapter II. Prometheus and Pandora. The creation of the world
is
a problem naturally fitted to excite the livelies
the pages of Scripture, had their own way of telling the story, which
is
as follows: — Before earth, and sea, and heaven w
er took the lowest place, and buoyed up the earth. Here some god — it
is
not known which — gave his good offices in arrang
sts of the land. But a nobler animal was wanted, and Man was made. It
is
not known whether the Creator made him of divine
rade and commerce. Woman was not yet made. The story (absurd enough!)
is
that Jupiter made her, and sent her to Prometheus
o amount of other ills can make us completely wretched. Another story
is
that Pandora was sent in good faith, by Jupiter,
obable than the former; for how could hope, so precious a jewel as it
is
, have been kept in a jar full of all manner of ev
e may see in a clear night, stretches across the face of the sky, and
is
called the Milky Way. Along the road stand the pa
ly driven the plough. The fishes swim among the tree-tops; the anchor
is
let down into a garden. Where the graceful lambs
ngth Deucalion spoke: “Either my sagacity deceives me, or the command
is
one we may obey without impiety. The earth is the
ives me, or the command is one we may obey without impiety. The earth
is
the great parent of all; the stones are her bones
e stones are her bones; these we may cast behind us; and I think this
is
what the oracle means. At least, it will do no ha
g plain indications of our origin. The comparison of Eve to Pandora
is
too obvious to have escaped Milton, who introduce
to Japhet. Prometheus has been a favorite subject with the poets. He
is
represented as the friend of mankind, who interpo
a foe. Do not fly me as a lamb flies the wolf, or a dove the hawk. It
is
for love I pursue you. You make me miserable, for
er, and I will follow slower. I am no clown, no rude peasant. Jupiter
is
my father, and I am lord of Delphos and Tenedos,
rgin — he on the wings of love, and she on those of fear. The pursuer
is
the more rapid, however, and gains upon her, and
ou shall be woven into wreaths for their brows. And, as eternal youth
is
mine, you also shall be always green, and your le
e power of physic, melody, and song.” The story of Apollo and Daphne
is
often alluded to by the poets. Waller applies it
. “O Pyramus,” she cried, “what has done this? Answer me, Pyramus; it
is
your own Thisbe that speaks. Hear me, dearest, an
and for my sake,” she said. “I too can be brave for once, and my love
is
as strong as thine. I will follow thee in death,
s day. Moore, in the Sylph’s Ball, speaking of Davy’s Safety Lamp,
is
reminded of the wall that separated Thisbe and he
Pyramus and Thisbe, and the metamorphosis of the mulberries. The poet
is
describing the Island of Love. “ —— here each gi
turning to Shakspere’s play of the Midsummer Night’s Dream, where it
is
most amusingly burlesqued. Cephalus and Procri
me maiden, went and told the secret to Procris, Cephalus’s wife. Love
is
credulous. Procris, at the sudden shock, fainted
Young man,” said he, “come and take a seat by me on this stone. There
is
no better place for your flocks to graze in than
no better place for your flocks to graze in than hereabouts, and here
is
a pleasant shade such as shepherds love.” Mercury
head down the rocks. O hapless Argus! the light of your hundred eyes
is
quenched at once! Juno took them and put them as
d sought your depths? Learn that I am supplanted in heaven — my place
is
given to another. You will hardly believe me; but
son to complain exalted to the heavens, in that part where the circle
is
the smallest, in the neighborhood of the pole. Wh
have been able to effect! I forbade her to wear the human form — she
is
placed among the stars! So do my punishments resu
m — she is placed among the stars! So do my punishments result — such
is
the extent of my power! Better that she should ha
footsteps of the Dawn.” The last star in the tail of the Little Bear
is
the Pole-star, called also the Cynosure. Milton s
me beauty lies The Cynosure of neighboring eyes.” The reference here
is
both to the Pole-star as the guide of mariners, a
ut that the anger of Diana was satisfied. In Shelley’s poem Adonais
is
the following allusion to the story of Actæon: —
ionless As the last cloud of an expiring storm, Whose thunder
is
its knell; he, as I guess, Had gazed on Natur
raging hounds their father and their prey.” Stanza 31. The allusion
is
probably to Shelley himself. Latona and the Ru
e rustics forbade her. ‘Why do you refuse me water?’ said she; ‘water
is
free to all. Nature allows no one to claim as pro
s in it, weary though they be, but only to quench my thirst. My mouth
is
so dry that I can hardly speak. A draught of wate
and moon in fee.” The persecution which Latona experienced from Juno
is
alluded to in the story. The tradition was that t
e; “this only request I would fain deny. I beg you to withdraw it. It
is
not a safe boon, nor one, my Phaëton, suited to y
oon, nor one, my Phaëton, suited to your youth and strength. Your lot
is
mortal, and you ask what is beyond a mortal’s pow
ited to your youth and strength. Your lot is mortal, and you ask what
is
beyond a mortal’s power. In your ignorance you as
terrible right arm hurls the thunderbolts. The first part of the way
is
steep, and such as the horses when fresh in the m
as the horses when fresh in the morning can hardly climb; the middle
is
high up in the heavens, whence I myself can scarc
road descends rapidly, and requires most careful driving. Tethys, who
is
waiting to receive me, often trembles for me lest
mbles for me lest I should fall headlong. Add to all this, the heaven
is
all the time turning round and carrying the stars
f gods, and palaces and temples on the way. On the contrary, the road
is
through the midst of frightful monsters. You pass
us — ask it and fear no refusal. This only I pray you not to urge. It
is
not honor, but destruction you seek. Why do you h
ck and still entreat me? You shall have it if you persist, — the oath
is
sworn and must be kept, — but I beg you to choose
d tight the reins. They go fast enough of their own accord; the labor
is
to hold them in. You are not to take the straight
gs, nor too low, or you will set the earth on fire; the middle course
is
safest and best. 6 And now I leave you to your ch
hope will plan better for you than you have done for yourself. Night
is
passing out of the western gates and we can delay
load they drew was lighter than usual; and as a ship without ballast
is
tossed hither and thither on the sea, so the char
bout as if empty. They rush headlong and leave the travelled road. He
is
alarmed, and knows not how to guide them; nor, if
rses, never learned his parentage, never prevailed in his request. He
is
borne along like a vessel that flies before a tem
s himself to his prayers. What shall he do? Much of the heavenly road
is
left behind, but more remains before. He turns hi
goal whence he began his course, now to the realms of sunset which he
is
not destined to reach. He loses his self-command,
plants wither, the trees with their leafy branches burn, the harvest
is
ablaze! But these are small things. Great cities
of a pitchy darkness. He dashed forward he knew not whither. Then, it
is
believed, the people of Æthiopia became black by
ter. “O, ruler of the gods, if I have deserved this treatment, and it
is
your will that I perish with fire, why withhold y
ul lines of Walter Savage Landor, descriptive of the Sea-shell, there
is
an allusion to the Sun’s palace and chariot. The
linden tree and an oak, enclosed by a low wall. Not far from the spot
is
a marsh, formerly good habitable land, but now in
saints, and the house being changed into a church, of which Philemon
is
made the parson. The following may serve as a spe
and with earthquakes. Their breath comes up through the mountain, and
is
what men call the eruption of the volcano. The fa
r power? Minerva the wise, and Diana the huntress, defy us; and there
is
that daughter of Ceres, who threatens to follow t
barbed point right into the heart of Pluto. In the vale of Enna there
is
a lake embowered in woods, which screen it from t
ich screen it from the fervid rays of the sun, while the moist ground
is
covered with flowers, and Spring reigns perpetual
hy vigor returned to his body. The whole family were delighted — that
is
, the father, mother, and little girl, for they we
your daughter. I can tell you of her fate, for I have seen her. This
is
not my native country; I came hither from Elis. I
seed-corn which when cast into the ground lies there concealed — that
is
, she is carried off by the god of the underworld.
n which when cast into the ground lies there concealed — that is, she
is
carried off by the god of the underworld. It reap
she is carried off by the god of the underworld. It reappears — that
is
, Proserpine is restored to her mother. Spring lea
off by the god of the underworld. It reappears — that is, Proserpine
is
restored to her mother. Spring leads her back to
ran that a cup thrown into the Alpheus appeared again in Arethusa. It
is
this fable of the underground course of Alpheus t
e pain I suffer. The power of herbs I know as well as any one, for it
is
to them I owe my change of form. I love Scylla. I
not know how to refuse you. If she scorns you scorn her; meet one who
is
ready to meet you half way, and thus make a due r
Scylla.” Glaucus consents to Circe’s blandishments, till he by chance
is
witness to her transactions with her beasts. Disg
sted with her treachery and cruelty, he tries to escape from her, but
is
taken and brought back, when with reproaches she
dess has not transformed but drowned. Glaucus learns that his destiny
is
that, if he passes his thousand years in collecti
youth, and Scylla and all the drowned lovers to life. The following
is
Glaucus’s account of his feelings after his “sea-
to the love of nature in a youthful heart. The following translation
is
furnished by a friend: — “As once with prayers i
ought and nursed under my branches, and play in my shade; and when he
is
old enough to talk, let him be taught to call me
and calls her dogs, and chases hares and stags, or other game that it
is
safe to hunt, but keeps clear of the wolves and b
e brave towards the timid,” said she; “courage against the courageous
is
not safe. Beware how you expose yourself to dange
sprang up a flower of bloody hue like that of the pomegranate. But it
is
short-lived. It is said the wind blows the blosso
of bloody hue like that of the pomegranate. But it is short-lived. It
is
said the wind blows the blossoms open, and afterw
blows the blossoms open, and afterwards blows the petals away; so it
is
called Anemone, or Wind Flower, from the cause wh
diest, Hyacinth,” so spoke Phœbus, “robbed of thy youth by me. Thine
is
the suffering, mine the crime. Would that I could
n the Tyrian sprang up, resembling the lily, if it were not that this
is
purple and that silvery white.7 And this was not
lt of mine, dearest husband, has turned your affection from me? Where
is
that love of me that used to be uppermost in your
e the word to take in sail, but the storm forbade obedience, for such
is
the roar of the winds and waves his orders are un
me, comes over their minds. Ceyx thinks of Halcyone. No name but hers
is
on his lips, and while he yearns for her, he yet
he yearns for her, he yet rejoices in her absence. Presently the mast
is
shattered by a stroke of lightning, the rudder br
ace of the King of Sleep. Near the Cimmerian country, a mountain cave
is
the abode of the dull god, Somnus. Here Phœbus da
collects slumbers, which she scatters over the darkened earth. There
is
no gate to the mansion, to creak on its hinges, n
nate birds, beasts, and serpents. Him they call Icelos; and Phantasos
is
a third, who turns himself into rocks, waters, wo
ares not to unbind her hair, but tears it wildly. Her nurse asks what
is
the cause of her grief. “Halcyone is no more,” sh
s it wildly. Her nurse asks what is the cause of her grief. “Halcyone
is
no more,” she answers, “she perished with her Cey
answers, “she perished with her Ceyx. Utter not words of comfort, he
is
shipwrecked and dead. I have seen him, I have rec
now it approaches the shore. Now marks that she recognizes appear. It
is
her husband! Stretching out her trembling hands t
out her trembling hands towards it, she exclaims, “O dearest husband,
is
it thus you return to me?” There was built out fr
alcyone broods over her nest, which floats upon the sea. Then the way
is
safe to seamen. Æolus guards the winds and keeps
lus guards the winds and keeps them from disturbing the deep. The sea
is
given up, for the time, to his grandchildren. T
low, His head heaves with the heaving billow; That hand, whose motion
is
not life, Yet feebly seems to menace strife, Flun
fortable bird That broodest o’er the troubled sea of the mind Till it
is
hushed and smooth.” Chapter X. Vertumnus and
nus, on my recommendation. I know him as well as he knows himself. He
is
not a wandering deity, but belongs to these mount
elf. He is not a wandering deity, but belongs to these mountains. Nor
is
he like too many of the lovers nowadays, who love
y one they happen to see; he loves you, and you only. Add to this, he
is
young and handsome, and has the art of assuming a
fences sooner or later. To prove this, let me tell you a story, which
is
well known in Cyprus to be a fact; and I hope it
Pomona was also regarded as presiding over other fruits, and as such
is
invoked by Thomson: — “Bear me, Pomona, to thy c
beauty of the youngest was so wonderful that the poverty of language
is
unable to express its due praise. The fame of her
sight, and looked on her with amazement, paying her that homage which
is
due only to Venus herself. In fact Venus found he
consulted the oracle of Apollo, and received this answer: “The virgin
is
destined for the bride of no mortal lover. Her fu
l lover. Her future husband awaits her on the top of the mountain. He
is
a monster whom neither gods nor men can resist.”
e saw no one, uttering these words: “Sovereign lady, all that you see
is
yours. We whose voices you hear are your servants
me, perhaps you would fear me, perhaps adore me, but all I ask of you
is
to love me. I would rather you would love me as a
mendous monster. The inhabitants of this valley say that your husband
is
a terrible and monstrous serpent, who nourishes y
m in concealment that your husband may not discover them, and when he
is
sound asleep, slip out of bed, bring forth your l
ed, bring forth your lamp, and see for yourself whether what they say
is
true or not. If it is, hesitate not to cut off th
amp, and see for yourself whether what they say is true or not. If it
is
, hesitate not to cut off the monster’s head, and
dust, stopped his flight for an instant and said, “O foolish Psyche,
is
it thus you repay my love? After having disobeyed
rs and crowned with roses. Seeing the task done, she exclaimed, “This
is
no work of yours, wicked one, but his, whom to yo
pprobation of her implacable mistress, who said, “I know very well it
is
by none of your own doings that you have succeede
pine has given you the box filled with her beauty, of all things this
is
chiefly to be observed by you, that you never onc
e immortal; nor shall Cupid ever break away from the knot in which he
is
tied, but these nuptials shall be perpetual.” Thu
born to them whose name was Pleasure. The fable of Cupid and Psyche
is
usually considered allegorical. The Greek name fo
che is usually considered allegorical. The Greek name for a butterfly
is
Psyche, and the same word means the soul. There i
me for a butterfly is Psyche, and the same word means the soul. There
is
no illustration of the immortality of the soul so
e most fragrant and delicate productions of the spring. Psyche, then,
is
the human soul, which is purified by sufferings a
ate productions of the spring. Psyche, then, is the human soul, which
is
purified by sufferings and misfortunes, and is th
the human soul, which is purified by sufferings and misfortunes, and
is
thus prepared for the enjoyment of true and pure
for the enjoyment of true and pure happiness. In works of art Psyche
is
represented as a maiden with the wings of a butte
; so Jove hath sworn.” The allegory of the story of Cupid and Psyche
is
well presented in the beautiful lines of T. K. Ha
the works of Apuleius, a writer of the second century of our era. It
is
therefore of much more recent date than most of t
uch more recent date than most of the legends of the Age of Fable. It
is
this that Keats alludes to in his Ode to Psyche.
pale-mouthed prophet dreaming.” In Moore’s Summer Fête a fancy ball
is
described, in which one of the characters persona
a fancy ball is described, in which one of the characters personated
is
Psyche. “—— not in dark disguise to-night Hath o
upon their minds; and one day Cadmus exclaimed, “If a serpent’s life
is
so dear to the gods, I would I were myself a serp
er avoid the presence of man nor do they ever injure any one. There
is
a tradition that Cadmus introduced into Greece th
e letters of the alphabet which were invented by the Phœnicians. This
is
alluded to by Byron, where, addressing the modern
hem for a slave?” Milton, describing the serpent which tempted Eve,
is
reminded of the serpents of the classical stories
fields, and the woods; the air was poisoned by them, I tell you what
is
hardly credible, but neither dogs nor birds would
under the storm-shaken oak. You see yonder a temple on the height. It
is
sacred to Jupiter. O how many offered prayers the
, young in years and bold in heart.” This description of the plague
is
copied by Ovid from the account which Thucydides,
not whether to rejoice or grieve at this sad war. I grieve that Minos
is
our enemy; but I rejoice at any cause that brings
father! No! rather would I never see Minos again. And yet no doubt it
is
sometimes the best thing for a city to be conquer
metimes the best thing for a city to be conquered, when the conqueror
is
clement and generous. Minos certainly has right o
I? I would encounter fire and sword to gain my object; but here there
is
no need of fire and sword. I only need my father’
rom the island. Scylla was frantic. “Ungrateful man,” she exclaimed, “
is
it thus you leave me? — me who have given you vic
rocks and there was nothing left of her but her voice. With that she
is
still ready to reply to any one who calls her, an
upposed spirit: “Why, beautiful being, do you shun me? Surely my face
is
not one to repel you. The nymphs love me, and you
s to the story of Echo and Narcissus in the Lady’s song in Comus. She
is
seeking her brothers in the forest, and sings to
us warned me: ‘What thou seest, What there thou seest, fair creature,
is
thyself;’” etc. Paradise Lost, Book IV. No one
us. Here are two epigrams which treat it in different ways. The first
is
by Goldsmith: — “On a beautiful Youth, struck bl
e like Cupid blind, To save him from Narcissus’ fate.” The other
is
by Cowper: — “On an ugly Fellow.” “Beware, my fr
alludes to Clytie: — “I will not have the mad Clytie, Whose head
is
turned by the sun; The tulip is a courtly quean,
t have the mad Clytie, Whose head is turned by the sun; The tulip
is
a courtly quean, Whom therefore I will shun;
tulip is a courtly quean, Whom therefore I will shun; The cowslip
is
a country wench, The violet is a nun; — But I
therefore I will shun; The cowslip is a country wench, The violet
is
a nun; — But I will woo the dainty rose, The
will woo the dainty rose, The queen of every one.” The sunflower
is
a favorite emblem of constancy. Thus Moore uses i
bs that buoyant wave hath borne.” The distance in the narrowest part
is
almost a mile, and there is a constant current se
rne.” The distance in the narrowest part is almost a mile, and there
is
a constant current setting out from the Sea of Ma
rang with Hero’s song, ’Ye waves, divide not lovers long.’ That tale
is
old, but love anew May nerve young hearts to prov
advise you to ask her forgiveness for what you have said, and as she
is
merciful perhaps she will pardon you.” Arachne st
er station and attaches the web to the beam. Then the slender shuttle
is
passed in and out among the threads. The reed wit
e excitement of the contest makes the labor light. Wool of Tyrian dye
is
contrasted with that of other colors, shaded off
fingers cleaved to her side and served for legs. All the rest of her
is
body, out of which she spins her thread, often ha
nap which on his wings doth lie, The silken down with which his back
is
dight, His broad outstretched horns, his hairy th
nd all her blood to poisonous rancor turn.” And so the metamorphosis
is
caused by Arachne’s own mortification and vexatio
t of the goddess. The following specimen of old-fashioned gallantry
is
by Garrick: — Upon a Lady’s Embroidery “Arachne
hand grasped The mild bull’s golden horn.” In his Princess there
is
this allusion to Danaë: — “Now lies the earth al
and surveyed the people with haughty looks. “What folly,” said she, “
is
this! — to prefer beings whom you never saw to th
a goddess. My husband built and rules this city, Thebes, and Phrygia
is
my paternal inheritance. Wherever I turn my eyes
tance. Wherever I turn my eyes I survey the elements of my power; nor
is
my form and presence unworthy of a goddess. To al
I, and fortunate I shall remain! Will any one deny this? My abundance
is
my security. I feel myself too strong for Fortune
your hard heart, while I follow to the grave my seven sons. Yet where
is
your triumph? Bereaved as I am, I am still richer
er distress.” Childe Harold, IV. 79. Our illustration of this story
is
a copy of a celebrated statue in the imperial gal
a copy of a celebrated statue in the imperial gallery of Florence. It
is
the principal figure of a group supposed to have
. The figure of the mother clasped by the arm of her terrified child,
is
one of the most admired of the ancient statues. I
e Laocoon and the Apollo among the masterpieces of art. The following
is
a translation of a Greek epigram supposed to rela
t in vain; The sculptor’s art has made her breathe again.” Tragic as
is
the story of Niobe, we cannot forbear to smile at
. Then spoke Perseus: “There will be time enough for tears; this hour
is
all we have for rescue. My rank as the son of Jov
the “—— goddess, sage and holy, Whose saintly visage
is
too bright To hit the sense of human sight, And,
praise above The sea-nymphs, and their powers offended.” Cassiopeia
is
called “the starred Æthiop queen” because after h
laced in that part of the heaven near the pole, where every night she
is
half the time held with her head downward, to giv
fixed immovably, a mass of stone! The following allusion to Perseus
is
from Milman’s Samor: — “As’ mid the fabled Libya
but boldly advanced to the trial. The Sphinx asked him, “What animal
is
that which in the morning goes on four feet, at n
tters” arose, to describe any species of communication which a person
is
made the bearer of, containing matter prejudicial
his pride and presumption drew upon himself the anger of the gods; it
is
said he even attempted to fly up into heaven on h
an’s as forming a very degraded compound, and accordingly the Centaur
is
the only one of the fancied monsters of antiquity
d a dreadful conflict arose in which several of them were slain. This
is
the celebrated battle of the Lapithæ and Centaurs
fear his heart rebounds.” The Griffin, or Gryphon. The Griffin
is
a monster with the body of a lion, the head and w
olden prizes, not worth the trouble it had cost to procure it. This
is
one of those mythological tales, says a late writ
s one of those mythological tales, says a late writer, in which there
is
reason to believe that a substratum of truth exis
e golden fleece. Another suggestion of a learned mythologist, Bryant,
is
that it is a corrupt tradition of the story of No
eece. Another suggestion of a learned mythologist, Bryant, is that it
is
a corrupt tradition of the story of Noah and the
The name Argo seems to countenance this, and the incident of the dove
is
another confirmation. Pope, in his Ode on St. Ce
nd men grew heroes at the sound.” In Dyer’s poem of The Fleece there
is
an account of the ship Argo and her crew, which g
his veins were full of blood, his limbs of vigor and robustness. Æson
is
amazed at himself, and remembers that such as he
ustness. Æson is amazed at himself, and remembers that such as he now
is
, he was in his youthful days, forty years before.
acbeth. — What is’t you do? Witches. — A deed without a name. There
is
another story of Medea almost too revolting for r
houts of his pursuers, and rushed forth against them. One and another
is
thrown down and slain. Jason throws his spear, wi
Atalanta at length for the first time tastes the monster’s blood. It
is
a slight wound, but Meleager sees and joyfully pr
st lays him low with a mortal wound. Theseus throws his lance, but it
is
turned aside by a projecting bough. The dart of J
s of rejoicing for those of mourning. But when the author of the deed
is
known, grief gives way to the stern desire of ven
The feelings of the mother and the sister contend within her. Now she
is
pale at the thought of the purposed deed, now flu
e. Shall Œneus rejoice in his victor son, while the house of Thestius
is
desolate? But, alas! to what deed am I borne alon
d this brand from the flames. O that thou hadst then died! Alas! evil
is
the conquest; but, brothers, ye have conquered.”
pain of the hero. Now both subside; now both are quenched. The brand
is
ashes, and the life of Meleager is breathed forth
; now both are quenched. The brand is ashes, and the life of Meleager
is
breathed forth to the wandering winds. Althea, wh
andsome to throw himself away? I pity him, not for his beauty (yet he
is
beautiful,) but for his youth. I wish he would gi
propitious. In the garden of her temple, in her own island of Cyprus,
is
a tree with yellow leaves and yellow branches and
se, gave them to Hippomenes, and told him how to use them. The signal
is
given; each starts from the goal and skims over t
esentations, in statuary or painting, of the goddess Cybele. Cybele
is
the Latin name of the goddess called by the Greek
ts the matronly air which distinguishes Juno and Ceres. Sometimes she
is
veiled, and seated on a throne with lions at her
mes riding in a chariot drawn by lions. She wears a mural crown, that
is
, a crown whose rim is carved in the form of tower
t drawn by lions. She wears a mural crown, that is, a crown whose rim
is
carved in the form of towers and battlements. Her
e called Corybantes. Byron in describing the city of Venice, which
is
built on a low island in the Adriatic Sea, borrow
lay at the west, under the rays of the setting sun. This description
is
thought to apply to Spain, of which Geryon was ki
For although your interest in him arises from his noble deeds, yet it
is
not the less gratifying to me. But now I say to y
ying to me. But now I say to you, Fear not. He who conquered all else
is
not to be conquered by those flames which you see
a. Only his mother’s share in him can perish; what he derived from me
is
immortal. I shall take him, dead to earth, to the
no, and goddess of youth, was cup-bearer to the gods. The usual story
is
that she resigned her office on becoming the wife
t she resigned her office on becoming the wife of Hercules. But there
is
another statement which our countryman Crawford,
ng of Athens. One of the most celebrated of the adventures of Theseus
is
his expedition against the Amazons. He assailed t
battle was one of the favorite subjects of the ancient sculptors, and
is
commemorated in several works of art that are sti
n honor of the hero. The queen of the Amazons whom Theseus espoused
is
by some called Hippolyta. That is the name she be
f the Amazons whom Theseus espoused is by some called Hippolyta. That
is
the name she bears in Shakspere’s Midsummer Night
bears in Shakspere’s Midsummer Night’s Dream, — the subject of which
is
the festivities attending the nuptials of Theseus
eared strengthening his countrymen at the battle of Marathon. Theseus
is
a semi-historical personage. It is recorded of hi
at the battle of Marathon. Theseus is a semi-historical personage. It
is
recorded of him that he united the several tribes
e temple of the Parthenon. A considerable portion of these sculptures
is
now in the British Museum among those known as th
of reckoning time and dating events by Olympiads. The first Olympiad
is
generally considered as corresponding with the ye
s, and mindful of his fall, avoids high places. The death of Icarus
is
told in the following lines by Darwin: — “—— wit
lp being afraid. People are not always what they pretend to be. If he
is
indeed Jove, make him give some proof of it. Ask
uaded to try the experiment. She asks a favor, without naming what it
is
. Jove gives his promise, and confirms it with the
putting on all his terrors, as when he overthrew the giants, but what
is
known among the gods as his lesser panoply. Array
e the cultivation of the vine. The most famous part of his wanderings
is
his expedition to India, which is said to have la
most famous part of his wanderings is his expedition to India, which
is
said to have lasted several years. Returning in t
presume to celebrate.” The prisoner, unterrified, responded, “My name
is
Acetes; my country is Mæonia; my parents were poo
The prisoner, unterrified, responded, “My name is Acetes; my country
is
Mæonia; my parents were poor people, who had no f
h I felt sure was more than mortal. I said to my men, ‘What god there
is
concealed in that form I know not, but some one t
re is concealed in that form I know not, but some one there certainly
is
. Pardon us, gentle deity, for the violence we hav
r’s cry, one and all exclaimed, ‘Spare your prayers for us.’ So blind
is
the lust of gain! When they proceeded to put him
aking off his drowsiness exclaimed, ‘What are you doing with me? What
is
this fighting about? Who brought me here? Where a
ing; tell us where you wish to go and we will take you there.’ ‘Naxos
is
my home,’ said Bacchus; ‘take me there and you sh
s, these are not the shores you promised to take me to; yonder island
is
not my home. What have I done that you should tre
land is not my home. What have I done that you should treat me so? It
is
small glory you will gain by cheating a poor boy.
he vessel fast over the sea. All at once — strange as it may seem, it
is
true, — the vessel stopped, in the mid sea, as fa
flattened and ending in a crooked tail. One exclaimed, ‘What miracle
is
this!’ and as he spoke his mouth widened, his nos
ile his mother shouted, “Victory! Victory! we have done it; the glory
is
ours!” So the worship of Bacchus was established
s ours!” So the worship of Bacchus was established in Greece. There
is
an allusion to the story of Bacchus and the marin
mament, Through the bright heaven doth her beams display, And
is
unto the stars an ornament, Which round about her
roll Heir to each god’s aureole, And Pan
is
dead. “Earth outgrows the mythic fancies Sung be
aire romances Sound but dull beside the truth. Phœbus’ chariot course
is
run! Look up, poets, to the sun!
run! Look up, poets, to the sun! Pan, Pan
is
dead.” These lines are founded on an early Chris
unted spring and dale, Edged with poplar pale, The parting Genius
is
with sighing sent; With flower-enwoven tresses to
ed an Oread from her mountain and spoke to her in these words: “There
is
a place in the farthest part of ice-clad Scythia,
aved. His hunger was like the sea, which receives all the rivers, yet
is
never filled; or like fire, that burns all the fu
vers, yet is never filled; or like fire, that burns all the fuel that
is
heaped upon it, yet is still voracious for more.
ed; or like fire, that burns all the fuel that is heaped upon it, yet
is
still voracious for more. His property rapidly di
ther’s trumpeter. Proteus was also a son of Neptune. He, like Nereus,
is
styled a sea-elder for his wisdom and knowledge o
on of Hygeia, the goddess of health, thus celebrates the Naiads. Pæon
is
a name both of Apollo and Æsculapius. “Come, ye
The Winds. When so many less active agencies were personified, it
is
not to be supposed that the winds failed to be so
heavy tasks. As for this man, who boasts himself the son of Jove, it
is
either a false pretence, or disgraceful to him if
hat Acheloüs loved Dejanira, and sought a union with her, the meaning
is
that the river in its windings flowed through par
subject to overflow, but now redeemed, became very fertile, and this
is
meant by the horn of plenty. There is another acc
, became very fertile, and this is meant by the horn of plenty. There
is
another account of the origin of the Cornucopia.
g filled with whatever the possessor might wish. The name of Amalthea
is
also given by some writers to the mother of Bacch
f Amalthea is also given by some writers to the mother of Bacchus. It
is
thus used by Milton, P. L., Book IV.: —
usal of her remarks cannot fail to gratify our readers. The following
is
the lamentation of Antigone over Œdipus, when dea
and shalt be ever.” Francklin’s Sophocles. Penelope. Penelope
is
another of those mythic heroines whose beauties w
ked at the robe, but in the night she undid the work of the day. This
is
the famous Penelope’s web, which is used as a pro
e undid the work of the day. This is the famous Penelope’s web, which
is
used as a proverbial expression for any thing whi
e’s web, which is used as a proverbial expression for any thing which
is
perpetually doing but never done. The rest of Pen
, and Sisyphus sat on his rock to listen. Then for the first time, it
is
said, the cheeks of the Furies were wet with tear
gments of his body and buried them at Libethra, where the nightingale
is
said to sing over his grave more sweetly than in
e superior melody of the nightingale’s song over the grave of Orpheus
is
alluded to by Southey in his Thalaba: —
he river side and thus addressed her: “O mother, the pride of my life
is
taken from me! I have lost my precious bees. My c
lves with the feast, and after that Cyrene thus addressed him: “There
is
an old prophet named Proteus, who dwells in the s
im: “There is an old prophet named Proteus, who dwells in the sea and
is
a favorite of Neptune, whose herd of sea-calves h
f sea-calves he pastures. We nymphs hold him in great respect, for he
is
a learned sage and knows all things, past, presen
may easily secure him. But when he finds himself captured, his resort
is
to a power he possesses of changing himself into
you want of me?” Aristæus replied, “Proteus, you know already, for it
is
needless for any one to attempt to deceive you. A
ion, having become king of Thebes, fortified the city with a wall. It
is
said that when he played on his lyre the stones m
age who was represented by one tradition to be the son of Orpheus. He
is
said to have written sacred poems and oracles. Mi
ose works yet remain, and their influence on poets who succeeded them
is
yet more important than their poetical remains. T
on the same authority as other narratives of the “Age of Fable,” that
is
, of the poets who have told them. In their presen
th amazement. “Shall such wickedness triumph?” said he. “Then in vain
is
power lodged in my hands. That we may discover th
ne of the seamen making music to entertain the rest: — “The moon
is
up; by Heaven a lovely eve! Long streams of l
cus . In order to understand the story of Ibycus which follows it
is
necessary to remember, first, that the theatres o
re in the daytime. Second, the appalling representation of the Furies
is
not exaggerated in the story. It is recorded that
ling representation of the Furies is not exaggerated in the story. It
is
recorded that Æschylus, the tragic poet, having o
anaë, the most important of the fragments which remain of his poetry,
is
based upon the tradition that Danaë and her infan
ave been content to share the praises of the sons of Leda. But vanity
is
exacting; and as Scopas sat at his festal board a
mised reward Scopas bestowed but half the expected sum, saying, “Here
is
payment for my portion of thy performance; Castor
m to eminent poetical genius. The story of Sappho commonly alluded to
is
that she was passionately in love with a beautifu
y, and an early and welcome death. — S. G. B. The Endymion of Keats
is
a wild and fanciful poem, containing some exquisi
he dwelt as a hunter with Diana, with whom he was a favorite, and it
is
even said she was about to marry him. Her brother
r was seven, only six stars are visible, for Electra, one of them, it
is
said left her place that she might not behold the
o the mythic story. We must premise that on the celestial globe Orion
is
represented as robed in a lion’s skin and wieldin
s of the river Nile, in Egypt, are two colossal statues, one of which
is
said to be the statue of Memnon. Ancient writers
t when the first rays of the rising sun fall upon this statue a sound
is
heard to issue from it, which they compare to the
ue from it, which they compare to the snapping of a harpstring. There
is
some doubt about the identification of the existi
and discovered that it was hollow, and that “in the lap of the statue
is
a stone, which on being struck emits a metallic s
o was predisposed to believe its powers.” The vocal statue of Memnon
is
a favorite subject of allusion with the poets. Da
er, I cannot tell you; they were in equal measure. O Venus, how great
is
thy power! this fierce giant, the terror of the w
his heavy tread, and, when weary, lay tranquilly in his cave. “There
is
a cliff which projects into the sea, which washes
the Greeks, and that was a quarrel between Achilles and Agamemnon. It
is
at this point that the great poem of Homer, The I
over his friend, and to guide his inexperience. “Now,” said Nestor, “
is
the time for such influence. If the gods so pleas
om darkness; clear the skies; Give day; and, since thy sovereign will
is
such, Destruction with it; but, O, give us day.”
p Helen and all her treasures and ample of our own beside? Ah, no! it
is
too late. He would not even hear me through, but
iphobus was gone. Then Hector understood his doom and said, “Alas! it
is
plain this is my hour to die! I thought Deiphobus
ne. Then Hector understood his doom and said, “Alas! it is plain this
is
my hour to die! I thought Deiphobus at hand, but
r to die! I thought Deiphobus at hand, but Pallas deceived me, and he
is
still in Troy. But I will not fall inglorious.” S
of life. Perhaps even now some neighbor chief oppresses him and there
is
none at hand to succor him in his distress. Yet d
roy. The story of the Iliad ends with the death of Hector, and it
is
from the Odyssey and later poems that we learn th
t two letters of the name of Ajax, Ai, the Greek for “woe.” Thus Ajax
is
a claimant with the boy Hyacinthus for the honor
he boy Hyacinthus for the honor of giving birth to this flower. There
is
a species of Larkspur which represents the hyacin
te, Laocoon, the priest of Neptune exclaims, “What madness, citizens,
is
this? Have you not learned enough of Grecian frau
lential breath in their faces. The father, attempting to rescue them,
is
next seized and involved in the serpents’ coils.
subdued. One of the most celebrated groups of statuary in existence
is
that of Laocoon and his children in the embrace o
Laocoon and his children in the embrace of the serpents. A cast of it
is
owned by the Boston Athenæum; the original is in
serpents. A cast of it is owned by the Boston Athenæum; the original
is
in the Vatican at Rome. The following lines are f
ets will also occasionally borrow a classical allusion. The following
is
from Swift’s Description of a City Shower: — “Bo
from the dust!” One of the most pathetic scenes in the ancient drama
is
that in which Sophocles represents the meeting of
perhaps be surprised to learn that the exact site of that famous city
is
still a matter of dispute. There are some vestige
ypso. Return of Ulysses. The romantic poem of the Odyssey
is
now to engage our attention. It narrates the wand
ses approaching him handed him a bowl of wine, saying, “Cyclops, this
is
wine; taste and drink after thy meal of men’s fle
party devoured. He asked his name, to which Ulysses replied, “My name
is
Noman.” After his supper the giant lay down to re
e, and Noman gives the blow.” They answered, “If no man hurts thee it
is
the stroke of Jove, and thou must bear it.” So sa
ps, the gods have well requited thee for thy atrocious deeds. Know it
is
Ulysses to whom thou owest thy shameful loss of s
The following allusion to the topics we have just been considering
is
from Milton’s Comus, line 252: —
ercury brought the message to her, and found her in her grotto, which
is
thus described by Homer: — “A garden vine, luxur
none spoke. At last an aged statesman, addressing the king, said, “It
is
not fit that a stranger who asks our hospitality
nd channel, and ocean. Just at the entrance of the inner harbor there
is
a picturesque rock with a small convent perched u
resque rock with a small convent perched upon it, which by one legend
is
the transformed pinnace of Ulysses. “Almost the o
transformed pinnace of Ulysses. “Almost the only river in the island
is
just at the proper distance from the probable sit
o try; for, said he, “beggar as I am, I was once a soldier, and there
is
still some strength in these old limbs of mine.”
ojans heard with joy and immediately began to ask one another, “Where
is
the spot intended by the oracle?” Anchises rememb
e approached in the guise of Phorbas and said: “Palinurus, the breeze
is
fair, the water smooth, and the ship sails steadi
for his faithful steersman, took charge of the ship himself. There
is
a beautiful allusion to the story of Palinurus in
im to accomplish the task. The Sibyl replied, “The descent to Avernus
is
easy: the gate of Pluto stands open night and day
and day; but to retrace one’s steps and return to the upper air, that
is
the toil, that the difficulty.” 26 She instructed
sophers. The region where Virgil locates the entrance into this abode
is
perhaps the most strikingly adapted to excite ide
of the terrific and preternatural of any on the face of the earth. It
is
the volcanic region near Vesuvius, where the whol
rth. It is the volcanic region near Vesuvius, where the whole country
is
cleft with chasms, from which sulphurous flames a
eft with chasms, from which sulphurous flames arise, while the ground
is
shaken with pent-up vapors, and mysterious sounds
ysterious sounds issue from the bowels of the earth. The lake Avernus
is
supposed to fill the crater of an extinct volcano
lake Avernus is supposed to fill the crater of an extinct volcano. It
is
circular, half a mile wide, and very deep, surrou
gloomy forest. Mephitic vapors rise from its waters, so that no life
is
found on its banks, and no birds fly over it. Her
e punishments produced the sounds he heard? The Sibyl answered, “Here
is
the judgment hall of Rhadamanthus, who brings to
ght him the difference between mortal weapons and divine. Here, also,
is
Tityus, the giant, whose form is so immense that
rtal weapons and divine. Here, also, is Tityus, the giant, whose form
is
so immense that as he lies he stretches over nine
nine acres, while a vulture preys upon his liver, which as fast as it
is
devoured grows again, so that his punishment will
, and drink oblivion of their former lives.” “O father!” said Æneas, “
is
it possible that any can be so in love with life
d. Thus, the more earth predominates in the composition the less pure
is
the individual; and we see men and women with the
in proportion to the time which the union of body and soul has lasted
is
the impurity contracted by the spiritual part. Th
spiritual part. This impurity must be purged away after death, which
is
done by ventilating the souls in the current of w
heir impurities by fire. Some few, of whom Anchises intimates that he
is
one, are admitted at once to Elysium, there to re
ade into brute animals, lions, tigers, cats, dogs, monkeys, etc. This
is
what the ancients called Metempsychosis, or the t
lled Metempsychosis, or the transmigration of souls; a doctrine which
is
still held by the natives of India, who scruple t
the earth, near Ocean, and describes it as a happy land, where there
is
neither snow, nor cold, nor rain, and always fann
appy under the rule of Rhadamanthus. The Elysium of Hesiod and Pindar
is
in the Isles of the Blessed, or Fortunate Islands
nd the oracle was irreparably lost. The following legend of the Sibyl
is
fixed at a later date. In the reign of one of the
various Sibyls; but the Cumaean Sibyl, of whom Ovid and Virgil write,
is
the most celebrated of them. Ovid’s story of her
and accepted the omen. “All hail, promised land!” he exclaimed, “this
is
our home, this our country.” He then took measure
to say, “O goddess-born, destined possessor of the Latin realms, this
is
the promised land, here is to be your home, here
stined possessor of the Latin realms, this is the promised land, here
is
to be your home, here shall terminate the hostili
chief, he has long been at strife with Turnus and the Rutulians, and
is
prepared to become an ally of yours. Rise! offer
soon joining them, the old king spoke thus: — “Illustrious Trojan, it
is
but little we can do in so great a cause. Our sta
ous Trojan, it is but little we can do in so great a cause. Our state
is
feeble, hemmed in on one side by the river, on th
e their demand; but their priests restrain them, telling them that it
is
the will of heaven that no native of the land sha
n to me, but I am too old to undertake such great affairs, and my son
is
native-born, which precludes him from the choice.
ndship. Euryalus replied, “I have but one boon to ask. My aged mother
is
with me in the camp. For me she left the Trojan s
irthplace of Romulus and Remus and the cradle of Rome itself. There
is
an allusion to Camilla in those well-known lines
mos, but passed the chief portion of his life at Crotona in Italy. He
is
therefore sometimes called “the Samian,” and some
philosopher of Crotona.” When young he travelled extensively, and it
is
said visited Egypt, where he was instructed by th
e it had a beginning, middle, and end. Four, representing the square,
is
in the highest degree perfect; and Ten, as it con
re. Gods, demons, and heroes are emanations of the Supreme, and there
is
a fourth emanation, the human soul. This is immor
of the Supreme, and there is a fourth emanation, the human soul. This
is
immortal, and when freed from the fetters of the
of a beast into that of a man, and thence to a beast’s again. As wax
is
stamped with certain figures, then melted, then s
with certain figures, then melted, then stamped anew with others, yet
is
always the same wax, so the soul, being always th
t different times, different forms. Therefore, if the love of kindred
is
not extinct in your bosoms, forbear, I entreat yo
ation, meaning by it the just adaptation of parts to each other. This
is
the idea which Dryden expresses in the beginning
perform a choral dance round the central fire, “not without song.” It
is
this doctrine which Shakspere alludes to when he
n angel sings, Still quiring to the young-eyed cherubim; Such harmony
is
in immortal souls! But whilst this muddy vesture
as these spheres cannot move on one another without friction, a sound
is
thereby produced which is of exquisite harmony, t
ve on one another without friction, a sound is thereby produced which
is
of exquisite harmony, too fine for mortal ears to
harmony Make up full concert with the angelic symphony.” Pythagoras
is
said to have invented the lyre. Our own poet Long
erwards eating the whole of it in a single day. The mode of his death
is
thus related: As he was passing through a forest
wife, Isis (the Earth,) by means of an inundation. Serapis or Hermes
is
sometimes represented as identical with Osiris, a
distinct divinity, the ruler of Tartarus and god of medicine. Anubis
is
the guardian god, represented with a dog’s head,
lity and watchfulness. Horus or Harpocrates was the son of Osiris. He
is
represented seated on a Lotus flower, with his fi
is lips, as the god of Silence. In one of Moore’s “Irish Melodies”
is
an allusion to Harpocrates: — “Thyself shall, un
that buried city as interesting as Pompeii. The monster tomb of Apis
is
now open, after having lain unknown for centuries
of Nile as fast, Isis and Horus and the dog Anubis haste. Nor
is
Osiris seen In Memphian grove or green Tr
represented in statuary with the head veiled, a symbol of mystery. It
is
this which Tennyson alludes to in Maud, IV. 8: —
ch Tennyson alludes to in Maud, IV. 8: — “For the drift of the Maker
is
dark, an Isis hid by the veil,” etc.
Libyan Oasis, and delivered a similar command there. Another account
is
, that they were not doves, but priestesses, who w
ture to discover his accomplice, cut off his head. Trophonius himself
is
said to have been shortly afterwards swallowed up
ius was at Lebadea in Bœotia. During a great drought the Bœotians, it
is
said, were directed by the god at Delphi to seek
at have come down to us that the treatment of the sick resembled what
is
now called Animal Magnetism or Mesmerism. Serpent
e faculty of clairvoyance really called into action. Another question
is
as to the time when the Pagan oracles ceased to g
ome beautiful mythological allusions. The former of the two following
is
to the fable of Castor and Pollux; the latter is
of the two following is to the fable of Castor and Pollux; the latter
is
more appropriate to our present subject. Addressi
though the real facts have been disguised and altered. Thus Deucalion
is
only another name for Noah, Hercules for Samson,
later times. Thus the story of Æolus, the king and god of the winds,
is
supposed to have risen from the fact that Æolus w
o be understood literally. Thus Saturn, who devours his own children,
is
the same power whom the Greeks called Cronos, (Ti
id to destroy whatever it has brought into existence. The story of Io
is
interpreted in a similar manner. Io is the moon,
nto existence. The story of Io is interpreted in a similar manner. Io
is
the moon, and Argus the starry sky, which, as it
dimensions, and was what the ancients called “chryselephantine;” that
is
, composed of ivory and gold; the parts representi
of them. Both the Jupiter and Minerva of Phidias are lost, but there
is
good ground to believe that we have, in several e
d freedom from any transient expression, which in the language of art
is
called repose. The Venus de’ Medici. The Ve
is called repose. The Venus de’ Medici. The Venus of the Medici
is
so called from its having been in the possession
henian sculptor of 200 B. C., but the authenticity of the inscription
is
doubtful. There is a story that the artist was em
200 B. C., but the authenticity of the inscription is doubtful. There
is
a story that the artist was employed by public au
perfect forms the city could supply were furnished him for models. It
is
this which Thomson alludes to in his Summer. “So
. The most highly esteemed of all the remains of ancient sculpture
is
the statue of Apollo, called the Belvedere, from
tment of the Pope’s palace at Rome in which it was placed. The artist
is
unknown. It is supposed to be a work of Roman art
pe’s palace at Rome in which it was placed. The artist is unknown. It
is
supposed to be a work of Roman art, of about the
to be a work of Roman art, of about the first century of our era. It
is
a standing figure, in marble, more than seven fee
n marble, more than seven feet high, naked except for the cloak which
is
fastened around the neck and hangs over the exten
is fastened around the neck and hangs over the extended left arm. It
is
supposed to represent the god in the moment when
estroy the monster Python. (See Chapter III.) The victorious divinity
is
in the act of stepping forward. The left arm, whi
of stepping forward. The left arm, which seems to have held the bow,
is
outstretched, and the head is turned in the same
arm, which seems to have held the bow, is outstretched, and the head
is
turned in the same direction. In attitude and pro
ection. In attitude and proportion the graceful majesty of the figure
is
unsurpassed. The effect is completed by the count
portion the graceful majesty of the figure is unsurpassed. The effect
is
completed by the countenance, where on the perfec
the Apollo, the sizes correspond and also the style of execution. It
is
a work of the highest order, though by no means e
e highest order, though by no means equal to the Apollo. The attitude
is
that of hurried and eager motion, the face that o
face that of a huntress in the excitement of the chase. The left hand
is
extended over the forehead of the Hind, which run
art of our chapters of the Trojan war and the return of the Grecians,
is
almost as mythical a personage as the heroes he c
hical a personage as the heroes he celebrates. The traditionary story
is
that he was a wandering minstrel, blind and old,
h long productions were yet introduced into use. On the other hand it
is
asked how poems of such length could have been ha
e been handed down from age to age by means of the memory alone. This
is
answered by the statement that there was a profes
her hands. The date assigned to Homer, on the authority of Herodotus,
is
850 B. C. Virgil Virgil, called also by
tan age. Virgil was born in Mantua in the year 70 B.C. His great poem
is
ranked next to those of Homer, in the highest cla
Homer, in the highest class of poetical composition, the Epic. Virgil
is
far inferior to Homer in originality and inventio
of Paradise Lost, from which we have borrowed so many illustrations,
is
in many respects equal, in some superior, to eith
gram of Dryden characterizes the three poets with as much truth as it
is
usual to find in such pointed criticism: — On Mi
ome. He was intimate with the family of Augustus, the emperor, and it
is
supposed that some serious offence given to some
ures of nature are striking and true; he selects with care that which
is
appropriate; he rejects the superfluous; and when
e; he rejects the superfluous; and when he has completed his work, it
is
neither defective nor redundant. The Metamorphose
wherever the Roman name was known.” The prediction above alluded to
is
contained in the closing lines of the Metamorphos
nix — Basilisk — Unicorn — Salamander. Modern Monsters. There
is
a set of imaginary beings which seem to have been
nix as follows. “Most beings spring from other individuals; but there
is
a certain kind which reproduces itself. The Assyr
Heliopolis in Egypt, and deposits it in the temple of the Sun.” Such
is
the account given by a poet. Now let us see that
of the young bird as soon as fledged, and able to trust to his wings,
is
to perform the obsequies of his father. But this
o his wings, is to perform the obsequies of his father. But this duty
is
not undertaken rashly. He collects a quantity of
flames of fragrance.” Other writers add a few particulars. The myrrh
is
compacted in the form of an egg, in which the dea
he myrrh is compacted in the form of an egg, in which the dead Phœnix
is
enclosed. From the mouldering flesh of the dead b
esh of the dead bird a worm springs, and this worm, when grown large,
is
transformed into a bird. Herodotus describes the
“I have not seen it myself, except in a picture. Part of his plumage
is
gold-colored, and part crimson; and he is for the
icture. Part of his plumage is gold-colored, and part crimson; and he
is
for the most part very much like an eagle in outl
as this allusion to the Phœnix: — “So when the new-born Phœnix first
is
seen, Her feathered subjects all adore their quee
t, but by breathing on them, and splits the rocks, such power of evil
is
there in him.” It was formerly believed that if k
ut what was to attack this terrible and unapproachable monster? There
is
an old saying that “every thing has its enemy” —
imagine his anxiety to know what a cockatrice was like. The following
is
from Aldrovandus, a celebrated naturalist of the
n natural history, in thirteen folio volumes, contains with much that
is
valuable a large proportion of fables and inutili
luable a large proportion of fables and inutilities. In particular he
is
so ample on the subject of the cock and the bull
oubtful credibility are called cock and bull stories. The above print
is
entitled “The Basilisk which lives in the African
n, which may have given rise to the story. The rhinoceros horn, as it
is
called, is such a protuberance, though it does no
y have given rise to the story. The rhinoceros horn, as it is called,
is
such a protuberance, though it does not exceed a
a protuberance, though it does not exceed a few inches in height, and
is
far from agreeing with the descriptions of the ho
unicorn. The nearest approach to a horn in the middle of the forehead
is
exhibited in the bony protuberance on the forehea
n the bony protuberance on the forehead of the giraffe; but this also
is
short and blunt, and is not the only horn of the
on the forehead of the giraffe; but this also is short and blunt, and
is
not the only horn of the animal, but a third horn
solid horn in the living forehead of a horse-like or deer-like animal
is
as near an impossibility as any thing can be.
mpossibility as any thing can be. The Salamander. The following
is
from the Life of Benvenuto Cellini, an Italian ar
t that you may recollect that the little creature you see in the fire
is
a salamander; such a one as never was beheld befo
st the action of fire should be considered proof against that element
is
not to be wondered at. We accordingly find that a
y find that a cloth made of the skin of salamanders (for there really
is
such an animal, a kind of lizard) was incombustib
substance of which they were composed was Asbestos, a mineral, which
is
in fine filaments capable of being woven into a f
being woven into a flexible cloth. The foundation of the above fables
is
supposed to be the fact that the salamander reall
does secrete from the pores of his body a milky juice, which when he
is
irritated is produced in considerable quantity, a
from the pores of his body a milky juice, which when he is irritated
is
produced in considerable quantity, and would doub
ould doubtless, for a few moments, defend the body from fire. Then it
is
a hibernating animal, and in winter retires to so
eavens to a salamander unwarmed in the fire: “An undevout astronomer
is
mad! * * * “O, what a ge
* * * “O, what a genius must inform the skies! And
is
Lorenzo’s salamander-heart Cold and untouched ami
Zoroaster. Our knowledge of the religion of the ancient Persians
is
principally derived from the Zendavesta, or sacre
e reformer of the religion which preceded him. The time when he lived
is
doubtful, but it is certain that his system becam
ligion which preceded him. The time when he lived is doubtful, but it
is
certain that his system became the dominant relig
chains or die.” Hindu Mythology. The religion of the Hindus
is
professedly founded on the Vedas. To these books
mposed them at the creation. But the present arrangement of the Vedas
is
attributed to the sage Vyasa, about five thousand
doubtedly teach the belief of one supreme God. The name of this deity
is
Brahma. His attributes are represented by the thr
the god of the infernal regions; 4. Surya, the god of the sun. Brahma
is
the creator of the universe, and the source from
ltimately be absorbed. “As milk changes to curd, and water to ice, so
is
Brahma variously transformed and diversified, wit
exterior means of any sort.” The human soul, according to the Vedas,
is
a portion of the supreme ruler, as a spark is of
according to the Vedas, is a portion of the supreme ruler, as a spark
is
of the fire. Vishnu. Vishnu occupies the se
. Vishnu occupies the second place in the triad of the Hindus, and
is
the personification of the preserving principle.
mit the other Avatars, which were of the same general character, that
is
, interpositions to protect the right or to punish
tect the right or to punish wrong-doers, and come to the ninth, which
is
the most celebrated of the Avatars of Vishnu, in
exploits relieved the earth from the tyrants who oppressed it. Buddha
is
by the followers of the Brahmanical religion rega
e Vedas, by which means they lost their strength and supremacy. Kalki
is
the name of the tenth Avatar, in which Vishnu wil
edness, and to restore mankind to virtue and purity. Siva. Siva
is
the third person of the Hindu triad. He is the pe
d purity. Siva. Siva is the third person of the Hindu triad. He
is
the personification of the destroying principle.
ersonification of the destroying principle. Though the third name, he
is
, in respect to the number of his worshippers and
the Puranas (the scriptures of the modern Hindu religion) no allusion
is
made to the original power of this god as a destr
he universe will come to an end; and Mahadeva (another name for Siva)
is
rather the representative of regeneration than of
the shore, about three hundred miles south-west of Calcutta. The idol
is
a carved block of wood, with a hideous face, pain
a distended blood-red mouth. On festival days the throne of the image
is
placed on a tower sixty feet high, moving on whee
r castes, with fixed occupations, existed from the earliest times. It
is
supposed by some to have been founded upon conque
s having sprung from the head of Brahma. A strong line of demarcation
is
drawn between the first three castes and the Sudr
. The former are allowed to receive instruction from the Vedas, which
is
not permitted to the Sudras. The Brahmans possess
th the greatest respect, for “a Brahman, whether learned or ignorant,
is
a powerful divinity.” When the Brahman arrives a
ch Sudras sometimes employ poor Brahmans in menial occupations. There
is
another class lower even than the Sudras, for it
ccupations. There is another class lower even than the Sudras, for it
is
not one of the original pure classes, but springs
They are not suffered to enter the houses of the other castes; if it
is
done incautiously or from necessity, the place mu
villages, and are under no restrictions in regard to food, which last
is
not a privilege, but a mark of ignominy, as if th
ee higher castes are prohibited entirely the use of flesh. The fourth
is
allowed to use all kinds except beef, but only th
th is allowed to use all kinds except beef, but only the lowest caste
is
allowed every kind of food without restriction.
Buddha, whom the Vedas represent as a delusive incarnation of Vishnu,
is
said by his followers to have been a mortal sage,
Sage. By a comparison of the various epochs assigned to his birth, it
is
inferred that he lived about one thousand years b
ays after his birth, presented before the altar of a deity, the image
is
said to have inclined its head as a presage of th
r maintenance by perambulation and begging, and among other things it
is
their duty to endeavor to turn to some use things
equently extended to Corea, Japan, and Java. The Grand Lama. It
is
a doctrine alike of the Brahminical Hindus and of
f the human soul, an emanation of the divine spirit, in a human body,
is
a state of misery, and the consequence of frailti
racter of reappearances of Buddha himself, in which capacity the line
is
continued till the present day, in the several La
piritual dignity he became to a limited extent a temporal monarch. He
is
styled the Dalai Lama. The first Christian missio
arities to consider Lamaism as a sort of degenerated Christianity. It
is
not improbable that the Lamas derived some of the
ntion thus far relate to the mythology of southern regions. But there
is
another branch of ancient superstitions which oug
s from which we, through our English ancestors, derive our origin. It
is
that of the northern nations, called Scandinavian
re contained in two collections called the Eddas, of which the oldest
is
in poetry and dates back to the year 1056, the mo
the regions of darkness and cold.) By the side of each of these roots
is
a spring, from which it is watered. The root that
cold.) By the side of each of these roots is a spring, from which it
is
watered. The root that extends into Asgard is car
a spring, from which it is watered. The root that extends into Asgard
is
carefully tended by the three Norns, goddesses, w
(the present,) Skuld, (the future.) The spring at the Jotunheim side
is
Ymir’s well, in which wisdom and wit lie hidden,
r, and when he tries to shake off its weight the earth quakes. Asgard
is
the name of the abode of the gods, access to whic
quakes. Asgard is the name of the abode of the gods, access to which
is
only gained by crossing the bridge Bifrost, (the
r palaces, the dwellings of the gods, but the most beautiful of these
is
Valhalla, the residence of Odin. When seated on h
his two wolves, Geri and Freki, to whom Odin gives all the meat that
is
set before him, for he himself stands in no need
hat is set before him, for he himself stands in no need of food. Mead
is
for him both food and drink. He invented the Runi
for him both food and drink. He invented the Runic characters, and it
is
the business of the Norns to engrave the runes of
e upon a metal shield. From Odin’s name, spelt Woden, as it sometimes
is
, came Wednesday, the name of the fourth day of th
imes is, came Wednesday, the name of the fourth day of the week. Odin
is
frequently called Alfadur, (All-father,) but this
week. Odin is frequently called Alfadur, (All-father,) but this name
is
sometimes used in a way that shows that the Scand
Odin, uncreated and eternal. Of the Joys of Valhalla. Valhalla
is
the great hall of Odin, wherein he feasts with hi
ho die a peaceful death are excluded. The flesh of the boar Schrimnir
is
served up to them, and is abundant for all. For a
e excluded. The flesh of the boar Schrimnir is served up to them, and
is
abundant for all. For although this boar is cooke
is served up to them, and is abundant for all. For although this boar
is
cooked every morning, he becomes whole again ever
he court or field and fight until they cut each other in pieces. This
is
their pastime; but when meal time comes they reco
ins, mounted upon horses and armed with helmets and spears. Odin, who
is
desirous to collect a great many heroes in Valhal
f Thor and the Other Gods. Thor, the thunderer, Odin’s eldest son,
is
the strongest of gods and men, and possesses thre
of gods and men, and possesses three very precious things. The first
is
a hammer, which both the Frost and the Mountain g
rns to his hand of its own accord. The second rare thing he possesses
is
called the belt of strength. When he girds it abo
led the belt of strength. When he girds it about him his divine might
is
doubled. The third, also very precious, is his ir
about him his divine might is doubled. The third, also very precious,
is
his iron gloves, which he puts on whenever he wou
uts on whenever he would use his mallet efficiently. From Thor’s name
is
derived our word Thursday. Frey is one of the mos
llet efficiently. From Thor’s name is derived our word Thursday. Frey
is
one of the most celebrated of the gods. He presid
r rain and sunshine and all the fruits of the earth. His sister Freya
is
the most propitious of the goddesses. She loves m
ropitious of the goddesses. She loves music, spring, and flowers, and
is
particularly fond of the Elves, (fairies.) She is
g, and flowers, and is particularly fond of the Elves, (fairies.) She
is
very fond of love ditties, and all lovers would d
nd of love ditties, and all lovers would do well to invoke her. Bragi
is
the god of poetry, and his song records the deeds
ge approaching, have only to taste of to become young again. Heimdall
is
the watchman of the gods, and is therefore placed
e of to become young again. Heimdall is the watchman of the gods, and
is
therefore placed on the borders of heaven to prev
sees by night as well as by day a hundred miles around him. So acute
is
his ear that no sound escapes him, for he can eve
and the wool on a sheep’s back. Of Loki and His Progeny. There
is
another deity who is described as the calumniator
eep’s back. Of Loki and His Progeny. There is another deity who
is
described as the calumniator of the gods and the
tor of the gods and the contriver of all fraud and mischief. His name
is
Loki. He is handsome and well made, but of a very
ods and the contriver of all fraud and mischief. His name is Loki. He
is
handsome and well made, but of a very fickle mood
nd well made, but of a very fickle mood and most evil disposition. He
is
of the giant race, but forced himself into the co
er by his cunning, wit, and skill. Loki has three children. The first
is
the wolf Fenris, the second the Midgard serpent,
hey came he threw the serpent into that deep ocean by which the earth
is
surrounded. But the monster has grown to such an
r regions, into which she distributes those who are sent to her; that
is
, all who die of sickness or old age. Her hall is
re sent to her; that is, all who die of sickness or old age. Her hall
is
called Elvidnir. Hunger is her table, Starvation
l who die of sickness or old age. Her hall is called Elvidnir. Hunger
is
her table, Starvation her knife, Delay her man, S
angings of her apartments. She may easily be recognized, for her body
is
half flesh color and half blue, and she has a dre
the mountain spirits, who made for them the chain called Gleipnir. It
is
fashioned of six things, viz., the noise made by
r having reported the success of his errand, Frey exclaimed: — “Long
is
one night, Long are two nights, But how shall I h
e giant, who slept and snored in the way that had alarmed them so. It
is
said that for once Thor was afraid to use his mal
aked up, Thor contented himself with simply asking his name. “My name
is
Skrymir,” said the giant, “but I need not ask thy
, “An acorn fell on my head. What! Art thou awake, Thor? Me thinks it
is
time for us to get up and dress ourselves; but yo
eats that thou and thy fellows deem yourselves skilled in, for no one
is
permitted to remain here who does not, in some fe
t or other, excel all other men?” “The feat that I know,” said Loki, “
is
to eat quicker than any one else, and in this I a
The cupbearer having presented it to Thor, Utgard-Loki said, “Whoever
is
a good drinker will empty that horn at a single d
turned out,” said Utgard-Loki, “just as I imagined it would. The cat
is
large, but Thor is little in comparison to our me
Utgard-Loki, “just as I imagined it would. The cat is large, but Thor
is
little in comparison to our men.” “Little as ye c
he has thrown to the ground many a man not less strong than this Thor
is
.” A toothless old woman then entered the hall, an
the hall, and was told by Utgard-Loki to take hold of Thor. The tale
is
shortly told. The more Thor tightened his hold on
rought great shame on himself. “And what grieves me most,” he added, “
is
that ye will call me a person of little worth.” “
cept one little shrub that grows on the eastern side of Valhalla, and
is
called Mistletoe, and which I thought too young a
dur?” “Because I am blind,” answered Hodur, “and see not where Baldur
is
, and have, moreover, nothing to throw.” “Come, th
, who engages the wolf Fenris, but falls a victim to the monster, who
is
, however, slain by Vidar, Odin’s son. Thor gains
d Freyr, darts fire and flames over the world, and the whole universe
is
burned up. The sun becomes dim, the earth sinks i
the earth sinks into the ocean, the stars fall from heaven, and time
is
no more. After this Alfadur (the Almighty) will c
riptions, of which more than a thousand have been found. The language
is
a dialect of the Gothic, called Norse, still in u
vilization. They are the depositaries of whatever historic lore there
is
, and it is their office to mingle something of in
They are the depositaries of whatever historic lore there is, and it
is
their office to mingle something of intellectual
d of these things was written down. On the seaboard of this wild land
is
a rim of grassy country, where cattle can subsist
ations in Gaul, Britain, and Germany. Our information respecting them
is
borrowed from notices in the Greek and Roman writ
ity with the Phœnician Baal. What renders this affinity more striking
is
that the Druids as well as the Phœnicians identif
ituted their sacred place. The most celebrated of these now remaining
is
Stonehenge, on Salisbury Plain, England. These sa
ds offered sacrifices to their deity there can be no doubt. But there
is
some uncertainty as to what they offered, and of
cott uses the word in the Boat Song in the Lady of the Lake: — “Ours
is
no sapling, chance sown by the fountain, Blooming
ascends the tree, and cuts off the mistletoe with a golden sickle. It
is
caught in a white mantle, after which they procee
s been infused, and think it a remedy for all diseases. The mistletoe
is
a parasitic plant, and is not always nor often fo
it a remedy for all diseases. The mistletoe is a parasitic plant, and
is
not always nor often found on the oak, so that wh
plant, and is not always nor often found on the oak, so that when it
is
found it is the more precious. The Druids were th
is not always nor often found on the oak, so that when it is found it
is
the more precious. The Druids were the teachers o
as well as of religion. Of their ethical teaching a valuable specimen
is
preserved in the Triads of the Welsh Bards, and f
uainted with letters or not has been disputed, though the probability
is
strong that they were, to some extent. But it is
ough the probability is strong that they were, to some extent. But it
is
certain that they committed nothing of their doct
of Wales, by commission from the kings of England. Yet the tradition
is
that Edward I., in revenge for the influence of t
etry and music, held under the ancient name. Among Mrs. Hemans’ poems
is
one written for an Eisteddfod, or meeting of Wels
nism hung over almost the whole of Northern Europe. Iona or Icolmkill
is
situated at the extremity of the island of Mull,
ill is situated at the extremity of the island of Mull, from which it
is
separated by a strait of half a mile in breadth,
a residence assigned to them in an adjacent locality. Near Iona there
is
an island which still bears the name of “Eilen na
d to remain, living in community, when the abbey was dismantled. Iona
is
now chiefly resorted to by travellers on account
in various parts, and which seem to have been of Druidical origin. It
is
in reference to all these remains of ancient reli
ll these remains of ancient religion that Johnson exclaims, “That man
is
little to be envied whose patriotism would not ga
ad auras, Hoc opus, hic labor est. — Virgil . The descent of Avernus
is
easy; the gate of Pluto stands open night and day
d day; but to retrace one’s steps and return to the upper air, — that
is
the toil, that the difficulty. No. 15. Page 3
. 15. Page 355. Uno avulso non deficit alter. — Virgil. When one
is
torn away another succeeds. No. 16. Page 355.
offspring. 2. From this origin of the instrument, the word “shell”
is
often used as synonymous with “lyre,” and figurat
on Virgo — the Virgin. Themis (Justice) was the mother of Astræa. She
is
represented as holding aloft a pair of scales, in
pressions, page 477. 6. See Proverbial Expressions, page 477. 7. It
is
evidently not our modern hyacinth that is here de
pressions, page 477. 7. It is evidently not our modern hyacinth that
is
here described. It is perhaps some species of iri
7. It is evidently not our modern hyacinth that is here described. It
is
perhaps some species of iris, or perhaps of larks
of larkspur, or of pansy. 8. This correct description of the rainbow
is
literally translated from Ovid. 9. Sir James M
he recumbent Ariadne of the Vatican, represents this incident. A copy
is
owned by the Athenæum, Boston, and deposited, in
n the Museum of Fine Arts. 14. Proteus. 15. The punishment of Dirce
is
the subject of a celebrated group of statuary now
e Museum at Naples. 16. The story of the invulnerability of Achilles
is
not found in Homer, and is inconsistent with his
e story of the invulnerability of Achilles is not found in Homer, and
is
inconsistent with his account. For how could Achi
charmingly expressed the dreamy, languid feeling which the lotus food
is
said to have produced. “How sweet it were, heari
Expressions, page 479. 28. The poet here inserts a famous line which
is
thought to imitate in its sound the galloping of
l Expressions, page 479. 30. There being no rain in Egypt, the grass
is
“unshowered,” and the country depend for its fert
pon the overflowings of the Nile. The ark alluded to in the last line
is
shown by pictures still remaining on the walls of
esented the chest in which Osiris was placed. 31. Cowper’s version
is
less elegant, but truer to the original. — “He c
trembled at the almighty nod.” 32. Gray’s ode, The Fatal Sisters,
is
founded on this superstition. 33. In Longfellow’
ed the pens of our most profound thinkers, and our ablest writers, it
is
perhaps difficult to say much that is likely to i
ers, and our ablest writers, it is perhaps difficult to say much that
is
likely to interest the reader, without the chance
eing irksome from its proving a thrice told tale: and yet the subject
is
in itself so interesting, and so intimately conne
s in itself so interesting, and so intimately connected with all that
is
most fascinating to our remembrances, and so blen
nd so blended with all that reminds us of departed greatness, that it
is
scarcely possible to pass it coldly by, or to spe
pleasure arising to a modern imagination from the ancient Mythology,
is
in a mingled sense of the old popular belief, and
and we regard them, at the same time, as personifications of all that
is
beautiful and genial in the forms and tendencies
es too, through avenues of beautiful poetry, both ancient and modern,
is
so entirely cheerful, that we are apt to think it
hrough the trees was not the lustre of the god himself going by. This
is
mere poetry to us, and very fine it is; but to hi
the god himself going by. This is mere poetry to us, and very fine it
is
; but to him it was poetry, and religion, and beau
ved, with much elegance and feeling: — “The Mythology of the Ancients
is
one long romance in itself, full of poetry and pa
mountains, nor the Nereid steer Her way among the waves when day
is
done. Shadows nor shape remain —” Introductio
re to be traced the types or symbols of part of that revelation which
is
the ground-work of our own belief. But this is, a
that revelation which is the ground-work of our own belief. But this
is
, at best, so vague and shadowy, that its inculcat
and without the knowledge of which, it may be asserted, that the mind
is
scarcely able to do justice to them any more than
the latter teem with images drawn from classical subjects. Nor indeed
is
this to be wondered at, when we consider the vari
ed and shining beauty you so much admire, are the tears of Aurora. It
is
the breath of Zephyrus which gently agitates the
omona. Does a shepherd sound his reed on the summit of a mountain, it
is
Pan, who with his pastoral pipe returns the amoro
morous lay. “When the sportsman’s horn rouses the attentive ear, it
is
Diana, armed with her bow and quiver, and more ni
stag that she pursues, who takes the diversion of the chase. The sun
is
a god, who, riding in a car of fire, diffuses his
who dance to the joyous shells of the Tritons. In the highest heaven
is
seated Jupiter, master and father of men and gods
a splendid girdle in which the Graces for ever play, and in her hand
is
a smiling boy whose power is universally acknowle
he Graces for ever play, and in her hand is a smiling boy whose power
is
universally acknowledged by heaven and earth. Swe
rofound thinker. “I am not ignorant,” he says, “how uncertain fiction
is
, and how liable to be wrested to this or that sen
ut, reflecting on human wisdom, I ingenuously confess my real opinion
is
, that mystery and allegory were from the origi
small one, of this hidden sense which we have been speaking of, which
is
that some of these fables are in the narration so
ey must be calculated for other uses. What has a great weight with me
is
, that many of these fables seem not to be invente
s were the first recipients of the homage of mankind; and thus Heaven
is
the most ancient of the Gods. As the world increa
oles, complain Of endless winter, and perpetual rain.” Ovid. Chaos
is
often mentioned in the history of the Gods, but s
history of the Gods, but seems only to have had a momentary reign. He
is
the most ancient of all, for he presided over the
all, for he presided over the elements that composed the universe. He
is
usually represented at the moment that he assigne
image anonyme_heathen-mythology_1842_img006 The poetic idea of Chaos
is
found in sacred history, in the creation, as well
ift of memory, and of looking into the future. From this cause, Janus
is
represented with a double face. The time which Sa
represented with a double face. The time which Saturn passed on earth
is
known as the age of gold. “Ere Saturn’s rebel so
n in the time of war, and shut during that of peace. Saturn, or Time,
is
represented sometimes on a flying chariot, and so
und his waist; while in his hand he carries a harp. In later times he
is
represented with a scythe. “Unfathomable sea! wh
and with his wings, our eyes are familiar, as, to the present day, he
is
never drawn without these accompaniments. “To
s grey hair, or bears a leaf away From the full glory with which life
is
crowned, Ere youth becomes a shade, and fame a so
hard. Insérer image anonyme_heathen-mythology_1842_img012 This fable
is
easy of explanation. Time is the child of heaven
heathen-mythology_1842_img012 This fable is easy of explanation. Time
is
the child of heaven and earth; he has wings becau
oys all, an hour-glass to measure his course equally; and the serpent
is
the symbol of eternity, which has neither a begin
ause time returns with the years and days; and this part of the fable
is
also an image of the operations which nature acco
being the prototype of the air: Time, mighty and all-destroying as he
is
, having no influence over the elements. Cybele
me of Cybele from the mountain where her life had been preserved. She
is
called also the ancient Vesta, to distinguish her
ta, to distinguish her from her daughter Vesta, who, with her mother,
is
also called Cybele. But the Deity of whom we now
her mother, is also called Cybele. But the Deity of whom we now write
is
the earth, and is easy to distinguish from her da
o called Cybele. But the Deity of whom we now write is the earth, and
is
easy to distinguish from her daughter. In several
nymph; and rather than submit to the tyrannical passion of Cybele, he
is
said to have destroyed himself, and the goddess m
n-mythology_1842_img013 In the mythology of every country, this Deity
is
found, though under various names. She is represe
f every country, this Deity is found, though under various names. She
is
represented with keys in her hand, her head crown
ed with rising turrets, and sometimes with the leaves of an oak. She
is
also seen with many breasts, to intimate that the
Vestal. Yet spare me! Priest. Thou pleadst in vain — thy destiny
is
fixed. Vestal. Mercy — oh! mercy; tho’ my sin be
tiny is fixed. Vestal. Mercy — oh! mercy; tho’ my sin be great, Life
is
so beautiful I cannot die; And earth seems smilin
autiful, I cannot, dare not, will not, think of death! Priest. It
is
thy doom! thy living grave is near. Thou hast des
ill not, think of death! Priest. It is thy doom! thy living grave
is
near. Thou hast despoiled the Goddess of her due,
dew, His tresses loose of golden hue, Rejoicing in his youth
is
seen Amid the Lycian valleys green, Or in the
on, who thus, by his mere appearance, seemed to turn the tide of war,
is
thus described: ———— “Typhon, whose hands Of str
name which denotes him an avenger of the laws of hospitality. Jupiter
is
also distinguished by the name of Ammon from the
clear lamps, That measure and divide the weary years From which there
is
no refuge, long have taught And long must teach.
d pains The powers who scheme slow agonies in hell; And my commission
is
to lead them here, Or what more subtle, foul, or
pion of Heaven’s slaves! Pro. He whom some dreadful voice invokes
is
here, Prometheus, the chained Titan. Horrible for
shing her cheek, So from our victim’s destined agony, The shade which
is
our form invests us round; Else we are shapeless
m bone, And nerve from nerve, working like fire within! Pro. Pain
is
my element, as hate is thine; Ye rend me now; I c
nerve, working like fire within! Pro. Pain is my element, as hate
is
thine; Ye rend me now; I care not. Second Fur
Pro. I weigh not what ye do, but what ye suffer, Being evil. Cruel
is
the power which called You, or aught else so wret
lling Jove: And now unnumbered woes o’er mortals reign Alike infected
is
the land and main; O’er human race distempers sil
ght and day! ’Twas Jove’s decree they should in silence rove, For who
is
able to contend with Jove?” Hesiod. When the bo
betrayed. Now (brandished weapons glittering in their hands) Mankind
is
broken loose from moral bands: No right of hospit
No right of hospitality remain; The guest, by him who harboured him,
is
slain. The son-in-law pursues the father’s life,
escription we have of Jupiter, while granting the prayer of Achilles,
is
from Homer’s Iliad. “Twelve days were passed, an
honour on my son bestow, And pay in glory what in life you owe. Fame
is
at least by heavenly promise due, To life so shor
ce, Shall heap with honours him they now disgrace.’” Homer. Jupiter
is
often described by the ancients as visiting the e
of Baucis and Philemon saved them from the fate of their friends. He
is
represented as the guardian of man, and dispenser
nonyme_heathen-mythology_1842_img026 The intrigue of Jupiter with Io,
is
also celebrated in the history of his amours. Jun
favoured Jupiter, she persecuted with the utmost rigour: but when it
is
remembered what cause Juno had for her jealousy,
ged her error, and was reconciled to her husband. The wife of Jupiter
is
always represented as superbly arrayed, in a char
d, as opposed to Jupiter, the active origin and organizer of all, she
is
of a passive nature. These ideas are allied with
of a passive nature. These ideas are allied with those of Hymen, who
is
called Juno, the virtuous wife. A statue of Juno
called Juno, the virtuous wife. A statue of Juno recently discovered,
is
thus described: — “The countenance expresses a s
expressing scorn, but not without sweetness. With fine lips a person
is
never wholly bad, and they never belong to the ex
tions purely selfish, lips being the seat of imagination. The drapery
is
finely conceived; and the manner in which the act
y conceived; and the manner in which the act of throwing back one leg
is
expressed in the diverging folds of the drapery o
graduated lines, into a skirt, as it descends from the left shoulder,
is
admirably imagined.” Shelley. Ceres. Insé
productions of the earth. She taught man the art of agriculture, and
is
represented crowned with wheat, holding a torch i
etimes she carries a sceptre, and sometimes a sickle, and her chariot
is
drawn by lions or by serpents. ——— “As tempered
uffled air Falls from its poise, and gives the breeze to blow. Rent
is
the fleecy mantle of the sky, And back by fits th
Pluto, when she became his wife. “Near Enna’s walls a spacious lake
is
spread, Famed for the sweetly singing swans it br
lake is spread, Famed for the sweetly singing swans it bred; Pergûsa
is
its name: and never more Were heard, or sweeter s
lowers, The cheerful birds their airy carols sing, And the whole year
is
one eternal spring. Here while young Proserpi
sent an immutable and unchangeable law. In the antique bas-reliefs he
is
often to be seen, with a bandage over his eyes, a
ook into! Thou power which dost elude all human search! To thee alone
is
given the right to gaze Into the fate prepared fo
enable us to look Into the volume clasped at thy right hand? The past
is
known to us, and doth contain So much of evil and
uture things to our sore troubled souls. Yet no! perchance the burden
is
too much, And is in mercy hidden from our eyes. E
ur sore troubled souls. Yet no! perchance the burden is too much, And
is
in mercy hidden from our eyes. Earth is made up o
e the burden is too much, And is in mercy hidden from our eyes. Earth
is
made up of so much care and woe, The past, the pr
to be different deities, there can be no doubt that the worship which
is
offered to Phœbus, as the sun, is due also to Apo
be no doubt that the worship which is offered to Phœbus, as the sun,
is
due also to Apollo; and indeed, under both titles
bus, as the sun, is due also to Apollo; and indeed, under both titles
is
he addressed by ancients, as well as moderns.
y grows, Her hair to leaves, her arms extend to boughs,” “The nymph
is
all into a laurel gone, The smoothness of her ski
he bare earth she lies, her bosom bare, Loose her attire, dishevelled
is
her hair; Nine times the morn unbarred the gates
ve their root, the moving sun to view And in the Heliotrope the nymph
is
true.” Ovid. These unhappy endeavours of Apol
the immortal, or the man, The hero, or the lover. “The disk
is
hurled: — ah! fatal flight! Low droops that b
eveal. The secret heard, she plighted him her troth, (And secret sure
is
every woman’s oath,) The royal malady should rest
Ovid. The story of Phaeton, (son of Apollo under the name of Phœbus)
is
as follows: Venus becoming enamoured of Phaeton,
a swan at the very moment he was yielding to his deep regrets. Aurora
is
also the daughter of Apollo. She granted the gift
at sunrise, as if in welcome of the divine luminary, like that which
is
heard at the breaking of the string of a harp whe
e that which is heard at the breaking of the string of a harp when it
is
wound up. This was effected by the rays of the su
d where they contended for the prize of dancing, music and poetry. It
is
from his encounter with this serpent, that in the
ble hath arrayed With an eternal glory, which if made By human hands,
is
not of human thought, And Time himself hath hallo
from earth, replaced him in his seat at Olympus. The fable of Apollo
is
, perhaps, that which is most spread over the fait
m in his seat at Olympus. The fable of Apollo is, perhaps, that which
is
most spread over the faith of antiquity. Pæans we
t Python. On his altars are immolated a bull or a white lamb — to him
is
offered the crow, supposed to read the future, th
is return, and the grasshopper, who sings during his empire. This God
is
represented in the figure of a young man without
he grants his celestial harmony. Sometimes he carries a buckler, and
is
accompanied by the three Graces, who are the anim
re the animating deities of genius and the fine arts, and at his feet
is
placed a swan. Insérer image anonyme_heathen-myth
he withdrew, leaving behind him his wealth, saying, “I carry all that
is
worthy within myself.” After frequent adventures,
states celebrated every four years at Delos. The history of the Muses
is
so closely allied to that of Apollo that we shall
present some of their adventures in this part of our work. The first
is
the struggle which the Muses maintained against t
in the attempt. Notwithstanding the high reputation of the Muses, it
is
pretended by some, that Rheseus was the son of Te
ase, was the peculiar deity of hunters, and called Diana. In Hell she
is
named Hecate and revered by magicians. ———— “Hec
educed by Jupiter, who taking one of the innumerable shapes, which he
is
described as assuming when his passions were infl
and the sisters of the unhappy victim were changed into fowls. Diana
is
usually represented in the costume of a huntress,
ress, with a quiver on her shoulder, and a bow in her hand; her dress
is
lifted, and her dog is always by her side ready f
her shoulder, and a bow in her hand; her dress is lifted, and her dog
is
always by her side ready for his prey. Her hair i
ifted, and her dog is always by her side ready for his prey. Her hair
is
banded over her brow, while sometimes a crescent
is prey. Her hair is banded over her brow, while sometimes a crescent
is
painted on her head, of which the points are turn
er head, of which the points are turned towards Heaven. Sometimes she
is
seen in a chariot trained by stags, and in her ha
Sometimes she is seen in a chariot trained by stags, and in her hand
is
a torch which serves to frighten away the wild be
l. has been the cause of many an ode, and many a touching story, and
is
perhaps, one of the most chaste, or at least most
nocent joy When clouds are distant far and winds are still: Her bound
is
circumscribed, and curbed her will. Those were im
her will. Those were immortal stories: are they gone? The pale queen
is
dethroned — Endymion Hath vanished — ; and the wo
Pagan, that first framed A silver idol, and ne’er worshipped thee! It
is
too late, or thou shouldst have my knee; Too late
idance, Silenus became his preceptor and foster-father. This god, who
is
generally represented as fat and jolly, riding on
sposition, were untouched by his forgetfulness; and from this time it
is
pleasing to relate that her wisdom and her faithf
er. One of the most pleasant stories in the whole range of Mythology,
is
related of the youth Bacchus. When dwelling in th
ou have nothing to fear,” was the reply, “only tell us what your wish
is
, and it shall be complied with.” “I live at Naxos
st a simple name! And I forgot thee as the berried holly By shepherds
is
forgotten, when in June, Tall chesnuts keep away
rgil. As Bacchus was the god of vintage, of wine and of drinkers, he
is
generally represented crowned with vine and ivy l
wned with vine and ivy leaves, with a thyrsus in his hand. His figure
is
that of an effeminate young man, to denote the jo
cious and childish, like old men, and unable to keep secrets. Bacchus
is
sometimes represented like an infant, holding a t
nt, holding a thyrsus and clusters of grapes, with a horn. His beauty
is
compared to that of Apollo, and like him, he is r
th a horn. His beauty is compared to that of Apollo, and like him, he
is
represented with fine hair, flowing loosely down
rtion, into which their fine limbs and lovely forms are thrown. There
is
nothing, however, which exceeds the possibility o
h was the thyrsus; another dances with mad voluptuousness; the fourth
is
beating a kind of tambourine. “This was indeed a
after the mutilated body of Uranus had been thrown there by Saturn,
is
the most known, and of her in particular, ancient
frequently tended to cast dishonour on her husband. Her love for Mars
is
perhaps the most notorious on account of the disg
passions, frantickly she doteth, She thinks he could not die, he
is
not dead; Her voice is stopped, her joints forget
he doteth, She thinks he could not die, he is not dead; Her voice
is
stopped, her joints forget to bow, Her eyes are m
upon his lips, and they are pale; She takes him by the hand, that
is
cold; She whispers in his ears a heavy tale,
h in round drops upon their whiteness stood.” Shakspere. Proserpine
is
said to have restored him to life, on condition o
pending six months of the year with her, and six with Venus, but this
is
a fable meant to apply to the alternate return of
nt to apply to the alternate return of summer and winter. “There
is
a flower, Anemone, The mourner’s path it chee
loquence of eyes.” Homer. The contest of Venus for the golden apple
is
well known. The Goddess of Discord, not having be
amaze, At that cold beauty, with sad tears did gaze.” Thurlow. She
is
generally imaged with her son Cupid, in a chariot
ermes grace the jocund scene, And youth so gay and free; For what
is
youth, though fair, oh! queen, If destitute o
ph arise, divinely fair, Whom to Cythera first the surges bear; Hence
is
she borne, safe o’er the deeps profound, To Cypru
men below.” Hesiod. As rising from the sea, the name of Anadyomine
is
applied to her, and rendered immortal by the cele
of the Anadyomine Venus. “She has just issued from the bath, and yet
is
animated with the enjoyment of it. She seems all
ye, in the mode which expresses simple and tender feelings. “The neck
is
full and panting, as with the aspiration of delig
elight, and flows with gentle curves into her perfect form. “Her form
is
indeed perfect. She is half sitting and half risi
gentle curves into her perfect form. “Her form is indeed perfect. She
is
half sitting and half rising from a shell, and th
mated. The position of the arms, which are lovely beyond imagination,
is
natural, unaffected and easy. This perhaps is the
ely beyond imagination, is natural, unaffected and easy. This perhaps
is
the finest personification of Venus, the deity of
lame, did not at all tend to render his appearance less ugly than it
is
usually described. —————— “His hand was known In
metals, and was able to cultivate those mechanical abilities which he
is
represented to possess. ———————— “He taught Man’
the Goddess of Wisdom, however, laughed his suit to scorn, and Vulcan
is
represented as having been very violent at his re
ire he flew, And puffing loud, the roaring bellows blew.” Homer. It
is
stated that Bacchus made him intoxicated after he
to a dove. The beautiful fable of the winged deity’s love for Psyche,
is
the most pleasing of those related of him. The
gs display celestial essence light; The clear effulgence of the blaze
is
such, The brilliant plumage shines so heavenly br
have written until the God, become identified with the passion, which
is
addressed by many as immortal. “They sin
ns of the earth They perish where they have their birth; But Love
is
indestructible: Its holy flame for ever burneth,
ubled guest, At times deceived, at times opprest, It here
is
tried and purified, Then hath in heaven its p
soweth here with toil and care, But the harvest time of Love
is
there.” Southey. Cupid is usually represented a
are, But the harvest time of Love is there.” Southey. Cupid
is
usually represented as a winged infant, naked, ar
quiver full of arrows. On gems and all other pieces of antiquity, he
is
represented as amusing himself with childish dive
dark and nameless thing: Why give the likeness of the dove, Where
is
the serpent’s sting? L. E. L. We cannot better
r one of his statues. “Whoe’er thou art, thy master see, Who was, or
is
, — or is to be.” Voltaire. Insérer image anonym
his statues. “Whoe’er thou art, thy master see, Who was, or is, — or
is
to be.” Voltaire. Insérer image anonyme_heathen
h conscious pride.” Horace. The strife of this Goddess with Neptune
is
worthy attention: each of them claimed the right
Pallas, or because the spear which she seems to brandish in her hands
is
called “pallein.” According to the different char
uggling underneath, The agonies of anguish and of death. “Yet it
is
less the horror than the grace, Which turns t
l it away. Description of Minerva in the Florence Gallery. “The head
is
of the highest beauty. It has a close helmet from
and beautiful moulding of the lower part of the face and mouth, which
is
in living beings the seat of the expression of a
f a simplicity and integrity of nature. Her face, upraised to heaven,
is
animated with a profound, sweet, and impassioned
and disinterested pleading against some vast and inevitable wrong. It
is
the joy and poetry of sorrow making grief beauti
ng, which, from the imperfection of language, we call pain, but which
is
not all pain, though a feeling which makes not on
es not only its possessor, but the spectator of it, prefer it to what
is
called pleasure, in which all is not pleasure. It
e spectator of it, prefer it to what is called pleasure, in which all
is
not pleasure. It is difficult to think that this
refer it to what is called pleasure, in which all is not pleasure. It
is
difficult to think that this head, though of the
difficult to think that this head, though of the highest ideal beauty
is
the head of Minerva, although the attributes and
mortal passion — expressed the disturbance of human feeling; and here
is
deep and impassioned grief animating a divine cou
here is deep and impassioned grief animating a divine countenance. It
is
indeed divine. The drapery of the statue, the gen
longing to that astonishing era which produced it: such a countenance
is
seen in few.” Shelley. We have already seen tha
led skies, Thou most unjust, most odious in our eyes! Inhuman discord
is
thy dire delight, The waste of slaughter, and the
e sighed, and felt the urchin’s art, He sighed in agony of heart; ‘It
is
not light, I die with pain! Take, take thine arro
is amour with Venus has been related in another part of this work. He
is
usually represented in a chariot of steel, conduc
r image anonyme_heathen-mythology_1842_img097 “Rivers. And this
is
he, the fabled God of War. Evadne. Aye, Mars
at within his glance So fierce, I scarce dare meet it. Evadne. It
is
your studious nature, yet methinks To gaze upon t
waving in the glowing breeze, The trumpet sound, the shout. Oh! there
is
nought so beautiful as this. Rivers. Aye, but
ight hour, And hopeth on, but hopeth on in vain. Evadne. And that
is
lost too in their country’s shouts The voice of g
viour.’ Rivers. But these can never pay the wrung in heart: Pride
is
a poor exchange for those adored: And even a nati
ompanied by the remainder arrived safely at the end of his voyage. It
is
added, as an instance of the ingratitude of morta
mes. His throne was a chariot drawn by four fiery steeds; his stature
is
grand, and his appearance imposing; he wears the
nimal so beneficial for the use of mankind. As monarch of the sea, he
is
supposed to have had possession of the deep, and
isles, thy towers o’erthrown, But all
is
not thine own! “To thee the love of woman hath g
to. The name of Pluto, as god of the kingdom of hell, and whatever
is
under the earth, where ————— “Cerberus, the crue
iron throat, Affrights the spirits in their pale sojourn,” Thurlow.
is
as well known to the readers of Mythology as that
ron, this terrible place was enclosed within a wall of adamant. Pluto
is
generally represented as holding a trident with t
key in his hand, to intimate that whoever enters can never return. He
is
considered as a hard-hearted and inexorable deity
all her garments float around; Again, again she rises light, Her head
is
like a fountain bright, And her glossy ringlets f
causes before him, and the impartial judge shakes the fatal urn which
is
filled with the destinies of mankind. Rhadamanthu
a, the actions of all the others have been probably attributed, as he
is
the most famous and the best known. Mercury was t
ssume any shape he chose. The invention of the lyre and seven strings
is
ascribed to him, which he gave to Apollo, and rec
nd this may be considered to have been particularly necessary when it
is
remembered that the merchants, who had promised h
ogy_1842_img114 There were fifty of them, all children of Nereus, who
is
represented as an old man with a long flowing bea
language of the orator, or in the beautiful metaphor of the poet, it
is
necessary to introduce those who are considered t
inhabitants of the country; he was the son of Mercury by Driope, and
is
usually described as possessing two small horns o
mage anonyme_heathen-mythology_1842_img117 His adventure with Omphale
is
amusing; while the latter was travelling with Her
all her affections, but who unfortunately returned them not. To whom
is
not the tale of the self-slain Narcissus known, t
ght answers him, ‘where are you all?’ “‘Speak yet again,’ he cries, ‘
is
any nigh?’ Again the mournful Echo answers, ‘I,’
y flocks to spare. When December’s nones return Labour’s yoke no more
is
borne, Sport the cattle in the meads, The blythes
hose powerful hands the bread no sooner hold, But its whole substance
is
transformed to gold: Up to his mouth he lifts the
elves conspicuous in his orgies, by their riot and lasciviousness. It
is
said, that a Satyr was brought to Sylla, as that
h the sight, that he ordered it instantly to be removed. The creature
is
said to have answered the description which poets
and sometimes with laurel or rocket, the last of these plants, which
is
said to raise the passions and excite love, being
and flowers, the stones which divided their different possessions. It
is
said that when Tarquin the proud, wished to build
. Hebe was the daughter of Jupiter and Juno; though by many she
is
said to be the daughter of Juno only, who conceiv
, astronomy, and medicine, were equally familiar to him, and his name
is
blended with those of the principal sages of Gree
he battle of the Centaurs with the Lapithæ at the bridal of Perithous
is
famous in history, and was the cause of their des
etimes his sword a soldier shews; his rod An angler; still so various
is
the God. Now, in a forehead cloth some crone he s
offered sacrifices to her divinity for the preservation of fruit: she
is
generally represented sitting on a basket, full o
ruit, holding a bough in one hand, and apples in the other. Vertumnus
is
represented under the figure of a young man, crow
hand fruits, and in his right a horn of abundance. The Goddess Pomona
is
often confounded with Autumn, Ceres with Summer,
re delighted to pour forth tributes of praise in their honour; Spring
is
usually drawn as a nymph, with her head crowned b
d the fallen fanes, Are veiled with wreaths on Italian plains: But it
is
not for me in my hour of bloom, To speak of the r
tormy north, And the larch has hung all his tassels forth, The fisher
is
out in the stormy sea, And the rein-deer bounds o
y mirth! Their light stems thrill to the wild wood strains. And youth
is
abroad in my green domains. But ye! ye are chang
my green domains. But ye! ye are changed since ye met me last! There
is
something bright from your features past! There i
met me last! There is something bright from your features past! There
is
something come over brow and eye, Which speaks of
o’ the sapphire sky, And had not a sound of mortality! Are they gone?
is
their mirth from the mountains passed? Ye have lo
al crown, They are gone from amongst you in silence down! The Summer
is
coming, on soft winds borne, Ye may press the gra
the flowers are not death’s — farewell, farewell!” Hemans. Summer
is
drawn naked, bearing an ear of corn, just arrivin
by its light and heat; with a scythe in her hand, to intimate that it
is
the season of harvest. “A welcome to the summer’
that throng, With a deep loveliness, o’er tree and flower, The earth
is
glad with beauty, the sky Smiles in calm grandeur
eatheth of beauty, banishing despair.” Francis. At other times, she
is
represented surrounded by the flowers which bloss
on the glancing stream — Come away! All the air
is
filled with sound, Soft, and sultry, and profound
the vintage, which he yields to gladden the heart of man: while a dog
is
placed at his feet to denote it as the season of
their last to the last sunny hours, When the mild eve by sudden night
is
prest Like tearful Proserpine, snatched from her
ine, snatched from her flowers To a most gloomy breast. Where
is
the pride of Summer, — the green prime — The many
naked lime Trembling, — and one upon the old oak tree! Where
is
the Dryad’s immortality? Gone into mournful c
onal of flowers faded, Upon her forehead, and a face of care; — There
is
enough of withered every where To make her bower,
withered every where To make her bower, — and enough of gloom; There
is
enough of sadness to invite, If only for the rose
he living bloom Of conscious cheeks, most beautifies the light; There
is
enough of sorrowing, and quite Enough of bitter f
er cloudy prison for the soul.” Hood. Winter, as the oldest season,
is
drawn with shrivelled limbs, and white and hoary
ccount received frequent visits from the remainder of the deities. He
is
represented as an old man, with a long, flowing b
Thetis, one of the sea deities, was daughter of Nereus and Doris and
is
often confounded with Tethys, her grandmother. Sh
ea deities, being able to raise or to calm storms at his pleasure. He
is
generally represented with a shell in his hand.
Triton blowing his sea horn.” Wordsworth. His body above the waist,
is
that of a man, but below, a dolphin’s, while by s
the waist, is that of a man, but below, a dolphin’s, while by some he
is
shown with the fore feet of a horse. He usually p
y precedes the chariot of the god of the sea, sounding his shell, and
is
resembled, in this, by his sons the Tritons. Insé
sers guides. With sure foresight, and with unerring doom He sees what
is
, and was, and is to come.” Virgil. From his kno
sure foresight, and with unerring doom He sees what is, and was, and
is
to come.” Virgil. From his knowledge of futurit
to a sea deity, by Neptune, who had compassion on her misfortunes. It
is
supposed by many, that the Isthmian games were in
recall them into their caverns at his pleasure. “Oh many a voice
is
thine thou wind! Full many a voice is thine,
sure. “Oh many a voice is thine thou wind! Full many a voice
is
thine, From every scene thy wing o’ersweeps T
and strong thou art, With a mastery all thine own, And the spirit
is
thy harp, O wind! That gives the answering to
ance, a head covered with clouds, a sable vesture and dusky wings. He
is
the dispenser of rain and of all heavy showers. E
e dispenser of rain and of all heavy showers. Eurus, God of the east,
is
represented as a young man, flying with great imp
I clotted An ice-crown cold, — His sinews I knotted; His tale
is
told.” South Wind. “I met two young lovers,
s. A ghastly horror in her eyes appears But yet she knows not what it
is
she fears, In vain she offers from herself to run
ight spheres in beauteous order run, And as they turn, revolving Time
is
spun, Whose motions all things upon earth ordain,
r union with her brother Erebus, she gave birth to day and light: she
is
called by some of the poets, the mother of all th
ffered to her, as the bird which proclaims the coming of the day. She
is
drawn mounted on a chariot, and covered with a ve
and the constellations preceded her as her messengers. Sometimes she
is
seen holding two children under her arms, one of
metimes she is seen holding two children under her arms, one of which
is
dark like night, and the other light like day. “
heard amidst their glades Till the bright day
is
done. But in the human b
nd thy brow Hovers a thick impenetrable cloud, Which, to some hearts,
is
Hope’s sad funeral shroud. Beside the infant on
wait, wait one moment more, Thy hand has touched it, Death, and hope
is
o’er. Thou turn’st the hall of revelry to gloom,
a garb of woe; Thou com’st in silence to the banquet room, Ceased
is
the noisy mirth, the red wine’s flow, And men loo
ant down Beside the head that wore the kingly crown. “Childhood
is
thine, its unexpanded bloom, Shrinks to decay
s pride, ’Tis meet the brave on battle field should die, His name
is
echoed thro’ the nations wide, Reared is the
eld should die, His name is echoed thro’ the nations wide, Reared
is
the column where his ashes lie; He sought for fam
his limbs displayed abroad.” Ovid. The principal minister of Sleep
is
Morpheus, son of Somnus, who was the presider ove
e from awaking him. “Oh lightly, lightly tread, A holy thing
is
sleep; On the worn spirit shed, And eyes that
om the world unseen by you Unto life’s dim faded track. Her soul
is
far away, In her childhood’s land, perchance,
ay her sojourn be In the music land of dreams. Each voice of love
is
there, Each gleam of beauty fled, Each lost o
f death on account of their apparent resemblance. “How wonderful
is
death, Death and his brother Sleep! One, pale
first who made her statue with wings, to show with what celerity she
is
prepared to punish the crimes of the wicked. Insé
es who presided over the interests of private families. Their worship
is
supposed to have arisen from the ancient custom
delivered, sentence was passed upon the body. The Genius of Socrates
is
famous in history. That great philosopher asserte
is, Perinthia, Delphi, and Rome adopted the three sisters. By some it
is
asserted, that the beautiful trio remained unwedd
During his festivals, men and women exchanged each others dresses. He
is
represented as a young and drunken man, with a ga
our locks with rosy twine, Dropping odours, dropping wine, Rigour now
is
gone to bed, And Advice with scrupulous head: Str
e ground In a light fantastic round.” Milton. Momus, his companion,
is
the god of joy and pleasantry, and was the buffoo
tting holiest place; Perpetual fountain of domestic sweets, Whose bed
is
undefiled, and chaste pronounced, Present, or pas
nd to each better feeling of the soul, I sing to thee, for many a joy
is
thine, And many a virtue comes
im gifts he with abundant gold, And large felicity.” Hesiod. Plutus
is
the god of Riches, and as the minister of the dei
, represented as holding Plutus in her arms, to intimate that fortune
is
the source whence wealth and honours flow. She is
timate that fortune is the source whence wealth and honours flow. She
is
blind-folded, and her hand rests on a wheel, to i
42_img165 Harpocrates. Harpocrates, the son of Isis and Osiris,
is
the god of Silence. He is represented, in his sta
Harpocrates, the son of Isis and Osiris, is the god of Silence. He
is
represented, in his statues as young, but with a
and on his brow a mitre, divided into two equal portions. His finger
is
placed upon his lip, to intimate the silence he m
sign, when they wish to represent the quality over which Harpocrates
is
supposed to preside. The Romans placed his statue
mysteries of religion should never be revealed to the people. “There
is
a lake that to the North Of Memphis, stretches gr
lds in her hands a sword, scales, and the mirror of truth. Her temple
is
always open. Astræa, with Law and Peace, are her
among the constellations of the Zodiac, under the name of Virgo. She
is
represented as a maiden, with a stern but majesti
y, have taken their place among the Immortals; and “Fabulous History”
is
the name given to the recital of their deeds. C
Environed by so many swords; ‘From whence This barbarous usage? what
is
my offence? What fatal fury, what infernal charm,
fresh supplies. Gazing spectators scarce believe their eyes. But Æson
is
the most surprised to find A happy change in body
and? Unless you are of common sense bereft, If yet one spark of piety
is
left, Dispatch a father’s cure, and disengage The
re, to make her escape through the air, to Colchis, where, by some it
is
stated, she was re-united to Jason; while accordi
crushed him to death. Medea also died at Colchis, and after her death
is
said to have been married to Achilles in Elysium.
ter her death is said to have been married to Achilles in Elysium. It
is
asserted by some writers, that the murder of the
number to forty-three; though of these the son of Jupiter and Alcmena
is
the most celebrated, and as such, doubtless, many
ules. From whence I came, to death’s dark realms I go. Theseus. This
is
the language of a vulgar spirit. Hercules. Thou
o the man, whose former days were passed In happier fortune, mournful
is
the change; But him, that in distresses hath been
ce alarms his ears, ‘Nessus, to thee I call,’ aloud he cries, — ‘Vain
is
thy trust in flight, be timely wise; Thou monster
e, consented to his receiving her daughter Hebe in marriage. Hercules
is
generally represented as gigantically proportione
f the Nemean lion; a thick and knotted club in his hands, on which he
is
often seen leaning. Such are the most important p
aning. Such are the most important parts of the life of Hercules, who
is
held out by the ancients as a complete pattern of
ld out by the ancients as a complete pattern of virtue and piety, and
is
asserted by them to have been employed for the be
fe, with tortures torn, Inured to trouble, and to labours born. Death
is
the gift most welcome to my woe, And such a gift
behold, Got in a kindly shower of fruitful gold, Medusa’s snaky head
is
now my prey, And through the clouds I boldly wing
ice gained, by promised faith possessed; To him I owe it, that my age
is
blest Still with a child: nor think that I prefer
m for the maritime coast of Argolis. The time of the death of Perseus
is
unknown, it is universally agreed however, that h
ime coast of Argolis. The time of the death of Perseus is unknown, it
is
universally agreed however, that he received divi
eings who preceded the frail human race. Theseus. “Aye, this
is
he, A proud and mighty spirit: how fine his form,
esert, And heartless left thee on the Naiad’s shore To languish. This
is
he who dared to roam The world infernal, and on P
in the vaults Beneath, ‘till freed by Hercules. Methinks (So perfect
is
the Phidian stone) his sire, The sea god Neptune,
who vowed to slay The monster or to perish! Look, Alvine, That statue
is
young Theseus! Alvine. Glorious! How like a g
ept. She woke from pleasant dreams — she dreamt of him — Love’s power
is
left in slumber — woke and found Herself deserted
d bade it there, a long memorial shine, How a god loved a mortal — He
is
springing From out his golden car, another bound,
tal — He is springing From out his golden car, another bound, Bacchus
is
by his Ariadne’s side.” L. E. L. Insérer image
Aye, madam! Phæ. Hippolytus! the fearful truth will out, My love
is
gained! Hip. I hope, indeed so, — as a mother
ts.) Not as a mother do I love thee, But — as a woman — now my breast
is
free Of the stern secret which so long hath burne
dam! I do not understand you; Phæ. You must! fierce, burning love
is
mine, For you, Hippolytus, the son of Theseus!
in thought: And thou above thy compeers raised afar, In that thy name
is
mated with my father’s, Shouldst pray the gods to
No; the innocent have nought to fear; The. Now by my crown, this
is
most base effrontery, But ’tis in vain, thy mothe
ear it, excelled all others in melody and beauty. After his death, he
is
reported by some to have received divine honours,
Far from thy light to dwell: Thou shalt not find my place below, Dim
is
that world — bright sun of Greece, farewell!
y, solemn joy, o’erflows my heart, Sing me triumphant songs! my crown
is
won. Let not a voice of weeping rise — ,
my crown is won. Let not a voice of weeping rise — , My heart
is
girt with power Let the green earth and festa
or thee, my bosom’s lord! Thee, my soul’s loved! I die; Thine
is
the torch of life restored, Mine, mine the raptur
d all, all its riches pour. Thou knowest — thou knowest what love
is
now! Its glory and its might — Are they n
my grave the cypress branches weep. Oh, the glad light! the light
is
fair, The soft breeze warm and free; And
falls, my pulse beats low; Seek not to quicken, to restore — Joy
is
in every pang, — I go, I go! I feel thy tears
hy tears, I feel thy breath, I meet thy fond look, still Keen
is
the strife of love and death; Faint and yet frant
pollo and rival of the celebrated Orpheus in the science of music. It
is
related of him, that in order to build the walls
d at me, And pierced my clothes. The weapon grazed my flesh The wound
is
slight, but boundless was my rage. Blind with rev
ll! I thank you gods! ’tis wondrous well! Dagger and poison — O there
is
no need For my dispatch; and you, ye merciless po
ended to the field of battle In our contention, prodigal of life Ours
is
the strife, be ours the forfeiture. Let us oursel
and ordered Mercury to precipitate him to the bottom of hell. Here he
is
represented as punished with an insatiable thirst
ugh, laden with delicious fruit, which, when his hand would grasp it,
is
borne away by a sudden blast of wind. Pelops w
tes with horror. The deed was so cruel and impious, that the very sun
is
said to have started back in amazement; and the u
img226 “Asked by his wife to his inhuman feast, Tereus, unknowingly,
is
made a guest: While she, her plot the better to d
grief, and haste to be revenged, Shares the like fate, and to a bird
is
changed: Fixed on his head, the crested plumes ap
a bird is changed: Fixed on his head, the crested plumes appear; Long
is
his beak, and sharpened like a spear; Thus armed,
nt of the infamy of her mother, and the cause of her father’s death,
is
thus beautifully described: — “Iphigenia. Father
frowned above, severe. Agamemnon. Daughter! Iphig. Beloved father!
is
the blade Again to pierce a bosom now unfit For s
s the blade Again to pierce a bosom now unfit For sacrifice? no blood
is
in its veins, No God requires it here; here are n
my child — yes, yes, thou art my child. All was not once what all now
is
! Come on, Idol of love and truth! my child! my ch
the spacious skies Raised his upbraiding voice and angry eyes. ‘Then
is
it vain in Jove himself to trust? And is it thus
voice and angry eyes. ‘Then is it vain in Jove himself to trust? And
is
it thus the Gods assist the just? When crimes pro
pid chariot flies; The sudden clouds of circling dust arise. Now lost
is
all that formidable air, The face divine and long
n so pleased, Receive a soul of mortal anguish eased. My fatal course
is
finished, and I go, A glorious name among the gho
ng to them new and delightful charms. Virtue, daughter of Truth,
is
represented clothed in white, as an emblem of pur
ometimes holding a sceptre, at others crowned with laurel; while she
is
in many instances drawn with wings, and placed up
her immoveable firmness. Truth, daughter of Jupiter and Saturn,
is
the parent of Justice and of Virtue. The great Ap
ting of Calumny, under the appearance of a modest female; in her hand
is
placed a round mirror. Ancient writers say, that
t the reception she met with, and returned to her hiding place, which
is
intended to intimate, according to Democritus, th
d to intimate, according to Democritus, the difficulty with which she
is
discovered. Honour. The emblems of this god
re, the crown of laurel, the lance, and the horn of plenty; though he
is
sometimes represented, instead of arms, with the
daughter of Jupiter and Themis, wears a crown of laurel; in her hand
is
a branch of the olive-tree, and against her side
nd the oath sworn in her name was regarded by them as inviolable. She
is
represented clothed in white, with clasped hands.
ing in the left hand an elm, around which a vine, filled with grapes,
is
clinging. At Rome, she was a young maiden with a
be soon liberated, while at other times she appears in a chariot. She
is
, however, more frequently represented holding the
deprived of the nectar and ambrosia of Olympus. Voluptuousness
is
a female figure, nearly naked, her hair wreathed
oped. Insérer image anonyme_heathen-mythology_1842_img251 In her hand
is
a cup of gold, from which a serpent is drinking,
hology_1842_img251 In her hand is a cup of gold, from which a serpent
is
drinking, while around her are supposed to exist
efs which arose in the world be well chosen; for, from Calumny, which
is
the offspring of Falsehood, arises crushed hearts
guest, and farewell to joy, peace, and contentment.” Famine
is
the daughter of Night, and inhabited the infernal
e of Minerva. Insérer image anonyme_heathen-mythology_1842_img252 She
is
drawn miserable, pale, wan, meagre, and dejected:
ole appearance worn and melancholy. Discord, daughter of Night,
is
the mother of a family of evils, almost too numer
aving been refused admission to the nuptials of Thetis and Peleus, it
is
said that it was she, who, to revenge herself, th
Trojan war, and of innumerable misfortunes to the Greeks. The goddess
is
represented with a pale and ghastly look, her gar
parkling with fire, holding a dagger concealed in her bosom. Her head
is
generally enwreathed with serpents, and she is im
in her bosom. Her head is generally enwreathed with serpents, and she
is
imagined to be the cause of all the miseries, dis
the gaping wound, Then her warm lips to the cold face applied — ‘And
is
it thus, ah! thus we meet,’ she cried My Pyramus,
and fate at last, has joined. Thou tree, where now one lifeless lump
is
laid, Ere long o’er two shall cast a friendly sha
ween them — but in vain! Leander had no fear, he cleft the wave, What
is
the peril fond hearts will not brave! Delicious w
ngs Each to the other breathed; a starry sky, Music and flowers, this
is
earth’s luxury. The measure of its happiness is f
sic and flowers, this is earth’s luxury. The measure of its happiness
is
full, When all around, like it, is beautiful. The
xury. The measure of its happiness is full, When all around, like it,
is
beautiful. There were sweet birds to count the ho
Morning came, and came after a night of such terror, as but rarely
is
known to mortals; for the first time Leander had
nd knowing, die — — It was Leander!” L. E. L. The melancholy tale
is
told; storm nor tempest had power to keep the hus
ap, And hide thyself within the whelming waters? Such
is
the tale they tell, Vain was thy
hundred and thirty years. This wise monarch, aware that superstition
is
one of the greatest engines in governing a people
œnician deities, to the inhabitants of Greece, into which country, he
is
believed to have come about one thousand four hun
d and ninety years before the christian era. In stories so remote, it
is
difficult to separate the true from the false, an
came so strong, that nothing seemed too much for his vast efforts. It
is
recorded of him that he carried on his shoulders
f the beast. The Principal Divinities of Indian Mythology. It
is
scarcely possible for any religion to possess a m
not having for its object a deep research into obscure mysteries, but
is
meant to excite useful and pleasing ideas, withou
e_heathen-mythology_1842_img268 This deity, according to the Hindoos,
is
the Eternal, the Creator! and is one of the three
his deity, according to the Hindoos, is the Eternal, the Creator! and
is
one of the three members of the Indian Trinity. P
made the first man and the first woman wherewith to people it. Brahma
is
the object of the most ancient adoration of the B
rahma is the object of the most ancient adoration of the Brahmins; he
is
considered the intelligence who existed before ti
atches over the events of each age and revolution of the universe; he
is
the power by which everything was created, and ev
erse; he is the power by which everything was created, and everything
is
sustained; he is the invisible head of the Brahmi
ower by which everything was created, and everything is sustained; he
is
the invisible head of the Brahmins, and as such,
is sustained; he is the invisible head of the Brahmins, and as such,
is
worshipped by them with devoted respect. The Hind
mythology_1842_img269 Vishnu, the second deity of the Indian Trinity,
is
considered as the preserver of the world, which B
d in the centre of the worlds, and all the worlds were in him. Vishnu
is
usually represented near his wife, whom he enfold
epresented near his wife, whom he enfolds in his arms. His complexion
is
blue, his eyes are like the flowers of the lotos,
flowers of the lotos, and his visage burns with an eternal youth. He
is
strong and vigorous in appearance, his four hands
aised, as if in the act of blessing the human race, while on his head
is
placed a triple storied crown. In the middle of h
To him are consecrated the eagle, the hawk, and the bee; at his side
is
placed a fantastic kind of bird, a beautiful mixt
a beautiful mixture of the man and of the eagle. The faith of Vishnu
is
spread over all India. Siva is the third pe
f the eagle. The faith of Vishnu is spread over all India. Siva
is
the third person of the Indian Trinity, and is th
all India. Siva is the third person of the Indian Trinity, and
is
the destroyer, as opposed to Brahma, who creates,
tempsychosis, the spirit passes from one form to another. To be born,
is
to appear under a new shape; to die, is to appear
form to another. To be born, is to appear under a new shape; to die,
is
to appear no longer under the same form. But, as
shape; to die, is to appear no longer under the same form. But, as it
is
impossible to disown destruction, as regards mate
uble nature, and who could destroy and produce at the same time. Siva
is
drawn with five heads, four hands, and three eyes
with five heads, four hands, and three eyes in his principal head. He
is
carried by a bull, and holds in his hands a tride
e cinder, a terrible symbol of his implacable rage. Buddh. This
is
the being from whom the enormous number of follow
rom the world. 7. His life as a hermit. 8. His appearance, whereby he
is
known as a saint. 9. His predictions. 10. His vic
11. The end of his career. 12. His burial. The doctrine of this deity
is
founded on the principle that the universe is ani
doctrine of this deity is founded on the principle that the universe
is
animated by one spirit, and recommends ten precep
he identification of spirits with the supreme essence. The grand lama
is
the Supreme priest of one of the great parties of
eneration of his votaries for this human representative of their god,
is
celebrated over Europe. Below this sovereign pont
pagodas of India, of Tartary, of China, and the countries of Asia. He
is
represented on a mat, his limbs crossed, his bust
érer image anonyme_heathen-mythology_1842_img272 In ordinary cases he
is
naked and of a black colour, and with the bosom o
ideas to a considerable extent. Below the Supreme being, whose belief
is
spread among all nations, are placed the embodyin
mg273 Of the many deities of the second category, the most remarkable
is
Ganga, who is the river Ganges personified, a riv
any deities of the second category, the most remarkable is Ganga, who
is
the river Ganges personified, a river sacred alon
o the current of the wave. The most famous of their places of worship
is
that point of the peninsula, where the Ganges, su
f the peninsula, where the Ganges, suddenly abandoning the mountains,
is
precipitated down the plains of Hindostan. A temp
the mountains, is precipitated down the plains of Hindostan. A temple
is
elevated in the middle of the waters, and surmoun
antly assembled a large crowd of pilgrims, and a willing contribution
is
paid to the Brahmins. The two sexes bathe togethe
ays a prominent part in the Hindoo tales. They pretend that the world
is
sustained by four of these animals, who are place
ced at the four cardinal points. In most of their temples one of them
is
sure to be seen. Insérer image anonyme_heathen-my
seen. Insérer image anonyme_heathen-mythology_1842_img275 His colour
is
white, his tusks are sometimes four in number, an
ur is white, his tusks are sometimes four in number, and all his body
is
covered with carpet, sparkling in the light of di
tongue.” Southey. A cow, of whom the gods disputed the possession,
is
also worshipped by them; she was obtained by one
racteristics. Insérer image anonyme_heathen-mythology_1842_img276b He
is
represented as a beautiful youth, sometimes conve
heating quality, are allegories equally new and beautiful. This deity
is
adored in India, under a great number of names, C
r a great number of names, Camdeo, however, being the one by which he
is
best known, and under which he is most worshipped
however, being the one by which he is best known, and under which he
is
most worshipped. “What potent god from Agra’s or
forming the mythological history of the ancient people of the North,
is
a complete receptacle of poetry no less than of h
-mythology_1842_img278b The most important of the gods of Scandinavia
is
Odin, who was in all probability one of their kin
arried his sister Frea, and in the sacred books of the priesthood, he
is
known by upwards of a hundred names, all of them
he Earth; the future was as familiar to her as to Odin, with whom she
is
seated upon his throne, and whose government of t
ns of the atmosphere. The tempests and the apparent strife of nature,
is
caused by the struggle which Thor constantly has
e circumference of the earth. Balder, another son of Odin and Frigga,
is
described as the finest and the best of their rac
through a stratagem which proved successful, showed how impossible it
is
to avert destiny.1 Insérer image anonyme_heathen
sed also a Venus, who, with her three sisters, presided over love. It
is
not unusual to represent her reclining on a couch
usual to represent her reclining on a couch, while the favoured lover
is
shewn sitting by her side, hand in hand, as an em
f Palenque, appears the chief god of the Tultecan people. Our opinion
is
, that he is strongly identifiable with the Osiris
appears the chief god of the Tultecan people. Our opinion is, that he
is
strongly identifiable with the Osiris of Egypt, a
with the Osiris of Egypt, and the Adonis of Syria; or rather, that he
is
the ancient god, called Adoni-Siris, a well known
herefore an identification, of both divinities. In the first place he
is
enthroned on a couch, perfectly Egyptian in its m
place he is enthroned on a couch, perfectly Egyptian in its model; it
is
constructed somewhat in the form of a modern couc
imbs of the American lion: we may at once emphatically say that there
is
no real difference between the above couch, and t
he above couch, and that peculiarly designated as Egyptian, and which
is
observable in all the tombs and palaces of Egypt;
of Egypt, and on the top of an immense pyramid stands the image. “It
is
placed on a throne upheld by an azure globe; and
s head are plumes of divers colours. His face, severe and frightful,
is
marked with two blue lines. He has two vast wings
wings formed like a bat, and the feet of a goat; while in his middle
is
drawn the head of a lion.” As a proof of the blo
hology_1842_img289 Africa. The supreme deity of the Hottentots,
is
supposed by them to possess a human form, and his
ntots, is supposed by them to possess a human form, and his residence
is
believed to be in the moon. When he renders himse
ible to mortals, he appears in the shape and form of a Hottentot, and
is
, according to their ideas, possessed of exquisite
; they never worship him, and their reason for this absence of homage
is
stated by them to be, that the god has uttered a
uttered a curse upon those who shall attempt to serve him; one thing
is
certain, that this people hold sorcery in great e
ng is certain, that this people hold sorcery in great esteem. Ovisara
is
the supreme being of another part of Africa. Invi
a. Invisible, everywhere present, omniscient, and infinitely good, he
is
never invoked. “The better he is” say the Negroes
omniscient, and infinitely good, he is never invoked. “The better he
is
” say the Negroes, “the more useless it is to pray
ver invoked. “The better he is” say the Negroes, “the more useless it
is
to pray to him,” and as a natural consequence, th
and in divination. A pot pierced through the bottom in three places,
is
the organ used by the priests to give their oracl
acles to the people; and from the sound which issues from the vessel,
is
drawn the good or evil augury: this sound is expl
issues from the vessel, is drawn the good or evil augury: this sound
is
explained by jugglers, who, perfect masters of th
t. The priests take but a small part in the public affairs; and it
is
forbidden to them, under very severe penalties, t
enter the capital. On great occasions, when a sacrifice of prisoners
is
to be made, recourse however is had to them, to g
asions, when a sacrifice of prisoners is to be made, recourse however
is
had to them, to give an additional solemnity to t
rstitions. In the middle and to south of Africa, the worship of idols
is
universal; while in Abyssinia and at the Cape, ar
sia. The inhabitants of Polynesia, are, like all those whose faith
is
primitive and simple, devoted to the worship of t
tended ideas of the divinity. They worship a supreme deity whose wife
is
material and corporeal, and of a nature therefore
ee persons, forming the Trinity peculiar to this people; of these one
is
the creator, and lord of the starry hemisphere; a
these one is the creator, and lord of the starry hemisphere; another
is
the Neptune of their seas, the next watches over
account for the formation of the numerous islands for which the place
is
remarkable, is not the least curious of their bel
formation of the numerous islands for which the place is remarkable,
is
not the least curious of their beliefs. One of th
t, and formed America. The principal goddess of the Sandwich islands,
is
remarkable chiefly for her hideous appearance. Th
h islands, is remarkable chiefly for her hideous appearance. The face
is
tatooed, the nostrils are enormous, and her eyes,
sharpness of their appearance, might belong to a wild beast, the neck
is
of an immense thickness; and the whole appearance
beast, the neck is of an immense thickness; and the whole appearance
is
one which may vie in frightfulness with any deity
eity or demon of this idolatrous people. [Conclusion.] Our task
is
now closed; the religions of those who have gone
. Insérer image anonyme_heathen-mythology_1842_img292 1. There
is
a curious Scandinavian legend extant, relative to
Cupid and Psyche In a certain country the name of which
is
forgotten, a very long time ago, reigned a good k
ught her the most beautiful creature in the world. They would say she
is
fairer than Venus herself. Though Venus was a god
,” whose name she mentioned, “and there you will see a young girl who
is
the king’s daughter. I detest that girl, and I am
ents have never aught her to celebrate me, and they have declared she
is
hirer than I. To punish their presumption, you mu
man, and afterwards he must appear to her as disagreeable as he truly
is
, and then she must loathe and hate him, and be ve
herself by making human creatures foolish and miserable. Happily this
is
all a fable, there never was a god that delighted
ded from his throne, and covered Cupid entirely with a veil. All this
is
an allegory. When Cupid consulted the god of sile
e persons call such planning and concealment prudent forecast, but it
is
cunning, and is often detected and punished, as h
uch planning and concealment prudent forecast, but it is cunning, and
is
often detected and punished, as happened in this
myself to see the most frightful monster in the world; but that which
is
ugly may be good. I will endeavour to make him lo
looks the sea; there we shall find the beautiful princess Psyche. She
is
alone in that bleak and solitary spot. It is the
ful princess Psyche. She is alone in that bleak and solitary spot. It
is
the will of Cupid she should be removed to a deli
a garden in one of the islands, not far from the place where she now
is
.” Somnus instantly arose, and expanding his large
with Cupid, she said le him, “I have a favour to ask of you. My time
is
mostly spent in a sad and lonely way; if I could
make any woman miserable. “There can be no doubt,” said one, “that he
is
the most frightful monster living; and as the ora
mind his injunction never to attempt to see him. Follow my advice; it
is
very easy to get a sight of him. When you know th
advice; it is very easy to get a sight of him. When you know that he
is
fast asleep, take a lamp and examine his features
“I am sorry, unhappy Psyche, to reject thy prayer. I know that Venus
is
wrong, thus to afflict thee; but she is my daught
thy prayer. I know that Venus is wrong, thus to afflict thee; but she
is
my daughter-in-law. I cannot make a quarrel with
nd her should I screen from her displeasure a mortal against whom she
is
so incensed.” When Psyche heard this refusal, she
ddess to Psyche, “seest thou not the celestial, rosy red of my cheeks
is
faded. It is thou who hast done this, by pretendi
he, “seest thou not the celestial, rosy red of my cheeks is faded. It
is
thou who hast done this, by pretending to rival t
to the chains of mortal wedlock, thou hast disturbed my repose. Peace
is
the preserver of beauty. When the heart is at eas
disturbed my repose. Peace is the preserver of beauty. When the heart
is
at ease, health and pleasure make the countenance
a cosmetic that shall revive the bloom of her cheek; that tint which
is
more beautiful than all the fruits and flowers in
o’s kingdom, and who will be quiet if you offer him a cake. And there
is
a river called the Styx, which you must cross, wh
ross, where you will see a boatman ready to convey you over; his name
is
Charon; give him the money, for your passage.” Ps
reading, they conversed together concerning the story. Ann. Mother,
is
any part of this story true? Mother. Only a very
ny part of this story true? Mother. Only a very small part of it. It
is
true people once believed that there were such go
esses about three hundred years after the birth of Christ. Ann. That
is
, they left off paganism; you told me that was the
re was that? Mother. Pluto was the king of the world of ghosts, that
is
, the souls of dead men. Ann. How came Proserpine
ou that impertinent curiosity, such as Psyche’s looking into the box,
is
liable to punishment; and acting secretly and dec
go, said he found it in an old book; so it must be very old. Ann. It
is
a very pretty story. Mother. I think so. Many be
esina, a little palace on the Tiber, belonging to the king of Naples,
is
adorned with beautiful fresco paintings by Rapha
e box. Proserpine. Ceres delighted in the island of Sicily. It
is
a beautiful country. Once the people of Sicily ha
modest as thou art, I give to thee,” said she to Licinia. “This lily
is
fair, like Cyane; take it, it will become thy whi
— but nay, not this for thee; I will give this to Cytheris; her hair
is
raven black;” and placing the pure white lily in
nd placing the pure white lily in the hair of Cytheris, she said, “It
is
here like a star in the dark night.” “Leontia,” s
thee, my friend? Cowslip and yellow primrose faded in April, but here
is
heart’s-ease for thee;” and Leontia took the hear
r thee;” and Leontia took the heart’s-ease. “Here,” cried Proserpine,
is
honey-suckle; this shall be thine Cyane. Wear it
Mark him as he moves along, Drawn by horses black and strong.” “It
is
indeed the gloomy Pluto,” cried Proserpine, and s
tood, not knowing whether to fly or to await the awful deity. “But he
is
my father’s brother,” said she, “and shall the da
ould Cyane be changed to a fountain? Mother. I think the whole story
is
only this, in truth. Some pretty girls were playi
of Cyane came to be believed by ignorant credulous people. Ann. What
is
a transformation? Mother. It is a change of form
gnorant credulous people. Ann. What is a transformation? Mother. It
is
a change of form or shape, as that of a woman to
a change of form or shape, as that of a woman to a tree. This change
is
sometimes called a metamorphosis. In the heathen
deal, and think a great deal, before we can know whether what we hear
is
true or false; so ignorant people believe what is
hether what we hear is true or false; so ignorant people believe what
is
false, and will not believe what is true, always.
; so ignorant people believe what is false, and will not believe what
is
true, always. I once beard of a man who did not b
he did not believe that it was possible. The change from water to ice
is
a sort of metamorphosis you know. Ann. Yes; from
can one know what to believe? Mother. By really wishing to know what
is
true, and by asking the wise, and by thinking car
nking carefully about what one hears. This carrying off of Proserpine
is
called the Rape of Proserpine, which means the ra
stag was chased, and the fox and the hare hid themselves, the cottage
is
reared, the harvest waves, and the olive yields i
ure, then,” replied the goddess, “was death and destruction, but mine
is
to bestow comfort and happiness. Oh that I had no
he cannot be restored to you. But why do you wish to recover her? She
is
wedded to a husband who loves her. He is a king o
you wish to recover her? She is wedded to a husband who loves her. He
is
a king of the greatest empire in the universe. Th
guilty and the good of all ages, and all countries. But your daughter
is
in Elysium, where the virtuous and the pure alone
woman, and the peasants of Sicily did not take her for a goddess. It
is
related that one night she stopped at the door of
Ceres, “I am hungry and tired; can you give me any food?” “Such as it
is
, you are welcome to part of our supper,” said the
that greedy woman, who has just come hither. She will eat up all that
is
in the cauldron, and I shall have none; and then
ther exclaimed, “Be silent, boy; are you not ashamed. This poor woman
is
weary, and almost famished. Surely she wants a go
easily procured and prepared than other farinaceous food. Ann. What
is
farinaceous food? Mother. Whatever can be reduce
be reduced to flour, such as wheat, rye, and potatoes; and such food
is
very wholesome, and is abundant almost every wher
uch as wheat, rye, and potatoes; and such food is very wholesome, and
is
abundant almost every where. Ann. Is that all th
request, “I would indulge you in this matter gladly, but you know it
is
a long and dangerous voyage to Athens. Our little
you know it is a long and dangerous voyage to Athens. Our little Itys
is
too young to be exposed to the rude gales of the
Grant me the pleasure of seeing her once more. You forget how long it
is
since she left us. Think how unhappy she must be
d, pretending to comfort her, “Do not weep, lovely Philomela; no harm
is
intended you. I must quit you now, but I will soo
f good people, because good actions present agreeable ideas, and what
is
better still, they afford good examples. Ann. Ma
nd human manners? Mother. The character of men, women, and children,
is
human nature, and their conduct is human manners.
acter of men, women, and children, is human nature, and their conduct
is
human manners. These are in the world, and there
kill or injure our fellow creatures. Ann. Yes, the sixth commandment
is
, “Thou shalt not kill.” Did the Greeks have that
d of worse, all the world over. Mother. Yes; and that growing better
is
the progress of society. Ann. What made Tereus t
e to Athens from Thrace? I do not think it a long voyage. Mother. It
is
not a long distance, not much more than two hundr
is not a long distance, not much more than two hundred miles, in what
is
called an air-line; but then the vessels in use w
sula of Attica, took many days, perhaps weeks. Ann. Then, navigation
is
one of the arts in which men are improved. Mothe
r and Mercury. Not far from Lystra was the province of Phrygia. There
is
an old fable which is very pretty, that belongs t
from Lystra was the province of Phrygia. There is an old fable which
is
very pretty, that belongs to Phrygia, in Asia Min
and Philemon, “I thank you for your hospitality. We, for my companion
is
no other than the god Mercury, sought kindness fr
top, nor once look back in your flight till you reach the summit. It
is
my will to bring destruction upon an impious peop
on soon returned, and addressing himself humbly to Jupiter, said, “It
is
our request, since thou permittest us to express
us merely comfortable, and keeps us alive. Ann. What do you suppose
is
the fact contained in this fable? Mother. It mig
I never beard a nightingale sing; have you? Mother. The nightingale
is
not known in America. She has been celebrated in
ale is not known in America. She has been celebrated in all ages. She
is
a native of the southern countries of Europe, and
the southern countries of Europe, and it may be of Western Asia. She
is
called in poetry, Philomela, from that fable you
in sweet melancholy music, which she made chiefly in the night. That
is
what the nightingale does. You shall read part of
pay for them. My sister will soon return from the temple, whither she
is
now gone, and when she comes, she will go to the
ladies of our house. We have no mother, but our good nurse, Euryclea,
is
our friend and companion. If you will give me mon
nvied her sister, and that she felt the bad passion of avarice, which
is
the love of money. Minerva determined to punish A
thens. You know the princess Aglauria; she grieves because her sister
is
beloved, and she is neglected; and she intends, a
princess Aglauria; she grieves because her sister is beloved, and she
is
neglected; and she intends, as much as she can, t
and she intends, as much as she can, to disturb the amiable Herse. It
is
my will that those who wish to injure others shal
fled, and Aglauria started from her pillow. “This dream,” she cried, “
is
false, or I will make it so. Some evil genius has
t be given to a god. Mercury himself respects marriage vows. If Herse
is
once married to a man, he will not break their un
es truth. Ann. But we love stories, or fictions, also. Mother. That
is
true, too. We love both fact and fiction, though
l a story impossible, when it cannot be true; and improbable, when it
is
not very likely to be true. Ann. What part of th
y likely to be true. Ann. What part of the story I have been reading
is
true? Mother. That Cecrops was king of Athens is
I have been reading is true? Mother. That Cecrops was king of Athens
is
true. He was the first king the Athenians ever ha
ome from? Mother. From Egypt; and he brought a colony with him. That
is
, he brought men, women, and children, to settle i
do — a stick, or thick rod of wood, shows that the person bearing it
is
powerful. Such a rod in a king’s hand is a sceptr
s that the person bearing it is powerful. Such a rod in a king’s hand
is
a sceptre. In the hand of a god, or witch, or pre
s a sceptre. In the hand of a god, or witch, or pretended prophet, it
is
a wand; and with it, fables say, the god, or witc
king on the sea shore, and he saw the shell of a dead tortoise, which
is
oval and hollow, like a dish cover, only rather f
ising. Mercury was an industrious deity, and an example to man.” That
is
the moral of the fable. Ann. I have often seen t
e fable. Ann. I have often seen the moral of a fable mentioned. What
is
a moral? Mother. What the fable teaches is the m
f a fable mentioned. What is a moral? Mother. What the fable teaches
is
the moral. Ann. What is the moral of the story o
is a moral? Mother. What the fable teaches is the moral. Ann. What
is
the moral of the story of Mercury and Herse? Mot
se and worse, till we shall not care whether we are good or not. That
is
being turned to stone, or having “a heart of ston
he wicked, spiteful spirit, who gave pain, an evil genius. Ann. That
is
something like mischievous fairies and kind fairi
ity. Ann. Is there such an animal as a dragon? Mother. No; a dragon
is
a fabulous animal, mentioned only in fables. It i
ther. No; a dragon is a fabulous animal, mentioned only in fables. It
is
drawn like a great lizard with wings, having a se
into it. When some young girls and their governess, who in the fable
is
called Diana, entered the place, they found the i
he palace of Athamas. Those who know any thing of the world, that
is
, who know how men and women act, know that while
. The ancients sometimes said the Eumenides were very cruel, and here
is
a fable which shows that they thought so. Ino, th
, and were beloved by their subjects, to whom they were very kind. It
is
not easy to make those unhappy who are amiable, a
ard Sisyphus. To him she exclaimed, “Eternal toil and eternal fatigue
is
your portion. Know you, that while you suffer her
you suffer here, your brother Athamas inhabits a luxurious house, and
is
surrounded with delightful things. But envy not h
sufferer’s heart Ann. I have heard before of uttering a curse. What
is
a curse? Mother. It is a sort of wicked prayer,
I have heard before of uttering a curse. What is a curse? Mother. It
is
a sort of wicked prayer, a wish that God would br
wish that God would bring evil upon some hated person; and a blessing
is
a prayer that God would bestow some good upon the
s, when persons wished to commend a man very much, they would say, he
is
not the son of a man, but of a god, as they said
s was not instructed in true religion, he knew that religious worship
is
serious and solemn, and that noise and drunkennes
ged him down, and abused and mangled him till he was dead. Mobs, that
is
, numbers of people together, commit foolish and c
other. Ann, perhaps you can tell me the moral of this story? Ann. It
is
a sad story, and describes vary shocking conduct.
nd describes vary shocking conduct. Mother. But the shocking conduct
is
not all it describes. Does it show no goodness?
do you explain the virtue of discretion, or prudence? Ann. Prudence
is
like caution somewhat. It is thinking beforehand
discretion, or prudence? Ann. Prudence is like caution somewhat. It
is
thinking beforehand what is best to be done; thin
nn. Prudence is like caution somewhat. It is thinking beforehand what
is
best to be done; thinking of what may happen in c
inking of what may happen in consequence of what we do. Mother. What
is
consequence? Ann. Consequence is what follows so
quence of what we do. Mother. What is consequence? Ann. Consequence
is
what follows some circumstance or action, and the
the cause of my cold, and the cold would be the effect. Mother. That
is
right. What do you think of Bacchus? Ann. I pres
rts, and after he was dead, he was worshipped as a god. Mother. That
is
very probable. Does the history of Agave teach yo
Mother. These stories of false gods show how unworthy false religion
is
, and how beautiful is the true. Ann. I hope ther
of false gods show how unworthy false religion is, and how beautiful
is
the true. Ann. I hope there are no such foolish
any false god, now among any people. Mother. I am sorry to say there
is
still much false religion in the world. Whole nat
talians imitated these rites at the present time. You know that there
is
a feast of the Christian Church, called the Epiph
. A car, on which a sort of throne, covered with leaves and branches,
is
placed, is drawn about by donkeys. Multitudes, be
which a sort of throne, covered with leaves and branches, is placed,
is
drawn about by donkeys. Multitudes, bearing torch
trumpets, upon this occasion, and increase the turbulence. Ann. This
is
much like the procession of Bacchus, but there is
bulence. Ann. This is much like the procession of Bacchus, but there
is
no Silenus in it. Mother. Nor any leopards. The
soon as Acrisius heard of the birth of his grandson, he thought. This
is
the boy who will kill me; but I will take care to
ouraging voice; “give me your child, and follow me to my cabin. There
is
my wife; she will welcome you; and I will present
a. An old Greek poet calls them Hesperian maidens. Hesper, or Vesper,
is
the evening star, and appears in the west. “Gorg
ich Minerva had given him, as a mirror, and in that he beheld her. It
is
difficult to imagine why the image of her deformi
ed by two dragons. The dominion of Atlas extended to that ocean which
is
called, from his name, the Atlantic; and there, e
eriphus, so he placed Dictys on the throne of Polydectes. Dictys left
is
sordid garments in the cottage of the rock; and,
ale, who disliked their sister for being amiable and pretty. All that
is
very strange. What do you call that feeling, the
ou call that feeling, the hatred of the bad for the good? Mother. It
is
called Envy. When we wish to imitate the good, th
d? Mother. It is called Envy. When we wish to imitate the good, that
is
emulation; but if another’s beauty, or accomplish
vy. Ann. What does personify mean? Mother. Envy you know, my child,
is
a bad passion, which persons feel. It cannot be s
may think of it. But poets, and writers of fables, imagine that envy
is
a woman; that her hair is snakes, which sting and
s, and writers of fables, imagine that envy is a woman; that her hair
is
snakes, which sting and bite; and that her garmen
uld have hurt Perseus. Now, I suppose you know what a personification
is
. Ann. Yes. I know a child that always speaks tru
hould make a person of truth; I should personify truth. Mother. That
is
right. I will give you a story in which envy is p
truth. Mother. That is right. I will give you a story in which envy
is
personified. Ann. First, if you please, tell me
he attended the ceremony, and blessed the youthful pair. His picture
is
drawn as a young man, dressed in a saffron robe,
t with misfortunes. Ann. And, now, who was Lucifer? Mother. Lucifer
is
a name of the planet Venus, when she rises before
fer is a name of the planet Venus, when she rises before the sun, and
is
called the Morning Star. When that star is seen a
rises before the sun, and is called the Morning Star. When that star
is
seen at evening, just after sunset, then she is V
Star. When that star is seen at evening, just after sunset, then she
is
Vesper and Hesperus, in poetry, but we commonly s
oetry, but we commonly say the Evening Star, and a beautiful star she
is
. Ann. One or two questions more and I will have
birds now,” answered Polyhymnia; “they are magpies, and their history
is
curious.” “I never heard it,” continued Minerva;
rvest; she gave him the yellow wheat and the fragrant pea; and she it
is
who pours out the milky draught for his children,
terward called Python. Conversation: Mother and Ann. Ann. This
is
a short story; nothing more than that Apollo kill
by associations? Mother. Nothing that we see, or hear, or think of,
is
quite alone. When I speak of Sunday, what do you
come into your mind together because they belong to one another, that
is
, they are associated with one another. You have s
jects you speak of at the same time. This thinking of things together
is
the association of ideas. Ann. But how does this
they were sometimes used to burn perfumes, or to set lamps upon. Here
is
one with an antique lamp on it. There was a stree
ncient, or in fashion a long time ago. When we say this gem or statue
is
from the antique, we commonly mean something left
rrounding people shouted and praised the victors. This sort of praise
is
called glory. Too much love of it is vain-glory.
the victors. This sort of praise is called glory. Too much love of it
is
vain-glory. Apollo’s favourite and most honourabl
to know the true story of the Python, if I could. Mother. The Python
is
supposed to have been some fatal disease, which h
scribed as a young man, and was unarmed; but in almost all fables, he
is
represented as a boy, with a bow and arrow in his
s Shakspeare. That admiration of so many persons, for so long a time,
is
his fame; his undying or immortal fame, as some p
s fame; his undying or immortal fame, as some persons say, because he
is
now more admired than ever. As, in ancient times,
els, we mean his fame, or the admiration of mankind for him. Ann. It
is
what is called a metaphorical, or figurative way
mean his fame, or the admiration of mankind for him. Ann. It is what
is
called a metaphorical, or figurative way of speak
word, like “laurels,” means glory, and not literally, or as the word
is
, laurels. Mother. You understand, I perceive, wh
and plaster images of them. Mother. The art of making these figures
is
sculpture. It is one of the fine arts. Useful art
es of them. Mother. The art of making these figures is sculpture. It
is
one of the fine arts. Useful art, is the making o
g these figures is sculpture. It is one of the fine arts. Useful art,
is
the making of useful, necessary things; the makin
s of the fine arts. The gallery of paintings at the Louvre, in Paris,
is
a grand collection of pictures; and the Vatican p
, is a grand collection of pictures; and the Vatican palace, at Rome,
is
another very grand collection of antique vases, t
merable beautiful things of that sort. One of the finest things in it
is
the Belvidere Apollo. A print of him is in the bo
ne of the finest things in it is the Belvidere Apollo. A print of him
is
in the book you have been reading. Belvidere sign
a singularly fine prospect. Ann. Who made the statue? Mother. That
is
not known. About three hundred years ago, it was
ut ingeniously together, and it was conveyed to the Vatican, where it
is
carefully preserved. I will allow you to read to
s, and to have loved them, as Peneus loved Daphne. The truth probably
is
, that some person whose lands lay along the river
rgus. “Go,” said the sovereign of the gods; “go and destroy Argus. It
is
my will that Io should be transported to Egypt, t
ecame queen of Egypt. Phæton. “The world’s vice luminary.” It
is
related that Io, after she became queen of Egypt,
,” replied Phæton; “my father was Apollo, the son of your father, and
is
himself the most graceful, beautiful, and accompl
retorted Epaphus, “dispute the perfections of Apollo; but perhaps he
is
not your father. Did he acknowledge that you were
thee to declare thyself my father. The son of Io has vaunted that he
is
the offspring of a god, while I am no other than
he god; “you know not what you ask. To conduct the flaming car of day
is
an enterprise which Jupiter himself would scarcel
riginal of Guido, are not very rare in this country. Guido’s painting
is
the splendid embellishment of a ceiling in the Pa
ried Niobe, “I have come among you in pity for your folly; how absurd
is
your homage to Latona, who is only a mortal, and
you in pity for your folly; how absurd is your homage to Latona, who
is
only a mortal, and who cannot serve you, let you
thing upon you. “If a mortal deserves your homage, behold your queen;
is
not she worthy of your veneration? — the daughter
rted by a whirlwind to Lydia. ——— The explanation given of this fable
is
that the arrows of Apollo were some sudden and fa
d come to the verge of the lake, my companion stopped, and I followed
is
example; and suddenly, assuming an air of devotio
g deity of the place. “‘Young man,’ replied my companion, ‘this altar
is
dedicated to Latona. You know that when Earth ref
one of them thus coarsely accosted her: ‘Why come you hither, woman;
is
there no other water in the world that you must c
leasures of quiet meditation.’” 1. A marriage song. 2. The fable
is
that the maiden Arethusa was transformed to a riv
ks, often of rich materials. 6. The extraordinary longevity of geese
is
a well known fact. 7. Dryden. 8. This sort of
Preface The importance of a knowledge of mythology
is
felt by all readers, even of our daily papers and
s felt by all readers, even of our daily papers and magazines, and it
is
indispensable to the enjoyment of art and literat
nd of hope for the hereafter. It has been fully proved that mythology
is
simply a phase in the growth of language, the stu
Mythology 230 American Mythology 234 Introduction. “Mythology
is
a collection of tales, or legends, relating to th
king now. We talk of the sun rising and setting as of something which
is
sure to happen; but they did not know enough to f
things, and so when the evening came they said, ‘Our friend, the sun,
is
dead; will he come back again?’ and when they saw
meaning had been quite forgotten. Thus, mythology, as we call it now,
is
simply a collection of the sayings by which men o
nd by unraveling the meaning of the names of ancient gods and heroes,
is
the discovery that a worship of different aspects
se of the resemblance between the stories told of the gods and heroes
is
that they are in reality only slightly different
the effect produced on different minds. “The essence of all Paganism
is
a recognition of the forces of Nature as godlike,
d, or felt in the world around them.” Cox. “The study of mythology
is
a benefit because, by revealing to us the absurd
sents in its history the moral dealings of God with man. Thus, Apollo
is
, first, physically the sun contending with darkne
morally, the power of divine life contending with corruption. Athene
is
physically the light of daybreak, morally the bre
eak, morally the breathing of the divine spirit of wisdom. Poseidon*1
is
physically the sea; morally, the supreme power of
the supreme power of passion. “III. It has a personal character, and
is
realized in the minds of its worshipers as a livi
their Greek neighbors, leaves its mark on the Roman mythology, which
is
far less fertile in fanciful conceits, and defici
the Greeks.” Bulfinch . Cosmogony and Theogony. By Cosmogony
is
meant the legends relating to the creation of the
emosyne*, Phœbe*, and Tethys*. The interpretation of these divinities
is
somewhat difficult, but they doubtless represente
sea in its quiet state. Thaumas represents the majesty of the sea. He
is
the father of Iris* (the rainbow) and of the Harp
ffspring of Uranus and Gæa, the ancients merely assert that the ocean
is
produced by the combined influence of heaven and
abode of Oceanus was a grotto-palace beneath the stream of Ocean. It
is
not always easy to distinguish the god from the s
*. Leto was the mother of Apollo* and Artemis*. Crius*. — This Titan
is
said to be the sire of Astræus*, Pallas, and Pers
Varuna*. The sun, moon, and stars were emblems of Uranus or Cœlum. He
is
represented clothed with a starred mantle, his ha
f Chaos, and sister of Erebus, to whom she bore Hemera and Æther. She
is
said then to have produced without a sire Mœræ* (
ance), Eris* (Strife), the Hesperides*, and several other deities. It
is
a principle of all cosmogony that darkness preced
in a long, black robe, carrying m her arms Thanatos and Hypnos. Death
is
draped in black, and holds an inverted torch; whi
s. Death is draped in black, and holds an inverted torch; while Sleep
is
robed in white, and has for his symbol the poppy.
office of Helios was to give light to men and gods during the day. He
is
described as rising every morning in the east, pr
e mountains, and draws aside the misty veil through which her brother
is
about to appear. When he has burst forth in all t
flame-darting chariot along the accustomed track. This chariot, which
is
of burnished gold, is drawn by four fire-breathin
along the accustomed track. This chariot, which is of burnished gold,
is
drawn by four fire-breathing steeds, behind which
ve in order to cool his burning forehead in the waters of the sea, he
is
followed closely by his sister Selene, who is now
e waters of the sea, he is followed closely by his sister Selene, who
is
now prepared to take charge of the world and illu
e saw no other object, her face turned constantly on him. At last, it
is
said, her limbs rooted in the ground, her face be
as always to face the sun throughout its daily course. The sun-flower
is
a favorite emblem of constancy. Moore uses it: “
as* (north), Zephyrus* (west), Eurus* (east), and Notus (south). This
is
a mythological way of intimating the fact that th
rizon both morning and night, before and after the sun-god. Hence she
is
a personification not merely of the rosy morn, bu
ersonification not merely of the rosy morn, but also of twilight. She
is
described by the poets as a beautiful maiden with
esents the tired sun hurrying to his rest, and dead to the love which
is
lavished upon him. The original meaning of Endymi
eece, people said “Selene loves and watches Endymion,” instead of “it
is
getting late;” “Selene embraces Endymion,” instea
“it is getting late;” “Selene embraces Endymion,” instead of “the sun
is
setting and the moon is rising;” “Selene kisses E
elene embraces Endymion,” instead of “the sun is setting and the moon
is
rising;” “Selene kisses Endymion into sleep,” ins
moon is rising;” “Selene kisses Endymion into sleep,” instead of “it
is
night.” Representations. 1. On coins by the
earth she was in the lower world. As operating in the heavens, Hecate
is
identified with Selene; in her influence on the e
festival in his honor was called “Saturnalia,” of which the Carnival
is
a survival. The Saturnalia was devoted to freedom
r as signs and warnings, or to punish the transgressions of men. Zeus
is
called the “father of gods and men;” his power ov
men. Zeus is called the “father of gods and men;” his power over both
is
represented as supreme. In his palace on Olympus,
most of his immortal wives, we shall find that an allegorical meaning
is
conveyed. His marriage with Metis represents supr
ion, having become king of Thebes, fortified the city with a wall. It
is
said that when he played on his lyre, the stones
own accord, and took their places in the wall. In sculpture, Amphion
is
always represented with a lyre; Zethus, with a cl
between mortality and immortality. “The interpretation of this myth
is
somewhat difficult. It is commonly supposed that
ortality. “The interpretation of this myth is somewhat difficult. It
is
commonly supposed that they were ancient Peloponn
tting about on their golden wings are probably nothing more than what
is
commonly called St. Elmo’s fire — an electric fla
han what is commonly called St. Elmo’s fire — an electric flame which
is
often seen playing round the tops of the masts du
en seen playing round the tops of the masts during a storm, and which
is
regarded by sailors as a sign of its speedy abate
The first two became judges in the lower world after death. “Europa
is
the morning with its broad-spreading light, born
reading light, born in the Phœnician, or purple land of the dawn. She
is
the child of Telephassa, — the being who shines f
is the child of Telephassa, — the being who shines from afar. But she
is
soon taken from her beautiful home. In Hindu myth
e, and then, taking advantage of his helpless condition, slew him. It
is
related that Hera placed his eyes on the tail of
rus (cow-bearer) received its name from this story. Io (the wanderer)
is
the moon, whose apparently irregular course and t
icted with horns. The guardian of the heifer, the hundred-eyed Argus,
is
a symbol of the starry heaven. Argus was slain by
r words, the stars were rendered invisible by the thick clouds. There
is
nothing extraordinary in representing the apparen
nto trees, remaining forever side by side. Representations. Zeus
is
generally represented as sitting upon a golden or
ody nude, and the lower part carefully covered, as if to show that he
is
visible to the gods above, but that he is conceal
ered, as if to show that he is visible to the gods above, but that he
is
concealed from the sight of the inhabitants of ea
of Zeus over heaven, earth, and the underworld. As Jupiter Ammon*, he
is
represented as having the horns of a ram. The tem
by consultation of the Libyan Jove. The most singular representation
is
that exhibiting Jupiter Pluvialis*, designed to c
laughter she seated herself in its place and returned to Olympus. It
is
probable that this story was invented to explain
ra invariably appears as the haughty, unbending queen of heaven; Juno
is
revered and beloved as the type of a matron. Juno
liged to offer to Juno a solemn sacrifice. Representations. Hera
is
usually represented seated on a throne, a diadem
generally sit by her, and a cuckoo often perches on her sceptre. She
is
sometimes represented as carried through the air
marine monsters, which devoured those whom the floods had spared. It
is
probable that these sea-monsters are the poetical
is trident, and arrayed in a mantle of blue or of sea-green. Often he
is
sitting in a chariot, or a shell with wheels, dra
sitting in a chariot, or a shell with wheels, drawn by hippocampi. He
is
sometimes accompanied by Amphitrite. His image is
n by hippocampi. He is sometimes accompanied by Amphitrite. His image
is
very frequent on coins and medals. He is describe
ied by Amphitrite. His image is very frequent on coins and medals. He
is
described as having black hair and blue eyes, and
one of a less dismal nature, in which the other side of his character
is
brought into prominence. From this point of view
his character is brought into prominence. From this point of view he
is
represented not only as sending nourishment to pl
torture. Tartarus was supposed to be as far below Hades as the earth
is
distant from the skies. The waters of the Lethe*
t any remembrance of the past. Representations. Aides, or Pluto,
is
generally represented holding a two-pronged scept
intimate that whoever enters his kingdom cannot return. Sometimes he
is
represented sitting on a throne with Persephone*.
imes he is represented sitting on a throne with Persephone*. His head
is
veiled, and he holds a sceptre. Epithets. — Subt
and dried up the streams over which he passed. “The stone of Sisyphus
is
an emblem of the indestructibility of hope. It sy
the sun at mid-day, whose four-spoked wheel, in the words of Pindar,
is
seen whirling in the heavens. “Sieve of the Danai
d the wheel, and Atropos cut the thread with a pair of scissors. That
is
, Clotho gives life or brings us into the world, L
ughter of Night, who represents the moral force by which the universe
is
governed, and to whom both mortals and immortals
hich we call the earth’s crust, and which produces all vegetation. It
is
necessary to keep clearly in view the distinctive
sents the earth as a whole, with its mighty subterranean forces; Rhea
is
that productive power which causes vegetation to
e goddess. The most celebrated legend linked with the name of Demeter
is
the story of the loss of her daughter, Persephone
which falls upon the earth during the cheerless months of winter. It
is
believed that in later times a still deeper meani
ovelier garb, was supposed to symbolize the soul, which, after death,
is
free from corruption and lives in a better and pu
purer form. Closely connected with this beautiful and expressive myth
is
another which refers to the institution of the El
igious ceremonies of Greece. Some authorities state that Free-Masonry
is
a branch of the Eleusinian order. The chief objec
nd Jasion, was a personification of the wealth derived from grain. He
is
represented as being lame when he makes his appea
men to heap his treasures upon the bad. Representations. Demeter
is
usually represented as a woman of majestic appear
all that lives into the hidden depths of the earth, whence the grave
is
called “the chamber of Persephone.” On the other
n Mysteries, Persephone was a symbol. Representation. Persephone
is
represented as a fair young maiden, or as the gra
Hera, represents war from its fatal and destructive side, by which he
is
clearly distinguished from Athene, the wise dispo
ch was held upon a hill in Athens. Ares was acquitted, and this event
is
supposed to have given rise to the name Areopagus
he daughter of Ares and Aphrodite, because from Love and Strife, that
is
, attraction and repulsion, arises the order or ha
full armor formed an important part in their peculiar ceremonial. It
is
said that one morning, when Numa* was imploring t
commotion both on sea and land announced the event to the world. She
is
also the goddess of wisdom, and as such is the pr
he event to the world. She is also the goddess of wisdom, and as such
is
the protectress of states; all that their welfare
nd chariots, and to use the rake and the plough. By later writers she
is
represented as the patroness of every branch of s
-orbed moon, and the title Glaucopis* (from the blueness of her eyes)
is
given to both Selene and Athene. The sacred olive
ground. As the goddess that promoted domestic arts and progress, she
is
represented with a distaff and spindle. Epithets
few statues of the goddess. The best example which has been preserved
is
the Vesta Giustiniani, which belongs to the priva
gs to the private collection of Prince Torlonia, of Rome. The goddess
is
represented as standing, her right hand pressed a
e sea, in return for which he made them many ornaments. Another story
is
that on the occasion of a quarrel between Zeus an
es were believed to be his workshops and the Cyclopes his workmen. It
is
said that the first work of Hephæstus was a thron
leave the right arm and shoulder free; he wears a pointed cap, which
is
the badge of an artisan; he holds a hammer and st
he hammer; at others turning a thunderbolt, which an eagle beside him
is
waiting to carry to Zeus. As artificer of the god
or*; Phœnician, Astarte*; Jewish, Ashtoreth*. In the Iliad, Aphrodite
is
represented as the daughter of Zeus and Dione, th
the myrtle, and the rose were sacred to Aphrodite. The Venus of Milo
is
now in the Louvre at Paris. It was found in the y
was found in the year 1820, on the Island of Milo, hence its name. It
is
noted for the dignified expression of the head. T
s noted for the dignified expression of the head. The Venus de Medici
is
so called from its having been in the possession
when it first attracted attention, about two hundred years ago. There
is
a story that the artist was employed by public au
orms the city (Athens) could supply were furnished him for models. It
is
to this Thomson alludes in his “Summer.” “So sta
e, milk, and honey. “The story of her love for the beautiful Adonis*
is
of Asiatic origin. The germ may be easily disting
in the upper world. Clearly, the monster that deprived Adonis of life
is
only a symbol of the frosty winter, before whose
tive Mythology. — Greek, Charites*; Roman, Gratiæ*. The name Charites
is
derived from Charis*, a term originally applied t
Comparative Mythology. — Greek, Eros*; Roman, Cupid*, or Amor*. Eros
is
apparently a personification of the principle of
god of love, the son of Ares and Aphrodite. His characteristic weapon
is
a golden bow, with which he shoots forth his arro
h he shoots forth his arrows from secret lurking-places. Zeus himself
is
represented as unable to withstand his influence,
esented as unable to withstand his influence, an intimation that love
is
one of the most terrible and mighty forces of nat
ars crowned with roses.9 The fiction of Cupid and Psyche* (the soul)
is
an allegory perhaps intended for a representation
s angel bride in heaven.” T. K. Hervey . Representation. Eros
is
represented as a lovely boy, with rounded limbs,
sonification of the happiness of married life. By some authorities he
is
called a son of Apollo and the muse Urania. Other
ised by the genial warmth of spring over the dark gloom of winter. He
is
also represented as a terrible god of death, send
ife, and the woods re-echo with the songs of the birds. Hence, Apollo
is
the god of music. He is himself the musician amon
ho with the songs of the birds. Hence, Apollo is the god of music. He
is
himself the musician among the Olympic gods. He a
on her return means the early light which appears in the morning, but
is
seen no more when the sun is risen.” Cox . Cas
light which appears in the morning, but is seen no more when the sun
is
risen.” Cox . Cassandra*, a daughter of Priam*
s mortal, flayed him while alive, and changed him into a river, which
is
still known by his name. King Midas* had the bad
* and Ludi Seculares*, or Century games. Representations. Apollo
is
always represented as having a youthful appearanc
. Apollo is always represented as having a youthful appearance. He
is
crowned with laurel, and wears a purple robe. The
. The most beautiful and most celebrated of all the statues of Apollo
is
the “Apollo Belvedere*,” which was discovered in
e “Apollo Belvedere*,” which was discovered in 1503, near Antium, and
is
now in the Vatican. It is a standing figure, in m
ch was discovered in 1503, near Antium, and is now in the Vatican. It
is
a standing figure, in marble, more than seven fee
n marble, more than seven feet high, nude, except for the cloak which
is
fastened around the neck and hangs over the exten
is fastened around the neck and hangs over the extended left arm. It
is
supposed to represent the god in the moment when
hot the arrow to destroy the monster, Python. The victorious divinity
is
in the act of stepping forward. The left arm, whi
of stepping forward. The left arm, which seems to have held the bow,
is
outstretched, and the head is turned in the same
arm, which seems to have held the bow, is outstretched, and the head
is
turned in the same direction. In attitude and pro
ction. In attitude and proportion, the graceful majesty of the figure
is
unsurpassed. The effect is completed by the count
ortion, the graceful majesty of the figure is unsurpassed. The effect
is
completed by the countenance, where, on the perfe
emis was worshiped by the Greeks under various appellations. Thus she
is
known as the Arcadian, Ephesian, and Brauronian A
ollo. She was a moon-goddess, and also presided over hunting. Artemis
is
the feminine counterpart of her brother, and, lik
gh she deals out destruction and sudden death to men and animals, she
is
also able to alleviate suffering and cure disease
the image of the goddess on the occasion of her annual festival. This
is
the same Artemis to whom Agamemnon was about to o
s the Brauronian Artemis. The most celebrated statue of this divinity
is
that known as the Diana of Versailles, now in the
s in the act of rescuing a hunted deer from its pursuers, on whom she
is
turning with angry mien. One hand is laid protect
r from its pursuers, on whom she is turning with angry mien. One hand
is
laid protectingly on the head of the stag, whilst
h grief, was turned into stone. “The beauty of the children of Niobe
is
the beauty of clouds flushed with the light of th
ple was dedicated to her on the Aventine hill by Servius Tullius, who
is
said to have introduced the worship of this divin
st. Representations. As Selene-Artemis, or the moon-goddess, she
is
always represented as wearing a crescent on her f
and a long robe completely envelops her. As goddess of the chase she
is
represented as a youthful and slender maiden, tal
ages. He was born in a cavern in Mount Cyllene, in Arcadia. The story
is
that four hours after his birth he set forth to s
supposed to be the promoter of intercourse between nations; hence he
is
the god of travelers, over whose safety he presid
o represents the warm, genial sunshine, Hermes, as a power of nature,
is
the rain. Both appear in the character of deities
racter of deities benevolent and propitious towards mankind, and this
is
probably the reason why Hermes and Apollo have so
and goats. Tongues of animals were offered to him because the tongue
is
the organ of speech. Festivals were called Hermæa
errand.” Longfellow . Representations. In his statues Hermes
is
represented as a beardless youth, with broad ches
in his hand the Caduceus, or herald’s staff. As god of eloquence, he
is
often represented with chains of gold hanging fro
s*. “Dionysus was called Bacchus both by the Greeks and Romans; that
is
, noisy or riotous god. It was originally a mere s
The legend says that his education was then completed by Silenus, who
is
known as his foster-father. In company with him a
his more extended meaning, he represents the blessings of autumn. It
is
he that causes the fruits to ripen; he also dispe
rated among the myths which testify to the wondrous power of Dionysus
is
the story of the punishment of the Tyrrhenian* pi
d by Romulus. Representations. In the Medici gallery at Florence
is
a fine statue of Bacchus by Michael Angelo. He is
gallery at Florence is a fine statue of Bacchus by Michael Angelo. He
is
crowned with ivy and vine tendrils, and holds in
d a cnp, and in his left a cluster of grapes, of which a little satyr
is
endeavoring to take a taste. In earlier art he wa
His soft hair, which falls about his shoulders in delicate ringlets,
is
generally intertwined with a garland of vine-leav
r Zeus, on Mount Olympus.’ Looked at in connection with nature, there
is
little doubt but that the Muses were originally n
her. Polyhymnia* was the Muse of eloquence and of sacred hymns. She
is
always represented in a thoughtful attitude, and
nted in a thoughtful attitude, and entirely enveloped in drapery. She
is
crowned with a wreath of laurel. The Sirens*.
lop man’s higher nature, and causes the mind to soar heavenwards. “It
is
said that during their contest with the Pierides
inbow as a bridge of communication between heaven and earth; and this
is
doubtless the reason why Iris, who represented th
e Greeks with the office of communicating between gods and men. “Iris
is
represented as a slender maiden of great beauty,
ymedes*. After the deification of Heracles, Hebe became his wife. She
is
represented pouring nectar from an upraised vesse
ng in her hand a shallow dish supposed to contain ambrosia. Juventas*
is
the corresponding deity of the Romans, but they h
wer exercised by Zeus by means of lightning. In ancient sculpture she
is
usually represented in connection with the coloss
ction with the colossal statues of Zeus and Athene, in which case she
is
life-sized, and stands on a ball held in the open
emple was erected to this divinity on the Acropolis, at Athens, which
is
still to be seen, and is in excellent preservatio
divinity on the Acropolis, at Athens, which is still to be seen, and
is
in excellent preservation. Far more extensive was
ngly said that she made too much noise with her feet when walking. It
is
said that, in consequence of his unlovely and unj
merit. Eventually, she was regarded only as the avenging goddess. She
is
represented as a beautiful woman, wearing a diade
g a diadem, and bearing in her hand a rudder, balance, and cubit. She
is
also sometimes seen with a wheel, to symbolize th
s kind, closed with doors, which were open only in time of war. Janus
is
always represented with two faces. As doorkeeper
ses were adorned with flowers, and wreaths were worn in the hair. She
is
represented as a beautiful girl crowned with flow
Pomona*. Pomona* was the goddess of orchards and fruit-trees. It
is
said that she was wooed in vain by all the rural
r sentiments that, when he resumed his own form, she married him. She
is
represented as a lovely maiden laden with branche
ith branches of fruit-trees. Vertumnus*. Vertumnus*, whose name
is
derived from verto, to change, was the god of gar
f-buds become developed into blossoms and the blossoms into fruit. He
is
generally represented crowned with wheatsheaves,
fices consisted of milk, meat, wine, grapes, wheat-ears, and pigs. He
is
represented as an old man scattering flowers, and
n changed her into a pine-tree. Professor Müller explains that Boreas
is
the Greek for north wind, Pitys for pine-tree, an
, who, as the god of shepherds, was identified with the Greek Pan. He
is
called Lupercus*, or the one that wards off wolve
Pactolus, which has ever since washed down gold in its sands. Silenus
is
represented either as the preceptor of the youthf
be seen the temple of Athene Polias, and that of Theseus*. The latter
is
the best preserved ancient edifice in the world.
were called groves. That this habit must be of very remote antiquity
is
proved by the biblical injunction, having for its
lted. For instance, to Demeter a sow was offered, because that animal
is
apt to root up the seed-corn; to Dionysus, a goat
art in which to consult the oracle of Apollo at Delphi. The following
is
an instance of the ambiguity of oracular predicti
e closed the jar in time to prevent the escape of Hope. Another story
is
that Pandora brought with her a box containing he
tion many evils which were before unknown to man came into existence,
is
expressed in the myth of Pandora.” Seemann . Z
of the Centaurs were slain; the others were driven from Thessaly. It
is
the opinion of Buttmann that the Centaurs and Lap
untains. He thinks the word Centaurs meant air-piercers, as that idea
is
suggested by the figure of a Cossack leaning forw
ar the city, she proposed to every passer-by the riddle, “What animal
is
it that goes in the morning upon four feet, at no
names for the sun, the sky, the dawn, and the earth. The sun (Œdipus)
is
the child of the darkness (Laius), and he is doom
earth. The sun (Œdipus) is the child of the darkness (Laius), and he
is
doomed to slay his father. He is also the child o
hild of the darkness (Laius), and he is doomed to slay his father. He
is
also the child of the dawn (Jocasta), whose soft,
t hues re-appear; so Œdipus weds Jocasta. The tender light of evening
is
suddenly blotted out by the vapors, the light of
f evening is suddenly blotted out by the vapors, the light of the sun
is
quenched in gloom. In other words, Jocasta dies,
n other words, Jocasta dies, and Œdipus tears out his eyes. “Antigone
is
the light which looks forth from the east when th
s with the king of Tiryns. “The golden shower in the prison of Danae
is
the light of morning which streams in upon the da
reams in upon the darkness of night. By the sword which Perseus bears
is
meant the piercing rays of the sun. Perseus, Bell
described the course of the sun in its daily or yearly round. “Medusa
is
the starlit night, solemn in its beauty, and doom
.” Cox . Perseus occupies a prominent position in Greek art. There
is
in the Capitoline Museum at Eome a marble relief
hat mountain.” “In the story of Bellerophon, the reference to the sun
is
obvious. He was called the son of Poseidon, who w
s, who daily saw the sun rise out of the sea. The fall of Bellerophon
is
the rapid descent of the sun towards evening, and
cent of the sun towards evening, and the plain over which he wandered
is
the broad expanse of somber light through which t
e wandered is the broad expanse of somber light through which the sun
is
sometimes seen to travel sullenly and alone to hi
desperate encounter took place in which the giant perished. Heracles
is
then supposed to have placed the oxen in the boat
ed him into Lydia and sold him to Omphale*, queen of that country. It
is
said the queen clad her illustrious slave in fema
acred to him, being regarded as his birthday. “The story of Heracles
is
the most complicated of all the Greek myths. It s
le with the clouds which had hindered his journey. “Darkness of night
is
meant by the serpents killed by Heracles. Iole, t
e sinks in the western sky. “The death-scene in the story of Heracles
is
the last incident in what has been called the ‘Tr
of Scyros and interred them. In his honor a temple was erected, which
is
still standing, and serves as a museum of art. Th
gem. Achilles was the son of Peleus* and the sea-goddess Thetis*, who
is
said to have dipped her son, when a babe, in the
e of these discoveries. Professor Max Müller says, “the siege of Troy
is
a repetition of the daily siege of the East by th
brightest treasures in the West.” « The great conflict of the Iliad
is
the battle of the powers of light and darkness. P
fighting with the children of day.” “That the story of the Trojan war
is
almost wholly mythical, has been conceded by even
of Homeric unity. That it contains some few grains of actual history
is
all they venture to urge.” Cox . The Retur
then approached and handed him a bowl of wine, saying, “Cyclops, this
is
wine; taste and drink after thy meal of man’s fle
, and Noman gives the blow.” They answered, “If no man hurts thee, it
is
the stroke of Jove, and thou must bear it.” So sa
falls, as the dark shades are scattered at break of day. The victory
is
won, but the Sun still longs to see again the fai
ars come to an end. The sun cannot see the twilight until another day
is
done.” “‘Land of the Lotus-eaters,’ the fair fiel
the heavy vapors which had gathered round the dawn-hght. “‘Penelope’
is
the weaver but her web, though often begun, canno
to facts of astronomy than do the myths in Greek mythology; but there
is
no doubt that, like the Greek myths, those of the
as father of Ra, the sun-god. Ra was, in the mystic sense, that which
is
to-day, the existing present; the hawk was his em
osed to exist in some way in the sacred bull Apis*, of which Serapis*
is
probably another name. Herodotus* says, “Apis is
*, of which Serapis* is probably another name. Herodotus* says, “Apis
is
a young bull whose hair is black, on his forehead
bably another name. Herodotus* says, “Apis is a young bull whose hair
is
black, on his forehead a white triangle, on his b
tle under his tongue, and the hair of his tail double.” Ovid* says he
is
of various colors. Plutarch says he has a crescen
as laid away in its rock sepulchre. The most celebrated Egyptian book
is
the “Book of the Manifestations to Light,” often
the Manifestations to Light,” often called the “Book of the Dead.” It
is
a ritual for the use of the soul in its journeys
hage was noted for these horrid sacrifices; five hundred children, it
is
said, were placed at once in the fiery jaws of th
Mythology. “Our knowledge of the religion of the ancient Persians
is
principally derived from the Zend Avesta, or sacr
which they adore as the symbol of the divinity. “The Persian religion
is
the subject of the finest tale in Moore Lalla Roo
ryans. In all respects, except color, they resemble the Europeans. It
is
probable that they emigrated from Iran* (Persia)
the conquered people, and were slaves. The literature of the Sanskrit
is
rich in fancy and exalted poetry, and embalms the
and other powers of nature. “The Vedic, or earliest Hindu mythology,
is
especially valuable as furnishing a key to that o
aruna*, Agni*, and Indra*. By Varuna was meant the broad heaven which
is
spread over and veils the earth. Many of the hymn
name for the One God who has made and who governs all things. Varuna
is
found in Greek mythology as Uranus, but in Greece
st his importance. Agni was a name for the fire which, when the fuel
is
kindled, steps forth like a war-horse from his pr
his prison, leaving a dark path (of smoke) behind him. The name Agni
is
found in the Latin word ignis fire. Indra was go
ure, and thus corresponds to the Jupiter Pluvius of the Latins. Indra
is
chiefly represented as doing battle with Vritra*,
who, by shutting up the rain, brings drought upon the earth. Vritra
is
described as a great dragon smitten by the lance
described as a great dragon smitten by the lance of Indra, as Python*
is
pierced by that of Apollo. As such he is called A
e lance of Indra, as Python* is pierced by that of Apollo. As such he
is
called Ahi*, which is the same as the Greek Echid
ython* is pierced by that of Apollo. As such he is called Ahi*, which
is
the same as the Greek Echidna* and the Latin word
sun hastens as he sinks down from the heights of heaven. Thus, “Yama
is
said to have crossed the rapid waters, to have sh
usha was a name for the sun as he begins his course in the heaven. He
is
represented as a beautiful child. He is identical
his course in the heaven. He is represented as a beautiful child. He
is
identical with the Greek Eros, or god of love, an
tin Cupid. Arusha was said to awaken the earth with his rays. Brahma
is
called a son of Brahm, a name for the Great First
eing the creator, Vishnu the preserver, and Siva the destroyer. Siva
is
frequently called Mahâdeva, or Mahadeo* (in Greek
ed Mahâdeva, or Mahadeo* (in Greek, Megas Theos*), the great god, and
is
regarded as a reproducer; to destroy, according t
carnations of the god for the accomplishment of a special purpose. It
is
believed the number of the Avatars will not excee
. It is believed the number of the Avatars will not exceed ten. Kalki
is
the name of the tenth Avatar, in which Vishnu wil
duced Rudra*, the destroyer, the father of the tempest-gods. Savitar
is
a name for the sun, as golden-handed, referring t
acrifice, cut off his hand, which was replaced by a golden one. Manu
is
a wise lawgiver, and the son of Brahma. He is the
by a golden one. Manu is a wise lawgiver, and the son of Brahma. He
is
the same as the Greek Minos, and the name is deri
nd the son of Brahma. He is the same as the Greek Minos, and the name
is
derived from the same root with the words, mind a
the shore, about three hundred miles south-west of Calcutta. The idol
is
a carved block of wood with a hideous face, paint
distended, blood-red mouth. On festival days, the throne of the image
is
placed on a tower sixty feet high, moving on whee
uddha*, whom the Vedas represent as a delusive incarnation of Vishnu,
is
said by his followers to have been a mortal sage
have been a mortal sage named Guatama, and also Buddha, the Wise. It
is
probable he lived about a thousand years before C
records are contained in two collections called the Eddas*. The older
is
in poetry and dates back to the year 1056, the mo
etry and dates back to the year 1056, the more modern, or prose Edda,
is
dated 1640; so that for a long time this mytholog
mitted by oral tradition only. The word Edda means ancestress, and it
is
so called because it is considered the mother of
only. The word Edda means ancestress, and it is so called because it
is
considered the mother of Icelandic poetry. The Sa
n and misery will be unknown. The constant struggle of life and death
is
described in the tale of the Volsung, which was a
gurd*, the son of Sigmund*, the son of Volsung, a descendant of Odin,
is
the hero of this story. He was born after the dea
ists. The Eddas and Sagas have come to us from Iceland. The following
is
from Carlyle’s “Heroes and Hero Worship,” “In tha
d of these things was written down. On the seaboard of this wild land
is
a rim of grassy country where cattle can subsist,
ancient Celtic nations in Gaul, Britain, and Germany. The word Druid
is
supposed to have been derived from “De,” God, and
ht the existence of one God, to whom they gave a name, “Be’al,” which
is
believed to have meant, “the life of everything,”
uted their sacred place. The most celebrated of these, now remaining,
is
Stonehenge, on Salisbury Plain, England. These sa
no doubt that the Druids offered sacrifices to their deity, but there
is
some uncertainty as to what they offered, and not
y, but there is some uncertainty as to what they offered, and nothing
is
known of the ceremonies connected with their reli
ascends the tree, and cuts off the mistletoe with a golden sickle. It
is
caught in a white mantle, after which they procee
s been infused, and think it a remedy for all diseases. The mistletoe
is
a parasitic plant, and is not always found on the
it a remedy for all diseases. The mistletoe is a parasitic plant, and
is
not always found on the oak, so that when it is f
parasitic plant, and is not always found on the oak, so that when it
is
found, it is the more precious.” Amber was value
ant, and is not always found on the oak, so that when it is found, it
is
the more precious.” Amber was valued for certain
o convey to the mind the self-renewing power of life in nature, which
is
exemplified in the sowing of the seed and the dev
nt and language, but their religious ideas were not dissimilar. Light
is
the most important of all things, and, realizing
h the sun, the other lying in wait to conquer it; but, though the sun
is
apparently conquered each night, it rises with un
by the light and the winds. “The mythic lore of the American Indians
is
comparatively scanty and prosaic, as befits the p
only are the personages less characteristically portrayed, but there
is
a continual tendency to extravagance, the sure in
he attempt. Her proposal was received with derision; but as poor help
is
better than none in an emergency, the hare gave h
o walked round it, to see how big it was, and the story added that he
is
not yet satisfied, and he continues his journey a
from its home in the east, making the earth rejoice. The name Michabo
is
compounded of “michi,” great, and “wabos,” which
at, and “wabos,” which means both “hare” and “white.” So that Michabo
is
the Great White One, the god of the Dawn and the
the god of the Dawn and the East. “The word for muskrat in Algonquin
is
‘wajashk,’ and this is almost the word for mud, o
the East. “The word for muskrat in Algonquin is ‘wajashk,’ and this
is
almost the word for mud, or wet earth, ‘ajishki.’
t sprung organic life, even man himself, who, in so many mythologies,
is
the ‘earthborn.’ “After the darkness of the night
at certain seasons heralds the dawn, was sacred to Michabo; its name
is
Wabanang, from Waban, the East. The rays of light
d servants. Seated at the extreme east, ‘at the place where the earth
is
cut off,’ watching in his medicine-lodge, or pass
i, which means ‘those who make the day,’ and they light the world. He
is
never identified with the sun, nor was he suppose
r identified with the sun, nor was he supposed to dwell in it, but he
is
distinctly the impersonation of light. “Michabo w
d the pleasant art of smoking was his invention.” Tanner . Michabo
is
said to sleep through the winter months; and at t
“In the Oneida dialect of the Iroquois, Ioskeha means literally ‘it
is
about to grow white,’ that is, to become light, t
e Iroquois, Ioskeha means literally ‘it is about to grow white,’ that
is
, to become light, to dawn. Ataensic is from the r
is about to grow white,’ that is, to become light, to dawn. Ataensic
is
from the root aouen, water, and means literally ‘
Ataensic is from the root aouen, water, and means literally ‘she who
is
in the water.’ Plainly expressed, the sense of th
‘she who is in the water.’ Plainly expressed, the sense of the story
is
that the sun rises daily out of the boundless wat
g demons. Here the resemblance between the Aryan and barbaric legends
is
at an end. But little reflection is needed to ass
en the Aryan and barbaric legends is at an end. But little reflection
is
needed to assure us that the imagination of the b
ends in which maidens are lovingly solicited, or in which their favor
is
won by the performance of deeds of valor. These s
texte. Voir la table des noms accentués. 2. The punishment of Dirce
is
the subject of a celebrated group of statuary now
ose was given by Cupid to Harpocrates*, the god of silence, whence it
is
supposed originated the custom, which prevailed a
s of the river Nile, in Egypt, are two colossal statues, one of which
is
said to be the statue of Memnon. Ancient writers
un fall upon this statue, a sound, like the breaking of a harpstring,
is
heard to issue from it. Sir Gardner Wilkinson exa
ined the statue, and discovered it to be hollow, and that “in the lap
is
a stone, which, on being struck, emits a metallic
either end nor beginning, baffles the most profound human thought. It
is
impossible to think of a point beyond which there
uman thought. It is impossible to think of a point beyond which there
is
absolutely nothing, or to imagine the passing of
resent finite condition, can ever comprehend of that stupendous birth
is
contained in the opening of the first chapter of
rth is contained in the opening of the first chapter of Genesis. That
is
the story of the creation as told by God Himself
ose who disobey His commands. That will, as interpreted by believers,
is
as various in its application to the conduct of m
ng the civilized and even among the barbarous nations of to-day. What
is
virtue with one is vice with the other, as beauty
d even among the barbarous nations of to-day. What is virtue with one
is
vice with the other, as beauty and ugliness of fo
each of which has its own adherents and supporters. The first school
is
that of the philologists, and the second that of
he myths had their origin in a “disease of the language, as the pearl
is
a result of a disease of the oyster.” The key, th
ase of the oyster.” The key, therefore, to all mythologies, they say,
is
found in language. The names originally applied t
uity, they demonstrate, had their foundation in a single source which
is
still older. As further proof of their position,
ained the germs of the Turanian, Aryan, and Semitic tongues. This age
is
termed the Rhematic period, and was succeeded by
ing splinters the mountain oak, the Indian says that the Great Spirit
is
angry. When nature becomes serene and calm, the G
pirit is angry. When nature becomes serene and calm, the Great Spirit
is
pleased. The malign forces around him, which work
r kept alive in our minds the old animative theory of nature, that it
is
no great effort in us to fancy the waterspout a h
correspondence with the Sanskrit appellations of physical things, it
is
comparatively easy to understand many of the firs
first fancies and reflections of the earliest men who ever lived. It
is
the argument of the philologists that these fanci
onsciously talked of in mythic language, the meaning of their legends
is
open to no question, and the action ascribed to t
le to trace the myths back to their original source and meaning. Such
is
a brief outline of the myth interpretations, as m
ire nature. In explaining mythology, the anthropologists say that “it
is
man, it is human thought and human language combi
In explaining mythology, the anthropologists say that “it is man, it
is
human thought and human language combined, which
gh which all races have passed.” The argument of the anthropologists
is
that while all nations have come from one parent-
logists is that while all nations have come from one parent-stock, as
is
claimed also by the philologists, yet the various
sehood. A collection of myths belonging to a particular age or people
is
“a mythology,” and the branch of inquiry which cl
the god of the winds. Jupiter was his reputed father, and his mother
is
said to have been a daughter of Hippotus. Æolus i
er, and his mother is said to have been a daughter of Hippotus. Æolus
is
represented as having the power of holding the wi
hysicians, and four daughters, of whom Hygeia, the goddess of health,
is
the most renowned. Many temples were erected in h
urus, where, every five years, games were held in his honor. This god
is
variously represented, but the most famous statue
amous statue shows him seated on a throne of gold and ivory. His head
is
crowned with rays, and he wears a long beard. A k
head is crowned with rays, and he wears a long beard. A knotty stick
is
in one hand, and a staff entwined with a serpent
d. A knotty stick is in one hand, and a staff entwined with a serpent
is
in the other, while a dog lies at his feet. “Tho
ctryon, a king of Argos. Alec′to [Alecto] was one of the Furies. She
is
depicted as having serpents instead of hair on he
e son of Jupiter and Antiope. He was greatly skilled in music; and it
is
said that, at the sound of his lute, the stones a
d he was called Pythius from having killed the serpent Python. Apollo
is
usually represented as a handsome young man witho
the Island of Lesbos, where he gained great riches by his art. There
is
a pretty fable which has made the name of Arion f
auritania, now Morocco, in Africa. He was also a great astronomer. He
is
depicted with the globe on his back, his name sig
ountain which bears his name of Atlas. A chain of mountains in Africa
is
called after him, and so is the Atlantic Ocean. H
of Atlas. A chain of mountains in Africa is called after him, and so
is
the Atlantic Ocean. He had seven daughters by his
ghter of Sol, the sun, and was the mother of the stars and winds. She
is
represented as riding in a splendid golden chario
sh god, associated with licentiousness and obscenity. The modern name
is
Belphegor. Babes, see Rumia Dea. Bac′chantes [B
hus [Bacchus], the god of wine, was the son of Jupiter and Semele. He
is
said to have married Ariadne, daughter of Minos,
r she was deserted by Theseus. The most distinguished of his children
is
Hymen, the god of marriage. Bacchus is sometimes
distinguished of his children is Hymen, the god of marriage. Bacchus
is
sometimes referred to under the names of Dionysiu
yceus, Liber, and Liber Pater, the symbol of liberty. The god of wine
is
usually represented as crowned with vine and ivy
lly represented as crowned with vine and ivy leaves. In his left hand
is
a thyrsus, a kind of javelin, having a fir cone f
cone for the head, and being encircled with ivy or vine. His chariot
is
drawn by lions, tigers, or panthers. “Jolly Bacc
use of grapes and honey. Bront′es [Brontes], one of the Cyclops. He
is
the personification of a blacksmith. Bubo′na [Bu
[Calliope]. The Muse who presided over epic poetry and rhetoric. She
is
generally depicted using a stylus and wax tablets
pus [Canopus]. The Egyptian god of water, the conqueror of fire. Cap′
is
[Capis] or Cap′ula [Capula]. A peculiar cup with
t of the Golden Fleece. Cau′ther [Cauther], in Mohammedan mythology,
is
the lake of paradise, whose waters are as sweet a
as snow, and as clear as crystal; and any believer who tastes thereof
is
said to thirst no more. Cel′eno [Celeno] was one
use her love of Apollo was unrequited. In the form of this flower she
is
still supposed to be turning toward Sol, a name o
cordia]. The goddess of peace. One of the oldest Roman goddesses. She
is
represented as holding a horn of plenty in one ha
n of plenty in one hand, and in the other a scepter, from which fruit
is
sprouting forth. Constancy, see Cephalus. Consu
Cu′pid [Cupid], the god of love, was the son of Jupiter and Venus. He
is
represented as a naked, winged boy, with a bow an
f the gods, and hence called Magna Mater. She was wife of Saturn. She
is
sometimes referred to under the names of Ceres, R
times referred to under the names of Ceres, Rhea, Ops, and Vesta. She
is
represented as riding in a chariot drawn by lions
In one hand she holds a scepter, and in the other a key. On her head
is
a castelated crown, to denote that she was the fi
into a swan. Cyll′aros [Cyllaros], one of Castor’s horses. The color
is
mentioned as being coal-black, with white legs an
as an old man covered with moss, and was said to live underground. He
is
sometimes called the king of the elves and fays.
affections, and this so grieved her that she stabbed herself. A tale
is
told in Facetiæ Cantabrigienses of Professor Pors
do′na [Dodona] was a celebrated oracle of Jupiter. “O where, Dodona,
is
thine aged grove, Prophetic fount, and oracle div
o assisted the Titans against Jupiter. Ege′ria [Egeria]. A nymph who
is
said to have suggested to Numa all his wise laws.
e of the four horses which drew the chariot of Sol, the sun. The word
is
Greek, and means red. Eph′ial′tes [Ephialtes]. A
poetry; she presided over the triumphs and complaints of lovers, and
is
generally represented as crowned with roses and m
n], one of the horses who drew the chariot of Sol — the sun. The word
is
Greek, and signifies hot. Et′na [Etna]. A volcan
Etna]. A volcanic mountain, beneath which, according to Virgil, there
is
buried the giant Typhon, who breathes forth devou
acchus. Favo′nius [Favonius]. The wind favorable to vegetation, that
is
, Zephyr — the west wind. “... Time will
rds, was patroness of enfranchised slaves. Some authors think Feronia
is
the same as Juno. Fertility, see Lupercus. Fest
rman, see Glaucus. Flath′-in′nis [Flath-innis], in Celtic mythology,
is
Paradise. Fleece, Golden, see Golden Fleece, Arg
and was esteemed one of the most potent of the ancient goddesses. She
is
usually represented as standing on a wheel, with
′ga [Friga]. The Saxon goddess of earthly enjoyments. The name Friday
is
derived from her. In Scandinavian mythology she i
s. The name Friday is derived from her. In Scandinavian mythology she
is
the goddess of marriage. Fro. The Scandinavian g
rity, see Cassandra. G Ga′briel [Gabriel], in Jewish mythology
is
the prince of fire and thunder, and the angel of
of Troy. He succeeded Hebe in the office of cup-bearer to Jupiter. He
is
generally represented sitting on the back of a fl
od, son of Osiris and Isis. He was the god of silence and secrecy. He
is
usually represented as a young man, holding a fin
by this name, but the one generally referred to in modern literature
is
Hecate, or Proserpine, the name by which Diana wa
Luna, and her terrestrial name was Diana. She was a moon-goddess, and
is
generally represented in art with three bodies, s
the Hellespont to the part of the sea where Helle was drowned, and it
is
now called the Dardanelles. She was the daughter
he gods. He′ra [Hera]. The Greek name of Juno. Her′acles [Heracles]
is
the same as Hercules. Her′cules [Hercules] was t
an Mother]. Cybele was sometimes so called, in Cyprus, in which there
is
a grove sacred to Venus. Ida′lia [Idalia]. A nam
dalia]. A name of Venus, from Mount Idalus, in Cyprus, in which there
is
a grove sacred to Venus. Impera′tor [Imperator]
ds. Her duty was to cut the thread which detained expiring souls. She
is
the personification of the rainbow. Iron, see Vu
o hell, and had him bound to a wheel, surrounded with serpents, which
is
forever turning over a river of fire. “The power
they hear, Touched with compassion, drop a tear; Ixion’s rapid wheel
is
bound, Fixed in attention to the sound.” F. Lewi
eaven by Jupiter. Janus presided over highways, gates, and locks, and
is
usually represented with two faces, because he wa
er. “From the great father of the gods above My muse begins, for all
is
full of Jove.” Virgil. Judges in Hell, The, we
ed, and Apollo and Neptune were banished from heaven by Jupiter. Juno
is
the goddess of marriage, and the protectress of m
o was much displeased when Paris gave the apple to Venus. The goddess
is
generally represented riding in a chariot drawn b
mon; the Babylonians, Belus; and the Egyptians, Osiris (see Jove). He
is
represented as a majestic personage seated on a t
Astrea, Nemesis. K Kali. A Hindoo goddess, after whom Calicut
is
named. Ka′loc [Kaloc]. One of the chief of the M
dans turn toward Mecca. Ke′derli [Kederli], in Mohammedan mythology,
is
a god corresponding to the English St. George, an
edan mythology, is a god corresponding to the English St. George, and
is
still invoked by the Turks when they go to war.
h the assistance of Apollo and Neptune, built the walls of Troy. Lap′
is
[Lapis]. The oath stone. The Romans used to swear
′lith [Lilith]. A Jewish myth representing a finely dressed woman who
is
a great enemy to new-born children. She was said
Ovid. Lud. In ancient British mythology the king of the Britons. He
is
said to have given his name to London. Lu′na [Lu
personification of sharp-sightedness. Lyre. This musical instrument
is
constantly associated with the doings of the anci
the sword of Mars, and he was therefore called the god of thieves. He
is
the supposed inventor of the lyre, which he excha
e was also an Egyptian Mercury under the name of Thoth, or Thaut, who
is
credited with having taught the Egyptians geometr
d with having taught the Egyptians geometry and hieroglyphics. Hermes
is
the Greek name of Mercury. In art he is usually r
try and hieroglyphics. Hermes is the Greek name of Mercury. In art he
is
usually represented as having on a winged cap, an
Shakespeare. Me′ru [Meru]. The abode of the Hindoo god Vishnu. It
is
at the top of a mountain 8,000 leagues high. The
Midas’ head.” Ovid. Mi′lo [Milo], a celebrated Croton athlete, who
is
said to have felled an ox with his fist, and to h
ox with his fist, and to have eaten the beast in one day. His statue
is
often seen with one hand in the rift of a tree tr
often seen with one hand in the rift of a tree trunk, out of which he
is
vainly trying to withdraw it. The fable is, that
ree trunk, out of which he is vainly trying to withdraw it. The fable
is
, that when he got to be an old man he attempted t
Miner′va [Minerva], the goddess of wisdom, war, and the liberal arts,
is
said to have sprung from the head of Jupiter full
f the fine arts. She was the tutelar deity of the city of Athens. She
is
also known by the names of Pallas, Parthenos, Tri
ancients, and her temple at Athens, the Parthenon, still remains. She
is
represented in statues and pictures as wearing a
a breastplate. In her right hand she carries a lance, and by her side
is
the famous ægis or shield, covered with the skin
hæa, the goat which nourished Jupiter; and for the boss of the shield
is
the head of Medusa. An owl, the emblem of meditat
f the shield is the head of Medusa. An owl, the emblem of meditation,
is
on the left; and a cock, the emblem of courage, o
to whom human victims, principally children, were sacrificed. Moloch
is
figurative of the influence which impels us to sa
bitter jests occasioned his being driven from heaven in disgrace. He
is
represented as holding an image of Folly in one h
olly in one hand, and raising a mask from his face with the other. He
is
also described as the god of mirth or laughter.
rch of wickedness, which she punished with the greatest severity. She
is
referred to by some writers under the name of Adr
er of Polyphemus (one of the Cyclopes), Phorcus, and Proteus. Neptune
is
represented as being seated in a shell chariot, d
reputed to have presided over horse-training and horse-races; but he
is
principally known as the god of the ocean; and th
ons of the god are portrayed in the sea horses with which his chariot
is
drawn, the fore-half of the animal being a horse,
“... Here’s Nestor Instructed by the antiquary times, He must, he
is
, he cannot but be wise.” Shakespeare. Niceph′o
Nine, The, see Muses. Ni′obe [Niobe] was a daughter of Tantalus, and
is
the personification of grief. By her husband Amph
wandered away from Thebes, attended by his daughter Antigone. Œdipus
is
the subject of two famous tragedies by Sophocles.
shook.” Pope. Oly′ras [Olyras]. A river near Thermopylæ, which, it
is
said, attempted to extinguish the funeral pile on
bele, Magna Mater, Proserpine, Tellus, and Thya; and occasionally she
is
spoken of as Juno and Minerva. She personified la
ally she is spoken of as Juno and Minerva. She personified labor, and
is
represented as a comely matron, distributing gift
slain by Diana and placed amongst the stars, where his constellation
is
one of the most splendid. Ori′thy′ia [Orithyia].
ium [Palladium]. A famous statue of the goddess Pallas (Minerva). She
is
sitting with a spear in her right hand, and in he
herds, huntsmen, and country folk, and chief of the inferior deities,
is
usually considered to have been the son of Mercur
rned, long-eared man, with the lower half of the body like a goat. He
is
generally seen playing a pipe made of reeds of va
ece that they ran away though no one pursued them; and the word panic
is
said to have been derived from this episode. The
he world, and from that moment they have afflicted the human race. It
is
said that Hope alone remained in the box. Pandora
were three in number, Atropos, Clotho, and Lachesis. See Fates. Par′
is
[Paris], the son of Priam, king of Troy, and of h
h′ea [Pasithea]. Sometimes there are four Graces spoken of; when this
is
so, the name of the fourth is Pasithea. Also call
re are four Graces spoken of; when this is so, the name of the fourth
is
Pasithea. Also called Aglaia. Pav′an [Pavan], th
eus]. A king of Thessaly, who married Thetis, one of the Nereides. It
is
said that he was the only mortal who married an i
Pitho], the goddess of Persuasion, daughter of Mercury and Venus. She
is
sometimes referred to under the name of Suada. P
n of Saturn and Ops, and husband of Proserpine, daughter of Ceres. He
is
sometimes referred to under the name Dis, and he
son of Jasion or Iasius and Ceres (Demeter), the goddess of corn. He
is
described as being blind and lame; blind because
of the sea. He captured Ulysses and twelve of his companions, and it
is
said that six of them were eaten. The remainder e
teus fast?” Budgell. Psy′che [Psyche]. The wife of Cupid. The name
is
Greek, signifying the soul or spirit. Pygma′lion
was decorated with bright-colored ribbons. The priest then said, “Who
is
here?” to which the spectators replied, “Many goo
asions as many as a hundred bullocks were offered at one time; and it
is
said that Pythagoras made this offering when he f
venth century b.c. Her only connection with the goddesses of the time
is
that the Greeks called her “The tenth Muse.” Sar
e′nus [Silenus]. A Bacchanalian demi-god, the chief of the Satyrs. He
is
generally represented as a fat, drunken old man,
Lewis. Si′va [Siva]. In Hindoo mythology the “changer of form.” He
is
usually spoken of as the “Destroyer and Regenerat
f of the Scandinavian gods. Sol. The sun. The worship of the god Sol
is
the oldest on record, and though he is sometimes
un. The worship of the god Sol is the oldest on record, and though he
is
sometimes referred to as being the same as the go
e is sometimes referred to as being the same as the god Apollo, there
is
no doubt he was worshiped by the Egyptians, Persi
. Sos′pita [Sospita]. A name of Juno, as the safeguard of women. She
is
called the “saving goddess.” So′ter [Soter]. A G
s, and proposed to every passer-by the following enigma: “What animal
is
that which walks on four legs in the morning, two
t noon, and three in the evening.” Œdipus solved the riddle thus: Man
is
the animal; for, when an infant he crawls on his
ons, and, like Jupiter, hurled thunder against his foes. Thor′s Belt
is
a girdle which doubles his strength whenever the
the morning. The gods, however, changed him into a grasshopper, which
is
supposed to moult as it gets old, and grows young
. Trumpeters, see Tritons. Truth. A daughter of Time, because Truth
is
discovered in the course of Time. Democritus says
urn after an absence of about twenty years. The Greek name of Ulysses
is
Odysseus. “To show what pious wisdom’s power can
o you. God that made the world and all things therein, seeing that he
is
Lord of heaven and earth, dwelleth not in temples
of heaven and earth, dwelleth not in temples made with hands; neither
is
worshiped with men’s hands, as though he needed a
s we are the offspring of God, we ought not to think that the Godhead
is
like unto gold, or silver, or stone, graven by ar
esis. Ve′nus [Venus]. The goddess of beauty, and mother of love. She
is
said to have sprung from the foam of the sea, and
eks pursued and besieged the city (see Helen, Paris, and Troy). Venus
is
mentioned by the classic poets under the names of
d as flying in the air holding out a wreath of laurel. Her Greek name
is
Nike (Nicē). See Nicephorus. Vidor. A Scandinavi
his leg, and was lame forever after. Vulcan was married to Venus. He
is
supposed to have formed Pandora out of clay. His
[Woden], the Anglo-Saxon form of the Scandinavian god Odin; Wednesday
is
called after him. Women’s Safeguard, see Sospita
was enthroned. From Zeus come all changes in the sky or the winds; he
is
the gatherer of the clouds which dispense fertili
he is the gatherer of the clouds which dispense fertilizing rain; and
is
also the thunderer and hurler of lightning.
y tales as the simplest forms of story. The present volume, No. III.,
is
intended as a child’s introduction to classical m
the same time, care has been taken not to burden the pupils. The book
is
distinctively a reader. It demands no committing
distinctively a reader. It demands no committing to memory, and there
is
very little to be carried on from story to story.
incidents, though necessary in a compendium, are here omitted, and it
is
thought that the stories will require little more
pupils, but none have been made without careful consideration, and it
is
believed that the effect of the stories is never
eful consideration, and it is believed that the effect of the stories
is
never inconsistent with the fuller originals of l
icance whose existence it would not be easy to warrant as classic, it
is
hoped that the judicious will still not disapprov
. The poetry selected for this, as for the other books of the series,
is
suitable to the prose. As far as it was practicab
Far away across the sea from us lies the pleasant land of Greece. It
is
a beautiful country, full of wooded hills and gre
y of our garden flowers grow wild on the Grecian meadows, for the air
is
fresh and moist, and even the winters are not col
nd where every vale and mountain Echoes to immortal strains, Light
is
round thy stream and fountain, Light on all th
mien and mind; Their bones are mingled with the mould, Their dust
is
on the wind; The forms they hewed from living sto
er. “I hope you will like it here,” said Pluto, as they drove on. “It
is
very pleasant, and you shall have all the gold an
r and shrink back, for it seemed to be all of sighs and groans. “That
is
the river Styx,” said Pluto. “All who die must pa
grass, nor a leaf nor flower, shall the Earth yield until my daughter
is
found.” So the farmers stayed within doors, and s
ong in thought. At last he called his messenger, the god Mercury, who
is
quickest and cleverest among the dwellers of Olym
creatures called Titans. They were children of old Mother Earth, who
is
so quiet under our feet, and they were bold and s
eus, who had stolen fire from heaven, he grew very stern. “Prometheus
is
brave, but he has done wrong to steal the sacred
s; and men shall have it.” But Prometheus said, “Do it not. Happiness
is
for the gods. The gifts of Olympus will harm men.
Help us, and help mankind, who suffer.” “Speak,” said Jupiter. “What
is
it that you wish?” “Give me some gift for men, O
the joy of Olympus.” Jupiter thought long, but at last he spoke. “It
is
an unwise wish, O Epimetheus! And yet it may be d
x to hold the gift, and make for me a bearer to carry it.” Now Vulcan
is
the workman of the gods. He is lame, but skillful
r me a bearer to carry it.” Now Vulcan is the workman of the gods. He
is
lame, but skillful, and with his hands he makes w
ds, which seemed new and strange; and they felt ready to die for what
is
good and true. Ah, the wonderful box! Then, fi
self. “What joy it has brought the world! I wonder — I wonder what it
is
that the gods put into it to give it such power.”
wrong, do you think, to raise the lid, just for a moment, to see what
is
inside? What do you suppose can make those strang
n her mind day and night. “If it does so much good to mankind when it
is
closed, who knows what will happen if it is opene
h good to mankind when it is closed, who knows what will happen if it
is
opened?” she thought to herself. “Maybe the bless
nd day by day she was more eager to know what was in it! “Maybe there
is
some god imprisoned there, waiting for some one w
I hate. Change my form, or let the earth swallow me up. Quick, for he
is
here.” Apollo also had seen the river, and he tho
him send back Eurydice. Then Orpheus said, “I will seek her where she
is
,” and he rose and went to the promontory of Tænar
e boat was moving across the stream, Orpheus sang of Eurydice, and it
is
said that the tears flowed down the cheeks even o
, not lose her. Think, O Pluto, what pain you suffer while Proserpina
is
away from you each year — but my sorrow is greate
ou suffer while Proserpina is away from you each year — but my sorrow
is
greater, for Eurydice is lost to me all the year.
a is away from you each year — but my sorrow is greater, for Eurydice
is
lost to me all the year. Think, O Proserpina, gre
ght never again to see the face of majestic Ceres, your mother — such
is
my woe, and greater, for I had rather be here wit
re bathed in tears. All through the underworld the charm was felt. It
is
said even that the bad spirits in punishment were
out. Then began the upward climb. The descent into the world of death
is
easy, but the return — this is the work, this the
b. The descent into the world of death is easy, but the return — this
is
the work, this the labor. Orpheus, with all his e
r gentle breathing. The joy and delight made him forget all else. “It
is
true, after all,” he cried. “They have really giv
s breaking in long waves at the foot of the promontory of Tænarus. It
is
said that the sweet and wondrous singer lived sev
of the sea, Hung their heads, and then lay by. In sweet music
is
such art, Killing care and grief of heart
ell future events. “Alcmena,” said the seer, “your son has power that
is
more than human. He will be a great sufferer and
tle story,” said Hercules to himself; but to her he said, “Pray, what
is
your name, fair one?” And she answered, “Men call
all me Happiness.” “Surely,” thought Hercules, “the path of Happiness
is
as if strewn with roses.” Then the other goddess
n, lifting his head, he chose the path of the fair, stern goddess who
is
called, by men and by the gods, Virtue. After thi
d nights inventing the hardest tasks he could for Hercules. The truth
is
that he was jealous of the hero, and very much af
ace of the king, he said: — “Why do you despair, O King Admetus? What
is
it that troubles you?” Then the king told him all
gh he saw that the shadow of Death was over Admetus’ house. The truth
is
, Hercules had faced death so often that he hardly
nt at Hercules’ side. Even he was in silent prayer and sorrow, and it
is
no wonder if grief was written on his face. Yet h
uld advise you to do, and rid yourself of your sour looks.” “Ah, this
is
no time nor place for merrymaking,” said the serv
himself with grief now, and was no longer able to keep silence. “This
is
no time for merrymaking!” he cried. “It is Alcest
ble to keep silence. “This is no time for merrymaking!” he cried. “It
is
Alcestis who is dead.” Thus the whole truth came
nce. “This is no time for merrymaking!” he cried. “It is Alcestis who
is
dead.” Thus the whole truth came out. Hercules wa
answered Admetus. “No woman shall enter the palace, now that Alcestis
is
dead.” Then, at last, the hero told what he had d
rew Lang. Note. — Pygmalion was a sculptor of the isle of Cyprus. He
is
said to have made an image of a maiden which was
arreling with Epaphus, a youth of his own age, he boasted of it. “And
is
Helios proud of such a son?” said Epaphus, with s
son was grieving, and said to him, “Go to your father. See whether he
is
ashamed of you. He will prove to you before the w
s ashamed of you. He will prove to you before the whole world that he
is
not.” Phaëton heard these words with joy, and set
owever, did not fail. He stood waiting for his father to speak. “What
is
it that you wish, my son?” asked Helios, gravely.
f the sun — no, not Jupiter himself. I alone can control it. The road
is
difficult. Half the day it ascends, and toward no
t. The road is difficult. Half the day it ascends, and toward noon it
is
so high that even I grow sick and dizzy if I look
zy if I look down upon the earth beneath me. In the afternoon the way
is
so steep that the horses are hardly able to hold
e thus tormented? If this be not your will, rouse yourself before all
is
lost. Save me, who am almost burned to ashes. Sav
ne, whose waters boil with the heat. Save your own kingdom, for Atlas
is
fainting and will soon let the very heavens fall.
r. “By what name shall I call you, fair princess?” he asked. “My name
is
Danaë,” she replied, “and I am the daughter of Ki
e replied, “and I am the daughter of King Acrisius of Argos. My child
is
called Perseus. Because of ill omens at his birth
n Medusa. That would be a great gift, for whoever looks on the Gorgon
is
changed at once to stone. No enemy could stand ag
the Grææ, the sisters of the Gorgons. They will tell you where Medusa
is
to be found.” With these words the goddess disapp
— “Sister, give me the eye, quickly, that I may see where the wretch
is
.” Then they all began to talk and rage at each ot
where I shall find the Gorgon Medusa.” “No, no,” they cried; “she
is
our sister. Give us our eye and go your own way,
es of sunset and went on into the region where the chariot of the sun
is
never seen. At last, in this ghostly, gloomy land
he said, “and take my mother back to her home in Argos. My home also
is
there.” Next day the wedding of Perseus and Andro
or opened and Perseus, strong and calm as a young god, came in. “What
is
this?” he cried, coming forward. “On, soldiers!”
ydectes,” said Perseus, “I have brought you the gift you wished. Here
is
the head of the Gorgon Medusa.” With that he drew
ay, and you must care for our child alone. Keep him with you until he
is
able to lift the stone and get the sword and sand
But when he was sixteen years old, Æthra, said to herself, “The time
is
almost come. The boy is already taller and strong
years old, Æthra, said to herself, “The time is almost come. The boy
is
already taller and stronger than any man in Trœze
l they came to the stone. “When you can raise this stone and get what
is
under it, you may go,” she said. Theseus took hol
should thus love this wise and beautiful stranger? Truly, I think he
is
already almost king in Athens.” Then Ægeus, who w
g. “Where got you that sword, young man?” he cried out. “Speak! Whose
is
it?” Then Theseus knelt before the king and said:
and asked the cause of their grief. “Alas, sir,” said an old man, “it
is
because the time has now returned when we must se
inos for the death of his son.” “Tell me about it,” said Theseus. “It
is
a sad story,” said the old man. “Minos, the king
s fair, noble face. “Oh, father,” she said, “will you destroy one who
is
so princely?” But King Minos answered, sternly, —
aur lives in a great and mysterious building called the Labyrinth. It
is
made up of curving halls and blind ways, of windi
iced to the gods in their splendid temples. The summer’s sultry heat
is
gone, The fresh sea breeze is blowing; ’Tis th
d temples. The summer’s sultry heat is gone, The fresh sea breeze
is
blowing; ’Tis the feast of Pyanepsion, And the
e is blowing; ’Tis the feast of Pyanepsion, And the sweet new wine
is
glowing. A cheer, — a cheer across the main! A
and Venus could not be decided, some one said, “Paris, the shepherd,
is
the fairest of men; let him decide which is the f
id, “Paris, the shepherd, is the fairest of men; let him decide which
is
the fairest of the goddesses.” The goddesses were
e beautiful youth. “Paris,” said Mercury, “this evening, when the sun
is
down and the crimson light is on these slopes, yo
id Mercury, “this evening, when the sun is down and the crimson light
is
on these slopes, you shall meet here in the grove
grove three goddesses. Take this golden apple and give it to her that
is
the fairest.” Without more words the god was gone
She rose up among the children of Priam and cried out: — “Father, it
is
your son! It is our brother!” Then King Priam was
ng the children of Priam and cried out: — “Father, it is your son! It
is
our brother!” Then King Priam was glad, and becau
esought him. “Let me but save them from utter ruin,” he said. “Hector
is
in the Grecian camp, and the Trojans are setting
the Greeks have paid dearly for the wrong Agamemnon did me; but what
is
it all worth to me? Patroclus, whom I loved more
is it all worth to me? Patroclus, whom I loved more than my own life,
is
dead, and I sit here useless to my friends and ha
that there were no such thing in the world as wrath, for at first it
is
sweeter than honey, but in the end it is a burnin
ld as wrath, for at first it is sweeter than honey, but in the end it
is
a burning and torturing fire. I will forget it, m
“Make me a suit of armor for my son, O Vulcan,” said Thetis, “for he
is
sorely in need of it to fight against the Trojans
vain, for Hector said, “Who knows but that I may slay him, though he
is
so great? And for me, it were better to die than
nd said: — “Let us fight Achilles together, O Hector. Great though he
is
, he cannot stand against us both.” Hector was gla
was so large that twenty men might have sat within it. Now, the horse
is
the animal sacred to Neptune, the god of ocean, a
at that moment Laocoön, the priest of Neptune, came up. “What madness
is
this?” he cried. “Do you believe that the Greeks
us about this horse,” continued King Priam. “Why was it made, and why
is
it so large?” “I will tell you all,” said the dec
ll,” said the deceitful Sinon. “The Greeks have not gone for good. It
is
true they have gone to Greece, but they will retu
Greece, but they will return in a few weeks. This great wooden horse
is
an offering which they made to Minerva before set
of Minerva. At that, the Trojans were struck with awe, and said, “It
is
because Laocoön threw his spear at the wooden hor
he touched her brow. Prophetic power came at his call — Ah I what
is
this? She sees it now: “Troy, Troy shall fall!
dst of his hideous meal, the hero came near and handed it to him. “It
is
good,” said the Cyclops, when he had drunk it. “G
ther bowl of the wine, and then another. “Cyclops, “he said, “my name
is
Noman.” “Noman shall be eaten last. That shall be
his friends, the other Cyclops. They soon came. “Ho, Polyphemus. What
is
the matter?” they called. “Is some one killing yo
. What is the matter?” they called. “Is some one killing you?” “Noman
is
killing me,” roared the Cyclops. “Well, if no man
ing you?” “Noman is killing me,” roared the Cyclops. “Well, if no man
is
killing you, you must be sick. Diseases are sent
lant the gods call Moly. It has a black root and a white blossom, and
is
very hard to find, but he who has it can never be
voyagers; but whoever hears the song turns his boat to the shore and
is
slain, for the sweet-voiced Sirens are monsters.
at last on his way home, for the gods were now favorable. Neptune, it
is
true, was still angry for the harm done to Polyph
he islands free; And the rainbow hangs on the poising wave, And sweet
is
the color of cove and cave, And sweet shall your
e to her and said: — “Choose one of us and delay no more, for Ulysses
is
long since dead. Your son, Telemachus, is now alm
delay no more, for Ulysses is long since dead. Your son, Telemachus,
is
now almost a man, so long has it been. Consider w
ors. “These are evil days in my master’s land,” he said at last. “Who
is
your master?” asked Ulysses. “Ulysses was my mast
e tidings of Ulysses?” she asked. “Indeed, I can,” said the hero. “He
is
still alive, and will soon return. Even now, I be
ero. “He is still alive, and will soon return. Even now, I believe he
is
not far from here.” He was eager to tell her who
to the string, and shot it straight through all the rings. “The trial
is
ended,” he said. “Now I will aim at another mark,
l before Troy, next to Achilles in strength and bravery, 186. Alcest΄
is
(al-ses΄tis). Daughter of Pelias, 98; wife of Adm
the province of which Athens was the great city, 150, 157,167. Brise΄
is
. Slave about whom Achilles and Agamemnon quarrele
avoided Scylla fell unawares into the jaws of Charybdis, 230. Chryse΄
is
(kri-se΄is). Daughter of Chryses, priest of Apoll
lla fell unawares into the jaws of Charybdis, 230. Chryse΄is (kri-se΄
is
). Daughter of Chryses, priest of Apollo. Taken by
, 57. Cy΄c lops (si΄klops.) Giants with but one eye. The most famous
is
Polyphemus, 220. Dan΄aë. Daughter of Acrisius an
). Water-nymphs, 96. Nax΄os. An island s.e. of Greece, where Theseus
is
said to have deserted Ariadne, 168. Neme΄an Lion
a. A woman given by Jupiter to Epimetheus and to mankind, 47-48. Par΄
is
. Son of King Priam of Troy. As an infant, was cas
some of our greatest authors, but also to cultivate a taste for what
is
purest and best in literature. The illustrations
paintings and sculptures by the foremost artists of all ages, and it
is
hoped that they may awaken the true artistic sens
your breast — World, you are beautifully dressed. The wonderful air
is
over me, And the wonderful wind is shaking the tr
ifully dressed. The wonderful air is over me, And the wonderful wind
is
shaking the tree; It walks on the water, and whir
(Lilliput Lectures.) The Great Bear and the Little Bear This
is
a story about a woman whom you will all love. Alm
eem to sink lower and lower, and at last to vanish into the sea. That
is
what Juno meant by speaking of the stars entering
ng, you would have looked but an instant at Proserpine and said, “She
is
the Spring.” Proserpine spent the long, happy day
tormy North, And the larch has hung all his tassels forth; The fisher
is
out on the sunny sea, And the reindeer bounds o’e
ubbling louder and louder, until at last it seemed to speak. And this
is
what it said: “I am the nymph of the fountain, an
d went to Jupiter and said, “I have found the place where my daughter
is
hidden. Give her back to me, and the earth shall
h year to spend a month underground. For six months of the year Ceres
is
happy with her daughter. At Proserpine’s coming,
ts welcome to its young queen. Some people say that Proserpine really
is
the spring time, and that while she is with us al
ple say that Proserpine really is the spring time, and that while she
is
with us all the earth seems fair and beautiful. B
ll the weary months until her daughter’s return. Then the earth, too,
is
somber and sad. The leaves fall to the ground, as
pping into the water or sitting on a log in the middle of a mud pond,
is
certainly not a very attractive or lovable creatu
not liked them at all, he made them seem very bad and ugly; but that
is
no reason why we need dislike the little speckled
e speckled creatures, when we hear them croaking in the marshes. This
is
the story of the unhappy mother, and of the men w
ere lived in Greece a very beautiful woman, whose name was Latona. It
is
a soft, pretty name, and will help us to picture
ecame very angry, and raising her eyes to heaven she cried, “If there
is
any one to hear me, and any justice among the god
en them his own godlike nature; and when next we hear of them, Apollo
is
the great god of the sun and of music, and Diana,
at god of the sun and of music, and Diana, his beautiful twin sister,
is
the goddess of the moon. So much did they honor t
ut I go on forever. Alfred Tennyson. Echo and Narcissus This
is
the story of a maiden who came to grief because s
have the last word. You can find out for yourselves whether or not it
is
true, any day when you walk in the woods or go th
es, and takes delight in mockingly answering back. Poor Echo! Now she
is
nothing but a voice, but there was a time when sh
n so much as a gleam of her white arms in the branches; but her voice
is
still heard among the hills, answering to every c
Declare, mocker, O rare mocker, What my sister’s name
is
, else you’re in disgrace!
s trouble. Whenever Narcissus, in despair, cried out, “Alas!” or “Woe
is
me!” Echo sorrowfully repeated the cry. His last
in the pool. And to this day the lovely flower, called the narcissus,
is
found by quiet pools, gazing at its image in the
erva come and try her skill with mine, and I will prove my words. She
is
afraid of the test, else why does she not come?”
oes she not come?” Then Minerva dropped her staff and cried, “Lo! she
is
come!” and she took on her true shape and showed
t have you to do with the arrow?” he cried, in a boastful tone. “That
is
my weapon. I have just proved it by slaying the t
of the sea, Hung their heads, and then lay by. In sweet music
is
such art; Killing care and grief of heart.
embling breath Low calling, “Oh, sweet love! Come back, the earth
is
just as fair, The flowers, the open skies are the
Queen Huntress and a Bold Hunter The story I am going to tell you
is
of that beautiful maiden Diana, goddess of the mo
sweet ring of the hunter’s horn. Now through the copse where the fox
is
found, And over the stream, at a mighty bound, An
So flieth the hunter — away, away! Hark, hark! What sound on the wind
is
borne? ’Tis the conquering voice of the hunter’s
n! The horn the horn! Oh, the sound of all sounds
is
the hunter’s horn! Barry Cornwall . The Sto
by these words of praise, and replied, “Indeed, O King, I think there
is
no task from which I would shrink in fear.” The k
great delight. “You may try it, if you like,” answered the king. “It
is
to bring me the head of Medusa, with its snaky bl
hile; but at length, one of them grew impatient and said, “Sister, it
is
my turn to use the eye now. Give it to me.” And t
eye now. Give it to me.” And the third sister said quickly, “No, that
is
not true. It is my turn.” And the middle one, who
to me.” And the third sister said quickly, “No, that is not true. It
is
my turn.” And the middle one, who had the eye, cr
seus spoken. “My good women,” he said, “do not be frightened. The eye
is
safe. I hold it in my hand this very moment.” Wit
happened to him, and, above all, how he had met fair Andromeda, which
is
the story I am going to tell you next. In return,
ou have come back without doing what you promised to do. Your courage
is
not so great as you would have us believe.” “Nay,
ll who gazed at its horrid beauty. How Perseus Won a Wife This
is
the story of the happy rescue of Andromeda by Per
s dwelt priests who were supposed to be the oracles of the gods, that
is
, through them the gods spoke to human beings. If
hich he wore at his side and said, “The one you call your bride, sir,
is
my wife, and no power of yours can take her from
, With his honor and his name That defends our flocks from blame. He
is
great and he is just, He is ever good and must Th
and his name That defends our flocks from blame. He is great and he
is
just, He is ever good and must Thus be honored. D
e That defends our flocks from blame. He is great and he is just, He
is
ever good and must Thus be honored. Daffodillies,
holy, Ever holy, Ever honored, ever young, Thus great Pan
is
ever sung. Beaumont and Fletcher . How a
and she always wanted every one to bow down to her and say “How great
is
Niobe!” Now every spring there was a festival hel
th and power? Am I not far greater than Latona? I am a queen, and she
is
but a humble woman. She has only two children, an
d the sunshine. In your thoughts the brooklet’s flow, But in mine
is
the wind of autumn And the first fall of the
the world has any record. Nowadays, when we wish to say that any one
is
very, very powerful, we call his strength Hercule
cules better, for he delighted in danger and deeds of valor. And that
is
how the hero came to perform those wonderful deed
ercules. It would take too long to tell you much about them, for each
is
a story in itself. There were monsters and dragon
ull’s horns was broken off. The goddess of plenty, or Fortune, as she
is
sometimes called, found it lying forgotten on the
th her autumn fruits and flowers and took it for her emblem. And this
is
the story of the origin of the horn of plenty, wh
on your swift horse’s feet to carry you beyond my reach, but my arrow
is
swifter than the fleetest horse.” Then, choosing
topmost twigs in the breezes sway! “Come up! come up! for the world
is
fair, Where the merry leaves dance in the summer
with a heavy stone. Then, turning to his wife, he said, “When our boy
is
old and strong enough to lift’ that stone, let hi
repared for war. ——— Rise! For the Day Is Passing Rise! for the day
is
passing, And you lie dreaming on; The others
r be stronger, Or the need so great as to-day. Rise! for the day
is
passing; The sound that you scarcely hear Is
scarcely hear Is the enemy marching to battle Arise! for the foe
is
here! Stay not to sharpen your weapons, Or th
“I will go with you whether you want me or not, for without you life
is
worthless to me. The gates of my own city are clo
then they remembered the words of their oracle, and said, “Surely it
is
better that seven youths and seven maidens should
ust die this dreadful death. You are brave and strong, and your sword
is
sharp. Why should you not slay the monster and es
rl who showed such pity for him, and answered, “Fair princess, my arm
is
strong enough to slay any creature; but they tell
and wide the place was known for its lack of hospitality. Hospitality
is
a long word, but it has such a beautiful meaning
hey hastened to meet them. “Friends,” said old Philemon, “our cottage
is
small and our fare humble, but if you will share
and ended with these words: “Weep no more for the absent one; for he
is
dead, and can never come back to his beloved Halc
st seas, there are every year seven calm days, during which the water
is
smooth as glass and only the gentlest breezes blo
hryxus a boy, and Helle a girl, and they were all as happy as the day
is
long. Only one thing marred their joy. In the hot
eet and cried, “I will prove to you, oh king, that the race of heroes
is
not dead. I will bring you the Golden Fleece, or
d he asked the king to tell him what the three tasks were. “The first
is
to yoke two fierce, fire-breathing bulls to the p
lls to the plough, and with them to till four acres of land. The next
is
to sow some dragon’s teeth and to conquer all the
the armed men that will then spring up from the earth. And the third
is
to kill the fierce dragon which guards the Golden
and the flowers he loved so dearly. And to this day the cypress tree
is
planted above graves as an emblem of grief. ———
tops and trees in the ocean, than my love for Scylla change while she
is
alive.” Then at last Circe saw that she must at l
e. To this day, the rock Scylla stands in the blue Mediterranean, and
is
shunned by all who sail upon the sea. ——— The Se
art hath its love. Great are the sea and the heaven, Yet greater
is
my heart; And fairer than pearls and stars Fl
issus, and how the sun god grieved when the poor boy died. This story
is
about another boy whom Apollo loved very dearly.
. Hyacinthus was his name, and I think you will agree with me that it
is
a very pretty name. You know a flower with a name
arted lad, who seemed to have no care in the wide world. Perhaps that
is
why Apollo loved him so much; or perhaps he remin
er whom he met so often in the woods. But whatever the reason was, it
is
certain that Apollo did love Hyacinthus very, ver
strange that Apollo should like to do these things for him. For love
is
so wonderful a thing, that it makes people forget
e Mediterranean Sea, which washes the southern shore of Europe, there
is
a green island called Cyprus. Once there lived on
g he laid his hands on was turned to shining, yellow metal. But there
is
another story about him, which, though not so wel
sweetest of all singers, Beautiful and childlike was he, Brave as man
is
, soft as woman, Pliant as a wand of willow, State
e frightened sea nymphs hid themselves in their green caves. And this
is
the song he sang: “O Galatea, you are fairer than
ly from me? “If you knew me, you would listen to my pleading. My cave
is
in the heart of the mountain, where the heat of t
ave is in the heart of the mountain, where the heat of the midday sun
is
never felt, nor the icy cold of midwinter; there
ng you chestnuts and the fruit of all the other trees. “See how great
is
my wealth, — all these cows belong to me, and all
n the gifts I offer. See, too, how huge I am. Great Jupiter in heaven
is
not larger. See the long hair which hangs over my
a shadow about my head. Surely, you must think this beautiful. A tree
is
bare without leaves, and a horse is ugly without
must think this beautiful. A tree is bare without leaves, and a horse
is
ugly without a flowing mane; feathers adorn the b
ch of the best thought in English literature that a knowledge of them
is
often essential to the understanding of what we r
iterature abounds in such poetic borrowings from the classics, and it
is
impossible to enjoy fully the works of some of ou
heel of Achilles” are part of the common language, but their meaning
is
lost upon those to whom the myths from which they
dency to mere utilitarianism in the education of the young, and there
is
need to lay stress upon this because of the incre
r, the preference has invariably been given to the most popular, that
is
to say, to the one which has inspired the greates
ion. Chapter I: The Beginning Myths of Creation Mythology
is
the science which treats of the early traditions,
that land of delight, They need not the pale, pale star; The sun
is
bright, by day and night, Where the souls of
rth fire and flames, in hopes of injuring his conqueror. But time, it
is
said, somewhat cooled his resentment; and now he
ror. But time, it is said, somewhat cooled his resentment; and now he
is
content with an occasional change of position, wh
auses the earth to tremble over a space of many miles, producing what
is
called an earthquake. “Tis said, that thunder-st
ongs are chanted, Full of promptings and suggestions. “Beautiful
is
the tradition Of that flight through heavenly
e of good old Saturn, or Cronus. Unfortunately, nothing in this world
is
lasting; and the Golden Age was followed by anoth
to be the meaning of this mysterious command. “The Earth,” said he, “
is
the mother of all, and the stones may be consider
n they ate the celestial ambrosia and quaffed the fragrant nectar. He
is
generally represented as a fine majestic figure,
sceptre in one hand, and a statue of Victory in the other. The world
is
his footstool; and the eagle, emblem of strength
world is his footstool; and the eagle, emblem of strength and power,
is
usually seen close beside him. His Attendants
s of victory, who was ever ready to obey his slightest behest, and it
is
said her master loved her so dearly that he gener
ughter of Mars and Venus, in marriage. Cadmus, the founder of Thebes,
is
supposed to have invented the alphabet, and intro
s long-lost shrine has recently been discovered. “Oh, where, Dodona!
is
thine aged grove, Prophetic fount, and oracle div
pian Games; and the Greeks generally reckoned time by Olympiads, that
is
to say, by the space of time between the celebrat
that it was counted one of the Seven Wonders of the ancient world. It
is
said, too, that the artist, having completed this
nst the sun in arching colours glows.” Flaccus ( Elton’s tr.). Juno
is
the mother of Mars, Hebe, and Vulcan, and is alwa
us ( Elton’s tr.). Juno is the mother of Mars, Hebe, and Vulcan, and
is
always described and represented as a beautiful,
ap which on his wings doth lie, The silken downe with which his backe
is
dight, His broad outstretched homes, his hayrie t
, the sunbeams o’er thee sleep. In all their beauty still — and thine
is
gone! Empires have sunk since thou wert first rev
first revered, And varying rites have sanctified thy shrine. The dust
is
round thee of the race that rear’d Thy walls; and
s talent was so great, that he soon rivalled his master, and even, it
is
said, recalled the dead to life. Of course, these
ch appellation he was frequently invoked. This annihilation of Python
is
, of course, nothing but an allegory, illustrating
subject for painters and sculptors. The most beautiful statue of him
is
the Apollo Belvedere, which represents him at the
ess swiftly fly, less swiftly I’ll pursue; Pathless, alas! and rugged
is
the ground, Some stone may hurt thee, or some tho
he effect produced by the sun (Apollo) upon the dew (Daphne). The sun
is
captivated by its beauty, and longs to view it mo
to reveal the secret, under penalty of immediate death. But a secret
is
difficult to keep; and this one, of the king’s lo
dice As Apollo had frequent opportunities of meeting the Muses, it
is
not to be wondered at that he fell a victim to th
But one condition was imposed before he was allowed to depart; that
is
, that he should leave the Infernal Regions withou
tory of Amphion Another musician celebrated in mythological annals
is
Amphion, whose skill was reported to be but littl
s and stones until she perished. This punishment inflicted upon Dirce
is
the subject of the famous group once belonging to
attered fragments, until the gods changed him into a swan; which bird
is
ever sailing mournfully about, and frequently plu
i every three years. A manly, beardless youth of great beauty, Apollo
is
generally crowned with laurels, and bears either
, here thou deign’st to rove.’” Byron. In works of art this goddess
is
generally represented as a beautiful maiden, clad
sion of grief was over, Diana began to slay her daughters. “But what
is
this? What means this oozing flood? Her daughters
gh changed, Niobe still felt, and wept for her great loss. This story
is
an allegory, in which Niobe, the mother, represen
countenance, and to press a soft kiss upon his unconscious lips. Such
is
the tale of Diana and her lowly lover, which has
Endymion was not, however, the only mortal loved by Diana, for it
is
also related that her affections were bestowed up
w from sight to hide her anguish from the curious eyes of men. “And
is
there glory from the heavens departed? — O vo
rving mortals. “Queen and huntress, chaste and fair, Now the Sun
is
laid to sleep; Seated in thy silver chair, St
dite, Cytherea), the goddess of beauty, love, laughter, and marriage,
is
by some said to be the daughter of Jupiter and Di
ir mist a lily form Rises from out the wave, in beauty warm. The wave
is
by the blue-veined feet scarce press’d, Her silky
s fairy loveliness; while her eye Is soft and deep as the blue heaven
is
high. The Beautiful is born; and sea and earth Ma
le her eye Is soft and deep as the blue heaven is high. The Beautiful
is
born; and sea and earth May well revere the hour
nis Venus, however, did not lavish all her love upon Mars, for she
is
said to have felt a tender passion for a young ma
beloved youth. “Her loss the Loves deplore: Woe, Venus, woe! Adonis
is
no more.” Bion ( Elton’s tr.). Very reluctantly
, and mourn his departure. “But even in death, so strong
is
Love, I could not wholly die; and year by year, W
is passionate heart. “Leander had no fear — he cleft the wave — What
is
the peril fond hearts will not brave!” Landon.
low, His head heaves with the heaving billow; That hand, whose motion
is
not life, Yet feebly seems to menace strife, Flun
rang with Hero’s song, ‘Ye waves, divide not lovers long!’ That tale
is
old, but love anew May nerve young hearts to prov
ugh which the lovers could peep at each other, converse, and even, it
is
said, exchange a kiss or two. Sundry stolen inter
ns, to repeat the last sounds which fell upon her ear “But her voice
is
still living immortal, — The same you have fr
has ever since flourished beside quiet pools, wherein its pale image
is
clearly reflected.
, flew away through the open window, exclaiming, — “‘Farewell! There
is
no Love except with Faith, And thine is dead! Far
laiming, — “‘Farewell! There is no Love except with Faith, And thine
is
dead! Farewell! I come no more!’” Lewis Morris.
prophet dreaming.” Keats. One of the latest myths concerning Venus
is
that of Berenice, who, fearing for her beloved hu
for ever in memory of her wifely sacrifice. Venus, goddess of beauty,
is
represented either entirely nude, or with some sc
grace the various art galleries, but among them all the most perfect
is
the world-renowned Venus de Milo. Venus’ festival
indulging his caprice for every pretty face he met along his way. It
is
thus, therefore, that he yielded to the charms of
ng his feathers stain’d with various hue.” Moschus. This story also
is
an allegory. Io personifies the moon, restlessly
rry eyes keep ceaseless watch over the moon’s every movement; Mercury
is
the rain, whose advent blots out the stars one by
e worshipped in Greece, was one of the principal Roman divinities. He
is
said to have first seen the light in Thrace, a co
d for a sign of his favour and protection. Even while they prayed, it
is
said, a shield, Ancile, fell from heaven, and a v
, &c., all of whom play an important part in heroic mythology. He
is
also the reputed father of Servius Tullius, sixth
canalia and the Hephæstia, were celebrated in honour of this god, who
is
generally represented as a short, muscular man, w
Latona entreated him to shelter her from Juno’s persecutions. Neptune
is
said to have loved the goddess Ceres, and to have
oam, he produced from them the graceful winged steed Pegasus. Neptune
is
also said to be the father of the giants Otus and
the happy parents of several children, among whom the most celebrated
is
Triton, whose body was half man and half fish, an
, whom he set on his throne in Hades, and crowned as his queen. Pluto
is
always represented as a stern, dark, bearded man,
ou go a down-hill, easy way; But to return and re-enjoy the day, This
is
a work, a labour!” Virgil. To prevent all morta
who had incurred their wrath in various ways, and the following story
is
told of the murder of Ibycus, a poet dear to Apol
rom him a solemn oath to grant any request she chose to make. A lover
is
not very likely to weigh his words under such cir
ivation of the vine and the art of making wine. He travelled thus, it
is
said, throughout Greece and Asia Minor, and even
“Whose powerful hands the bread no sooner hold, But all its substance
is
transform’d to gold: Up to his mouth he lifts the
stellation, known as Ariadne’s Crown, or Corona. “And still her sign
is
seen in heaven, And, ’midst the glittering symbol
or thee the foaming vintage flows.” Virgil ( Warton’s tr.). Bacchus
is
generally represented as a handsome youth, crowne
n one of those sacred trees was sure to incur the goddess’s wrath, as
is
proved by the story of Erisichthon. The Story
f. Ceres and Stellio Another anecdote illustrating Ceres’ power
is
told about a lad, Stellio, who made fun of the go
ed the nations with an age of gold.” Virgil ( C. Pitt’s tr.). Janus
is
generally represented with two faces, turned in o
with the past and future as well as with the present, and because he
is
considered an emblem of the sun, which opens the
at its rising, and closes the day at its setting. In some statues he
is
represented with one whitehaired and bearded face
first day of this month — a Roman custom in force to this day. Janus
is
not the only one among the Greek and Latin divini
islative and judiciary acts, while in English the common nomenclature
is
derived from the names of the corresponding Saxon
of sleep, and mortals were wont to intercede for his good offices. He
is
generally represented as a sleeping child of grea
storm and winds, governed a very unruly and turbulent population. He
is
said to have received his royal dignity from the
uno, and he was therefore specially eager to obey all her behests. He
is
commonly reputed to have married Aurora, or Eos,
the winds, to whom they dedicated a temple, which still remains, and
is
generally known as the Tower of the Winds, or the
known as the Tower of the Winds, or the Temple of Æolus. This temple
is
hexagonal, and on each side a flying figure of on
le is hexagonal, and on each side a flying figure of one of the winds
is
represented. Eurus, the east wind, was generally
among these heroes — generally designated by the title of demi-gods —
is
Hercules (Heracles, Alcides), son of Jupiter and
rd for his good offices the gods transferred him to the sky, where he
is
known as the constellation Sagittarius. The Au
‘“Take This white robe. It
is
costly. See, my blood Has stained it but a little
c sports and of strength, was principally worshipped by young men. He
is
generally represented in art as a tall, powerfull
Great Alcides, stooping with his toil, Rests on his club.” Pope. It
is
said that some of the games celebrated at Olympia
s, and let me look upon the Gorgon’s face, for the agony of my labour
is
well-nigh greater than I can bear.’ So Perseus he
the conflicting parties has ever been a favourite subject in art, and
is
popularly known as the “Battle between the Centau
d his skull and caused instantaneous death. The Argonautic expedition
is
emblematic of the first long maritime voyage unde
rposes; while the golden fleece which Jason brought back from Colchis
is
but a symbol of the untold riches they found in t
is life if he failed to give the right answer. “Tell me, what animal
is
that Which has four feet at morning bright, Has t
Pegasus, winging his flight through the air or fighting the Chimæra,
is
a favourite subject in sculpture and painting, wh
ks are still extant in various museums. This story, like many others,
is
merely a sun myth, in which Bellerophon, the orb
and die with the tree entrusted to her care. “When the Fate of Death
is
drawing near, First wither on the earth the beaut
ing of her child.” The Story of Rhœcus Another exquisite story
is
told of Rhœcus, who saved an oak from falling, an
he was alone on earth.” Lowell. This modern rendering of the story
is
more spiritual than the ancient versions, in whic
s, but sang his praises, and celebrated festivals in his honour. “He
is
great and he is just, He is ever good, and must T
praises, and celebrated festivals in his honour. “He is great and he
is
just, He is ever good, and must Thus be honoured.
celebrated festivals in his honour. “He is great and he is just, He
is
ever good, and must Thus be honoured. Daffodillie
ver holy, Ever holy, Ever honoured! ever young, The great Pan
is
ever sung!” Beaumont and Fletcher. The Story
g them with sudden and unfounded fears, — from him called “panic.” He
is
generally represented with a syrinx and shepherd’
-fly had fled away, Ere he brought it out of the river. This
is
the way, laughed the great god Pan (Laug
dragon-fly Came back to dream on the river. Yet half a beast
is
the great god Pan To laugh, as he sits by
his sister Cassandra. This princess was noted for her beauty, and it
is
said had even been wooed by Apollo, who, hoping t
en winter melts, and frees the frozen hours, And spring’s green bough
is
gemm’d with silvery flowers: So bloom’d the virgi
unable to endure a second parting, died of grief. The same grave, it
is
said, was the resting-place of this united pair,
empts to force the foe to leave their shores. This memorable struggle
is
the theme of many poems. The oldest and most reno
te from the conflict.” Homer ( Bryant’s tr.) Achilles had sworn, it
is
true, not to return to the scene of strife, but w
s mishaps during these ten years form the theme of the Odyssey, which
is
about as follows. Siege of Ismarus. After le
that Laertes’ son, Ulysses, the destroyer of walled towns, Whose home
is
Ithaca, put out thine eye.’” Homer ( Bryant’s tr
living men! It may not be That I receive or aid as he departs One who
is
hated by the blessed gods, — And thou art hated b
wn eyes what thou hast pined for long. Ulysses has returned; thy lord
is
here, Though late, and he has slain the arrogant
the Happy Isles, And see the great Achilles, whom we knew. Tho’ much
is
taken, much abides: and tho’ We are not now that
heir first progenitor, was reported to have come from thence. “There
is
a land, by Greece of old Surnamed Hesperia, rich
m to forge a suit of beautiful armour for Æneas. On the shield, which
is
minutely described in one of the books of Virgil’
acknowledging himself beaten as he exhaled his last breath. “‘Yours
is
the victory: Latian bands Have seen me stretch i
Latian bands Have seen me stretch imploring hands: The bride Lavinia
is
your own: Thus far let foeman’s hate be shown.’”
alysis of the foregoing myths, and an explanation of their origin, it
is
impossible, in a work of this kind, to do more th
y passed into the literature of the nation: and while to us mythology
is
merely “an affair of historical or antiquarian st
ors, or as moral allegories, which the choice of Hercules undoubtedly
is
. Euhemerus (316 B.C.) was the pioneer of the form
opologists, basing their theory on comparative mythology, declare “it
is
man, it is human thought and human language combi
basing their theory on comparative mythology, declare “it is man, it
is
human thought and human language combined, which
rity exists, “not because the people came from the same stock” (which
is
the philologist’s view), “but because they passed
ge considers himself akin to beasts (generally to the one whose image
is
used as a tribal or family badge or totem), and “
savages concerning whom we have historical information.” Of course it
is
difficult, not to say impossible, for civilised m
to primitive intelligence which comes under our immediate observation
is
the working of the minds of small children, who,
A little four-year-old seized a book and began to “read a story” that
is
to say, to improvise a very improbable and highly
nvented to explain curious marriage customs (for in some countries it
is
unlawful for the husband to see his wife’s face u
he union of faith and love. The philologists’ interpretation of myths
is
not only the most accredited at the present time,
school, “myths are the result of a disease of language, as the pearl
is
the result of a disease of the oyster”; the key t
be found, as a rule, to denote elemental or physical phenomena,” that
is
, phenomena of the sunshine, the clouds, rain, win
ost common words in all the languages of the same family, showing (as
is
the case with the word “father” in the accompanyi
d national idioms comprised under the name of Aryan or Semitic”; that
is
to say, in the Hindoo, Persian, Greek, Roman, Cel
during this period that the main part of the vast fund of mythic lore
is
supposed to have crystallised; for primitive man,
gs, in the same way. This tendency to personify or animate everything
is
universal among savages, who are nothing but men
r kept alive in our minds the old animative theory of nature, that it
is
no great effort in us to fancy the waterspout a h
onsciously talked of in mythic language, the meaning of their legends
is
open to no question, and the action ascribed to t
aning of a myth died away with the original meaning of a word; and it
is
because “the Greek had forgotten that Zeus (Jupit
alies occur, and how the myths got so tangled up together that now it
is
almost impossible to disentangle them and trace t
agglomeration of kindred and foreign substances, the original nucleus
is
entirely lost to sight. The fact that, there are
all myths (except the imitative myths, of which the tale of Berenice
is
a fair example) were originally nature myths, hav
f the sky, Uranus, whose name, like that of the old Hindoo god Varuna
is
derived from the Sanskrit root var (“to veil, con
s abode into the abyss called Tartarus. Zeus (or Jupiter), whose name
is
the same as the Hindoo Dyaus Pitar, the god and p
traced to the Sanskrit root div or dyu, meaning “to shine”; and there
is
also a noun dyu in that language which means eith
heavenly light, and therefore the complement and consort of the sky,
is
supposed to be derived from the Sanskrit soar (“t
fication of the sky, this time under the nocturnal and starry aspect,
is
Argus, whose many bright eyes never closed all at
ercury). Sun and Dawn Myths The myths of the sun, from which it
is
almost impossible to separate those of the dawn,
in all cases. The first sun myth mentioned in the course of this work
is
the story of Europa, in which Europa is “the broa
ed in the course of this work is the story of Europa, in which Europa
is
“the broad spreading light,” born in Phœnicia (th
er overtaken the light of dawn (Europa). Apollo, whose name of Helios
is
pure Greek for “the sun,” had therefore not lost
y starts on his westward journey. Like all other solar heroes, Apollo
is
beautiful and golden-haired, radiant and genial,
weapons, which he wields for good or evil, as the mood sways him. He
is
forced to labour, against his will at times, for
crilegious temerity with their lives. The sun’s affinity for the dawn
is
depicted by his love for Coronis, who, however be
n, causes her death. As some mythologists have interpreted it, Daphne
is
a personification of the morning dew, which vanis
word denoting “the broad spreading flush of the dawn across the sky,”
is
, of course, a personification of that light, slai
rydice. G. F. Watts. By permission of Mr. Frederick Hollyer. Orpheus
is
also sometimes considered as the sun, plunging in
ght (Eurydice) reappears opposite the place where he disappeared, but
is
no more seen after the sun himself has fairly ris
d shining one,” a description of the golden palace and car of the sun
is
given us. We are told that the venturesome young
for his mismanagement of the solar steeds (the fleecy white clouds),
is
hurled from his exalted seat by a thunderbolt lau
w to guide his horses; and the smiting of Phaeton by the bolt of Zeus
is
the ending of the time of drought by a sudden sto
ple said, “Selene loves and watches Endymion,” instead of saying, “It
is
getting late”; “Selene embraces Endymion,” instea
It is getting late”; “Selene embraces Endymion,” instead of, “The sun
is
setting and the moon is rising “Selene kisses End
lene embraces Endymion,” instead of, “The sun is setting and the moon
is
rising “Selene kisses Endymion into sleep,” inste
e moon is rising “Selene kisses Endymion into sleep,” instead of, “It
is
night.” These expressions remained long after th
heir real meaning had ceased to be understood; and, as the human mind
is
generally as anxious for a reason as ready to inv
ologists find another sun myth, in which Adonis, the short-lived sun,
is
slain by the boar, the demon of darkness, and pas
ring, Pelops (the withered fruits), and in punishment for his impiety
is
doomed to hunger and torturing thirst, we have ag
e fruit his fostering rays had produced, and men exclaimed, “Tantalus
is
slaying and roasting his own child!” In the same
great cloud of dust, has been interpreted to represent the sun, which
is
no “sooner pushed up to the zenith, than it rolls
has been identified with the Sanskrit word Akshanah, denoting one who
is
bound to a wheel, and has been proved akin “to th
n, the Latin axis, and the English axle.” This whirling wheel of fire
is
the bright orb of day, to which he was bound by o
e dared insult Juno (the queen of the blue air); while Dia, his wife,
is
the dawn, the counterpart of Europa, Coronis, Dap
foregoing illustrations. One of the greatest of all the solar heroes
is
doubtless the demi-god Hercules, born at Argos (a
ar, or the twelve hours of daylight. Like Apollo and Cadmus, Hercules
is
forced to labour for mankind against his will. We
s, slaying his own offspring in a sudden fit of madness. He loves and
is
soon forced to leave Iole, the violet-coloured cl
ol of the western sky and clouds at sunset. The main part of his life
is
spent with Deianeira (“the destroying spouse”), a
f his career he again encounters Iole, now the beautiful twilight. It
is
then that Deianeira (the daylight), jealous of he
oes, he too has unerring poisoned weapons ( “the word ios, ‘a spear,’
is
the same in sound as the word ios, ‘poison’”), of
spear,’ is the same in sound as the word ios, ‘poison’”), of which he
is
shorn only at death. Perseus also belongs to this
means “burnt earth”) or the dawn, a daughter of Acrisius (darkness),
is
born in Argos (brightness). Loved by Jupiter, the
tion of the radiant orb of day; and he, like many another solar hero,
is
cast adrift immediately after his birth, owing to
phic Co., 133 New Bond St., W. As soon as Perseus attains manhood, he
is
forced to journey against his will into the dista
ss), whence he originally sprang. In the Athenian solar myth, Theseus
is
the sun, born of Ægeus (the sea, derived from ais
ible monster of darkness, and carries off the dawn (Ariadne); whom he
is
, however, forced to abandon shortly after on the
aurs (personification of the clouds, through which the victorious sun
is
sometimes forced to fight his way), then again pl
sation of vapour, falls from her exalted seat into the sea, where she
is
lost. The ship Argo “is a symbol of the earth as
from her exalted seat into the sea, where she is lost. The ship Argo “
is
a symbol of the earth as a parent, which contains
t, which contains in itself the germs of all living things.” Its crew
is
composed mainly of solar heroes, all in quest of
ter slaying the dragon (the demon of drought). Æetes, Medea’s father,
is
a personification of the darkness, which vainly a
ight) next charms Jason; and the poisoned robe which causes her death
is
woven by Medea, now the evening twilight, who mou
the far east, forsaking her husband (the sun) in his old age, when he
is
about to sink into the sleep of death. Meleager i
s old age, when he is about to sink into the sleep of death. Meleager
is
also a solar hero. After joining the Argonautic e
rought fiend), loves, but parts from, Atalanta (the dawn maiden), and
is
finally slain by his own mother, who casts into t
solar myth, Laius (derived from the same root as “Leto” and “Latmus”)
is
the emblem of darkness, who, after marrying Jocas
doomed by fate to be the murderer of his father. Early in life Œdipus
is
exposed on the barren hillside to perish, — an em
. He too, like Cadmus, Apollo, Hercules, Perseus, Theseus, and Jason,
is
forced to wander far from home, and, after a prol
resh fountains were wont to spring. Bellerophon, after many journeys,
is
finally united to Philonoe, a personification of
ss by one of Jupiter’s deadly thunderbolts. “The fall of Bellerophon
is
the rapid descent of the sun toward evening, and
n is the rapid descent of the sun toward evening, and the Alein plain
is
that broad expanse of sombre light through which
fter recovering the beautiful Briseis. Like Perseus and Œdipus, Paris
is
exposed in early infancy and lives to fulfil his
(Leda, derived from the same root as “Leto,” “Latmus,” and “Laius”),
is
carried away by Paris, whom some mythologists ide
uggling for a while to retain possession of her and her treasures, he
is
finally forced to relinquish her, and she returns
al of his brother heroes, “fights in no quarrel of his own; his wrath
is
the sun hiding his face behind the clouds; the My
Myrmidons are his attendant beams, who no longer appear when the sun
is
hidden; Patroclus is the feeble reflection of the
tendant beams, who no longer appear when the sun is hidden; Patroclus
is
the feeble reflection of the sun’s splendour, and
ules and Perseus: for Ulysses, early in life, after wedding Penelope,
is
forced to leave her to fight for another; and on
ng bride, he cannot turn aside from the course marked out for him. He
is
detained by Circe (the moon), who weaves airy tis
er having visited the Phæacian land (the land of clouds or mists). It
is
only after he has slain the suitors of Penelope (
nterwoven. One personification of the dawn, however, stands apart. It
is
Minerva, whose Greek name, Athene, is derived, li
dawn, however, stands apart. It is Minerva, whose Greek name, Athene,
is
derived, like Daphne, from the Sanskrit Dahana, o
Moon Myths In the moon myths the most important personification
is
first Diana, the horned huntress, “for to the anc
mprise, of course, Oceanus and Neptune (the earth shaker), whose name
is
connected with such words as “potent” and “despot
ting Amphitrite, whose gliding charms appeal to him. Neptune’s palace
is
beneath the deep waters near Greece, and he is sa
him. Neptune’s palace is beneath the deep waters near Greece, and he
is
said to ride about his realm in a swift chariot d
-maned steeds. Nereus, another personification of the sea, whose name
is
derived from nao (“to flow”), is quite inseparabl
rsonification of the sea, whose name is derived from nao (“to flow”),
is
quite inseparable from his native element, even i
one of the cloud myths. According to some mythologists, Niobe herself
is
a personification of the clouds. Her many childre
thunderbolts, the weapons of the sky (Jupiter), by means of which he
is
enabled to triumph over all his enemies and rule
ephæstus), strictly “the brightness of the flame,” another fire hero,
is
represented as very puny at birth, because the fl
ry puny at birth, because the flame comes from a tiny spark. His name
is
derived from the Hindoo agni, whence come the Lat
ssociation of the heavenly fire with the life-giving forces of nature
is
very common,” the Hindoo Agni was considered the
he Sanskrit Sarameias, means “the breeze of a summer morning”; and it
is
in his capacity of god of the wind that he is sup
summer morning”; and it is in his capacity of god of the wind that he
is
supposed to waft away the souls of the dead; for
e ancients held that in the wind were the souls of the dead.” Mercury
is
the “lying, tricksome wind-god who invented music
is the “lying, tricksome wind-god who invented music,” for his music
is
but “the melody of the winds, which can awaken fe
d of Thrace, rejoicing in din and in the noise of warfare. His nature
is
further revealed by his inconstancy and capriciou
rther revealed by his inconstancy and capriciousness; and whenever he
is
overcome, he is noted for his great roar. His nam
y his inconstancy and capriciousness; and whenever he is overcome, he
is
noted for his great roar. His name comes from the
ich throw heaven and earth into confusion, and hence the idea of Ares
is
confined to mere disorder and tumult.” Otus and
gs down into his realm, never to relinquish his grasp upon them. Such
is
the physical explanation of the various poetical
es’ charioteer, 291 Av′en-tine. One of the seven hills on which Rome
is
built, 196 A-ver′nus. Lake near Naples; the entr
. One of the Centimani; son of Uranus and Gæa, 7; umpire, 129 Bri-se′
is
. Captive of Achilles during Trojan war; claimed b
ears, 316; significance, 360 Ca-mil′la. Volscian maiden; fights, and
is
slain by, Æneas, 334t 337 I dedicated to Diana, 3
Chi′ron. Learned Centaur, 189, 230, 233, 279; death of, 193 Chry-se′
is
. Daughter of Chryses; taken by Agamemnon, 282-284
, 299; significance, 358, 359 Clyt′i-e. Maiden who loves Apollo, and
is
changed into a sunflower, 54 Co-cy′tus. River in
Par′cæ. The Fates, or Mœræ; they spin the thread of destiny, 141 Par′
is
. Son of Priam and Hecuba, 273; judgment of, 274;
War, 293 Pen′theus. King of Thebes; refuses to receive Bacchus, and
is
slain, 1 56, 157 Per-i-phe′tes. Son of Vulcan, 1
e, 355 Pha′e-ton. Son of Apollo and Clymene; drives the sun car, and
is
slain, 64-68; significance, 351, 352, 359 Pha-e-
goddess Minerva, 43 Quir′i-nal. One of the seven hills on which Rome
is
built, 120 Quir-i-na′li-a. Festivals in Rome in
doned in infancy, he was brought up by Pax, the goddess of peace, who
is
often represented holding him in her lap. Because
Giove i diurni. Ovidio poi confessa che non sa qual Dio sia (quisquis
is
est). Peraltro i moderni Filologi che rivaleggian
flaminis Dialis deque flaminicæ cœrimonis : verbaque ex edicto præ’o.
is
opposita, quibus dicit non coacturum se ad lurand
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